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1215 Today 1950s 1968-1975 21st-century drama A Doll's House Absence Acting Activism Actors and Acting Adaptation Add-Aptation Aesthetics Africa African-American Studies Ageing Alan Ayckbourn Alexander Kluge Alternative theatre Amateur American Politics American culture Amy Johnson Anempathetic Music Animation Anthony Nielson Antithesis Anuradha Kapur Applied Performance Appropriation Arcadia Archival Research Archives Arnold Wesker Art Activism Artistic Director Arts Arts Education Arts in prison Asian Performance Asian Theatre Athens Audience Audiences Audio Australian Theatre Australian youth culture Austria Authorship Autobiography BADco. Back to Back Theatre Balkans Becoming Berger Berlin Berliner Ensemble Bertolt Brecht Biopolitics Birdland Black Hawk Down Blasted Bmjconvert Bmjid Bourdieu Brandon Thomas Breath in actor-training Brecht Breivik Bristol Old Vic Theatre British Avant-Garde Theatre British Politics British Theatre British drama British film British left British theatre Broadway Buchner C W Mills COVID-19 Caliban Carl Djerassi Carrie Cracknell Caryl Churchill Cavalcade Centrism Centrist politics Chekhov Chekhov’s The Cherry Orchard Chicken Soup With Barley Children and young people Children's theatre Chion Choreography Chris Bush Chris Hannan Chris Thorpe Christoph Schlingensief Circle Walk Circle of Attention Civic Engagement Classical reception Clean Break Co-creation Collaboration Collaborative Collaborative research Commemoration Community Community participation Community theatre Composition Composition of music Conducting Confessional Confirmation Conflict Conor McPherson Consciousness Consciousness studies Contemporary British Drama Contemporary British theatre Contemporary Drama Contemporary Playwriting Contemporary Theatre Contemporary Theatre-Making Counterpublic Court early 1970's Creative Writing Creative collaboration Critical Introduction Cross artform Culture Curatorial Practice DIY DIY Theatre Dada Dance David Edgar David Greig David Hare Deconstruction Deference Designers Desire Devised Theatre Devising Diaspora Diegetic Diegetic Music Digital Media Digital Music Digital Performance Digitised Directing Disability Doctor Who Documentary Documentation Drama Drama for Conflict Transformation Dramatic script Dramaturgy Drunk Enough to Say I Love You? Duet Dystopia Early Modern Drama Economic Crisis Economics Education Educational technology Edward Bond Electra Embodied Knowledge Embodied methodologies Emotional expression Empire Employability Engagement England People Very Nice Environmental aesthetics Erasure in Asian Performance Ernst Bloch Erving Goffman Escape Estonia European Culture European politics Events Ewan MacColl Exile Experiment Experimental Performance Expressionism Expressive FIRT Face to Face Facelessness Familial memory Far Away Fascism Fashion Fear Feminism Feminist Analysis Feminist history Film Finborough Forced Entertainment Forgetting France Frank Castorf Frankenstein Frankenstein's Wedding French film Freud’s ‘double’ Fringe theatre Funding G8 summit GI Gacaca Gameplay Gay's the Word Gender Gender and theatre Gender theory Genocide George Bernard Shaw German Theatre German politics German studies German theatre Germany Trilogy Gestural reconstruction Ghosting Gillian Slovo Globalisation Globalization Goffman’s ‘frames’ Gothic Gower Greek Greek Tragedy Greenland Haider Hamish Henderson Hamlet Harold Pinter Herbert Marcuse Heritage High Yoga History History plays Howard Barker Howard Brenton Hugh MacDiarmid Hull Human Rights Hunger Strike I'm Talking about Jerusalem IFTR Ibsen Ibsen’s A Doll’s House Iceland Image and words Imagination Immersive theatre Immigrant Theatre Impact Imperialism Indian Drama Indian Pedagogical Practice Indian Theatre Indian aesthetic theory Indian dance training Indian theatre Innovations in Kudiyattam Installation Intercultural Intercultural theatre Interculturalism Interdisciplinary Interdisciplinary Performance Internationalisation Internationalism; Politics Interruption Intertextuality Intimacy Ireland Irish Studies Irish culture Irish studies Irish theatre Islam Istanbul JCNotOpen JCOpen Jack Thorne Jacques Derrida Jacques Ranciere Jean Mohr Jerusalem Jez Butterworth Joan Littlewood Joe Orton John Berger John Gabriel Borkman Joseph Beuys Justice Kabakov Katie Mitchell King John Knowing Kudiyattam Kutiyattam La Pocha Nostra Landscapes Let the Right One In Liberalism Liminality Literary management Live Art Live Performance Live-cast Liveness London and race in the 1980s Loneliness Lorenz Hart Loss Love MC Magna Carta Manhattan Mary Braddon Masculinities Medicine Megamusical Memorial Memory Meta-theatre Metatheatre Methodology Metrics Meyer-Dinkgrafe Miranda Mobile Arts for Peace Modern British Drama Modern British Playwriting Modernism Monsters Mothers Motortown Multimedia Multimedia performance Music Music Hall Music Theatre Music technology Musical Dramaturgy Musical Motifs Musical Theatre Musical theatre Musicality Musicals NHS NT Live Nangiar kuthu Narrative Nathaniel Hawthorne National Theatre Live Nationalism Nationhood Neo-nazism New Brutalism New Sincerity New Writing New York New critical sincerity New writing for the stage Nomadic Non-diegetic Music Non-linearity Normal Northern Ireland NotOAChecked Novello Oh Oklahoma! One-to-one Online Games Opera Orientalism Oscar Lewenstein Pan-Asian performance theory Participation Participatory practices Participatory theatre Pastoral Patriarchy Paul Rubens Peak experiences Pedagogy Peer observation Peformance Penetrator Pepper's Ghost Performance Performance Art Performance Lecture Performance Research Performance Studies Performance and Commemoration Performance art Performance ethnography Performance of Crisis Performance spaces Performance studies Performance-as-Commemoration Performative Performativity Performing Arts Pericles Pervasive Media Pervasive Technologies Phenomenology Phenomenology of Roundness Photography Pinter Place Placeness Plays Playwriting Pedagogy Please Love Austria Political Theatre Political performance Politics Politics of Indian theatre Port Postcapitalism Postmodernism Practice Practice as Research Practice as research Prana Praxis Presence Presence; ephemerality; Indian Performance theory; the Natyasastra; Battlefield; trace; heterotopia; ontology of absence Process Procession Producing Professional Practice Protests Proto-type Theater Proximity Psychology Punk Rock Queen's Hotel RFID Race Racism Radical Performance Radio Drama Rasa theory Rasatrialogue Ravel Reactionary ideology Realism Reception History Reckless Sleepers Reconciliation Recruiting Song Reflexivity Regeneration Reinterpretation Rejourn Relational Remembering Remembrance Renaissance Drama Repair Representations of children Repressive Desublimation Research Resistance Richard Bean Richard Rodgers Right wing politics Ritual Rob Drummond Rodgers and Hammerstein Rodgers and Hart Roots Rose Playhouse Royal Court Theatre Royal National Theatre Ruin Russia. Soviet Union. Former Soviet Republics Rwanda Samuel Beckett Sanskrit studies Sarah Kane Sartre Scenography Schenchner’s ‘dark play’ Schlingensief Schröder Science Scotland Senegalese film Set design Seven Jewish Children Shakespeare Shakespeare's Globe Shaw Siegfried Sassoon Simon Stephens Simulcast Sing-along Singing Site Specific Site Specificity Site specific theatre Site-Specific Site-Specific Theatre Site-specific Site-specific performance Site-specific theatre Sloane Square Social Class Social Sculpture Social Space Socially engaged performance Song Sophocles South African Prison South Asia Space Spect-actors Spectatorship Speech Acts Spirituality Stage Design Stanislavski Stanislavski and Yoga Suffrage Supporting artists Surrealism Surveillance Switzerland Taste Taste and expression Teaching and Learning Technique as knowledge Technology Television plays Text The 1960s The 1970s The 1980s The 1990s The 2000s The Body The Censor The Events The Kitchen The Life of Galileo The Natyasastra The Riots The Tempest The Woman in Black The Wonderful World of Dissocia Theatre Theatre History Theatre Music Theatre NO99 Theatre Theory Theatre Workshop Theatre and Globalization Theatre and Interculturalism Theatre and multiculturalism Theatre and prison Theatre and technology Theatre for Young Audiences Theatre history Theatre studies Theatre theory Theatre translation Theatres Thesis Tim Crouch Time Tin Pan Alley Tom Stoppard Tomorrow's Parties Tone policing Tony Awards Traditional Indian Theatre Training Translation Travel Trilogy Twentieth century Twentieth-century drama Ubwuzu United Estonia University Drama Unknown Urban studies Use of mirror in dance User Created Utopia Vedanta Venice Biennale Verbatim Verbatim Theatre Vesta Tilley Vicky Featherstone Victorian Theatre Videogames Virtual Broadway Visibility Visual Art Visual Arts Visual Culture Visual Impairment Visual Sociology Volksbühne Volksbühne Berlin WWI WWII Wagner Walter Greenwood Wedekind What a Lovely War When we dead awaken Wilfred Owen William Gaskill Winnicott’s ‘transitional object’ Women Women and Kathakali Women in Asian Performance Women in Kathakali Women in prison Women's Rights Women's Suffrage World War I World War Two Wrestling Writing Xenophobia Yorkshire absence acting activism actor training adaptation aesthetics aesthetics of Indian theatre ageing and Ireland applied performance applied theatre apps archive art history asian theatre audio austerity authentic authority authorship auto-dramaturgy avant-garde avant-garde theatre avant-gardes avatars aviation beatboxing beauty berger biography bmjanomaly bmjdate bmjdoi bmjfind bmjgoldcheck bmjholiday bmjtitle bmjtype border crossing breath studies cabaret cartography circus city of culture collaboration commemoration composed theatre conflict consciousness consciousness studies consent contemporary art contemporary drama contemporary performance practice contemporary playwriting contemporary theatre conversation cool-down counter-culture counterpublic criticism cultural diversity cultural studies culture and Covid-19 death and the cinema death and the city death and theatre debbie tucker green debt debtor democracy detritus devising dialectics dialogue digital technology display dispossession do-it-yourself documenting performance drama dramaturgy drowning economic crisis economics elite theory equality ethics ethnicity exhibition experience exposure eye training eyes in acting facial acting failure family far right politics farce female subjectivity female voice feminist criminology feminist theatre film film analysis film studies fine arts folklore formations freedom fringe gender gender and sexuality gender politics ghost plays ghost stories ghost story ghosts gothic greek tragedy guide haunting heroes history homelessness hope horror hospitality human rights humber mouth festival identities ideology immersive immersive theatre imprisonment improvisation indian theatre installation intercultural intercultural actor-training interculturality intermediality interrelations intertextuality interviews intimacy jazz justice kudiyattam and post-dramatic kutiyattam landscape landscapes late twentieth-century cultural contexts legend liberal libraries listening literature live art live music livecast liveness living history living painting loss manifesto masculinity medicine melodrama memorial memorialisation memory misogyny modernism mollusc multi-disciplinary music music hall music industry mythology narrative narrative theory nativism necropolitics neoliberalism nineteenth-century non-linearity non-representational theory oaopen one-to-one one-to-one performance one-woman show onsciousness studies opera oral storytelling orchestra original music out-casting over-identification participation participatory arts peace education pedagogy performance performance and consciousness performance and populism performance as document performance studies performative performativity phenomenology philosophy piano playwrights playwriting political activism political practice political theatre political theatre-making politics poltergeist pop-up theatre popular culture popular theatre populism portrait possession post dramatic post-colonialism post-dramatic theatre post-truth politics post-war postdigital postdramatic postmodern power practical processes practice as research practice-as-research presence problem protest movements protests psychosocial psychosocial approaches race radical performance rapport rapportage rapporter rasa reactionary politics reflective practice refugee reinterpretation remembrance representation rhythmanalysis right wing politics sanskrit theatre scandal scenography screenwriting scriptwriting semiotics social critique social dramaturgy social media social world songlines sound effects sound sculpture spirituality spoken word stillness and the city storytelling stratification subversive affirmation supernatural séances technology temporality and imagination temporary theatre text text-based theatre the Gothic the last stand theater theatre theatre anthropology theatre design theatre history theatre studies theatre translation theatres theatricality thunder time tolerance tourist transitional justice translation translation studies translation theory transmedial transmedial art travel trust twenty-first century cultural contexts twenty-first century drama urban theory utopia utopian drama utopian theatre utopias villains violence visual culture wanders war warm-up women and Asian performance workshop wreckage writing ‘Dulce et decorum est’ ‘Your King and Country Want You’
Number of items at this level: 2006.

1215 Today

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

1950s

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

1968-1975

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

21st-century drama

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

A Doll's House

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Absence

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Acting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Activism

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Actors and Acting

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Adaptation

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Chandler, Clare (2021) The Courtesan and the Collaborator: Marguérite [2008]. In: Paris in the Musical: The City of Light on Stage and Screen. Routledge, London, pp. 222-241. ISBN 9781138611092, 9780429465437

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Add-Aptation

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Aesthetics

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Westerside, Andrew and Pinchbeck, Michael (2017) Acts of communion: encountering taste in Reckless Sleeper's The Last Supper. Performance Research, 22 (3). pp. 44-53. ISSN 1352-8615

Africa

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

African-American Studies

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

Ageing

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Alan Ayckbourn

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Alexander Kluge

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Alternative theatre

Bull, John and Saunders, Graham, eds. (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

Amateur

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

American Politics

Westerside, Andrew, Lees, Gillian, Baynton, Rachel, Rogers, Paul J. and York Gregory, Adam (2017) A machine they're secretly building. [Performance]

American culture

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

Amy Johnson

Turner, Laura (2016) Letters From Amy. [Project]

Anempathetic Music

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Animation

Westerside, Andrew, Petralia, Peter, Lees, Gillian, Van de Cruys, Leentje, Blain, Martin, Rogers, Paul J., Donovan, Nicholas, Turner, Jane, Makus, Rebecca M. K., Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

Anthony Nielson

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Antithesis

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Anuradha Kapur

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Applied Performance

Breed, Ananda (2018) MAP workshop. [Image]

Breed, Ananda (2017) Maternal environments. Performance Research, 22 (4). pp. 105-112. ISSN 1352-8165

Appropriation

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Arcadia

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Archival Research

Westerside, Andrew, Lawrence, Conan, Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Archives

Dunne, Joseph (2015) Regenerating the live: the archive as the genesis of a performance practice. PhD thesis, University of Lincoln.

Arnold Wesker

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

Art Activism

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Artistic Director

Healy, Sue (2019) A Theatre of Social Concern: Considering Vicky Featherstone’s Tenure at the Royal Court. Contemporary Theatre Review, 29 (4). pp. 495-498. ISSN 1048-6801

Arts

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Arts Education

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Arts in prison

Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860

Asian Performance

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Asian Theatre

Madhavan, Arya and Nair, Sreenath (2016) Embodied knowledge: training & performance practice [Asian Performance Conference, Lincoln, UK, 2016]. [Event, Show or Exhibition]

Athens

Tsilimpounidi, Myrto and Walsh, Aylwyn (2013) Virtues of violence: a testimonial performance or, an affidavit of lies, excuses and justifications. In: CAPPE 7th International Interdisciplinary Conference: Representation, Politics and Violence, 11-13 Sept 2013, Brighton.

Walsh, Ally and Tsilimpounidi, Myrto (2011) The disappearing immigrants: hunger strike as invisible struggle. Theory in Action, 5 (2). p. 82. ISSN 1937-0229

Walsh, Aylwyn M and Tsilimpounidi, Myrto (2013) It's a beautiful thing, the destruction of wor(l)ds. In: International Visual Sociological Association 2013 Annual Conference ‘The Public Image’, 8-10 July 2013, London.

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 14th Mediterranean research Meeting: ‘Social Media, Urban Movements and Grass-Roots Creativity in the Mediterranean during the Crisis’, 20-23 March 2013, Mersin, Turkey.

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 20th International Conference for Europeanists: Crisis and Contingency: States of (In)stability Workshop: ‘Europe in Crisis: Urban Performances of Capitalism and Resistance’, 25-27 June 2013, Amsterdam.

Walsh, Aylwyn, M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Berlin Biennale: PREOCCUPIED: The Words, Wounds and Works of Occupations Past and Present, 28-29 June 2012, Berlin.

Audience

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Audiences

Westerside, Andrew (2022) Wrestling with Techology: Audiences, Politics and the Ecosystems of Attendance during Covid-19. International Joural of Performing Arts and Digital Media, 18 (2). pp. 263-280. ISSN 1479-4713

Audio

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Australian Theatre

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Pulford, Donald (2013) 1971, a year in The Pram. In: Telling stories: Australian life and literature, 1935-2010. Monash University Publishing, Melbourne. ISBN 1921867469, 9781921867460

Australian youth culture

Pulford, Donald (2013) 1971, a year in The Pram. In: Telling stories: Australian life and literature, 1935-2010. Monash University Publishing, Melbourne. ISBN 1921867469, 9781921867460

Austria

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

Authorship

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Autobiography

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

BADco.

Hildebrandt, Antje (2013) The intimated spectator: one to one encounters in BADco.’s Memories Are Made of This…. Activate, 2 (2). ISSN .

Back to Back Theatre

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Balkans

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Becoming

Fossey, Steve (2013) Re-imagining Social Space through an openness to the Becoming of Place. In: Becoming Nomad: Hybrid Spaces, Liquid Architectures and Online Domains, April 2013, York St. John University.

Berger

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Berlin

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Berliner Ensemble

Bull, John (2015) Trumpets and drums in the night: the 1956 Berliner Ensemble season in London and its aftermath. In: Anglo-German theatrical exchange: "a sea-change into something rich and strange?". Brill / Rodopi, Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, pp. 43-66. ISBN 9789004292314

Bertolt Brecht

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Biopolitics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Birdland

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Black Hawk Down

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Blasted

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Bmjconvert

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Bmjid

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Bourdieu

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

Brandon Thomas

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Breath in actor-training

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Brecht

Bull, John (2015) Trumpets and drums in the night: the 1956 Berliner Ensemble season in London and its aftermath. In: Anglo-German theatrical exchange: "a sea-change into something rich and strange?". Brill / Rodopi, Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, pp. 43-66. ISBN 9789004292314

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Breivik

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Bristol Old Vic Theatre

Petralia, Peter, Lees, Gillian, Baynton, Rachel, Westerside, Andrew, McBride, David, Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

British Avant-Garde Theatre

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

British Politics

Westerside, Andrew, Lees, Gillian, Baynton, Rachel, Rogers, Paul J. and York Gregory, Adam (2017) A machine they're secretly building. [Performance]

British Theatre

Jones, Kelly, Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN 9781349953585

British drama

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

British film

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

British left

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

British theatre

Bull, John and Saunders, Graham, eds. (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

Holden, Nicholas Oliver (2018) Building the engine room: a study of the Royal Court Young Peoples’ Theatre and its development into the Young Writers’ Programme. PhD thesis, University of Lincoln.

Broadway

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Buchner

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

C W Mills

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

COVID-19

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Westerside, Andrew (2022) Wrestling with Techology: Audiences, Politics and the Ecosystems of Attendance during Covid-19. International Joural of Performing Arts and Digital Media, 18 (2). pp. 263-280. ISSN 1479-4713

Caliban

Turner, Laura (2017) The Buried Moon. [Performance]

Carl Djerassi

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Carrie Cracknell

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Caryl Churchill

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Cavalcade

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Centrism

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Centrist politics

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

Chekhov

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Chekhov’s The Cherry Orchard

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Chicken Soup With Barley

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

Children and young people

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Children's theatre

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Chion

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Choreography

Pinchbeck, Michael (2014) Bolero. [Video]

Chris Bush

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

Chris Hannan

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

Chris Thorpe

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Christoph Schlingensief

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Circle Walk

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Circle of Attention

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Civic Engagement

Breed, Ananda and Prentki, Tim (2018) Performance and Civic Engagement. Macmillan Palgrave, London. ISBN 978-3-319-66516-0

Classical reception

Di Martino, Giovanna and Baudou, Estel (2023) Early Modern Iphigenias and Practice Research. In: Translating Ancient Greek Drama in Early Modern Europe: Theory and Practice (15th–16th Centuries). Trends in Classics – Pathways of Reception . De Gryuter. ISBN 9783110719185, 9783110718652

Clean Break

Walsh, Aylwyn Mae (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture, 12 (3). pp. 309-326. ISSN 1741-6604

Co-creation

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Collaboration

Campbell, Lee (2017) Collaborators and hecklers: Performative pedagogy and interruptive processes. Scenario, XI (1). pp. 33-64. ISSN 1649-8526

Petralia, Peter, Lees, Gillian, Baynton, Rachel, Westerside, Andrew, McBride, David, Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Westerside, Andrew, Petralia, Peter, Lees, Gillian, Van de Cruys, Leentje, Blain, Martin, Rogers, Paul J., Donovan, Nicholas, Turner, Jane, Makus, Rebecca M. K., Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

Collaborative

Pinchbeck, Michael (2014) Bolero. [Performance]

Collaborative research

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Commemoration

Pinchbeck, Michael and Westerside, Andrew, eds. (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Community

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Baynton, Rachel, Westerside, Andrew, McBride, David, Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

Community participation

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Community theatre

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

Composition

Pinchbeck, Michael (2014) Bolero. [Artefact]

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Composition of music

Chandler, Clare (2021) “Does Anybody Have A Map?”: The Impact of “Virtual Broadway” on Musical Theatre Composition. The Journal of Popular Culture, 54 (2). pp. 276-300. ISSN 0022-3840

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Conducting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Confessional

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Confirmation

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Conflict

Breed, Ananda (2015) Environmental aesthetics, social engagement and aesthetic experiences in Central Asia. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (1). pp. 87-99. ISSN 1356-9783

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Conor McPherson

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Consciousness

Meyer-Dinkgräfe, Daniel (2003) The relevance of consciousness studies for theatre history and practice in the context of globalisation. The European Legacy: Toward New Paradigms, 8 (6). pp. 769-776. ISSN 1084-8770

Consciousness studies

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Contemporary British Drama

Jones, Kelly, Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN 9781349953585

Contemporary British theatre

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Contemporary Drama

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Contemporary Playwriting

Bolton, Jacqueline and Adiseshiah, Sian (2020) debbie tucker green: Critical Perspectives. Palgrave MacMillan. ISBN 9783030345815, 9783030345808

Contemporary Theatre

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Contemporary Theatre-Making

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Counterpublic

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Court early 1970's

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Creative Writing

Baynton, Rachel, Lees, Gillian, Petralia, Peter, Westerside, Andrew and Gregory, Adam York (2011) Fortnight. Proto-type Theater / Blurb. ISBN UNSPECIFIED

Creative collaboration

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Westerside, Andrew (2016) Collaborative noises: theatre and music technology in practice. [Project]

Critical Introduction

Westerside, Andrew (2017) A machine they're secretly building. Oberon. ISBN 9781786821119, 9781786821126

Cross artform

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Culture

Breed, Ananda (2016) Theatre for survival: art of creation and protection (Kubunda). In: Performing (for) survival: theatre, crisis, extremity. Palgrave Macmillan, pp. 37-56. ISBN 1137454261

Curatorial Practice

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

DIY

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

DIY Theatre

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Dada

Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED

Dance

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

David Edgar

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

David Greig

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

David Hare

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Deconstruction

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Deference

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Designers

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Desire

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Devised Theatre

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Devising

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). p. 511. ISSN 0967-0882

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Diaspora

Breed, Ananda (2016) Theatre for survival: art of creation and protection (Kubunda). In: Performing (for) survival: theatre, crisis, extremity. Palgrave Macmillan, pp. 37-56. ISBN 1137454261

Diegetic

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Digital Media

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Digital Music

Westerside, Andrew, Petralia, Peter, Lees, Gillian, Van de Cruys, Leentje, Blain, Martin, Rogers, Paul J., Donovan, Nicholas, Turner, Jane, Makus, Rebecca M. K., Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

Digital Performance

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Digitised

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Marlow, Christopher (2008) The performance of learning: university drama at Oxford in 1566. Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies, 73 . pp. 1-7. ISSN 0184-7678

Meyer-Dinkgräfe, Daniel (2009) The origins of English dramatic modernism in the context of consciousness studies. In: Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860

Directing

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Disability

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Doctor Who

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Documentary

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Documentation

Baynton, Rachel, Lees, Gillian, Petralia, Peter, Westerside, Andrew and Gregory, Adam York (2011) Fortnight. Proto-type Theater / Blurb. ISBN UNSPECIFIED

Drama

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

Bull, John (2017) ‘We cannot all be masters, nor all masters/Cannot truly be follow’d’: Joe Orton’s Holiday Camp Bacchae – matters of class, genre and medium in The Erpingham Camp. Studies in Theatre and Performance, 37 (2). pp. 205-220. ISSN 1468-2761

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Drama for Conflict Transformation

Breed, Ananda (2015) Environmental aesthetics, social engagement and aesthetic experiences in Central Asia. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (1). pp. 87-99. ISSN 1356-9783

Dramatic script

Westerside, Andrew and Lawrence, Conan (2014) Leaving Home - Performance Script. [Artefact]

Dramaturgy

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile.

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Drunk Enough to Say I Love You?

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Duet

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Dystopia

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Early Modern Drama

Marlow, Christopher (2008) The performance of learning: university drama at Oxford in 1566. Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies, 73 . pp. 1-7. ISSN 0184-7678

Economic Crisis

Walsh, Aylwyn, M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Berlin Biennale: PREOCCUPIED: The Words, Wounds and Works of Occupations Past and Present, 28-29 June 2012, Berlin.

Economics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Education

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Educational technology

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Edward Bond

Hudson, James (2009) Barker, Bond and the practice of theatre theory. In: Howard Barker’s Art of Theatre: International Conference, 10-12 July 2009, University of Aberystwyth, Department of Film, Television and Theatre Studies.

Hudson, James (2008) From bread and circuses to the rational theatre: desubliming repressive desublimation’. In: Art and Power, 27 September 2008, University of Leeds.

Electra

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Embodied Knowledge

Madhavan, Arya and Nair, Sreenath (2016) Embodied knowledge: training & performance practice [Asian Performance Conference, Lincoln, UK, 2016]. [Event, Show or Exhibition]

Embodied methodologies

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

Emotional expression

Madhavan, Arya (2016) Corporeality of taste: Kudiyattam, and the facial expression of taste. In: IFTR 2016, 13-17 June 2016, Stockholm, Sweden.

Empire

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Employability

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Engagement

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

England People Very Nice

Bull, John (2012) Chinese whispers. Studies in Theatre and Performance, 32 (2). pp. 227-232. ISSN 1468-2761

Environmental aesthetics

Breed, Ananda (2015) Environmental aesthetics, social engagement and aesthetic experiences in Central Asia. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (1). pp. 87-99. ISSN 1356-9783

Erasure in Asian Performance

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

Ernst Bloch

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

Erving Goffman

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

Escape

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Estonia

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

European Culture

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

European politics

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Events

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’. In: Protests as events: politics, activism and leisure. Rowman & Littlefield. ISBN 9781783480760, 9781783480777

Ewan MacColl

Warden, Claire (2011) Escape, romance and politics: the dialogue between the country and the city in British 1930’s theatre. In: ASTR/CORD conference 'Embodying Power: Work Over Time', November 2011, Seattle, Washington.

Exile

Breed, Ananda (2016) Theatre for survival: art of creation and protection (Kubunda). In: Performing (for) survival: theatre, crisis, extremity. Palgrave Macmillan, pp. 37-56. ISBN 1137454261

Experiment

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Experimental Performance

Westerside, Andrew, Lees, Gillian, Baynton, Rachel, Rogers, Paul J. and York Gregory, Adam (2017) A machine they're secretly building. [Performance]

Expressionism

Warden, Claire (2007) The divided self: fragmentation of the psyche in Ewan MacColl’s 'The Other Animals'. In: Second International Conference on Consciousness, Theatre, Literature and the Arts, May 2007, University of Aberystwyth.

Expressive

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

FIRT

O'Thomas, Mark (2013) Traversing the cut: from The Soldier’s Tale to Feast: translation and the right to fail in London’s Waterloo. In: International Federation for Theatre Research, 22-26th July 2013, Barcelona.

Face to Face

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Facelessness

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Familial memory

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Far Away

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Fascism

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Fashion

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

Fear

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Feminism

Chandler, Clare (2018) “Let me be part of the narrative” – The Schuyler Sisters ‘almost’ feminist? Contemporary Theatre Review, 28 (3). ISSN 1048-6801

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

Feminist Analysis

Chandler, Clare (2021) The Courtesan and the Collaborator: Marguérite [2008]. In: Paris in the Musical: The City of Light on Stage and Screen. Routledge, London, pp. 222-241. ISBN 9781138611092, 9780429465437

Feminist history

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Film

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Finborough

Healy, Sue (2022) The Funding Conundrum at The Finborough: An exploration of the funding and payment challenges faced by London’s leading fringe theatre. Comparative Drama Special Issue - London's Theatre: Places, Communities, Futures, 56 (1 & 2). pp. 179-198. ISSN 0010-4078

Forced Entertainment

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Forgetting

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

France

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Frank Castorf

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Frankenstein

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Frankenstein's Wedding

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

French film

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

Freud’s ‘double’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Fringe theatre

Bull, John and Saunders, Graham, eds. (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Funding

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Healy, Sue (2022) The Funding Conundrum at The Finborough: An exploration of the funding and payment challenges faced by London’s leading fringe theatre. Comparative Drama Special Issue - London's Theatre: Places, Communities, Futures, 56 (1 & 2). pp. 179-198. ISSN 0010-4078

G8 summit

Warden, Claire (2010) “Not a minute’s silence but a lifetime of struggle”: Edinburgh Theatre Workshop’s political carnivalesque. In: What Happens Now? 21st Century Writing in English, July 2010, University of Lincoln.

GI

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Gacaca

Breed, Ananda (2014) Performing the nation: genocide, justice, reconciliation. Seagull Books, Chicago. ISBN 9780857421081

Breed, Ananda (2020) Speech politics: performing political scripts. In: Theatrical Speech Acts: Performing Language. Routledge, pp. 65-88. ISBN 9780367819736

Gameplay

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Gay's the Word

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Gender

Chandler, Clare (2021) The Courtesan and the Collaborator: Marguérite [2008]. In: Paris in the Musical: The City of Light on Stage and Screen. Routledge, London, pp. 222-241. ISBN 9781138611092, 9780429465437

Madhavan, Arya (2019) Redefining the feminine in Kathakali: A Case Study of Asti. New Theatre Quarterly, 35 (2). pp. 169-186. ISSN 0266-464X

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Gender and theatre

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

Gender theory

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Genocide

Breed, Ananda (2014) Performing the nation: genocide, justice, reconciliation. Seagull Books, Chicago. ISBN 9780857421081

George Bernard Shaw

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

German Theatre

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

German politics

Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED

German studies

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

German theatre

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Germany Trilogy

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Gestural reconstruction

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Ghosting

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Gillian Slovo

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Globalisation

O'Thomas, Mark (2013) Traversing the cut: from The Soldier’s Tale to Feast: translation and the right to fail in London’s Waterloo. In: International Federation for Theatre Research, 22-26th July 2013, Barcelona.

Globalization

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Goffman’s ‘frames’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Gothic

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Jones, Kelly (2020) The Theatrical Gothic in the Nineteenth Century. In: The Cambridge History of the Gothic. Cambridge University Press, pp. 162-181. ISBN 9781108472715

Jones, Kelly, Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN 9781349953585

Gower

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Greek

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Greek Tragedy

Di Martino, Giovanna and Baudou, Estel (2023) Early Modern Iphigenias and Practice Research. In: Translating Ancient Greek Drama in Early Modern Europe: Theory and Practice (15th–16th Centuries). Trends in Classics – Pathways of Reception . De Gryuter. ISBN 9783110719185, 9783110718652

Greenland

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Haider

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

Hamish Henderson

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. In: Regional Spaces, National Stages: Performances beyond London, 1945-2010, 17 September 2011, University of Reading.

Hamlet

Pinchbeck, Michael (2013) The middle. [Video]

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Harold Pinter

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

Herbert Marcuse

Hudson, James (2008) From bread and circuses to the rational theatre: desubliming repressive desublimation’. In: Art and Power, 27 September 2008, University of Leeds.

Heritage

Pinchbeck, Michael and Westerside, Andrew, eds. (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Westerside, Andrew (2018) Performance as Commemoration. [Project]

High Yoga

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

History

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

History plays

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Howard Barker

Hudson, James (2009) Barker, Bond and the practice of theatre theory. In: Howard Barker’s Art of Theatre: International Conference, 10-12 July 2009, University of Aberystwyth, Department of Film, Television and Theatre Studies.

Howard Brenton

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Hugh MacDiarmid

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. In: Regional Spaces, National Stages: Performances beyond London, 1945-2010, 17 September 2011, University of Reading.

Hull

Turner, Laura (2016) Letters From Amy. [Project]

Human Rights

Breed, Ananda (2015) Gender-based violence and Human Rights: Participatory Theatre in Post-Genocide Rwanda. In: Theatre and Human Rights after 1945. Palgrave Macmillan, London, pp. 171-189. ISBN 978-1-137-36229-2

Hunger Strike

Walsh, Ally and Tsilimpounidi, Myrto (2011) The disappearing immigrants: hunger strike as invisible struggle. Theory in Action, 5 (2). p. 82. ISSN 1937-0229

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.

I'm Talking about Jerusalem

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

IFTR

O'Thomas, Mark (2013) Traversing the cut: from The Soldier’s Tale to Feast: translation and the right to fail in London’s Waterloo. In: International Federation for Theatre Research, 22-26th July 2013, Barcelona.

Ibsen

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Ibsen’s A Doll’s House

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Iceland

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Image and words

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Imagination

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Immersive theatre

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Immigrant Theatre

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Impact

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Imperialism

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Indian Drama

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Indian Pedagogical Practice

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Indian Theatre

Madhavan, Arya (2015) The politics of roar: towards a female kathakali. In: IFTR Conference 2015 - Hyderabad, India, 6-10 July 2015, India.

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Indian aesthetic theory

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Indian dance training

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Indian theatre

Madhavan, Arya (2016) Corporeality of taste: Kudiyattam, and the facial expression of taste. In: IFTR 2016, 13-17 June 2016, Stockholm, Sweden.

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2019) Redefining the feminine in Kathakali: A Case Study of Asti. New Theatre Quarterly, 35 (2). pp. 169-186. ISSN 0266-464X

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal, 25 (1). pp. 165-168. ISSN 0742-5457

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Nair, Sreenath and Madhavan, Arya (2018) Rural England: is there an appetite for culturally diverse art? [The Lincolnshire Diversity in the Arts: Research and Development Project]. Project Report. Arts Professional.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Innovations in Kudiyattam

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Installation

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Intercultural

Pinchbeck, Michael (2014) Bolero. [Video]

Intercultural theatre

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Nair, Sreenath and Madhavan, Arya (2018) Rural England: is there an appetite for culturally diverse art? [The Lincolnshire Diversity in the Arts: Research and Development Project]. Project Report. Arts Professional.

Pinchbeck, Michael (2014) Bolero. [Performance]

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Interculturalism

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Interdisciplinary

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Interdisciplinary Performance

Westerside, Andrew, Petralia, Peter, Lees, Gillian, Van de Cruys, Leentje, Blain, Martin, Rogers, Paul J., Donovan, Nicholas, Turner, Jane, Makus, Rebecca M. K., Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

Internationalisation

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Internationalism; Politics

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Interruption

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Intertextuality

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Intimacy

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Ireland

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Irish Studies

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Irish culture

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). p. 511. ISSN 0967-0882

Irish studies

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Irish theatre

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

Islam

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Istanbul

Tsilimpounidi, Myrto and Walsh, Aylwyn (2013) Virtues of violence: a testimonial performance or, an affidavit of lies, excuses and justifications. In: CAPPE 7th International Interdisciplinary Conference: Representation, Politics and Violence, 11-13 Sept 2013, Brighton.

JCNotOpen

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

JCOpen

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Jack Thorne

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Jacques Derrida

Campbell, Lee (2017) Anticipation, action and analysis: A new methodology for practice as research. PARtake: e Journal of Performance as Research: Vol. 1 : Iss. 2 , Article 7., 1 (2). ISSN 2472-0860

Jacques Ranciere

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Jean Mohr

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Jerusalem

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Jez Butterworth

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Joan Littlewood

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602

Warden, Claire (2007) ‘The shadows fly before the rush of light’: expressionist experimentation and political efficacy in Ewan MacColl’s ‘The Other Animals’. New Theatre Quarterly, 23 (4). pp. 317-325. ISSN 0266-464X

Joe Orton

Bull, John (2017) ‘We cannot all be masters, nor all masters/Cannot truly be follow’d’: Joe Orton’s Holiday Camp Bacchae – matters of class, genre and medium in The Erpingham Camp. Studies in Theatre and Performance, 37 (2). pp. 205-220. ISSN 1468-2761

John Berger

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

John Gabriel Borkman

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Joseph Beuys

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Justice

Breed, Ananda (2015) Aesthetic Play: Between Performance and Justice. In: Applied Theatre: Aesthetics. Bloomsbury, London, pp. 194-209. ISBN 978-1-4725-0986-4

Breed, Ananda (2014) Performing the nation: genocide, justice, reconciliation. Seagull Books, Chicago. ISBN 9780857421081

Kabakov

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Katie Mitchell

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

King John

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

Knowing

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Kudiyattam

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Kutiyattam

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

La Pocha Nostra

Walsh, Aylwyn (2015) Staging the others: appearance, visibility and radical border crossing in Athens. In: Performances of capitalism, crises and resistance: inside/outside Europe. Palgrave Macmillan, Basingstoke, pp. 134-152. ISBN 9781137379368

Landscapes

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Let the Right One In

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Liberalism

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Liminality

Pinchbeck, Michael (2013) The middle. [Video]

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Literary management

Healy, Sue (2022) The Literary Manager's Toolkit. A Practical Guide for the Theatre. The Focal Press Toolkit Series . Routledge, London. ISBN 9781032005140

Live Art

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Live Performance

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Live-cast

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Liveness

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

London and race in the 1980s

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

Loneliness

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Lorenz Hart

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Loss

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Love

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

MC

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

Magna Carta

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

Manhattan

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Mary Braddon

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Masculinities

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

Medicine

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Megamusical

Chandler, Clare (2021) The Courtesan and the Collaborator: Marguérite [2008]. In: Paris in the Musical: The City of Light on Stage and Screen. Routledge, London, pp. 222-241. ISBN 9781138611092, 9780429465437

Memorial

Pinchbeck, Michael and Westerside, Andrew, eds. (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Memory

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Meta-theatre

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Metatheatre

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Methodology

Westerside, Andrew (2016) Collaborative noises: theatre and music technology in practice. [Project]

Metrics

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2005) Boulevard comedy theatre in Germany. Cambridge Scholars Press, Newcastle. ISBN 190430348X

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2007) Ein Kabinettstück der Schauspielkunst: Ursula Dinkgräfes Bühnenlaufbahn = A showpiece of the art of acting: Ursula Dinkgräfe’s stage career. Cambridge Scholars Publishing, Newcastle. ISBN 1847181775

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2009) Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Meyer-Dinkgräfe, Daniel (2007) Views, positions, legacies: interviews with German and British theatre artists, 1985-2007. Cambridge Scholars Publishing, Newcastle. ISBN 1847182941

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2009) The origins of English dramatic modernism in the context of consciousness studies. In: Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2003) The relevance of consciousness studies for theatre history and practice in the context of globalisation. The European Legacy: Toward New Paradigms, 8 (6). pp. 769-776. ISSN 1084-8770

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957, 9781443816953

Miranda

Turner, Laura (2017) The Buried Moon. [Performance]

Mobile Arts for Peace

Breed, Ananda and Uwihoreye, Chaste (2023) Sharing and listening to stories for peacebuilding in post-genocide Rwanda. Research in Drama Education (RiDE), 28 (1). pp. 160-171. ISSN 1356-9783

Modern British Drama

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Modern British Playwriting

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

Holden, Nicholas (2017) 'Making new theatre together': Developing writers and creating community in the first Writers' Group at the Royal Court Theatre and its legacy in the Young Writers' Programme. Theatre History Studies, 36 . pp. 248-265. ISSN 0733-2033

Holden, Nicholas Oliver (2018) Building the engine room: a study of the Royal Court Young Peoples’ Theatre and its development into the Young Writers’ Programme. PhD thesis, University of Lincoln.

Modernism

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Monsters

Jones, Kelly (2022) Time and Punishment: Gothic Maternal Bodies on the Contemporary British Stage. In: Theatre and the Macabre. Horror Studies . University of Wales Press. ISBN 9781786838452, 9781786838469, 9781786838476

Mothers

Jones, Kelly (2022) Time and Punishment: Gothic Maternal Bodies on the Contemporary British Stage. In: Theatre and the Macabre. Horror Studies . University of Wales Press. ISBN 9781786838452, 9781786838469, 9781786838476

Motortown

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Multimedia

Westerside, Andrew, Hobday, Nicki, Lees, Gillian and Petralia, Peter S. (2007) Whisper. [Event, Show or Exhibition]

Westerside, Andrew, Petralia, Peter, Lees, Gillian, Van de Cruys, Leentje, Blain, Martin, Rogers, Paul J., Donovan, Nicholas, Turner, Jane, Makus, Rebecca M. K., Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

Multimedia performance

Westerside, Andrew, Lees, Gillian, Baynton, Rachel, Rogers, Paul J. and York Gregory, Adam (2017) A machine they're secretly building. [Performance]

Music

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Westerside, Andrew (2016) Collaborative noises: theatre and music technology in practice. [Project]

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Westerside, Andrew, Lawrence, Conan, Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Westerside, Andrew, Petralia, Peter, Lees, Gillian, Van de Cruys, Leentje, Blain, Martin, Rogers, Paul J., Donovan, Nicholas, Turner, Jane, Makus, Rebecca M. K., Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

Music Hall

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Music Theatre

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Westerside, Andrew, Petralia, Peter, Lees, Gillian, Van de Cruys, Leentje, Blain, Martin, Rogers, Paul J., Donovan, Nicholas, Turner, Jane, Makus, Rebecca M. K., Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

Music technology

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Musical Dramaturgy

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Musical Motifs

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Musical Theatre

Chandler, Clare (2021) “Does Anybody Have A Map?”: The Impact of “Virtual Broadway” on Musical Theatre Composition. The Journal of Popular Culture, 54 (2). pp. 276-300. ISSN 0022-3840

Chandler, Clare (2018) “Let me be part of the narrative” – The Schuyler Sisters ‘almost’ feminist? Contemporary Theatre Review, 28 (3). ISSN 1048-6801

Chandler, Clare (2016) Tony Awards 2016: a brief history of the woman behind the biggest event in show business. The Conversation . ISSN 2201-5639

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Musical theatre

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Musicality

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Musicals

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

NHS

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

NT Live

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Nangiar kuthu

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Narrative

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Nathaniel Hawthorne

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

National Theatre Live

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Nationalism

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Nationhood

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Neo-nazism

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

New Brutalism

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

New Sincerity

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

New Writing

Westerside, Andrew (2017) A machine they're secretly building. Oberon. ISBN 9781786821119, 9781786821126

New York

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

New critical sincerity

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

New writing for the stage

O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile.

Westerside, Andrew, Lees, Gillian, Baynton, Rachel, Rogers, Paul J. and York Gregory, Adam (2017) A machine they're secretly building. [Performance]

Nomadic

Fossey, Steve (2013) Re-imagining Social Space through an openness to the Becoming of Place. In: Becoming Nomad: Hybrid Spaces, Liquid Architectures and Online Domains, April 2013, York St. John University.

Non-diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Non-linearity

Pinchbeck, Michael (2016) The trilogy. [Performance]

Normal

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Northern Ireland

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

NotOAChecked

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

Walsh, Aylwyn Mae (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture, 12 (3). pp. 309-326. ISSN 1741-6604

Novello

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Oh

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Oklahoma!

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

One-to-one

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Online Games

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

Opera

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Orientalism

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Oscar Lewenstein

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Pan-Asian performance theory

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Participation

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Participatory practices

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Participatory theatre

Breed, Ananda (2015) Gender-based violence and Human Rights: Participatory Theatre in Post-Genocide Rwanda. In: Theatre and Human Rights after 1945. Palgrave Macmillan, London, pp. 171-189. ISBN 978-1-137-36229-2

Pastoral

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Patriarchy

Madhavan, Arya (2019) Redefining the feminine in Kathakali: A Case Study of Asti. New Theatre Quarterly, 35 (2). pp. 169-186. ISSN 0266-464X

Paul Rubens

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Peak experiences

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Pedagogy

Campbell, Lee (2017) Collaborators and hecklers: Performative pedagogy and interruptive processes. Scenario, XI (1). pp. 33-64. ISSN 1649-8526

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Peer observation

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Peformance

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight. [Project]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Bristol]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Lancaster]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]

Penetrator

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Pepper's Ghost

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Performance

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew, eds. (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Baynton, Rachel, Lees, Gillian, Petralia, Peter, Westerside, Andrew and Gregory, Adam York (2011) Fortnight. Proto-type Theater / Blurb. ISBN UNSPECIFIED

Breed, Ananda (2016) The Artist as Questioner: Why We Do What We Do. In: Applied Theatre: Facilitation. Applied Theatre . Bloomsbury, London, pp. 189-206. ISBN 978-1-4725-7692-7

Breed, Ananda and Prentki, Tim (2018) Performance and Civic Engagement. Macmillan Palgrave, London. ISBN 978-3-319-66516-0

Breed, Ananda (2015) Aesthetic Play: Between Performance and Justice. In: Applied Theatre: Aesthetics. Bloomsbury, London, pp. 194-209. ISBN 978-1-4725-0986-4

Breed, Ananda (2014) Performing the nation: genocide, justice, reconciliation. Seagull Books, Chicago. ISBN 9780857421081

Breed, Ananda (2016) Theatre for survival: art of creation and protection (Kubunda). In: Performing (for) survival: theatre, crisis, extremity. Palgrave Macmillan, pp. 37-56. ISBN 1137454261

Dunne, Joseph (2015) Regenerating the live: the archive as the genesis of a performance practice. PhD thesis, University of Lincoln.

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Meyer-Dinkgräfe, Daniel (2005) Boulevard comedy theatre in Germany. Cambridge Scholars Press, Newcastle. ISBN 190430348X

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Petralia, Peter, Lees, Gillian, Baynton, Rachel, Westerside, Andrew, McBride, David, Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

Petralia, Peter Salvatore, Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Event, Show or Exhibition]

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Westerside, Andrew, Hobday, Nicki, Lees, Gillian and Petralia, Peter S. (2007) Whisper. [Event, Show or Exhibition]

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew (2018) Performance as Commemoration. [Project]

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Westerside, Andrew (2022) Wrestling with Techology: Audiences, Politics and the Ecosystems of Attendance during Covid-19. International Joural of Performing Arts and Digital Media, 18 (2). pp. 263-280. ISSN 1479-4713

Westerside, Andrew (2017) A machine they're secretly building. Oberon. ISBN 9781786821119, 9781786821126

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Westerside, Andrew and Baynton, Rachel (2015) The Forgotten Suffragette. [Performance]

Westerside, Andrew and Lawrence, Conan (2014) Leaving Home - Performance Script. [Artefact]

Westerside, Andrew and Lawrence, Conan (2014) Leaving home - Friesthorpe. [Performance]

Westerside, Andrew, Lees, Gillian, Baynton, Rachel, Rogers, Paul J. and York Gregory, Adam (2017) A machine they're secretly building. [Performance]

Westerside, Andrew, Petralia, Peter, Lees, Gillian, Van de Cruys, Leentje, Blain, Martin, Rogers, Paul J., Donovan, Nicholas, Turner, Jane, Makus, Rebecca M. K., Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

Performance Art

Campbell, Lee (2017) Anticipation, action and analysis: A new methodology for practice as research. PARtake: e Journal of Performance as Research: Vol. 1 : Iss. 2 , Article 7., 1 (2). ISSN 2472-0860

Campbell, Lee (2017) Collaborators and hecklers: Performative pedagogy and interruptive processes. Scenario, XI (1). pp. 33-64. ISSN 1649-8526

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Campbell, Lee, McCall, Carali and Lee, Adrian (2017) Sight (un)specific: performance as research predicated upon deploying acts of visual negation. Body, Space, Technology, 16 . ISSN 1470-9120

Performance Lecture

Walsh, Aylwyn M and Tsilimpounidi, Myrto (2013) It's a beautiful thing, the destruction of wor(l)ds. In: International Visual Sociological Association 2013 Annual Conference ‘The Public Image’, 8-10 July 2013, London.

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 14th Mediterranean research Meeting: ‘Social Media, Urban Movements and Grass-Roots Creativity in the Mediterranean during the Crisis’, 20-23 March 2013, Mersin, Turkey.

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 20th International Conference for Europeanists: Crisis and Contingency: States of (In)stability Workshop: ‘Europe in Crisis: Urban Performances of Capitalism and Resistance’, 25-27 June 2013, Amsterdam.

Performance Research

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Performance Studies

Pinchbeck, Michael and Westerside, Andrew, eds. (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Performance and Commemoration

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Westerside, Andrew (2018) Performance as Commemoration. [Project]

Performance art

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

Performance ethnography

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’: the script. In: Protests as Events: Politics, Activism and Leisure. Rowman and Littlefield. ISBN 9781783480777, 9781783480760

Performance of Crisis

Walsh, Aylwyn, M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Berlin Biennale: PREOCCUPIED: The Words, Wounds and Works of Occupations Past and Present, 28-29 June 2012, Berlin.

Performance spaces

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Performance studies

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

Performance-as-Commemoration

Westerside, Andrew and Lawrence, Conan (2014) Leaving home - Friesthorpe. [Performance]

Westerside, Andrew, Lawrence, Conan, Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Performative

Fossey, Steve (2013) Re-imagining Social Space through an openness to the Becoming of Place. In: Becoming Nomad: Hybrid Spaces, Liquid Architectures and Online Domains, April 2013, York St. John University.

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Performativity

Breed, Ananda (2020) Speech politics: performing political scripts. In: Theatrical Speech Acts: Performing Language. Routledge, pp. 65-88. ISBN 9780367819736

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Performing Arts

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Pericles

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Pervasive Media

Baynton, Rachel, Lees, Gillian, Petralia, Peter, Westerside, Andrew and Gregory, Adam York (2011) Fortnight. Proto-type Theater / Blurb. ISBN UNSPECIFIED

Petralia, Peter, Lees, Gillian, Baynton, Rachel, Westerside, Andrew, McBride, David, Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight. [Project]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Bristol]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Lancaster]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]

Pervasive Technologies

Petralia, Peter, Lees, Gillian, Baynton, Rachel, Westerside, Andrew, McBride, David, Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

Phenomenology

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Phenomenology of Roundness

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Photography

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinter

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

Place

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Placeness

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Plays

Westerside, Andrew (2017) A machine they're secretly building. Oberon. ISBN 9781786821119, 9781786821126

Playwriting Pedagogy

Holden, Nicholas (2017) 'Making new theatre together': Developing writers and creating community in the first Writers' Group at the Royal Court Theatre and its legacy in the Young Writers' Programme. Theatre History Studies, 36 . pp. 248-265. ISSN 0733-2033

Please Love Austria

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

Political Theatre

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Political performance

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.

Politics

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew (2018) Theatres of Agitation. [Project]

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Politics of Indian theatre

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal, 25 (1). pp. 165-168. ISSN 0742-5457

Port

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Postcapitalism

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Postmodernism

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Practice

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Practice as Research

Di Martino, Giovanna and Baudou, Estel (2023) Early Modern Iphigenias and Practice Research. In: Translating Ancient Greek Drama in Early Modern Europe: Theory and Practice (15th–16th Centuries). Trends in Classics – Pathways of Reception . De Gryuter. ISBN 9783110719185, 9783110718652

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Westerside, Andrew (2016) Collaborative noises: theatre and music technology in practice. [Project]

Practice as research

Dunne, Joseph (2015) Regenerating the live: the archive as the genesis of a performance practice. PhD thesis, University of Lincoln.

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Prana

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Praxis

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Presence

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Presence; ephemerality; Indian Performance theory; the Natyasastra; Battlefield; trace; heterotopia; ontology of absence

Nair, Sreenath (2019) Aesthetics of [the] Invisible: Presence in Indian Performance Theory. In: The Routledge Companion to Performance Philosophy. Routledge. ISBN UNSPECIFIED

Process

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Procession

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Producing

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Professional Practice

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Protests

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’. In: Protests as events: politics, activism and leisure. Rowman & Littlefield. ISBN 9781783480760, 9781783480777

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 14th Mediterranean research Meeting: ‘Social Media, Urban Movements and Grass-Roots Creativity in the Mediterranean during the Crisis’, 20-23 March 2013, Mersin, Turkey.

Proto-type Theater

Petralia, Peter, Lees, Gillian, Baynton, Rachel, Westerside, Andrew, McBride, David, Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

Proximity

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Psychology

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Punk Rock

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Queen's Hotel

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

RFID

Baynton, Rachel, Lees, Gillian, Petralia, Peter, Westerside, Andrew and Gregory, Adam York (2011) Fortnight. Proto-type Theater / Blurb. ISBN UNSPECIFIED

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight. [Project]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Bristol]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Lancaster]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]

Race

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Racism

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Radical Performance

Walsh, Aylwyn (2015) Staging the others: appearance, visibility and radical border crossing in Athens. In: Performances of capitalism, crises and resistance: inside/outside Europe. Palgrave Macmillan, Basingstoke, pp. 134-152. ISBN 9781137379368

Radio Drama

Westerside, Andrew and Baynton, Rachel (2015) The Forgotten Suffragette. [Performance]

Rasa theory

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Rasatrialogue

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Ravel

Pinchbeck, Michael (2016) Concerto. [Video]

Reactionary ideology

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Realism

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Reception History

Chandler, Clare (2021) The Courtesan and the Collaborator: Marguérite [2008]. In: Paris in the Musical: The City of Light on Stage and Screen. Routledge, London, pp. 222-241. ISBN 9781138611092, 9780429465437

Reckless Sleepers

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Reconciliation

Breed, Ananda (2014) Performing the nation: genocide, justice, reconciliation. Seagull Books, Chicago. ISBN 9780857421081

Recruiting Song

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Reflexivity

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Regeneration

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Reinterpretation

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Rejourn

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Relational

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Remembering

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Remembrance

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Renaissance Drama

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

Repair

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Representations of children

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Repressive Desublimation

Hudson, James (2008) From bread and circuses to the rational theatre: desubliming repressive desublimation’. In: Art and Power, 27 September 2008, University of Leeds.

Research

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Resistance

Walsh, Aylwyn Mae (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture, 12 (3). pp. 309-326. ISSN 1741-6604

Walsh, Ally and Tsilimpounidi, Myrto (2011) The disappearing immigrants: hunger strike as invisible struggle. Theory in Action, 5 (2). p. 82. ISSN 1937-0229

Richard Bean

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Bull, John (2012) Chinese whispers. Studies in Theatre and Performance, 32 (2). pp. 227-232. ISSN 1468-2761

Richard Rodgers

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Right wing politics

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Ritual

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Rob Drummond

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

Rodgers and Hammerstein

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Rodgers and Hart

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Roots

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

Rose Playhouse

Turner, Laura (2017) The Buried Moon. [Performance]

Royal Court Theatre

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

Healy, Sue (2019) A Theatre of Social Concern: Considering Vicky Featherstone’s Tenure at the Royal Court. Contemporary Theatre Review, 29 (4). pp. 495-498. ISSN 1048-6801

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Holden, Nicholas (2015) Royal Court: international [Aston, Elaine and Mark O’Thomas, Basingstoke: Palgrave, 2015]. Platform: Journal of Theatre and Performing Arts . ISSN 1751-0171

Holden, Nicholas (2017) 'Making new theatre together': Developing writers and creating community in the first Writers' Group at the Royal Court Theatre and its legacy in the Young Writers' Programme. Theatre History Studies, 36 . pp. 248-265. ISSN 0733-2033

Royal National Theatre

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Bull, John (2012) Chinese whispers. Studies in Theatre and Performance, 32 (2). pp. 227-232. ISSN 1468-2761

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Ruin

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Russia. Soviet Union. Former Soviet Republics

Warden, Claire (2013) Saluting the Red Army: Basil Dean's Russian adventures. In: Northern Modernism Seminar, 15 Mar 2013, University of Birmingham.

Rwanda

Breed, Ananda (2015) Gender-based violence and Human Rights: Participatory Theatre in Post-Genocide Rwanda. In: Theatre and Human Rights after 1945. Palgrave Macmillan, London, pp. 171-189. ISBN 978-1-137-36229-2

Breed, Ananda (2018) MAP workshop. [Image]

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

Samuel Beckett

O'Gorman, Siobhán (2016) Beckett out of Focus: Happy Days and Waiting for Godot at Dublin's Focus Theatre. In: Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London and New York, pp. 67-87. ISBN 9781474240574

Sanskrit studies

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Sarah Kane

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Sartre

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University.

Scenography

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Schenchner’s ‘dark play’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Schlingensief

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

Schröder

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Science

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Scotland

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Senegalese film

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

Set design

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Seven Jewish Children

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Shakespeare

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Pinchbeck, Michael (2013) The middle. [Video]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Turner, Laura (2017) The Buried Moon. [Performance]

Shakespeare's Globe

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Shaw

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Siegfried Sassoon

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Simon Stephens

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Holden, Nicholas (2017) 'Making new theatre together': Developing writers and creating community in the first Writers' Group at the Royal Court Theatre and its legacy in the Young Writers' Programme. Theatre History Studies, 36 . pp. 248-265. ISSN 0733-2033

Simulcast

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Sing-along

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Singing

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Site Specific

Petralia, Peter, Lees, Gillian, Baynton, Rachel, Westerside, Andrew, McBride, David, Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

Site Specificity

Fossey, Steve (2013) Re-imagining Social Space through an openness to the Becoming of Place. In: Becoming Nomad: Hybrid Spaces, Liquid Architectures and Online Domains, April 2013, York St. John University.

Site specific theatre

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Site-Specific

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight. [Project]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Bristol]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Lancaster]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]

Site-Specific Theatre

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Site-specific

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Site-specific performance

Westerside, Andrew and Lawrence, Conan (2014) Leaving home - Friesthorpe. [Performance]

Site-specific theatre

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Sloane Square

Healy, Susan Ann (2018) The Royal Court Theatre 1968-1975: Fraught and Fruitful Years. PhD thesis, University of Lincoln.

Social Class

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Social Sculpture

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Social Space

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Socially engaged performance

Breed, Ananda (2015) Environmental aesthetics, social engagement and aesthetic experiences in Central Asia. Research in Drama Education: The Journal of Applied Theatre and Performance, 20 (1). pp. 87-99. ISSN 1356-9783

Breed, Ananda (2017) Maternal environments. Performance Research, 22 (4). pp. 105-112. ISSN 1352-8165

Song

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Sophocles

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

South African Prison

Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860

South Asia

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Space

Fossey, Steve (2013) Re-imagining Social Space through an openness to the Becoming of Place. In: Becoming Nomad: Hybrid Spaces, Liquid Architectures and Online Domains, April 2013, York St. John University.

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Spect-actors

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Spectatorship

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Speech Acts

Breed, Ananda (2020) Speech politics: performing political scripts. In: Theatrical Speech Acts: Performing Language. Routledge, pp. 65-88. ISBN 9780367819736

Spirituality

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Stage Design

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

Stanislavski

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Stanislavski and Yoga

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). ISSN 2056-7790

Nair, Sreenath (2018) The Metaphor of Circle: Stanislavski, Phenomenology of Roundness and High Yoga. Stanslavski Studies, 6 (2). pp. 183-198. ISSN 2056-7790

Suffrage

Westerside, Andrew and Baynton, Rachel (2015) The Forgotten Suffragette. [Performance]

Supporting artists

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Surrealism

Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED

Surveillance

Westerside, Andrew (2017) A machine they're secretly building. Oberon. ISBN 9781786821119, 9781786821126

Switzerland

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Taste

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Taste and expression

Madhavan, Arya (2016) Corporeality of taste: Kudiyattam, and the facial expression of taste. In: IFTR 2016, 13-17 June 2016, Stockholm, Sweden.

Teaching and Learning

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Technique as knowledge

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Technology

Baynton, Rachel, Lees, Gillian, Petralia, Peter, Westerside, Andrew and Gregory, Adam York (2011) Fortnight. Proto-type Theater / Blurb. ISBN UNSPECIFIED

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Petralia, Peter Salvatore, Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight. [Project]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Bristol]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Lancaster]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]

Westerside, Andrew (2022) Wrestling with Techology: Audiences, Politics and the Ecosystems of Attendance during Covid-19. International Joural of Performing Arts and Digital Media, 18 (2). pp. 263-280. ISSN 1479-4713

Television plays

Bull, John (2017) ‘We cannot all be masters, nor all masters/Cannot truly be follow’d’: Joe Orton’s Holiday Camp Bacchae – matters of class, genre and medium in The Erpingham Camp. Studies in Theatre and Performance, 37 (2). pp. 205-220. ISSN 1468-2761

Text

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

The 1960s

Bull, John and Saunders, Graham, eds. (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

The 1970s

Bull, John and Saunders, Graham, eds. (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

The 1980s

Bull, John and Saunders, Graham, eds. (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

The 1990s

Bull, John and Saunders, Graham, eds. (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

The 2000s

Bull, John and Saunders, Graham, eds. (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

The Body

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

The Censor

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

The Events

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

The Kitchen

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

The Life of Galileo

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

The Natyasastra

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

The Riots

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

The Tempest

Turner, Laura (2017) The Buried Moon. [Performance]

The Woman in Black

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

The Wonderful World of Dissocia

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Theatre

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew, eds. (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Baynton, Rachel, Lees, Gillian, Petralia, Peter, Westerside, Andrew and Gregory, Adam York (2011) Fortnight. Proto-type Theater / Blurb. ISBN UNSPECIFIED

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

Meyer-Dinkgräfe, Daniel (2005) Boulevard comedy theatre in Germany. Cambridge Scholars Press, Newcastle. ISBN 190430348X

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Meyer-Dinkgräfe, Daniel (2003) The relevance of consciousness studies for theatre history and practice in the context of globalisation. The European Legacy: Toward New Paradigms, 8 (6). pp. 769-776. ISSN 1084-8770

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

O'Gorman, Siobhán (2016) Beckett out of Focus: Happy Days and Waiting for Godot at Dublin's Focus Theatre. In: Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London and New York, pp. 67-87. ISBN 9781474240574

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2016) “Hers and his”: Carolyn Swift, Alan Simpson, and collective creation at Dublin’s Pike Theatre. In: Women, Collective Creation, and Devised Performance. Palgrave MacMillan, pp. 121-138. ISBN 9781137550132

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Petralia, Peter, Lees, Gillian, Baynton, Rachel, Westerside, Andrew, McBride, David, Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

Petralia, Peter Salvatore, Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Event, Show or Exhibition]

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Warden, Claire (2012) Poetic drama?: Stephen Spender's 'Trial of a judge'. In: Modernism and Spectacle: Modernism Studies Association Conference, 18-21 October, Las Vegas.

Warden, Claire (2013) Saluting the Red Army: Basil Dean's Russian adventures. In: Northern Modernism Seminar, 15 Mar 2013, University of Birmingham.

Warden, Claire (2012) 'Smash the bars': incarceration and emancipation in the theatrical cages of the modernist avant-garde. In: Material Modernisms: European Network for Avant-Garde and Modernism Studies (EAM), 7-9 September 2012, University of Kent.

Warden, Claire (2012) The caged and the free: the working body in the modernist avant-garde. In: Performance Studies international #18, 27 June - 1 July, University of Leeds.

Westerside, Andrew, Hobday, Nicki, Lees, Gillian and Petralia, Peter S. (2007) Whisper. [Event, Show or Exhibition]

Westerside, Andrew (2018) The Audit (or Iceland, a modern myth). Modern Plays . Oberon. ISBN 9781786824677

Westerside, Andrew (2016) Collaborative noises: theatre and music technology in practice. [Project]

Westerside, Andrew (2018) Performance as Commemoration. [Project]

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Westerside, Andrew (2018) Theatres of Agitation. [Project]

Westerside, Andrew (2022) Wrestling with Techology: Audiences, Politics and the Ecosystems of Attendance during Covid-19. International Joural of Performing Arts and Digital Media, 18 (2). pp. 263-280. ISSN 1479-4713

Westerside, Andrew (2017) A machine they're secretly building. Oberon. ISBN 9781786821119, 9781786821126

Westerside, Andrew and Baynton, Rachel (2018) The Audit (or Iceland, a modern myth). [Performance]

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Westerside, Andrew and Lawrence, Conan (2014) Leaving Home - Performance Script. [Artefact]

Westerside, Andrew and Lawrence, Conan (2014) Leaving home - Friesthorpe. [Performance]

Westerside, Andrew, Lawrence, Conan, Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Westerside, Andrew, Lees, Gillian, Baynton, Rachel, Rogers, Paul J. and York Gregory, Adam (2017) A machine they're secretly building. [Performance]

Westerside, Andrew, Petralia, Peter, Lees, Gillian, Van de Cruys, Leentje, Blain, Martin, Rogers, Paul J., Donovan, Nicholas, Turner, Jane, Makus, Rebecca M. K., Gregory, Adam Y. and McBride, David (2014) The good, the God and the guillotine. [Performance]

Westerside, Andrew and Pinchbeck, Michael (2017) Acts of communion: encountering taste in Reckless Sleeper's The Last Supper. Performance Research, 22 (3). pp. 44-53. ISSN 1352-8615

Theatre History

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

Theatre Music

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Theatre NO99

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

Theatre Theory

Hudson, James (2009) Barker, Bond and the practice of theatre theory. In: Howard Barker’s Art of Theatre: International Conference, 10-12 July 2009, University of Aberystwyth, Department of Film, Television and Theatre Studies.

Theatre Workshop

Warden, Claire (2007) The divided self: fragmentation of the psyche in Ewan MacColl’s 'The Other Animals'. In: Second International Conference on Consciousness, Theatre, Literature and the Arts, May 2007, University of Aberystwyth.

Warden, Claire (2007) ‘The shadows fly before the rush of light’: expressionist experimentation and political efficacy in Ewan MacColl’s ‘The Other Animals’. New Theatre Quarterly, 23 (4). pp. 317-325. ISSN 0266-464X

Theatre and Globalization

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Theatre and Interculturalism

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Theatre and multiculturalism

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Theatre and prison

Walsh, Aylwyn M. (2012) Performing prisons, performing punishment: the banality of the cell in contemporary theatre. Total Theatre Magazine, Summer . ISSN .

Theatre and technology

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, technology and transmedial theatre in Europe. Studies in Theatre and Performance, 41 (3). pp. 263-280. ISSN 1468-2761

Theatre for Young Audiences

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Theatre history

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Meyer-Dinkgräfe, Daniel (2009) The origins of English dramatic modernism in the context of consciousness studies. In: Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Theatre studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Westerside, Andrew and Pinchbeck, Michael (2017) Acts of communion: encountering taste in Reckless Sleeper's The Last Supper. Performance Research, 22 (3). pp. 44-53. ISSN 1352-8615

Theatre theory

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University.

Theatre translation

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

O'Thomas, Mark (2014) Sadness and joy in the life of giraffes. [Performance]

O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile.

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2013) Traversing the cut: from The Soldier’s Tale to Feast: translation and the right to fail in London’s Waterloo. In: International Federation for Theatre Research, 22-26th July 2013, Barcelona.

O'Thomas, Mark (2013) The big idea: PIIGS new short plays [Portugal]. [Performance]

Theatres

O'Thomas, Mark (2013) Traversing the cut: from The Soldier’s Tale to Feast: translation and the right to fail in London’s Waterloo. In: International Federation for Theatre Research, 22-26th July 2013, Barcelona.

Thesis

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Tim Crouch

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Time

Meyer-Dinkgräfe, Daniel (2009) The origins of English dramatic modernism in the context of consciousness studies. In: Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Tin Pan Alley

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Tom Stoppard

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Tomorrow's Parties

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Tone policing

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

Tony Awards

Chandler, Clare (2016) Tony Awards 2016: a brief history of the woman behind the biggest event in show business. The Conversation . ISSN 2201-5639

Traditional Indian Theatre

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Training

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Translation

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Di Martino, Giovanna and Baudou, Estel (2023) Early Modern Iphigenias and Practice Research. In: Translating Ancient Greek Drama in Early Modern Europe: Theory and Practice (15th–16th Centuries). Trends in Classics – Pathways of Reception . De Gryuter. ISBN 9783110719185, 9783110718652

Travel

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Trilogy

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

Twentieth century

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Twentieth-century drama

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Ubwuzu

Breed, Ananda (2018) MAP workshop. [Image]

United Estonia

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

University Drama

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

Marlow, Christopher (2009) A crisis of friendship?: representation and experience in two late university plays. Shakespeare Studies (37). pp. 54-66. ISSN 0582-9399

Marlow, Christopher (2008) The performance of learning: university drama at Oxford in 1566. Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies, 73 . pp. 1-7. ISSN 0184-7678

Unknown

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Urban studies

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.

Use of mirror in dance

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

User Created

Baynton, Rachel, Lees, Gillian, Petralia, Peter, Westerside, Andrew and Gregory, Adam York (2011) Fortnight. Proto-type Theater / Blurb. ISBN UNSPECIFIED

Utopia

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Vedanta

Meyer-Dinkgräfe, Daniel (2009) The origins of English dramatic modernism in the context of consciousness studies. In: Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Venice Biennale

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Verbatim

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Verbatim Theatre

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Vesta Tilley

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Vicky Featherstone

Healy, Sue (2019) A Theatre of Social Concern: Considering Vicky Featherstone’s Tenure at the Royal Court. Contemporary Theatre Review, 29 (4). pp. 495-498. ISSN 1048-6801

Victorian Theatre

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie, Radcliffe, Caroline, Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.

Videogames

Westerside, Andrew and Holopainen, Jussi (2019) Sites of Play: Locating Gameplace in Red Dead Redemption 2. In: 2019 DiGRA International Conference: Game, Play and the Emerging Ludo-Mix, 2019.

Virtual Broadway

Chandler, Clare (2021) “Does Anybody Have A Map?”: The Impact of “Virtual Broadway” on Musical Theatre Composition. The Journal of Popular Culture, 54 (2). pp. 276-300. ISSN 0022-3840

Visibility

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Visual Art

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Visual Arts

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight. [Project]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Bristol]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Lancaster]. [Event, Show or Exhibition]

Petralia, Peter, Lees, Gillian, Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]

Visual Culture

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Visual Impairment

Campbell, Lee, McCall, Carali and Lee, Adrian (2017) Sight (un)specific: performance as research predicated upon deploying acts of visual negation. Body, Space, Technology, 16 . ISSN 1470-9120

Visual Sociology

Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Imag(in)ing containers as social landscapes. In: IVSA 2015 annual conference ‘What you see is what you get: Old and new ways of seeing society’, 25 - 27 June 2015, Tinos, Greece.

Volksbühne

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Volksbühne Berlin

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

WWI

Pinchbeck, Michael and Westerside, Andrew, eds. (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

WWII

Pinchbeck, Michael and Westerside, Andrew, eds. (2018) Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Wagner

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Walter Greenwood

Warden, Claire (2011) Escape, romance and politics: the dialogue between the country and the city in British 1930’s theatre. In: ASTR/CORD conference 'Embodying Power: Work Over Time', November 2011, Seattle, Washington.

Wedekind

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

What a Lovely War

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

When we dead awaken

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Wilfred Owen

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

William Gaskill

Holden, Nicholas (2017) 'Making new theatre together': Developing writers and creating community in the first Writers' Group at the Royal Court Theatre and its legacy in the Young Writers' Programme. Theatre History Studies, 36 . pp. 248-265. ISSN 0733-2033

Winnicott’s ‘transitional object’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Women

Turner, Laura (2018) Abyss: Reflections on Drowning. [Performance]

Turner, Laura (2016) Letters From Amy. [Project]

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

Women and Kathakali

Madhavan, Arya (2015) The politics of roar: towards a female kathakali. In: IFTR Conference 2015 - Hyderabad, India, 6-10 July 2015, India.

Women in Asian Performance

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Women in Kathakali

Madhavan, Arya (2019) Redefining the feminine in Kathakali: A Case Study of Asti. New Theatre Quarterly, 35 (2). pp. 169-186. ISSN 0266-464X

Women in prison

Walsh, Aylwyn Mae (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture, 12 (3). pp. 309-326. ISSN 1741-6604

Women's Rights

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Women's Suffrage

Westerside, Andrew and Baynton, Rachel (2015) The Forgotten Suffragette. [Performance]

World War I

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

World War Two

Chandler, Clare (2021) The Courtesan and the Collaborator: Marguérite [2008]. In: Paris in the Musical: The City of Light on Stage and Screen. Routledge, London, pp. 222-241. ISBN 9781138611092, 9780429465437

Wrestling

Westerside, Andrew (2022) Wrestling with Techology: Audiences, Politics and the Ecosystems of Attendance during Covid-19. International Joural of Performing Arts and Digital Media, 18 (2). pp. 263-280. ISSN 1479-4713

Writing

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Xenophobia

Chandler, Clare (2021) The Courtesan and the Collaborator: Marguérite [2008]. In: Paris in the Musical: The City of Light on Stage and Screen. Routledge, London, pp. 222-241. ISBN 9781138611092, 9780429465437

Yorkshire

Turner, Laura (2016) Letters From Amy. [Project]

absence

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

acting

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

activism

Savage, Karen (2021) Avatars, Activism and Post-digital Performance: Precarious Inter-medial Identities. Drama and Performance series . Bloomsbury Methuen. ISBN 9781350159310

actor training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

adaptation

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Turner, Laura (2016) Letters From Amy. [Project]

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

aesthetics

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

aesthetics of Indian theatre

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal, 25 (1). pp. 165-168. ISSN 0742-5457

ageing

Pinchbeck, Michael (2013) The middle. [Video]

and Ireland

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

applied performance

Breed, Ananda and Uwihoreye, Chaste (2023) Sharing and listening to stories for peacebuilding in post-genocide Rwanda. Research in Drama Education (RiDE), 28 (1). pp. 160-171. ISSN 1356-9783

applied theatre

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

apps

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

archive

Savage, Karen (2014) fading---feminism---practice---process: an evolving performance archive. [Performance]

Savage, Karen (2017) The slippery trail: exploring practice-as-research as a methodology for archiving intermediality and performance. [Project]

art history

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

asian theatre

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

audio

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

austerity

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

authentic

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

authority

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

authorship

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

auto-dramaturgy

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

avant-garde

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

avant-garde theatre

Warden, Claire (2008) “The human body which we shape and mould like a potter his clay”: Rudolf Laban’s influence on the aesthetic project of Theatre Workshop. In: Europa! Europa? First bi-annual conference of the European Network for Avant-Garde and Modernism Studies, May 2008, University of Ghent, Belgium.

avant-gardes

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

avatars

Savage, Karen (2021) Avatars, Activism and Post-digital Performance: Precarious Inter-medial Identities. Drama and Performance series . Bloomsbury Methuen. ISBN 9781350159310

aviation

Turner, Laura (2016) Letters From Amy. [Project]

beatboxing

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

beauty

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

berger

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

biography

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

Meyer-Dinkgräfe, Daniel (2007) Ein Kabinettstück der Schauspielkunst: Ursula Dinkgräfes Bühnenlaufbahn = A showpiece of the art of acting: Ursula Dinkgräfe’s stage career. Cambridge Scholars Publishing, Newcastle. ISBN 1847181775

Pinchbeck, Michael (2016) Concerto. [Video]

bmjanomaly

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

bmjdate

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie, Radcliffe, Caroline, Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.

bmjdoi

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

bmjfind

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

bmjgoldcheck

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

bmjholiday

Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Imag(in)ing containers as social landscapes. In: IVSA 2015 annual conference ‘What you see is what you get: Old and new ways of seeing society’, 25 - 27 June 2015, Tinos, Greece.

bmjtitle

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

bmjtype

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

border crossing

Walsh, Aylwyn (2015) Staging the others: appearance, visibility and radical border crossing in Athens. In: Performances of capitalism, crises and resistance: inside/outside Europe. Palgrave Macmillan, Basingstoke, pp. 134-152. ISBN 9781137379368

breath studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

cabaret

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

cartography

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

circus

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

city of culture

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

collaboration

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

commemoration

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

composed theatre

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

conflict

Meyer-Dinkgräfe, Daniel (2015) Theatre without conflict. In: 6th International Conference on Consciousness, Theatre, Literature and the Arts, 10-12 June, 2015, New York.

consciousness

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

consciousness studies

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2009) Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2015) Theatre without conflict. In: 6th International Conference on Consciousness, Theatre, Literature and the Arts, 10-12 June, 2015, New York.

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2009) The origins of English dramatic modernism in the context of consciousness studies. In: Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

consent

Turner, Laura (2017) The Buried Moon. [Performance]

contemporary art

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

contemporary drama

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

contemporary performance practice

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

contemporary playwriting

O'Thomas, Mark (2013) Traversing the cut: from The Soldier’s Tale to Feast: translation and the right to fail in London’s Waterloo. In: International Federation for Theatre Research, 22-26th July 2013, Barcelona.

contemporary theatre

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

conversation

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

cool-down

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

counter-culture

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

counterpublic

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

criticism

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

cultural diversity

Nair, Sreenath and Madhavan, Arya (2018) Rural England: is there an appetite for culturally diverse art? [The Lincolnshire Diversity in the Arts: Research and Development Project]. Project Report. Arts Professional.

cultural studies

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

culture and Covid-19

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

death and the cinema

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

death and the city

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

death and theatre

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

debbie tucker green

Bolton, Jacqueline and Adiseshiah, Sian (2020) ‘Change ain’t fuckin polite, scuse my language’: situating debbie tucker green. In: debbie tucker green: Critical Perspectives. Palgrave MacMillan. ISBN 978-3-030-34581-5, 978-3-030-34580-8

Bolton, Jacqueline and Adiseshiah, Sian (2020) Debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter. In: Debbie tucker green: Critical Perspectived. Palgrave MacMillan. ISBN 978-3-030-34581-5, 978-3-030-34580-8

Bolton, Jacqueline and Adiseshiah, Sian (2020) debbie tucker green: Critical Perspectives. Palgrave MacMillan. ISBN 9783030345815, 9783030345808

debt

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

debtor

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

democracy

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

detritus

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

devising

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

dialectics

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

dialogue

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

digital technology

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

display

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

dispossession

Bolton, Jacqueline and Adiseshiah, Sian (2020) Debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter. In: Debbie tucker green: Critical Perspectived. Palgrave MacMillan. ISBN 978-3-030-34581-5, 978-3-030-34580-8

do-it-yourself

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

documenting performance

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

drama

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

Jones, Kelly (2025) Staging the Ghost Story. Palgrave, Basingstoke, Hampshire. ISBN UNSPECIFIED

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957, 9781443816953

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

dramaturgy

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Healy, Sue (2022) The Literary Manager's Toolkit. A Practical Guide for the Theatre. The Focal Press Toolkit Series . Routledge, London. ISBN 9781032005140

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael (2013) The middle. [Video]

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

drowning

Turner, Laura (2018) Abyss: Reflections on Drowning. [Performance]

Turner, Laura (2017) The Buried Moon. [Performance]

economic crisis

Walsh, Aylwyn M and Tsilimpounidi, Myrto (2013) It's a beautiful thing, the destruction of wor(l)ds. In: International Visual Sociological Association 2013 Annual Conference ‘The Public Image’, 8-10 July 2013, London.

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 20th International Conference for Europeanists: Crisis and Contingency: States of (In)stability Workshop: ‘Europe in Crisis: Urban Performances of Capitalism and Resistance’, 25-27 June 2013, Amsterdam.

economics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

elite theory

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

equality

Turner, Laura (2016) Letters From Amy. [Project]

ethics

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957, 9781443816953

ethnicity

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

exhibition

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

experience

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

exposure

Hildebrandt, Antje (2013) The intimated spectator: one to one encounters in BADco.’s Memories Are Made of This…. Activate, 2 (2). ISSN .

eye training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

eyes in acting

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

facial acting

Madhavan, Arya (2016) Corporeality of taste: Kudiyattam, and the facial expression of taste. In: IFTR 2016, 13-17 June 2016, Stockholm, Sweden.

failure

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

family

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

far right politics

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

farce

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

female subjectivity

Madhavan, Arya (2015) The politics of roar: towards a female kathakali. In: IFTR Conference 2015 - Hyderabad, India, 6-10 July 2015, India.

female voice

Turner, Laura (2016) Letters From Amy. [Project]

feminist criminology

Walsh, Aylwyn Mae (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture, 12 (3). pp. 309-326. ISSN 1741-6604

feminist theatre

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). p. 511. ISSN 0967-0882

film

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

film analysis

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

film studies

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

fine arts

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

folklore

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

formations

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

freedom

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

fringe

Healy, Sue (2022) The Funding Conundrum at The Finborough: An exploration of the funding and payment challenges faced by London’s leading fringe theatre. Comparative Drama Special Issue - London's Theatre: Places, Communities, Futures, 56 (1 & 2). pp. 179-198. ISSN 0010-4078

gender

Madhavan, Arya (2015) The politics of roar: towards a female kathakali. In: IFTR Conference 2015 - Hyderabad, India, 6-10 July 2015, India.

gender and sexuality

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

gender politics

Madhavan, Arya (2015) The politics of roar: towards a female kathakali. In: IFTR Conference 2015 - Hyderabad, India, 6-10 July 2015, India.

ghost plays

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2025) Staging the Ghost Story. Palgrave, Basingstoke, Hampshire. ISBN UNSPECIFIED

ghost stories

Jones, Kelly (2025) Staging the Ghost Story. Palgrave, Basingstoke, Hampshire. ISBN UNSPECIFIED

ghost story

Brewster, Scott and Thurston, Luke, eds. (2017) The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

ghosts

Brewster, Scott and Thurston, Luke, eds. (2017) The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

gothic

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

greek tragedy

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

guide

Healy, Sue (2022) The Literary Manager's Toolkit. A Practical Guide for the Theatre. The Focal Press Toolkit Series . Routledge, London. ISBN 9781032005140

haunting

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

heroes

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

history

Turner, Laura (2016) Letters From Amy. [Project]

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

homelessness

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

hope

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

horror

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

hospitality

Campbell, Lee (2017) Anticipation, action and analysis: A new methodology for practice as research. PARtake: e Journal of Performance as Research: Vol. 1 : Iss. 2 , Article 7., 1 (2). ISSN 2472-0860

human rights

Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860

humber mouth festival

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

identities

Savage, Karen (2021) Avatars, Activism and Post-digital Performance: Precarious Inter-medial Identities. Drama and Performance series . Bloomsbury Methuen. ISBN 9781350159310

ideology

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

immersive

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

immersive theatre

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

imprisonment

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

improvisation

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

indian theatre

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

installation

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

intercultural

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

intercultural actor-training

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

interculturality

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

intermediality

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

Savage, Karen (2014) fading---feminism---practice---process: an evolving performance archive. [Performance]

Savage, Karen (2017) The slippery trail: exploring practice-as-research as a methodology for archiving intermediality and performance. [Project]

interrelations

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

intertextuality

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

interviews

Meyer-Dinkgräfe, Daniel (2007) Views, positions, legacies: interviews with German and British theatre artists, 1985-2007. Cambridge Scholars Publishing, Newcastle. ISBN 1847182941

intimacy

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

jazz

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

justice

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

kudiyattam and post-dramatic

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

kutiyattam

Madhavan, Arya (2016) Corporeality of taste: Kudiyattam, and the facial expression of taste. In: IFTR 2016, 13-17 June 2016, Stockholm, Sweden.

landscape

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

landscapes

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

late twentieth-century cultural contexts

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

legend

Turner, Laura (2018) Incanti (Enchantments). [Performance]

liberal

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

libraries

Turner, Laura (2016) Letters From Amy. [Project]

listening

Breed, Ananda and Uwihoreye, Chaste (2023) Sharing and listening to stories for peacebuilding in post-genocide Rwanda. Research in Drama Education (RiDE), 28 (1). pp. 160-171. ISSN 1356-9783

literature

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

live art

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

live music

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

livecast

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

liveness

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

living history

Turner, Laura (2016) Letters From Amy. [Project]

living painting

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

loss

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

manifesto

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

masculinity

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

medicine

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

melodrama

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Jones, Kelly (2020) The Theatrical Gothic in the Nineteenth Century. In: The Cambridge History of the Gothic. Cambridge University Press, pp. 162-181. ISBN 9781108472715

memorial

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

memorialisation

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

memory

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

misogyny

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

modernism

Meyer-Dinkgräfe, Daniel (2009) Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2009) The origins of English dramatic modernism in the context of consciousness studies. In: Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Warden, Claire (2012) Poetic drama?: Stephen Spender's 'Trial of a judge'. In: Modernism and Spectacle: Modernism Studies Association Conference, 18-21 October, Las Vegas.

Warden, Claire (2013) Salute to the Red Army: Basil Dean and British wartime pageantry. In: Alternative Modernisms, 18 - 21 May 2013, University of Cardiff.

Warden, Claire (2012) 'Smash the bars': incarceration and emancipation in the theatrical cages of the modernist avant-garde. In: Material Modernisms: European Network for Avant-Garde and Modernism Studies (EAM), 7-9 September 2012, University of Kent.

Warden, Claire (2012) The caged and the free: the working body in the modernist avant-garde. In: Performance Studies international #18, 27 June - 1 July, University of Leeds.

mollusc

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

Savage, Karen (2017) The slippery trail: exploring practice-as-research as a methodology for archiving intermediality and performance. [Project]

multi-disciplinary

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

music

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

music hall

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

music industry

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

mythology

Turner, Laura (2018) Incanti (Enchantments). [Performance]

narrative

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael (2013) The middle. [Video]

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

narrative theory

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

nativism

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

necropolitics

Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Imag(in)ing containers as social landscapes. In: IVSA 2015 annual conference ‘What you see is what you get: Old and new ways of seeing society’, 25 - 27 June 2015, Tinos, Greece.

neoliberalism

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

nineteenth-century

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

non-linearity

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

non-representational theory

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

oaopen

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

one-to-one

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

one-to-one performance

Hildebrandt, Antje (2013) The intimated spectator: one to one encounters in BADco.’s Memories Are Made of This…. Activate, 2 (2). ISSN .

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

one-woman show

Turner, Laura (2018) Abyss: Reflections on Drowning. [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

onsciousness studies

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

opera

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

oral storytelling

Turner, Laura (2018) Incanti (Enchantments). [Performance]

orchestra

Pinchbeck, Michael (2016) Concerto. [Video]

original music

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

out-casting

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

over-identification

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, technology and transmedial theatre in Europe. Studies in Theatre and Performance, 41 (3). pp. 263-280. ISSN 1468-2761

participation

Campbell, Lee (2017) Anticipation, action and analysis: A new methodology for practice as research. PARtake: e Journal of Performance as Research: Vol. 1 : Iss. 2 , Article 7., 1 (2). ISSN 2472-0860

participatory arts

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

peace education

Breed, Ananda and Uwihoreye, Chaste (2023) Sharing and listening to stories for peacebuilding in post-genocide Rwanda. Research in Drama Education (RiDE), 28 (1). pp. 160-171. ISSN 1356-9783

pedagogy

Campbell, Lee, McCall, Carali and Lee, Adrian (2017) Sight (un)specific: performance as research predicated upon deploying acts of visual negation. Body, Space, Technology, 16 . ISSN 1470-9120

performance

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Hildebrandt, Antje (2013) The intimated spectator: one to one encounters in BADco.’s Memories Are Made of This…. Activate, 2 (2). ISSN .

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

Savage, Karen (2014) fading---feminism---practice---process: an evolving performance archive. [Performance]

Savage, Karen (2017) The slippery trail: exploring practice-as-research as a methodology for archiving intermediality and performance. [Project]

Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Westerside, Andrew (2016) Collaborative noises: theatre and music technology in practice. [Project]

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Westerside, Andrew and Pinchbeck, Michael (2017) Acts of communion: encountering taste in Reckless Sleeper's The Last Supper. Performance Research, 22 (3). pp. 44-53. ISSN 1352-8615

performance and consciousness

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

performance and populism

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, technology and transmedial theatre in Europe. Studies in Theatre and Performance, 41 (3). pp. 263-280. ISSN 1468-2761

performance as document

Savage, Karen (2014) fading---feminism---practice---process: an evolving performance archive. [Performance]

performance studies

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

performative

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

performativity

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

phenomenology

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University.

philosophy

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957, 9781443816953

piano

Pinchbeck, Michael (2016) Concerto. [Video]

playwrights

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

playwriting

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

political activism

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

political practice

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

political theatre

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

political theatre-making

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

politics

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

poltergeist

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

pop-up theatre

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

popular culture

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

popular theatre

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

populism

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

portrait

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

possession

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

post dramatic

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

post-colonialism

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

post-dramatic theatre

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Pinchbeck, Michael (2016) The trilogy. [Performance]

post-truth politics

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, technology and transmedial theatre in Europe. Studies in Theatre and Performance, 41 (3). pp. 263-280. ISSN 1468-2761

post-war

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

postdigital

Savage, Karen (2021) Avatars, Activism and Post-digital Performance: Precarious Inter-medial Identities. Drama and Performance series . Bloomsbury Methuen. ISBN 9781350159310

postdramatic

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

postmodern

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

power

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

practical processes

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

practice as research

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

practice-as-research

Campbell, Lee (2017) Anticipation, action and analysis: A new methodology for practice as research. PARtake: e Journal of Performance as Research: Vol. 1 : Iss. 2 , Article 7., 1 (2). ISSN 2472-0860

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

Savage, Karen (2014) fading---feminism---practice---process: an evolving performance archive. [Performance]

Savage, Karen (2017) The slippery trail: exploring practice-as-research as a methodology for archiving intermediality and performance. [Project]

presence

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

problem

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

protest movements

Tsilimpounidi, Myrto and Walsh, Aylwyn (2013) Virtues of violence: a testimonial performance or, an affidavit of lies, excuses and justifications. In: CAPPE 7th International Interdisciplinary Conference: Representation, Politics and Violence, 11-13 Sept 2013, Brighton.

Walsh, Aylwyn M and Tsilimpounidi, Myrto (2013) It's a beautiful thing, the destruction of wor(l)ds. In: International Visual Sociological Association 2013 Annual Conference ‘The Public Image’, 8-10 July 2013, London.

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 20th International Conference for Europeanists: Crisis and Contingency: States of (In)stability Workshop: ‘Europe in Crisis: Urban Performances of Capitalism and Resistance’, 25-27 June 2013, Amsterdam.

Walsh, Aylwyn, M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Berlin Biennale: PREOCCUPIED: The Words, Wounds and Works of Occupations Past and Present, 28-29 June 2012, Berlin.

protests

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’: the script. In: Protests as Events: Politics, Activism and Leisure. Rowman and Littlefield. ISBN 9781783480777, 9781783480760

psychosocial

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

psychosocial approaches

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

race

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

radical performance

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

rapport

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

rapportage

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

rapporter

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

rasa

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

reactionary politics

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

reflective practice

Campbell, Lee (2017) Anticipation, action and analysis: A new methodology for practice as research. PARtake: e Journal of Performance as Research: Vol. 1 : Iss. 2 , Article 7., 1 (2). ISSN 2472-0860

refugee

Donald, Stephanie (2018) Debt, the migrant and the refugee: Lampedusa on stage. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (2). pp. 193-209. ISSN 1356-9783

reinterpretation

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

remembrance

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

representation

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

rhythmanalysis

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

right wing politics

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

sanskrit theatre

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

scandal

Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED

scenography

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

screenwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

scriptwriting

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

semiotics

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

social critique

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

social dramaturgy

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

social media

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

social world

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

songlines

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

sound effects

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

sound sculpture

Turner, Laura (2018) Incanti (Enchantments). [Performance]

spirituality

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

spoken word

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

stillness and the city

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

storytelling

Turner, Laura (2018) Incanti (Enchantments). [Performance]

stratification

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

subversive affirmation

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, technology and transmedial theatre in Europe. Studies in Theatre and Performance, 41 (3). pp. 263-280. ISSN 1468-2761

supernatural

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

Jones, Kelly (2025) Staging the Ghost Story. Palgrave, Basingstoke, Hampshire. ISBN UNSPECIFIED

séances

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

technology

Savage, Karen (2021) Avatars, Activism and Post-digital Performance: Precarious Inter-medial Identities. Drama and Performance series . Bloomsbury Methuen. ISBN 9781350159310

temporality and imagination

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

temporary theatre

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

text

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

text-based theatre

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

the Gothic

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

Jones, Kelly (2022) Time and Punishment: Gothic Maternal Bodies on the Contemporary British Stage. In: Theatre and the Macabre. Horror Studies . University of Wales Press. ISBN 9781786838452, 9781786838469, 9781786838476

the last stand

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

theater

Healy, Sue (2022) The Funding Conundrum at The Finborough: An exploration of the funding and payment challenges faced by London’s leading fringe theatre. Comparative Drama Special Issue - London's Theatre: Places, Communities, Futures, 56 (1 & 2). pp. 179-198. ISSN 0010-4078

theatre

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Healy, Sue (2022) The Funding Conundrum at The Finborough: An exploration of the funding and payment challenges faced by London’s leading fringe theatre. Comparative Drama Special Issue - London's Theatre: Places, Communities, Futures, 56 (1 & 2). pp. 179-198. ISSN 0010-4078

Healy, Sue (2022) The Literary Manager's Toolkit. A Practical Guide for the Theatre. The Focal Press Toolkit Series . Routledge, London. ISBN 9781032005140

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Jones, Kelly (2025) Staging the Ghost Story. Palgrave, Basingstoke, Hampshire. ISBN UNSPECIFIED

Jones, Kelly (2020) The Theatrical Gothic in the Nineteenth Century. In: The Cambridge History of the Gothic. Cambridge University Press, pp. 162-181. ISBN 9781108472715

Jones, Kelly (2022) Time and Punishment: Gothic Maternal Bodies on the Contemporary British Stage. In: Theatre and the Macabre. Horror Studies . University of Wales Press. ISBN 9781786838452, 9781786838469, 9781786838476

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2007) Ein Kabinettstück der Schauspielkunst: Ursula Dinkgräfes Bühnenlaufbahn = A showpiece of the art of acting: Ursula Dinkgräfe’s stage career. Cambridge Scholars Publishing, Newcastle. ISBN 1847181775

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2009) Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2015) Theatre without conflict. In: 6th International Conference on Consciousness, Theatre, Literature and the Arts, 10-12 June, 2015, New York.

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Meyer-Dinkgräfe, Daniel (2007) Views, positions, legacies: interviews with German and British theatre artists, 1985-2007. Cambridge Scholars Publishing, Newcastle. ISBN 1847182941

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2009) The origins of English dramatic modernism in the context of consciousness studies. In: Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957, 9781443816953

O'Thomas, Mark (2014) Sadness and joy in the life of giraffes. [Performance]

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

Turner, Laura (2018) Abyss: Reflections on Drowning. [Performance]

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

Warden, Claire (2013) Salute to the Red Army: Basil Dean and British wartime pageantry. In: Alternative Modernisms, 18 - 21 May 2013, University of Cardiff.

theatre anthropology

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

theatre design

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

theatre history

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Jones, Kelly (2025) Staging the Ghost Story. Palgrave, Basingstoke, Hampshire. ISBN UNSPECIFIED

theatre studies

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

theatre translation

O'Thomas, Mark (2012) Platform: Connections National Theatre 2012. In: Platform, 21st June 2012, Royal National Theatre, London.

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

theatres

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

theatricality

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

thunder

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

time

Jones, Kelly (2022) Time and Punishment: Gothic Maternal Bodies on the Contemporary British Stage. In: Theatre and the Macabre. Horror Studies . University of Wales Press. ISBN 9781786838452, 9781786838469, 9781786838476

tolerance

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

tourist

Savage, Karen (2019) Tourist in the (K)Now: Social Rapportage and the Performative Rapport of Social Media. International Journal of Performance Arts and Digital Media, 15 (3). pp. 311-325. ISSN 1479-4713

transitional justice

Breed, Ananda and Uwihoreye, Chaste (2023) Sharing and listening to stories for peacebuilding in post-genocide Rwanda. Research in Drama Education (RiDE), 28 (1). pp. 160-171. ISSN 1356-9783

translation

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

translation studies

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

translation theory

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

transmedial

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance: “Performance and the Right: Strategies and Subterfuges”, 41 (3). pp. 263-280. ISSN 1468-2761

transmedial art

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

Scheer, Anna and O'Gorman, Siobhan (2021) ‘Truth’, technology and transmedial theatre in Europe. Studies in Theatre and Performance, 41 (3). pp. 263-280. ISSN 1468-2761

travel

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

trust

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

twenty-first century cultural contexts

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

twenty-first century drama

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

urban theory

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

utopia

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

utopian drama

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

utopian theatre

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

utopias

Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED

villains

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

violence

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

visual culture

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

wanders

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

war

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

warm-up

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

women and Asian performance

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

workshop

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

wreckage

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

writing

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Turner, Laura (2018) Incanti (Enchantments). [Performance]

‘Dulce et decorum est’

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

‘Your King and Country Want You’

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

This list was generated on Tue Oct 3 10:43:49 2023 BST.