Article

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Breed, Ananda (2015) Environmental aesthetics, social engagement and aesthetic experiences in Central Asia. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (1). pp. 87-99. ISSN 1356-9783

Breed, Ananda (2017) Maternal environments. Performance Research, 22 (4). pp. 105-112. ISSN 1352-8165

Breed, Ananda and Uwihoreye, Chaste (2023) Sharing and listening to stories for peacebuilding in post-genocide Rwanda. Research in Drama Education (RiDE), 28 (1). pp. 160-171. ISSN 1356-9783

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Bull, John (2012) Chinese whispers. Studies in Theatre and Performance, 32 (2). pp. 227-232. ISSN 1468-2761

Bull, John (2017) ‘We cannot all be masters, nor all masters/Cannot truly be follow’d’: Joe Orton’s Holiday Camp Bacchae – matters of class, genre and medium in The Erpingham Camp. Studies in Theatre and Performance, 37 (2). pp. 205-220. ISSN 1468-2761

Campbell, Lee (2017) Anticipation, action and analysis: A new methodology for practice as research. PARtake: e Journal of Performance as Research: Vol. 1 : Iss. 2 , Article 7., 1 (2). ISSN 2472-0860

Campbell, Lee (2017) Collaborators and hecklers: Performative pedagogy and interruptive processes. Scenario, XI (1). pp. 33-64. ISSN 1649-8526

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Campbell, Lee, McCall, Carali and Lee, Adrian (2017) Sight (un)specific: performance as research predicated upon deploying acts of visual negation. Body, Space, Technology, 16 . ISSN 1470-9120

Chandler, Clare (2021) “Does Anybody Have A Map?”: The Impact of “Virtual Broadway” on Musical Theatre Composition. The Journal of Popular Culture, 54 (2). pp. 276-300. ISSN 0022-3840

Chandler, Clare (2018) “Let me be part of the narrative” – The Schuyler Sisters ‘almost’ feminist? Contemporary Theatre Review, 28 (3). ISSN 1048-6801

Chandler, Clare (2016) Tony Awards 2016: a brief history of the woman behind the biggest event in show business. The Conversation . ISSN 2201-5639

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Healy, Sue (2022) The Funding Conundrum at The Finborough: An exploration of the funding and payment challenges faced by London’s leading fringe theatre. Comparative Drama Special Issue - London's Theatre: Places, Communities, Futures, 56 (1 & 2). pp. 179-198. ISSN 0010-4078

Healy, Sue (2019) A Theatre of Social Concern: Considering Vicky Featherstone’s Tenure at the Royal Court. Contemporary Theatre Review, 29 (4). pp. 495-498. ISSN 1048-6801

Hildebrandt, Antje (2013) The intimated spectator: one to one encounters in BADco.’s Memories Are Made of This…. Activate, 2 (2). ISSN .

Holden, Nicholas (2017) 'Making new theatre together': Developing writers and creating community in the first Writers' Group at the Royal Court Theatre and its legacy in the Young Writers' Programme. Theatre History Studies, 36 . pp. 248-265. ISSN 0733-2033

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

Madhavan, Arya (2019) Redefining the feminine in Kathakali: A Case Study of Asti. New Theatre Quarterly, 35 (2). pp. 169-186. ISSN 0266-464X

Marlow, Christopher (2009) A crisis of friendship?: representation and experience in two late university plays. Shakespeare Studies (37). pp. 54-66. ISSN 0582-9399

Marlow, Christopher (2008) The performance of learning: university drama at Oxford in 1566. Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies, 73 . pp. 1-7. ISSN 0184-7678

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2003) The relevance of consciousness studies for theatre history and practice in the context of globalisation. The European Legacy: Toward New Paradigms, 8 (6). pp. 769-776. ISSN 1084-8770

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). p. 511. ISSN 0967-0882

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, technology and transmedial theatre in Europe. Studies in Theatre and Performance, 41 (3). pp. 263-280. ISSN 1468-2761

Walsh, Aylwyn Mae (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture, 12 (3). pp. 309-326. ISSN 1741-6604

Walsh, Ally and Tsilimpounidi, Myrto (2011) The disappearing immigrants: hunger strike as invisible struggle. Theory in Action, 5 (2). p. 82. ISSN 1937-0229

Walsh, Aylwyn M. (2012) Performing prisons, performing punishment: the banality of the cell in contemporary theatre. Total Theatre Magazine, Summer . ISSN .

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602

Warden, Claire (2007) ‘The shadows fly before the rush of light’: expressionist experimentation and political efficacy in Ewan MacColl’s ‘The Other Animals’. New Theatre Quarterly, 23 (4). pp. 317-325. ISSN 0266-464X

Westerside, Andrew (2022) Wrestling with Techology: Audiences, Politics and the Ecosystems of Attendance during Covid-19. International Joural of Performing Arts and Digital Media, 18 (2). pp. 263-280. ISSN 1479-4713

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Westerside, Andrew and Pinchbeck, Michael (2017) Acts of communion: encountering taste in Reckless Sleeper's The Last Supper. Performance Research, 22 (3). pp. 44-53. ISSN 1352-8615

Review

Holden, Nicholas (2015) Royal Court: international [Aston, Elaine and Mark O’Thomas, Basingstoke: Palgrave, 2015]. Platform: Journal of Theatre and Performing Arts . ISSN 1751-0171

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal, 25 (1). pp. 165-168. ISSN 0742-5457

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Book Section

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Bolton, Jacqueline and Adiseshiah, Sian (2020) ‘Change ain’t fuckin polite, scuse my language’: situating debbie tucker green. In: debbie tucker green: Critical Perspectives. Palgrave MacMillan. ISBN 978-3-030-34581-5, 978-3-030-34580-8

Bolton, Jacqueline and Adiseshiah, Sian (2020) Debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter. In: Debbie tucker green: Critical Perspectived. Palgrave MacMillan. ISBN 978-3-030-34581-5, 978-3-030-34580-8

Breed, Ananda (2016) The Artist as Questioner: Why We Do What We Do. In: Applied Theatre: Facilitation. Applied Theatre . Bloomsbury, London, pp. 189-206. ISBN 978-1-4725-7692-7

Breed, Ananda (2015) Aesthetic Play: Between Performance and Justice. In: Applied Theatre: Aesthetics. Bloomsbury, London, pp. 194-209. ISBN 978-1-4725-0986-4

Breed, Ananda (2015) Gender-based violence and Human Rights: Participatory Theatre in Post-Genocide Rwanda. In: Theatre and Human Rights after 1945. Palgrave Macmillan, London, pp. 171-189. ISBN 978-1-137-36229-2

Breed, Ananda (2020) Speech politics: performing political scripts. In: Theatrical Speech Acts: Performing Language. Routledge, pp. 65-88. ISBN 9780367819736

Breed, Ananda (2016) Theatre for survival: art of creation and protection (Kubunda). In: Performing (for) survival: theatre, crisis, extremity. Palgrave Macmillan, pp. 37-56. ISBN 1137454261

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Bull, John (2015) Trumpets and drums in the night: the 1956 Berliner Ensemble season in London and its aftermath. In: Anglo-German theatrical exchange: "a sea-change into something rich and strange?". Brill / Rodopi, Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, pp. 43-66. ISBN 9789004292314

Chandler, Clare (2021) The Courtesan and the Collaborator: Marguérite [2008]. In: Paris in the Musical: The City of Light on Stage and Screen. Routledge, London, pp. 222-241. ISBN 9781138611092, 9780429465437

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Di Martino, Giovanna and Baudou, Estel (2023) Early Modern Iphigenias and Practice Research. In: Translating Ancient Greek Drama in Early Modern Europe: Theory and Practice (15th–16th Centuries). Trends in Classics – Pathways of Reception . De Gryuter. ISBN 9783110719185, 9783110718652

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Jones, Kelly (2020) The Theatrical Gothic in the Nineteenth Century. In: The Cambridge History of the Gothic. Cambridge University Press, pp. 162-181. ISBN 9781108472715

Jones, Kelly (2022) Time and Punishment: Gothic Maternal Bodies on the Contemporary British Stage. In: Theatre and the Macabre. Horror Studies . University of Wales Press. ISBN 9781786838452, 9781786838469, 9781786838476

Jones, Kelly, Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN 9781349953585

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Meyer-Dinkgräfe, Daniel (2009) The origins of English dramatic modernism in the context of consciousness studies. In: Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2019) Aesthetics of [the] Invisible: Presence in Indian Performance Theory. In: The Routledge Companion to Performance Philosophy. Routledge. ISBN UNSPECIFIED

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

O'Gorman, Siobhán (2016) Beckett out of Focus: Happy Days and Waiting for Godot at Dublin's Focus Theatre. In: Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London and New York, pp. 67-87. ISBN 9781474240574

O'Gorman, Siobhán (2016) “Hers and his”: Carolyn Swift, Alan Simpson, and collective creation at Dublin’s Pike Theatre. In: Women, Collective Creation, and Devised Performance. Palgrave MacMillan, pp. 121-138. ISBN 9781137550132

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Pulford, Donald (2013) 1971, a year in The Pram. In: Telling stories: Australian life and literature, 1935-2010. Monash University Publishing, Melbourne. ISBN 1921867469, 9781921867460

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’. In: Protests as events: politics, activism and leisure. Rowman & Littlefield. ISBN 9781783480760, 9781783480777

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’: the script. In: Protests as Events: Politics, Activism and Leisure. Rowman and Littlefield. ISBN 9781783480777, 9781783480760

Walsh, Aylwyn (2015) Staging the others: appearance, visibility and radical border crossing in Athens. In: Performances of capitalism, crises and resistance: inside/outside Europe. Palgrave Macmillan, Basingstoke, pp. 134-152. ISBN 9781137379368

Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860

Paper or Report

Nair, Sreenath and Madhavan, Arya (2018) Rural England: is there an appetite for culturally diverse art? [The Lincolnshire Diversity in the Arts: Research and Development Project]. Project Report. Arts Professional.

Conference or Workshop contribution

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Fossey, Steve (2013) Re-imagining Social Space through an openness to the Becoming of Place. In: Becoming Nomad: Hybrid Spaces, Liquid Architectures and Online Domains, April 2013, York St. John University.

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Hudson, James (2009) Barker, Bond and the practice of theatre theory. In: Howard Barker’s Art of Theatre: International Conference, 10-12 July 2009, University of Aberystwyth, Department of Film, Television and Theatre Studies.

Hudson, James (2008) From bread and circuses to the rational theatre: desubliming repressive desublimation’. In: Art and Power, 27 September 2008, University of Leeds.

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University.

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Madhavan, Arya (2016) Corporeality of taste: Kudiyattam, and the facial expression of taste. In: IFTR 2016, 13-17 June 2016, Stockholm, Sweden.

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Madhavan, Arya (2015) The politics of roar: towards a female kathakali. In: IFTR Conference 2015 - Hyderabad, India, 6-10 July 2015, India.

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2015) Theatre without conflict. In: 6th International Conference on Consciousness, Theatre, Literature and the Arts, 10-12 June, 2015, New York.

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

O'Thomas, Mark (2012) Platform: Connections National Theatre 2012. In: Platform, 21st June 2012, Royal National Theatre, London.

O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile.

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

O'Thomas, Mark (2013) Traversing the cut: from The Soldier’s Tale to Feast: translation and the right to fail in London’s Waterloo. In: International Federation for Theatre Research, 22-26th July 2013, Barcelona.

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

Tsilimpounidi, Myrto and Walsh, Aylwyn (2013) Virtues of violence: a testimonial performance or, an affidavit of lies, excuses and justifications. In: CAPPE 7th International Interdisciplinary Conference: Representation, Politics and Violence, 11-13 Sept 2013, Brighton.

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Imag(in)ing containers as social landscapes. In: IVSA 2015 annual conference ‘What you see is what you get: Old and new ways of seeing society’, 25 - 27 June 2015, Tinos, Greece.

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.

Walsh, Aylwyn M and Tsilimpounidi, Myrto (2013) It's a beautiful thing, the destruction of wor(l)ds. In: International Visual Sociological Association 2013 Annual Conference ‘The Public Image’, 8-10 July 2013, London.

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 14th Mediterranean research Meeting: ‘Social Media, Urban Movements and Grass-Roots Creativity in the Mediterranean during the Crisis’, 20-23 March 2013, Mersin, Turkey.

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 20th International Conference for Europeanists: Crisis and Contingency: States of (In)stability Workshop: ‘Europe in Crisis: Urban Performances of Capitalism and Resistance’, 25-27 June 2013, Amsterdam.

Walsh, Aylwyn, M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Berlin Biennale: PREOCCUPIED: The Words, Wounds and Works of Occupations Past and Present, 28-29 June 2012, Berlin.

Warden, Claire (2011) Escape, romance and politics: the dialogue between the country and the city in British 1930’s theatre. In: ASTR/CORD conference 'Embodying Power: Work Over Time', November 2011, Seattle, Washington.

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. In: Regional Spaces, National Stages: Performances beyond London, 1945-2010, 17 September 2011, University of Reading.

Warden, Claire (2010) “Not a minute’s silence but a lifetime of struggle”: Edinburgh Theatre Workshop’s political carnivalesque. In: What Happens Now? 21st Century Writing in English, July 2010, University of Lincoln.

Warden, Claire (2012) Poetic drama?: Stephen Spender's 'Trial of a judge'. In: Modernism and Spectacle: Modernism Studies Association Conference, 18-21 October, Las Vegas.

Warden, Claire (2013) Salute to the Red Army: Basil Dean and British wartime pageantry. In: Alternative Modernisms, 18 - 21 May 2013, University of Cardiff.

Warden, Claire (2013) Saluting the Red Army: Basil Dean's Russian adventures. In: Northern Modernism Seminar, 15 Mar 2013, University of Birmingham.

Warden, Claire (2012) 'Smash the bars': incarceration and emancipation in the theatrical cages of the modernist avant-garde. In: Material Modernisms: European Network for Avant-Garde and Modernism Studies (EAM), 7-9 September 2012, University of Kent.

Warden, Claire (2012) The caged and the free: the working body in the modernist avant-garde. In: Performance Studies international #18, 27 June - 1 July, University of Leeds.

Warden, Claire (2007) The divided self: fragmentation of the psyche in Ewan MacColl’s 'The Other Animals'. In: Second International Conference on Consciousness, Theatre, Literature and the Arts, May 2007, University of Aberystwyth.

Warden, Claire (2008) “The human body which we shape and mould like a potter his clay”: Rudolf Laban’s influence on the aesthetic project of Theatre Workshop. In: Europa! Europa? First bi-annual conference of the European Network for Avant-Garde and Modernism Studies, May 2008, University of Ghent, Belgium.

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Book or Monograph

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Bull, John and Saunders, Graham, eds. (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

Brewster, Scott and Thurston, Luke, eds. (2017) The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Pinchbeck, Michael and Westerside, Andrew, eds. (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Baynton, Rachel, Lees, Gillian, Petralia, Peter, Westerside, Andrew and Gregory, Adam York (2011) Fortnight. Proto-type Theater / Blurb. ISBN UNSPECIFIED

Bolton, Jacqueline and Adiseshiah, Sian (2020) debbie tucker green: Critical Perspectives. Palgrave MacMillan. ISBN 9783030345815, 9783030345808

Breed, Ananda and Prentki, Tim (2018) Performance and Civic Engagement. Macmillan Palgrave, London. ISBN 978-3-319-66516-0

Breed, Ananda (2014) Performing the nation: genocide, justice, reconciliation. Seagull Books, Chicago. ISBN 9780857421081

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Healy, Sue (2022) The Literary Manager's Toolkit. A Practical Guide for the Theatre. The Focal Press Toolkit Series . Routledge, London. ISBN 9781032005140

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Jones, Kelly (2025) Staging the Ghost Story. Palgrave, Basingstoke, Hampshire. ISBN UNSPECIFIED

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

Meyer-Dinkgräfe, Daniel (2005) Boulevard comedy theatre in Germany. Cambridge Scholars Press, Newcastle. ISBN 190430348X

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2007) Ein Kabinettstück der Schauspielkunst: Ursula Dinkgräfes Bühnenlaufbahn = A showpiece of the art of acting: Ursula Dinkgräfe’s stage career. Cambridge Scholars Publishing, Newcastle. ISBN 1847181775

Meyer-Dinkgräfe, Daniel (2009) Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Meyer-Dinkgräfe, Daniel (2007) Views, positions, legacies: interviews with German and British theatre artists, 1985-2007. Cambridge Scholars Publishing, Newcastle. ISBN 1847182941

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957, 9781443816953

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Savage, Karen (2021) Avatars, Activism and Post-digital Performance: Precarious Inter-medial Identities. Drama and Performance series . Bloomsbury Methuen. ISBN 9781350159310

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew (2017) A machine they're secretly building. Oberon. ISBN 9781786821119, 9781786821126

Thesis

Dunne, Joseph (2015) Regenerating the live: the archive as the genesis of a performance practice. PhD thesis, University of Lincoln.

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Holden, Nicholas Oliver (2018) Building the engine room: a study of the Royal Court Young Peoples’ Theatre and its development into the Young Writers’ Programme. PhD thesis, University of Lincoln.

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Artefact

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Westerside, Andrew and Lawrence, Conan (2014) Leaving Home - Performance Script. [Artefact]

Event, Show or Exhibition

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Madhavan, Arya and Nair, Sreenath (2016) Embodied knowledge: training & performance practice [Asian Performance Conference, Lincoln, UK, 2016]. [Event, Show or Exhibition]

Petralia, Peter Salvatore, Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Bristol]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Lancaster]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Westerside, Andrew, Hobday, Nicki, Lees, Gillian and Petralia, Peter S. (2007) Whisper. [Event, Show or Exhibition]

Performance

O'Thomas, Mark (2014) Sadness and joy in the life of giraffes. [Performance]

O'Thomas, Mark (2013) The big idea: PIIGS new short plays [Portugal]. [Performance]

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Savage, Karen (2014) fading---feminism---practice---process: an evolving performance archive. [Performance]

Turner, Laura (2018) Abyss: Reflections on Drowning. [Performance]

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Westerside, Andrew and Baynton, Rachel (2015) The Forgotten Suffragette. [Performance]

Westerside, Andrew and Lawrence, Conan (2014) Leaving home - Friesthorpe. [Performance]

Westerside, Andrew, Lees, Gillian, Baynton, Rachel, Rogers, Paul J. and York Gregory, Adam (2017) A machine they're secretly building. [Performance]

Westerside, Andrew, Petralia, Peter, Lees, Gillian, Van de Cruys, Leentje, Blain, Martin, Rogers, Paul J., Donovan, Nicholas, Turner, Jane, Makus, Rebecca M. K., Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

Image

Breed, Ananda (2018) MAP workshop. [Image]

Video

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

Petralia, Peter, Lees, Gillian, Baynton, Rachel, Westerside, Andrew, McBride, David, Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael (2013) The middle. [Video]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

Audio

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Westerside, Andrew, Lawrence, Conan, Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Project

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight. [Project]

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Savage, Karen (2017) The slippery trail: exploring practice-as-research as a methodology for archiving intermediality and performance. [Project]

Turner, Laura (2016) Letters From Amy. [Project]

Westerside, Andrew (2016) Collaborative noises: theatre and music technology in practice. [Project]

Westerside, Andrew (2018) Performance as Commemoration. [Project]

Westerside, Andrew (2018) Theatres of Agitation. [Project]

Other

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie, Radcliffe, Caroline, Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.