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A Midsummer Night's Dream Adaptation American culture Animation Arts Arts Education Audience Biopolitics Bmjconvert Bmjid COVID-19 Carl Djerassi Children and young people Co-creation Collaboration Collaborative research Commemoration Community Community participation Community theatre Contemporary Theatre-Making Creative collaboration Cross artform Designers Devising Digital painting Directing Drama Dramaturgy Economics Education Employability Engagement European Culture Feminist history Film France Fringe theatre Funding Gender Impact Invitations Ireland Irish Studies Irish culture Irish studies Irish theatre KeepHouse KeepHouse Performance Liminoid Metrics Michael Pinchbeck Northern Ireland Participation Participatory practices Performance Performance Studies Performing Arts Procession Producing Professional Practice Race Scenography Science Scotland Stage Design Supporting artists The Beginning The End The Middle The Winter's Tale Theatre Theatre History Theatre and technology Theatre history Theatre studies Theory and practice of education Visual Culture Women's Rights and Ireland artists autobiographical bmjdoi circus collaboration commemoration contemporary art culture and Covid-19 devising documenting performance documenting processes dramaturgy economy ethnicity gender and sexuality interdisciplinary motherhood over-identification participation performance performance and populism performance studies post-colonialism post-truth politics race scenography set design subversive affirmation task-based dramaturgy theatre theatre design transmedial art visual culture
Number of items at this level: 201.

A Midsummer Night's Dream

Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]

Adaptation

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

American culture

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

Animation

Cooper, Graham (2013) Royal and Derngate theatre presents: His Dark Materials. [Event, Show or Exhibition]

Arts

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Arts Education

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Audience

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Biopolitics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Bmjconvert

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Bmjid

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

COVID-19

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Carl Djerassi

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Children and young people

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Co-creation

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Collaboration

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Collaborative research

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Commemoration

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Community

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Community participation

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Community theatre

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

Contemporary Theatre-Making

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Creative collaboration

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Cross artform

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Designers

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Devising

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Digital painting

Cooper, Graham (2013) Royal and Derngate theatre presents: His Dark Materials. [Event, Show or Exhibition]

Directing

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Drama

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Dramaturgy

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

Economics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Education

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Employability

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Engagement

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

European Culture

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Feminist history

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Film

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

France

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Fringe theatre

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Funding

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Gender

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Impact

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Invitations

Savage, Karen and Bucknall, Joanna (2013) KeepHouse Performance in You, Hope, Her & Me. New Theatre Royal, Portsmouth. [Performance]

Ireland

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Irish Studies

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Irish culture

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

Irish studies

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Irish theatre

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

KeepHouse

Savage, Karen and Bucknall, Joanna (2013) KeepHouse Performance in You, Hope, Her & Me. New Theatre Royal, Portsmouth. [Performance]

KeepHouse Performance

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

Liminoid

Savage, Karen and Bucknall, Joanna (2013) KeepHouse Performance in You, Hope, Her & Me. New Theatre Royal, Portsmouth. [Performance]

Metrics

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Michael Pinchbeck

Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]

Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]

Northern Ireland

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Participation

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Participatory practices

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Performance

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Performance Studies

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Performing Arts

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Procession

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Producing

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Professional Practice

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

Race

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Scenography

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Science

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Scotland

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Stage Design

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

Supporting artists

Baynton, Rachel (2019) A Producing Role in Higher Education: Bridging the Gap Between Art and Academia. Arts Professional . ISSN 0000-0000

The Beginning

Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]

Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]

The End

Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]

Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]

The Middle

Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]

Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]

The Winter's Tale

Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]

Theatre

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Cooper, Graham (2013) Royal and Derngate theatre presents: His Dark Materials. [Event, Show or Exhibition]

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

O'Gorman, Siobhán (2016) “Hers and his”: Carolyn Swift, Alan Simpson, and collective creation at Dublin’s Pike Theatre. In: Women, Collective Creation, and Devised Performance. Palgrave MacMillan, pp. 121-138. ISBN 9781137550132

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Theatre History

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

Theatre and technology

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

Theatre history

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

Theatre studies

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Theory and practice of education

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Visual Culture

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Women's Rights

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

and Ireland

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

artists

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

autobiographical

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

bmjdoi

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

circus

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

collaboration

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Savage, Karen and Symonds, Dominic (2012) Selling your soul and counting the benefits: collaborative practice in performance. In: Performance Studies international PSi#18, 27 June - 1 July 2012, University of Leeds.

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

commemoration

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

contemporary art

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

culture and Covid-19

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

devising

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

documenting performance

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

documenting processes

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

dramaturgy

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

economy

Savage, Karen and Symonds, Dominic (2012) Selling your soul and counting the benefits: collaborative practice in performance. In: Performance Studies international PSi#18, 27 June - 1 July 2012, University of Leeds.

ethnicity

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

gender and sexuality

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

interdisciplinary

Savage, Karen and Symonds, Dominic (2012) Selling your soul and counting the benefits: collaborative practice in performance. In: Performance Studies international PSi#18, 27 June - 1 July 2012, University of Leeds.

motherhood

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

over-identification

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

participation

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

performance

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Savage, Karen and Symonds, Dominic (2012) Selling your soul and counting the benefits: collaborative practice in performance. In: Performance Studies international PSi#18, 27 June - 1 July 2012, University of Leeds.

performance and populism

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

performance studies

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

post-colonialism

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

post-truth politics

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

race

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

scenography

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

set design

Cooper, Graham (2013) Royal and Derngate theatre presents: His Dark Materials. [Event, Show or Exhibition]

subversive affirmation

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

task-based dramaturgy

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

theatre

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Savage, Karen and Symonds, Dominic (2012) Selling your soul and counting the benefits: collaborative practice in performance. In: Performance Studies international PSi#18, 27 June - 1 July 2012, University of Leeds.

theatre design

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

transmedial art

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

visual culture

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

This list was generated on Mon Sep 25 18:07:57 2023 BST.