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Cherry, Norman (2006) Grow your own: angiogenetic body adornment. Scan : Journal of Media Arts Culture, 3 (3). ISSN 1449-1818
Cherry, Norman (2011) Living art: angiogenetic body adornment. In: Bodies in Movement: Intersecting Discourses of Materiality in the Sciences and the Arts, 28-29 May 2011, Edinburgh.
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Kazlauskaite, Sandra (2023) Silence. In: Sound Affects: A User's Guide. Bloomsbury Publishing, New York, pp. 19-30. ISBN 9781501388880
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Dutton, Steve (2015) The work is a score. In: Next to Nothing: Art as Performance. A meeting of art and philosophy in the age of post-dematerialisation, 26 - 27 Sept 2015, The Lock up Culture Centre, Newcastle, Australia.
Eastwood, Phil and Plowman, John (2005) Invisible labour, process and art. In: The labour of art. Beehive Press, Lincoln, pp. 17-24. ISBN 1860501982
Edwards, Paul (2003) Fresh start. a-n magazine . p. 45. ISSN 0261-3425
O'Neill, Mary Rose (2004) In memory 2003. In: Memory [exhibition] Salina Art Center, 15 Feb - 16 May 2004, Kansas, US.
O'Neill, Mary (2009) Ephemeral art: the art of being lost. In: Emotion, Place and Culture. New formations (67). Ashgate, Aldershot, pp. 149-162. ISBN 9780754672463
O'Reilly, Oran (2005) Plastic fantastic. [Event, Show or Exhibition]
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Dutton, Steve (2015) The work is a score. In: Next to Nothing: Art as Performance. A meeting of art and philosophy in the age of post-dematerialisation, 26 - 27 Sept 2015, The Lock up Culture Centre, Newcastle, Australia.
Dutton, Steve (2015) The work is a score. In: Next to Nothing: Art as Performance. A meeting of art and philosophy in the age of post-dematerialisation, 26 - 27 Sept 2015, The Lock up Culture Centre, Newcastle, Australia.
Plowman, John (2006) No place, like home [curation of]. [Event, Show or Exhibition]
Plowman, John (2005) Sense of place : place of sense [curation of]. [Event, Show or Exhibition]
Kinnell, Fiona, Leak, Jeff, Eastwood, Phil, Perry, Robert and Middleton, Paul (2006) Beyond the studio. [Event, Show or Exhibition]
O'Neill, Mary Rose (2004) In memory 2003. In: Memory [exhibition] Salina Art Center, 15 Feb - 16 May 2004, Kansas, US.
O'Reilly, Oran (2005) Plastic fantastic. [Event, Show or Exhibition]
Holden, John (2007) Take time. In: Vienna Art Week, Robert Stolz Platz, 23-29 Apr 2007, Vienna, Austria.
Lock, Andy (2007) [seven images from] Lost horizons. [Event, Show or Exhibition]
McKay, Andy (2001) DV Miniatures - Phasia; DV Miniatures - Shaker. In: [Performance at ]Broadway Cinema 2, March 2001, Nottingham, UK.
O'Neill, Mary Rose (2004) In memory 2003. In: Memory [exhibition] Salina Art Center, 15 Feb - 16 May 2004, Kansas, US.
Dutton, Steve (2015) The flickering institution. In: Material Culture in Action: Practices of making, collecting and re-enacting art and design, 7 - 8 September 2015, Glasgow School of Art.
Dutton, Steve (2015) The flickering institution. In: Material Culture in Action: Practices of making, collecting and re-enacting art and design, 7 - 8 September 2015, Glasgow School of Art.
Dutton, Steve (2015) The work is a score. In: Next to Nothing: Art as Performance. A meeting of art and philosophy in the age of post-dematerialisation, 26 - 27 Sept 2015, The Lock up Culture Centre, Newcastle, Australia.
Burge, Catherine (2006) Here's one I made earlier. In: Group show at Surface Gallery, to 6 Nov 2006, Nottingham, UK.
Macklin, Judy and Macklin, Mark (2019) Art-geoscience encounters and entanglements in the watery realm. Journal of Maps, 15 . pp. 9-18. ISSN 1744-5647
Goffin, Jeremy (2023) Swell - Artist Book. [Artefact]
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Burge, Catherine (2009) Our name is legion: Kelly Large. In: Our Name is Legion. B. Press. ISBN 9780955362637
Eastwood, Phil and Plowman, John (2005) Invisible labour, process and art. In: The labour of art. Beehive Press, Lincoln, pp. 17-24. ISBN 1860501982
Kinnell, Fiona, Leak, Jeff, Eastwood, Phil, Perry, Robert and Middleton, Paul (2006) Beyond the studio. [Event, Show or Exhibition]
Edwards, Paul (2003) Fresh start. a-n magazine . p. 45. ISSN 0261-3425
Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000
Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000
Morrad, Annie (2014) PH1 - artists in place. [Event, Show or Exhibition]
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Shabdanova, Tajyka and Eginalieva, Anara (2022) NASILIYE AND THE CHILDREN OF MIGRANT WORKERS. Technical Report. N/A.
Vina, Puspita (2022) Mural-Making Process by Vina Puspita - East Jakarta - Indonesia. [Video]
Chick, Anne (2017) Audio descriptors: 3D Printing: The Good, the Bad and the Beautiful. [Event, Show or Exhibition]
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
McKay, Andy (2001) DV Miniatures - Phasia; DV Miniatures - Shaker. In: [Performance at ]Broadway Cinema 2, March 2001, Nottingham, UK.
Chick, Anne (2017) Multi-sensory desks: An inclusively designed and curated exhibition focusing on visually impaired visitors. In: 1st International Conference on Disability Studies, Arts, and Education, 28-29 September 2017, Aalto University School of Arts, Design and Architecture, Helsinki, Finland.
Chick, Anne (2017) Audio descriptors: 3D Printing: The Good, the Bad and the Beautiful. [Event, Show or Exhibition]
Middleton, Geoff and Brown, Chloe (2015) The evaluation of the Lincolnshire One Venues young people's programme. Technical Report. University of Lincoln.
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Cherry, Norman (2006) Grow your own: angiogenetic body adornment. Scan : Journal of Media Arts Culture, 3 (3). ISSN 1449-1818
Cherry, Norman (2011) Living art: angiogenetic body adornment. In: Bodies in Movement: Intersecting Discourses of Materiality in the Sciences and the Arts, 28-29 May 2011, Edinburgh.
Holden, John (2007) Lots o' compiny. Goldman Chen, UK. ISBN 9780952364078
Rossi, Emilio, Di Nicolantonio, Massimo, Ceschin, Fabrizio, Mincolelli, Giuseppe, dos Santos, Aguinaldo, Kohtala, Cindy, Jacques, Edu, Cipolla, Carla and Manzini, Ezio (2020) Call for Papers/Special Issue: 'Design contributions for the COVID-19 global emergency'. Strategic Design Research Journal.
Rossi, Emilio, Di Nicolantonio, Massimo, Ceschin, Fabrizio, Mincolelli, Giuseppe, dos Santos, Aguinaldo, Kohtala, Cindy, Jacques, Edu, Cipolla, Carla and Manzini, Ezio (2021) Design Contributions for the COVID-19 Global Emergency (Part 2): Methodological Reflections and Future Visions. Strategic Design Research Journal, 14 (1). pp. 1-18. ISSN 1984-2988
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000
Holden, John (2007) Lots o' compiny. Goldman Chen, UK. ISBN 9780952364078
Healey, Michael, Esson, Michael and Colston, Belinda (2011) The art of reconstruction. [Project]
Esson, Michael (2005) The art of reconstruction: 3 day course for plastic surgeons. [Unknown].
Chick, Anne (2017) Co-creating an accessible, multisensory exhibition with the National Centre for Craft & Design and blind and partially sighted participants. In: REDO: 2017 Cumulus International Conference, 30 May - 2 June 2017, Kolding Design School, Kolding Denmark.
Chick, Anne and Thomas, Sophie (2009) 'What is sustainable design?': The Greengaged exhibition. [Event, Show or Exhibition]
Chick, Anne (2017) Pragmatic and innovative inclusive exhibition design solutions through co-designing with blind and partially sighted visitors. In: enth International Conference on The Inclusive Museum, 15-17 September 2017, University of Manchester, Manchester..
Chick, Anne (2017) "I can read the wall panels without my magnifer": co-producing an inclusively designed exhibition with partially sighted, blind and elderly participants with the National Centre for Craft & Design. In: 2017 Museums Galleries Scotland Conference: Inequalities: Bridging the Gap, 12 October 2017, John McIntyre Centre, Edinburgh, Scotland.
Chick, Anne (2017) Audio descriptors: 3D Printing: The Good, the Bad and the Beautiful. [Event, Show or Exhibition]
Charnley, Clare and Kivimaa, Katrin (2002) Kone/Speech. In: KanaNahk festival, Haapsalu kulturimaja [Community centre of Haapsalu], 26 Jul 2002, Haapsalu, Estonia.
Charnley, Clare and Kivimaa, Katrin (2007) So communication… translating each other's words. Estonian Academy of Art, Tallinn, Estonia. ISBN 9780955362620
Charnley, Clare and Sowierszenko, Magdelana (2004) Przemowienie/Speech 1 and Przemowienie/Speech 2. In: Zamek Wyobrazni festival, The 12th international performance art festival, Theatre Rondo, Slupsk, Poland, 27 Aug 2004, Slupsk, Poland.
Plowman, John (2004) Beacon. In: Beacon Art Project, 18 Sep - 9 Oct 2004, Lincolnshire.
Sicchio, Kate and Bridges, Grant (2013) Students perceptions of collaborative learning in intermedia and performing arts. Learning and Performance Quarterly, 1 (4). pp. 12-23. ISSN 2166-3564
Morrad, Annie (2014) PH1 - artists in place. [Event, Show or Exhibition]
Eastwood, Philip (2006) Searching for a humanist aesthetic. In: Eram Gallery, 1-6 March 2007, Catalonia, Spain.
O'Hana, Sarah (2012) The power of communication through art jewellery. International Journal of the Humanities, 9 (9). pp. 259-270. ISSN 1447-9508
Eastwood, Philip (2006) Searching for a humanist aesthetic. In: Eram Gallery, 1-6 March 2007, Catalonia, Spain.
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Plowman, John (2004) Beacon. In: Beacon Art Project, 18 Sep - 9 Oct 2004, Lincolnshire.
Maycroft, Neil (2007) Behind, in/through and in front of: research for cross-disciplinary creative practice. In: NCN Autumn Conference: Who Do I Get Into Bed With?: A Tool-Box for Understanding the Structures and Management of Collaboration, November 2007, Nottingham Trent University/Broadway.
Maycroft, Neil (2007) Behind, in/through and in front of: research for cross-disciplinary creative practice. In: NCN Autumn Conference: Who Do I Get Into Bed With?: A Tool-Box for Understanding the Structures and Management of Collaboration, November 2007, Nottingham Trent University/Broadway.
Maycroft, Neil and Shorthose, Jim (2009) In, through, up and down: research for creative practice. In: Leeds College of Art, Research Event, Leeds.
Shorthose, Jim and Maycroft, Neil (2017) Where is Creativity? A Multi-disciplinary Approach, 1st Edition. Routledge, UK. ISBN 9781472437266
Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000
Catalani, Anna (2019) Refugee artists and memories of displacement: a visual semiotics analysis. Visual Communication . ISSN 1470-3572
Charnley, Clare and Kivimaa, Katrin (2007) So communication… translating each other's words. Estonian Academy of Art, Tallinn, Estonia. ISBN 9780955362620
Shorthose, Jim and Maycroft, Neil (2017) Where is Creativity? A Multi-disciplinary Approach, 1st Edition. Routledge, UK. ISBN 9781472437266
Ruffino, Paolo, Cremonesi, Matteo, Cuttica, Filippo and Prati, Davide (2017) IOCOSE: art, authority, and culture jamming. In: Culture jamming: activism and the art of cultural resistance. NYU Press, pp. 427-432. ISBN 9781479806201
Plowman, John (2006) No place, like home [curation of]. [Event, Show or Exhibition]
Plowman, John (2005) Sense of place : place of sense [curation of]. [Event, Show or Exhibition]
McKay, Andy (2001) DV Miniatures - Phasia; DV Miniatures - Shaker. In: [Performance at ]Broadway Cinema 2, March 2001, Nottingham, UK.
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Lock, Andy (2006) [twelve images from] Orchard Park. [Event, Show or Exhibition]
Matthews, Geoff (2000) Writing design. In: Research by design conference and 18th EAAE conference: Architectural strategies and design methods, 1-3 Nov 2000, Delft University of Technology, Delft, The Netherlands.
Rossi, Emilio, Di Nicolantonio, Massimo, Ceschin, Fabrizio, Mincolelli, Giuseppe, dos Santos, Aguinaldo, Kohtala, Cindy, Jacques, Edu, Cipolla, Carla and Manzini, Ezio (2020) Call for Papers/Special Issue: 'Design contributions for the COVID-19 global emergency'. Strategic Design Research Journal.
Rossi, Emilio, Di Nicolantonio, Massimo, Ceschin, Fabrizio, Mincolelli, Giuseppe, dos Santos, Aguinaldo, Kohtala, Cindy, Jacques, Edu, Cipolla, Carla and Manzini, Ezio (2021) Design Contributions for the COVID-19 Global Emergency (Part 2): Methodological Reflections and Future Visions. Strategic Design Research Journal, 14 (1). pp. 1-18. ISSN 1984-2988
Rossi, Emilio, Di Nicolantonio, Massimo, Ceschin, Fabrizio, Mincolelli, Giuseppe, dos Santos, Aguinaldo, Kohtala, Cindy, Jacques, Edu, Cipolla, Carla and Manzini, Ezio (2020) Call for Papers/Special Issue: 'Design contributions for the COVID-19 global emergency'. Strategic Design Research Journal.
Matthews, Geoff (2000) Writing design. In: Research by design conference and 18th EAAE conference: Architectural strategies and design methods, 1-3 Nov 2000, Delft University of Technology, Delft, The Netherlands.
Chick, Anne and Thomas, Sophie (2009) 'What is sustainable design?': The Greengaged exhibition. [Event, Show or Exhibition]
O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517
O'Neill, Mary (2009) Ephemeral art: the art of being lost. In: Emotion, Place and Culture. New formations (67). Ashgate, Aldershot, pp. 149-162. ISBN 9780754672463
Matthews, Geoff and Abeyasekera, Karl (2007) Sustainable exhibit design: guidelines for designers of small scale interactive and travelling exhibits. University of Lincoln, Lincoln. ISBN 1860502059
Lock, Andy (2006) [twelve images from] Orchard Park. [Event, Show or Exhibition]
Esson, Michael (1995) Royal surgeons: trophies. [Royal College of Surgeons], [Edinburgh]. ISBN 0646254596
Esson, Michael (2010) Where all the butterflies go. [Event, Show or Exhibition]
Healey, Michael, Esson, Michael and Colston, Belinda (2011) The art of reconstruction. [Project]
Healey, Michael and Esson, Michael (2011) The art of reconstruction. [Event, Show or Exhibition]
Plowman, John (2002) I may appear to be free, but I am just a prisoner. In: As long as it takes. Angel Row Gallery, Nottingham, UK. ISBN 0905634551
Esson, Michael (1995) Royal surgeons: trophies. [Royal College of Surgeons], [Edinburgh]. ISBN 0646254596
Chick, Anne (2010) 'Sustainable Futures: Can design make a difference' travelling exhibition, Design Museum. [Event, Show or Exhibition]
Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Rossi, Emilio, Di Nicolantonio, Massimo, Ceschin, Fabrizio, Mincolelli, Giuseppe, dos Santos, Aguinaldo, Kohtala, Cindy, Jacques, Edu, Cipolla, Carla and Manzini, Ezio (2021) Design Contributions for the COVID-19 Global Emergency (Part 2): Methodological Reflections and Future Visions. Strategic Design Research Journal, 14 (1). pp. 1-18. ISSN 1984-2988
Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000
Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED
O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517
Chick, Anne (2010) 'Sustainable Futures: Can design make a difference' travelling exhibition, Design Museum. [Event, Show or Exhibition]
Chick, Anne and Thomas, Sophie (2009) 'What is sustainable design?': The Greengaged exhibition. [Event, Show or Exhibition]
Plowman, John (2002) I may appear to be free, but I am just a prisoner. In: As long as it takes. Angel Row Gallery, Nottingham, UK. ISBN 0905634551
Chick, Anne (2010) 'Sustainable Futures: Can design make a difference' travelling exhibition, Design Museum. [Event, Show or Exhibition]
Griffin, Barbara (2005) [Design of] Airgeadóir: four centuries of Cork silver and gold. [Event, Show or Exhibition]
Griffin, Barbara (2006) [Project designer for] Cork: building the vision by Janice O'Connell, 3 Nov - 2 Dec 2006, Cork Vision Centre, Cork, Ireland. [Event, Show or Exhibition]
Matthews, Geoff and Abeyasekera, Karl (2007) Sustainable exhibit design: guidelines for designers of small scale interactive and travelling exhibits. University of Lincoln, Lincoln. ISBN 1860502059
Middleton, Paul (2007) Beyond the studio [curation of]. In: Beyond the Studio, International University of Cyprus, 16 Jul - 23 Aug 2007, Nicosia, Cyprus.
Burge, Catherine (2006) Here's one I made earlier. In: Group show at Surface Gallery, to 6 Nov 2006, Nottingham, UK.
Holden, John (2007) Take time. In: Vienna Art Week, Robert Stolz Platz, 23-29 Apr 2007, Vienna, Austria.
Kinnell, Fiona, Leak, Jeff, Eastwood, Phil, Perry, Robert and Middleton, Paul (2006) Beyond the studio. [Event, Show or Exhibition]
Lock, Andy (2007) [seven images from] Lost horizons. [Event, Show or Exhibition]
Matthews, Geoff and Abeyasekera, Karl (2007) Sustainable exhibit design: guidelines for designers of small scale interactive and travelling exhibits. University of Lincoln, Lincoln. ISBN 1860502059
Middleton, Paul (2007) Beyond the studio [curation of]. In: Beyond the Studio, International University of Cyprus, 16 Jul - 23 Aug 2007, Nicosia, Cyprus.
O'Reilly, Oran (2005) Plastic fantastic. [Event, Show or Exhibition]
Catalani, Anna (2019) Refugee artists and memories of displacement: a visual semiotics analysis. Visual Communication . ISSN 1470-3572
Kazlauskaite, Sandra (2023) Silence. In: Sound Affects: A User's Guide. Bloomsbury Publishing, New York, pp. 19-30. ISBN 9781501388880
O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517
McKay, Andy (2001) DV Miniatures - Phasia; DV Miniatures - Shaker. In: [Performance at ]Broadway Cinema 2, March 2001, Nottingham, UK.
Burge, Catherine (2009) Our name is legion: Kelly Large. In: Our Name is Legion. B. Press. ISBN 9780955362637
Goffin, Jeremy, Ashman, Sinclair, Voce, Brian and Stocker, John (2018) Print!! [Event, Show or Exhibition]
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Matthews, Geoff and Abeyasekera, Karl (2007) Sustainable exhibit design: guidelines for designers of small scale interactive and travelling exhibits. University of Lincoln, Lincoln. ISBN 1860502059
Holden, John (2007) Lots o' compiny. Goldman Chen, UK. ISBN 9780952364078
Rossi, Emilio, Di Nicolantonio, Massimo, Ceschin, Fabrizio, Mincolelli, Giuseppe, dos Santos, Aguinaldo, Kohtala, Cindy, Jacques, Edu, Cipolla, Carla and Manzini, Ezio (2021) Design Contributions for the COVID-19 Global Emergency (Part 2): Methodological Reflections and Future Visions. Strategic Design Research Journal, 14 (1). pp. 1-18. ISSN 1984-2988
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
Lamb, Francis (2005) The fantasist. In: International Biennale of Contemporary Art Prague 2005, Antitheticals, curated by Ian Jeffrey at the National Gallery, 1 Jun - 1 Sep 2005, Prague, Czech Republic.
Lamb, Francis (2005) The fantasist. In: Mourning, curated by Varda Caivano at Sies+Hoke Galarie, Dusseldorf, 1 Mar - 1 Apr 2005, Dusseldorf, Germany.
Lamb, Francis (2003) Giallo. [Event, Show or Exhibition]
Goffin, Jeremy (2023) Swell - Artist Book. [Artefact]
Goffin, Jeremy, Ashman, Sinclair, Voce, Brian and Stocker, John (2018) Print!! [Event, Show or Exhibition]
Holden, John (2007) Lots o' compiny. Goldman Chen, UK. ISBN 9780952364078
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
O'Neill, Mary (2009) Ephemeral art: the art of being lost. In: Emotion, Place and Culture. New formations (67). Ashgate, Aldershot, pp. 149-162. ISBN 9780754672463
Chick, Anne (2017) Enhancing intellectual access for blind and partially sighted visitors to local and regional galleries and museums: Guidance on the inclusive exhibition design and curatorship of non-permanent exhibitions. Other. Arts Council England and RNIB, London.
Goffin, Jeremy (2023) Swell - Artist Book. [Artefact]
Sicchio, Kate and Bridges, Grant (2013) Students perceptions of collaborative learning in intermedia and performing arts. Learning and Performance Quarterly, 1 (4). pp. 12-23. ISSN 2166-3564
Dutton, Steve (2015) The work is a score. In: Next to Nothing: Art as Performance. A meeting of art and philosophy in the age of post-dematerialisation, 26 - 27 Sept 2015, The Lock up Culture Centre, Newcastle, Australia.
Chick, Anne (2017) Multi-sensory desks: An inclusively designed and curated exhibition focusing on visually impaired visitors. In: 1st International Conference on Disability Studies, Arts, and Education, 28-29 September 2017, Aalto University School of Arts, Design and Architecture, Helsinki, Finland.
Chick, Anne (2017) Multi-sensory desks: An inclusively designed and curated exhibition focusing on visually impaired visitors. In: 1st International Conference on Disability Studies, Arts, and Education, 28-29 September 2017, Aalto University School of Arts, Design and Architecture, Helsinki, Finland.
Chick, Anne (2017) Enhancing intellectual access for blind and partially sighted visitors to local and regional galleries and museums: Guidance on the inclusive exhibition design and curatorship of non-permanent exhibitions. Other. Arts Council England and RNIB, London.
Chick, Anne (2017) Enhancing intellectual access for blind and partially sighted visitors to local and regional galleries and museums: Guidance on the inclusive exhibition design and curatorship of non-permanent exhibitions. Other. Arts Council England and RNIB, London.
Chick, Anne (2017) "I can read the wall panels without my magnifer": co-producing an inclusively designed exhibition with partially sighted, blind and elderly participants with the National Centre for Craft & Design. In: 2017 Museums Galleries Scotland Conference: Inequalities: Bridging the Gap, 12 October 2017, John McIntyre Centre, Edinburgh, Scotland.
Chick, Anne (2017) Pragmatic and innovative inclusive exhibition design solutions through co-designing with blind and partially sighted visitors. In: enth International Conference on The Inclusive Museum, 15-17 September 2017, University of Manchester, Manchester..
Chick, Anne (2017) Audio descriptors: 3D Printing: The Good, the Bad and the Beautiful. [Event, Show or Exhibition]
Vina, Puspita (2022) Mural-Making Process by Vina Puspita - East Jakarta - Indonesia. [Video]
Lock, Andy (2006) [twelve images from] Orchard Park. [Event, Show or Exhibition]
Shorthose, Jim and Maycroft, Neil (2017) Where is Creativity? A Multi-disciplinary Approach, 1st Edition. Routledge, UK. ISBN 9781472437266
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
Sicchio, Kate and Bridges, Grant (2013) Students perceptions of collaborative learning in intermedia and performing arts. Learning and Performance Quarterly, 1 (4). pp. 12-23. ISSN 2166-3564
Sicchio, Kate and Bridges, Grant (2013) Students perceptions of collaborative learning in intermedia and performing arts. Learning and Performance Quarterly, 1 (4). pp. 12-23. ISSN 2166-3564
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
Shepley, Alec (2015) Ibid. [Event, Show or Exhibition]
Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED
O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Lamb, Francis (2003) Giallo. [Event, Show or Exhibition]
Shepley, Alec (2015) Ibid. [Event, Show or Exhibition]
Ruffino, Paolo (2016) Meaningful interactions. Schirn Mag . ISSN .
Vina, Puspita (2022) Mural-Making Process by Vina Puspita - East Jakarta - Indonesia. [Video]
O'Hana, Sarah (2012) The power of communication through art jewellery. International Journal of the Humanities, 9 (9). pp. 259-270. ISSN 1447-9508
Shabdanova, Tajyka and Eginalieva, Anara (2022) NASILIYE AND THE CHILDREN OF MIGRANT WORKERS. Technical Report. N/A.
Lavery, Carl, Dixon, Deborah P. and Hassall, Lee (2014) The future of ruins: the baroque melancholy of Hashima. Environment and Planning A: Economy and Space, 46 (11). pp. 2569-2584. ISSN 0308-518X
Shabdanova, Tajyka and Eginalieva, Anara (2022) NASILIYE AND THE CHILDREN OF MIGRANT WORKERS. Technical Report. N/A.
O'Hana, Sarah (2012) The power of communication through art jewellery. International Journal of the Humanities, 9 (9). pp. 259-270. ISSN 1447-9508
Griffin, Barbara (2005) [Design of] Airgeadóir: four centuries of Cork silver and gold. [Event, Show or Exhibition]
Kazlauskaite, Sandra (2015) Soundscapes of the Post-Soviet World Today: Resounding Lithuania. Leonardo Music Journal, 25 . pp. 98-99. ISSN 0961-1215
Hewlett, Susannah, Hunter, Helena, Wee, Cecilia, Connors, Ben, Darton, Holly, Ghelani, Sheila, Roberts, Anthony, Song, Jungmin, Govinda, Manick, Bartram, Angela, Parthipan, Jiva, Dedomenici, Richard, Brine, Daniel, Ashery, Oreet and Weaver, Lois (2009) Everything you still wanted to know about live art but were afraid to ask. [Video]
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Chick, Anne (2017) Enhancing intellectual access for blind and partially sighted visitors to local and regional galleries and museums: Guidance on the inclusive exhibition design and curatorship of non-permanent exhibitions. Other. Arts Council England and RNIB, London.
Chick, Anne (2017) "I can read the wall panels without my magnifer": co-producing an inclusively designed exhibition with partially sighted, blind and elderly participants with the National Centre for Craft & Design. In: 2017 Museums Galleries Scotland Conference: Inequalities: Bridging the Gap, 12 October 2017, John McIntyre Centre, Edinburgh, Scotland.
Lock, Andy (2006) [twelve images from] Orchard Park. [Event, Show or Exhibition]
Holden, John (2007) Lots o' compiny. Goldman Chen, UK. ISBN 9780952364078
O'Hana, Sarah (2012) The power of communication through art jewellery. International Journal of the Humanities, 9 (9). pp. 259-270. ISSN 1447-9508
Ruffino, Paolo, Cremonesi, Matteo, Cuttica, Filippo and Prati, Davide (2017) IOCOSE: art, authority, and culture jamming. In: Culture jamming: activism and the art of cultural resistance. NYU Press, pp. 427-432. ISBN 9781479806201
McKay, Andy (2001) DV Miniatures - Phasia; DV Miniatures - Shaker. In: [Performance at ]Broadway Cinema 2, March 2001, Nottingham, UK.
Catalani, Anna (2019) Refugee artists and memories of displacement: a visual semiotics analysis. Visual Communication . ISSN 1470-3572
Rossi, Emilio, Di Nicolantonio, Massimo, Ceschin, Fabrizio, Mincolelli, Giuseppe, dos Santos, Aguinaldo, Kohtala, Cindy, Jacques, Edu, Cipolla, Carla and Manzini, Ezio (2021) Design Contributions for the COVID-19 Global Emergency (Part 2): Methodological Reflections and Future Visions. Strategic Design Research Journal, 14 (1). pp. 1-18. ISSN 1984-2988
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Shabdanova, Tajyka and Eginalieva, Anara (2022) NASILIYE AND THE CHILDREN OF MIGRANT WORKERS. Technical Report. N/A.
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
Chick, Anne (2017) Multi-sensory desks: An inclusively designed and curated exhibition focusing on visually impaired visitors. In: 1st International Conference on Disability Studies, Arts, and Education, 28-29 September 2017, Aalto University School of Arts, Design and Architecture, Helsinki, Finland.
O'Reilly, Oran (2005) Plastic fantastic. [Event, Show or Exhibition]
Collinson, Stewart, Szigetvári, Andrea, Hajdu, Georg, Kretz, Jonannes, Siska, Ádám, Niggemann, Kai and Ognjanovic, Ivana (2010) NetComedia: network performance as member of European Bridges Ensemble (ensemble in residence at Hochschule für Musik und Theatre (Hamburg). [Performance]
Vina, Puspita (2022) Mural-Making Process by Vina Puspita - East Jakarta - Indonesia. [Video]
Lavery, Carl, Dixon, Deborah P. and Hassall, Lee (2014) The future of ruins: the baroque melancholy of Hashima. Environment and Planning A: Economy and Space, 46 (11). pp. 2569-2584. ISSN 0308-518X
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
Holden, John (2006) Box 328. In: Festivals, Ceremonies and Customs: Sir Benjamin Stone and the National Photographic Record, 26 Oct 2006 - 14 Jan 2007, V&A Museum, London UK.
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Collinson, Stewart, Szigetvári, Andrea, Hajdu, Georg, Kretz, Jonannes, Siska, Ádám, Niggemann, Kai and Ognjanovic, Ivana (2010) NetComedia: network performance as member of European Bridges Ensemble (ensemble in residence at Hochschule für Musik und Theatre (Hamburg). [Performance]
Ruffino, Paolo, Cremonesi, Matteo, Cuttica, Filippo and Prati, Davide (2017) IOCOSE: art, authority, and culture jamming. In: Culture jamming: activism and the art of cultural resistance. NYU Press, pp. 427-432. ISBN 9781479806201
Thompson, Marie (2012) A virtuous silence: noise and the 'feminine'. In: Thinking Ourselves into Existence, February 2012, CCA Glasgow.
Shearer, John, Heslop, Philip, Olivier, Patrick and De Boni, Marco (2010) Non-verbal behaviour for believable synthetic agents. AISB Journal, 2 (1). pp. 3-20. ISSN 1476-3036
Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED
Lavery, Carl, Dixon, Deborah P. and Hassall, Lee (2014) The future of ruins: the baroque melancholy of Hashima. Environment and Planning A: Economy and Space, 46 (11). pp. 2569-2584. ISSN 0308-518X
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Mankowski, Guy (2017) The New Spoilt. 3AM Magazine . ISSN NOT SPECIFIED
Catalani, Anna (2019) Refugee artists and memories of displacement: a visual semiotics analysis. Visual Communication . ISSN 1470-3572
Dutton, Steve (2015) The work is a score. In: Next to Nothing: Art as Performance. A meeting of art and philosophy in the age of post-dematerialisation, 26 - 27 Sept 2015, The Lock up Culture Centre, Newcastle, Australia.
Chick, Anne (2017) "I can read the wall panels without my magnifer": co-producing an inclusively designed exhibition with partially sighted, blind and elderly participants with the National Centre for Craft & Design. In: 2017 Museums Galleries Scotland Conference: Inequalities: Bridging the Gap, 12 October 2017, John McIntyre Centre, Edinburgh, Scotland.
Plowman, John (2002) I may appear to be free, but I am just a prisoner. In: As long as it takes. Angel Row Gallery, Nottingham, UK. ISBN 0905634551
Kazlauskaite, Sandra (2023) Silence. In: Sound Affects: A User's Guide. Bloomsbury Publishing, New York, pp. 19-30. ISBN 9781501388880
Maycroft, Neil (2007) Behind, in/through and in front of: research for cross-disciplinary creative practice. In: NCN Autumn Conference: Who Do I Get Into Bed With?: A Tool-Box for Understanding the Structures and Management of Collaboration, November 2007, Nottingham Trent University/Broadway.
Maycroft, Neil and Shorthose, Jim (2009) In, through, up and down: research for creative practice. In: Leeds College of Art, Research Event, Leeds.
Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED
McKay, Andy (2001) DV Miniatures - Phasia; DV Miniatures - Shaker. In: [Performance at ]Broadway Cinema 2, March 2001, Nottingham, UK.
O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Charnley, Clare and Kivimaa, Katrin (2002) Kone/Speech. In: KanaNahk festival, Haapsalu kulturimaja [Community centre of Haapsalu], 26 Jul 2002, Haapsalu, Estonia.
Charnley, Clare and Kivimaa, Katrin (2007) So communication… translating each other's words. Estonian Academy of Art, Tallinn, Estonia. ISBN 9780955362620
Charnley, Clare and Sowierszenko, Magdelana (2004) Przemowienie/Speech 1 and Przemowienie/Speech 2. In: Zamek Wyobrazni festival, The 12th international performance art festival, Theatre Rondo, Slupsk, Poland, 27 Aug 2004, Slupsk, Poland.
Hewlett, Susannah, Hunter, Helena, Wee, Cecilia, Connors, Ben, Darton, Holly, Ghelani, Sheila, Roberts, Anthony, Song, Jungmin, Govinda, Manick, Bartram, Angela, Parthipan, Jiva, Dedomenici, Richard, Brine, Daniel, Ashery, Oreet and Weaver, Lois (2009) Everything you still wanted to know about live art but were afraid to ask. [Video]
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Sicchio, Kate and Bridges, Grant (2013) Students perceptions of collaborative learning in intermedia and performing arts. Learning and Performance Quarterly, 1 (4). pp. 12-23. ISSN 2166-3564
Lock, Andy (2001) Lost in transit / Nowhere so foreign. In: Quay Art Gallery, 22 May - 7 Jun 2001, Hull, UK.
Holden, John (2006) Box 328. In: Festivals, Ceremonies and Customs: Sir Benjamin Stone and the National Photographic Record, 26 Oct 2006 - 14 Jan 2007, V&A Museum, London UK.
Holden, John (2007) Lots o' compiny. Goldman Chen, UK. ISBN 9780952364078
Holden, John (2007) Take time. In: Vienna Art Week, Robert Stolz Platz, 23-29 Apr 2007, Vienna, Austria.
Lock, Andy (2001) Lost in transit / Nowhere so foreign. In: Quay Art Gallery, 22 May - 7 Jun 2001, Hull, UK.
Lock, Andy (2007) [seven images from] Lost horizons. [Event, Show or Exhibition]
Lock, Andy (2006) [twelve images from] Orchard Park. [Event, Show or Exhibition]
Holden, John (2006) Box 328. In: Festivals, Ceremonies and Customs: Sir Benjamin Stone and the National Photographic Record, 26 Oct 2006 - 14 Jan 2007, V&A Museum, London UK.
Lock, Andy (2007) [seven images from] Lost horizons. [Event, Show or Exhibition]
Lock, Andy (2006) [twelve images from] Orchard Park. [Event, Show or Exhibition]
Tagg, Justin (2011) You are nowhere: you are now here. [Event, Show or Exhibition]
Cherry, Norman (2006) Grow your own: angiogenetic body adornment. Scan : Journal of Media Arts Culture, 3 (3). ISSN 1449-1818
Cherry, Norman (2011) Living art: angiogenetic body adornment. In: Bodies in Movement: Intersecting Discourses of Materiality in the Sciences and the Arts, 28-29 May 2011, Edinburgh.
Esson, Michael (1995) Royal surgeons: trophies. [Royal College of Surgeons], [Edinburgh]. ISBN 0646254596
Esson, Michael (2005) The art of reconstruction: 3 day course for plastic surgeons. [Unknown].
Healey, Michael, Esson, Michael and Colston, Belinda (2011) The art of reconstruction. [Project]
O'Neill, Mary Rose (2004) In memory 2003. In: Memory [exhibition] Salina Art Center, 15 Feb - 16 May 2004, Kansas, US.
Shabdanova, Tajyka and Eginalieva, Anara (2022) NASILIYE AND THE CHILDREN OF MIGRANT WORKERS. Technical Report. N/A.
Kazlauskaite, Sandra (2015) Soundscapes of the Post-Soviet World Today: Resounding Lithuania. Leonardo Music Journal, 25 . pp. 98-99. ISSN 0961-1215
Wroe, Hannah (2023) Making Clothes for the Older Woman: Post-War Pattern Cutting and Dressmaking Home Instruction Texts. In: Everyday Fashion in Britain since 1600. Bloomsbury Academic Press. ISBN UNSPECIFIED
Edwards, Paul (2003) Fresh start. a-n magazine . p. 45. ISSN 0261-3425
O'Reilly, Oran (2005) Plastic fantastic. [Event, Show or Exhibition]
Goffin, Jeremy (2023) Swell - Artist Book. [Artefact]
Goffin, Jeremy, Ashman, Sinclair, Voce, Brian and Stocker, John (2018) Print!! [Event, Show or Exhibition]
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000
Matthews, Geoff and Abeyasekera, Karl (2007) Sustainable exhibit design: guidelines for designers of small scale interactive and travelling exhibits. University of Lincoln, Lincoln. ISBN 1860502059
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Catalani, Anna (2019) Refugee artists and memories of displacement: a visual semiotics analysis. Visual Communication . ISSN 1470-3572
Catalani, Anna (2017) Re-homing heritage: the heritage of forced migration in contemporary Europe. In: 4th Heritage Forum of Central Europe: Heritage and Society, 1-2 June 2017, Krakow, Poland.
Catalani, Anna (2006) From shrines to glass cases: Yorùbá intangible heritage displayed in western museums. In: Orisa. Yorùbá gods and spiritual identity in Africa and in the Diaspora. Trenton and Asmara: African World Press. ISBN 9781592213740, 159221374X
Plowman, John (2002) I may appear to be free, but I am just a prisoner. In: As long as it takes. Angel Row Gallery, Nottingham, UK. ISBN 0905634551
Maycroft, Neil (2007) Behind, in/through and in front of: research for cross-disciplinary creative practice. In: NCN Autumn Conference: Who Do I Get Into Bed With?: A Tool-Box for Understanding the Structures and Management of Collaboration, November 2007, Nottingham Trent University/Broadway.
Maycroft, Neil and Shorthose, Jim (2009) In, through, up and down: research for creative practice. In: Leeds College of Art, Research Event, Leeds.
Matthews, Geoff (2000) Writing design. In: Research by design conference and 18th EAAE conference: Architectural strategies and design methods, 1-3 Nov 2000, Delft University of Technology, Delft, The Netherlands.
Shepley, Alec (2014) IBID. [Event, Show or Exhibition]
Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED
O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517
McKay, Andy (2001) DV Miniatures - Phasia; DV Miniatures - Shaker. In: [Performance at ]Broadway Cinema 2, March 2001, Nottingham, UK.
Esson, Michael (2005) The art of reconstruction: 3 day course for plastic surgeons. [Unknown].
Kazlauskaite, Sandra (2023) Silence. In: Sound Affects: A User's Guide. Bloomsbury Publishing, New York, pp. 19-30. ISBN 9781501388880
O'Neill, Mary Rose (2004) In memory 2003. In: Memory [exhibition] Salina Art Center, 15 Feb - 16 May 2004, Kansas, US.
Holden, John (2006) Box 328. In: Festivals, Ceremonies and Customs: Sir Benjamin Stone and the National Photographic Record, 26 Oct 2006 - 14 Jan 2007, V&A Museum, London UK.
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Kazlauskaite, Sandra (2015) Soundscapes of the Post-Soviet World Today: Resounding Lithuania. Leonardo Music Journal, 25 . pp. 98-99. ISSN 0961-1215
Kazlauskaite, Sandra (2023) Silence. In: Sound Affects: A User's Guide. Bloomsbury Publishing, New York, pp. 19-30. ISBN 9781501388880
Kazlauskaite, Sandra (2015) Soundscapes of the Post-Soviet World Today: Resounding Lithuania. Leonardo Music Journal, 25 . pp. 98-99. ISSN 0961-1215
Owton, Helen and Allen-Collinson, Jacquelyn (2017) ‘It stays with you’: Multiple evocative representations of dance and future possibilities for studies in sport and physical cultures. Qualitative Research in Sport, Exercise & Health, 9 (1). pp. 49-55. ISSN 2159-676X
Holden, John (2007) Lots o' compiny. Goldman Chen, UK. ISBN 9780952364078
Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000
Chick, Anne (2010) 'Sustainable Futures: Can design make a difference' travelling exhibition, Design Museum. [Event, Show or Exhibition]
Chick, Anne and Thomas, Sophie (2009) 'What is sustainable design?': The Greengaged exhibition. [Event, Show or Exhibition]
Shearer, John, Heslop, Philip, Olivier, Patrick and De Boni, Marco (2010) Non-verbal behaviour for believable synthetic agents. AISB Journal, 2 (1). pp. 3-20. ISSN 1476-3036
Cherry, Norman (2006) Grow your own: angiogenetic body adornment. Scan : Journal of Media Arts Culture, 3 (3). ISSN 1449-1818
Cherry, Norman (2011) Living art: angiogenetic body adornment. In: Bodies in Movement: Intersecting Discourses of Materiality in the Sciences and the Arts, 28-29 May 2011, Edinburgh.
Sicchio, Kate and Bridges, Grant (2013) Students perceptions of collaborative learning in intermedia and performing arts. Learning and Performance Quarterly, 1 (4). pp. 12-23. ISSN 2166-3564
Lamb, Francis (2005) The fantasist. In: International Biennale of Contemporary Art Prague 2005, Antitheticals, curated by Ian Jeffrey at the National Gallery, 1 Jun - 1 Sep 2005, Prague, Czech Republic.
Lamb, Francis (2005) The fantasist. In: Mourning, curated by Varda Caivano at Sies+Hoke Galarie, Dusseldorf, 1 Mar - 1 Apr 2005, Dusseldorf, Germany.
Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED
O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517
Holden, John (2007) Lots o' compiny. Goldman Chen, UK. ISBN 9780952364078
Hildebrandt, Antje (2013) Auseinandersetzung / sitting apart (the). PSi Manifesto Lexicon.
Chick, Anne (2017) Audio descriptors: 3D Printing: The Good, the Bad and the Beautiful. [Event, Show or Exhibition]
Shabdanova, Tajyka and Eginalieva, Anara (2022) NASILIYE AND THE CHILDREN OF MIGRANT WORKERS. Technical Report. N/A.
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
Lamb, Francis (2003) Giallo. [Event, Show or Exhibition]
Lamb, Francis (2005) The fantasist. In: International Biennale of Contemporary Art Prague 2005, Antitheticals, curated by Ian Jeffrey at the National Gallery, 1 Jun - 1 Sep 2005, Prague, Czech Republic.
Lamb, Francis (2005) The fantasist. In: Mourning, curated by Varda Caivano at Sies+Hoke Galarie, Dusseldorf, 1 Mar - 1 Apr 2005, Dusseldorf, Germany.
Catalani, Anna (2019) Refugee artists and memories of displacement: a visual semiotics analysis. Visual Communication . ISSN 1470-3572
Catalani, Anna (2019) Refugee artists and memories of displacement: a visual semiotics analysis. Visual Communication . ISSN 1470-3572
Goffin, Jeremy (2023) Swell - Artist Book. [Artefact]
Tagg, Justin (2011) You are nowhere: you are now here. [Event, Show or Exhibition]
Catalani, Anna (2011) The Yorùbá diaspora and museum collections. In: Innovation through Heritage, 11 November 2011, University of Salford.
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
Sanjari, Pooya, Qabshoqa, Mohammad, Molinari, Carla, Soliman, Karim and Luliano, Marco (2015) Architecture and Comics Workshop: Liverpool Invasions! In: Liverpool Invasions!, 6-8 November 2015, Liverpool, United Kingdom.
Sanjari, Pooya, Qabshoqa, Mohammad, Molinari, Carla, Soliman, Karim and Luliano, Marco (2015) Architecture and Comics Workshop: Liverpool Invasions! In: Liverpool Invasions!, 6-8 November 2015, Liverpool, United Kingdom.
Sanjari, Pooya, Qabshoqa, Mohammad, Molinari, Carla, Soliman, Karim and Luliano, Marco (2015) Architecture and Comics Workshop: Liverpool Invasions! In: Liverpool Invasions!, 6-8 November 2015, Liverpool, United Kingdom.
Lavery, Carl, Dixon, Deborah P. and Hassall, Lee (2014) The future of ruins: the baroque melancholy of Hashima. Environment and Planning A: Economy and Space, 46 (11). pp. 2569-2584. ISSN 0308-518X
Dutton, Steve (2015) The flickering institution. In: Material Culture in Action: Practices of making, collecting and re-enacting art and design, 7 - 8 September 2015, Glasgow School of Art.
O'Hana, Sarah (2008) Science within art practice: a two way process. In: Student lecture, 2008, Jewellery Department, Dundee University.
Shepley, Alec (2014) IBID. [Event, Show or Exhibition]
Morrad, Annie (2014) The moment of perceived presence. In: Sonorities Festival 2014: Remembering and Forgetting, 3 May 2014, Queen's University, Belfast.
Middleton, Geoff and Brown, Chloe (2015) The evaluation of the Lincolnshire One Venues young people's programme. Technical Report. University of Lincoln.
Chick, Anne (2017) "I can read the wall panels without my magnifer": co-producing an inclusively designed exhibition with partially sighted, blind and elderly participants with the National Centre for Craft & Design. In: 2017 Museums Galleries Scotland Conference: Inequalities: Bridging the Gap, 12 October 2017, John McIntyre Centre, Edinburgh, Scotland.
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
Chick, Anne (2017) "I can read the wall panels without my magnifer": co-producing an inclusively designed exhibition with partially sighted, blind and elderly participants with the National Centre for Craft & Design. In: 2017 Museums Galleries Scotland Conference: Inequalities: Bridging the Gap, 12 October 2017, John McIntyre Centre, Edinburgh, Scotland.
Chick, Anne (2017) Pragmatic and innovative inclusive exhibition design solutions through co-designing with blind and partially sighted visitors. In: enth International Conference on The Inclusive Museum, 15-17 September 2017, University of Manchester, Manchester..
Chick, Anne (2017) Co-creating an accessible, multisensory exhibition with the National Centre for Craft & Design and blind and partially sighted participants. In: REDO: 2017 Cumulus International Conference, 30 May - 2 June 2017, Kolding Design School, Kolding Denmark.
Healey, Michael and Esson, Michael (2011) The art of reconstruction. [Event, Show or Exhibition]
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Thompson, Marie (2012) A virtuous silence: noise and the 'feminine'. In: Thinking Ourselves into Existence, February 2012, CCA Glasgow.
Healey, Michael and Esson, Michael (2011) The art of reconstruction. [Event, Show or Exhibition]
O'Neill, Mary (2008) An oral response. [Artefact]
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
Izak, Michal and Kocietkiewicz, Jerzy (2015) Analyzing fiction. In: Humanistic management: methods and inspirations. Sedno, Warsaw. ISBN UNSPECIFIED
Healey, Michael and Esson, Michael (2011) The art of reconstruction. [Event, Show or Exhibition]
Macklin, Judy and Macklin, Mark (2019) Art-geoscience encounters and entanglements in the watery realm. Journal of Maps, 15 . pp. 9-18. ISSN 1744-5647
Chick, Anne (2017) Pragmatic and innovative inclusive exhibition design solutions through co-designing with blind and partially sighted visitors. In: enth International Conference on The Inclusive Museum, 15-17 September 2017, University of Manchester, Manchester..
Morrad, Annie (2014) The moment of perceived presence. In: Sonorities Festival 2014: Remembering and Forgetting, 3 May 2014, Queen's University, Belfast.
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
Sanjari, Pooya, Qabshoqa, Mohammad, Molinari, Carla, Soliman, Karim and Luliano, Marco (2015) Architecture and Comics Workshop: Liverpool Invasions! In: Liverpool Invasions!, 6-8 November 2015, Liverpool, United Kingdom.
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Shepley, Alec (2014) IBID. [Event, Show or Exhibition]
O'Hana, Sarah (2008) Science within art practice: a two way process. In: Student lecture, 2008, Jewellery Department, Dundee University.
O'Hana, Sarah (2009) The creative debate. In: The Creative Debate, 2009, University of Manchester.
Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED
Catalani, Anna (2017) Re-homing heritage: the heritage of forced migration in contemporary Europe. In: 4th Heritage Forum of Central Europe: Heritage and Society, 1-2 June 2017, Krakow, Poland.
Catalani, Anna (2017) Heritage, identity and refugees in the 21st century Europe. In: Building Bridges. European Association of Archaeologists Conference, 30 August-3 September 2017, Maastricht, The Netherlands.
Catalani, Anna (2017) Heritage, identity and refugees in the 21st century Europe. In: Building Bridges. European Association of Archaeologists Conference, 30 August-3 September 2017, Maastricht, The Netherlands.
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
O'Neill, Mary (2008) An oral response. [Artefact]
Wroe, Hannah (2023) Making Clothes for the Older Woman: Post-War Pattern Cutting and Dressmaking Home Instruction Texts. In: Everyday Fashion in Britain since 1600. Bloomsbury Academic Press. ISBN UNSPECIFIED
O'Hana, Sarah (2009) The creative debate. In: The Creative Debate, 2009, University of Manchester.
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Lavery, Carl, Dixon, Deborah P. and Hassall, Lee (2014) The future of ruins: the baroque melancholy of Hashima. Environment and Planning A: Economy and Space, 46 (11). pp. 2569-2584. ISSN 0308-518X
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
O'Neill, Mary (2008) An oral response. [Artefact]
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
Thompson, Marie (2012) A virtuous silence: noise and the 'feminine'. In: Thinking Ourselves into Existence, February 2012, CCA Glasgow.
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Izak, Michal and Kocietkiewicz, Jerzy (2015) Analyzing fiction. In: Humanistic management: methods and inspirations. Sedno, Warsaw. ISBN UNSPECIFIED
Shepley, Alec (2014) IBID. [Event, Show or Exhibition]
Macklin, Judy and Macklin, Mark (2019) Art-geoscience encounters and entanglements in the watery realm. Journal of Maps, 15 . pp. 9-18. ISSN 1744-5647
Catalani, Anna (2017) Heritage, identity and refugees in the 21st century Europe. In: Building Bridges. European Association of Archaeologists Conference, 30 August-3 September 2017, Maastricht, The Netherlands.
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Shepley, Alec (2015) Ibid. [Event, Show or Exhibition]
Thompson, Marie (2012) A virtuous silence: noise and the 'feminine'. In: Thinking Ourselves into Existence, February 2012, CCA Glasgow.
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Macklin, Judy and Macklin, Mark (2019) Art-geoscience encounters and entanglements in the watery realm. Journal of Maps, 15 . pp. 9-18. ISSN 1744-5647
Collinson, Stewart, Szigetvári, Andrea and Ladanyi, Andrea (2014) Transitus angeli. [Performance]
Shepley, Alec (2014) IBID. [Event, Show or Exhibition]
Wroe, Hannah (2023) Making Clothes for the Older Woman: Post-War Pattern Cutting and Dressmaking Home Instruction Texts. In: Everyday Fashion in Britain since 1600. Bloomsbury Academic Press. ISBN UNSPECIFIED
Lavery, Carl, Dixon, Deborah P. and Hassall, Lee (2014) The future of ruins: the baroque melancholy of Hashima. Environment and Planning A: Economy and Space, 46 (11). pp. 2569-2584. ISSN 0308-518X
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
Morrad, Annie (2014) The moment of perceived presence. In: Sonorities Festival 2014: Remembering and Forgetting, 3 May 2014, Queen's University, Belfast.
Chick, Anne (2017) Co-creating an accessible, multisensory exhibition with the National Centre for Craft & Design and blind and partially sighted participants. In: REDO: 2017 Cumulus International Conference, 30 May - 2 June 2017, Kolding Design School, Kolding Denmark.
Morrad, Annie and McArthur, Ian (2017) Lack of chairs. [Event, Show or Exhibition]
Shepley, Alec (2014) IBID. [Event, Show or Exhibition]
Ruffino, Paolo (2016) Meaningful interactions. Schirn Mag . ISSN .
Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750
Lavery, Carl, Dixon, Deborah P. and Hassall, Lee (2014) The future of ruins: the baroque melancholy of Hashima. Environment and Planning A: Economy and Space, 46 (11). pp. 2569-2584. ISSN 0308-518X
Charnley, Clare and Kivimaa, Katrin (2007) So communication… translating each other's words. Estonian Academy of Art, Tallinn, Estonia. ISBN 9780955362620
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
Shepley, Alec (2014) IBID. [Event, Show or Exhibition]
Chick, Anne (2017) Pragmatic and innovative inclusive exhibition design solutions through co-designing with blind and partially sighted visitors. In: enth International Conference on The Inclusive Museum, 15-17 September 2017, University of Manchester, Manchester..
Shepley, Alec (2015) Ibid. [Event, Show or Exhibition]
Catalani, Anna (2017) Re-homing heritage: the heritage of forced migration in contemporary Europe. In: 4th Heritage Forum of Central Europe: Heritage and Society, 1-2 June 2017, Krakow, Poland.
Ruffino, Paolo (2017) Mirror mirror. In: Mirror Mirror, 31 May - 10 October 2017, Lausanne, Switzerland.
Ruffino, Paolo (2018) Drone Memorial at Supervisions - Biennale Des Imaginaire Numerique. In: Supervisions, 9 November - 16 December 2018, Marseille, France.
Ruffino, Paolo (2016) Meaningful interactions. Schirn Mag . ISSN .
Ruffino, Paolo, Cremonesi, Matteo, Cuttica, Filippo and Prati, Davide (2018) Post Fail: IOCOSE Collaborative Failures. In: Explorations in Art and Technology second edition. Springer, London, pp. 371-377. ISBN 978-1-4471-7366-3
Ruffino, Paolo, Cremonesi, Matteo, Cuttica, Filippo and Prati, Davide (2018) Post Fail: IOCOSE Collaborative Failures. In: Explorations in Art and Technology second edition. Springer, London, pp. 371-377. ISBN 978-1-4471-7366-3
Lock, Andy (2006) [twelve images from] Orchard Park. [Event, Show or Exhibition]
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
Morrad, Annie and McArthur, Ian (2017) Lack of chairs. [Event, Show or Exhibition]
Shepley, Alec (2015) Ibid. [Event, Show or Exhibition]
Ruffino, Paolo, Cremonesi, Matteo, Cuttica, Filippo and Prati, Davide (2018) Post Fail: IOCOSE Collaborative Failures. In: Explorations in Art and Technology second edition. Springer, London, pp. 371-377. ISBN 978-1-4471-7366-3
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Thompson, Marie (2012) A virtuous silence: noise and the 'feminine'. In: Thinking Ourselves into Existence, February 2012, CCA Glasgow.
Morrad, Annie (2014) PH1 - artists in place. [Event, Show or Exhibition]
Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED
Chick, Anne (2017) Co-creating an accessible, multisensory exhibition with the National Centre for Craft & Design and blind and partially sighted participants. In: REDO: 2017 Cumulus International Conference, 30 May - 2 June 2017, Kolding Design School, Kolding Denmark.
Wroe, Hannah (2023) Making Clothes for the Older Woman: Post-War Pattern Cutting and Dressmaking Home Instruction Texts. In: Everyday Fashion in Britain since 1600. Bloomsbury Academic Press. ISBN UNSPECIFIED
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
O'Neill, Mary (2008) An oral response. [Artefact]
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
O'Hana, Sarah (2009) The creative debate. In: The Creative Debate, 2009, University of Manchester.
Healey, Michael and Esson, Michael (2011) The art of reconstruction. [Event, Show or Exhibition]
Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Macklin, Judy and Macklin, Mark (2019) Art-geoscience encounters and entanglements in the watery realm. Journal of Maps, 15 . pp. 9-18. ISSN 1744-5647
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Healey, Michael and Esson, Michael (2011) The art of reconstruction. [Event, Show or Exhibition]
Catalani, Anna (2017) Heritage, identity and refugees in the 21st century Europe. In: Building Bridges. European Association of Archaeologists Conference, 30 August-3 September 2017, Maastricht, The Netherlands.
Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED
Shepley, Alec (2015) Ibid. [Event, Show or Exhibition]
Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467
Morrad, Annie (2014) The moment of perceived presence. In: Sonorities Festival 2014: Remembering and Forgetting, 3 May 2014, Queen's University, Belfast.
Morrad, Annie and McArthur, Ian (2017) Lack of chairs. [Event, Show or Exhibition]
Healey, Michael and Esson, Michael (2011) The art of reconstruction. [Event, Show or Exhibition]
Collinson, Stewart, Szigetvári, Andrea and Ladanyi, Andrea (2014) Transitus angeli. [Performance]
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517
Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]
O'Hana, Sarah (2008) Science within art practice: a two way process. In: Student lecture, 2008, Jewellery Department, Dundee University.
Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED
Shearer, John, Heslop, Philip, Olivier, Patrick and De Boni, Marco (2010) Non-verbal behaviour for believable synthetic agents. AISB Journal, 2 (1). pp. 3-20. ISSN 1476-3036
Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED
Goffin, Jeremy, Ashman, Sinclair, Voce, Brian and Stocker, John (2018) Print!! [Event, Show or Exhibition]
Chick, Anne (2017) "I can read the wall panels without my magnifer": co-producing an inclusively designed exhibition with partially sighted, blind and elderly participants with the National Centre for Craft & Design. In: 2017 Museums Galleries Scotland Conference: Inequalities: Bridging the Gap, 12 October 2017, John McIntyre Centre, Edinburgh, Scotland.
Middleton, Geoff and Brown, Chloe (2015) The evaluation of the Lincolnshire One Venues young people's programme. Technical Report. University of Lincoln.