Items where Subject is "W420 Directing for Theatre"

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A Midsummer Night's Dream Acting Activism Adaptation American culture Bmjconvert Bmjid COVID-19 Christoph Schlingensief Community Community participation Community theatre Conducting Contemporary Theatre-Making Designers Devising Directing Drama Dramaturgy Engagement European Culture Feminist history Film France Frank Castorf Funding Gender German Theatre Germany Trilogy Impact Indian theatre Intercultural performance Interdisciplinary Invitations Ireland Irish Studies Irish culture Irish studies Irish theatre JCOpen KeepHouse KeepHouse Performance Liminoid Lincolnshire Festival of New Writing Metrics Meyer-Dinkgrafe Michael Pinchbeck Northern Ireland Participatory practices Performance Performance Studies Political Theatre Practice as research Race Radio drama Samuel Beckett Scenography Scotland Singing South Africa Spirituality Stage Design The Beginning The End The Middle The Winter's Tale Theater Bremen Theatre Theatre History Theatre and technology Theatre history Theatre studies Theory and practice of education Visual Culture Volksbühne Berlin Wajdi Mouawad World War I adaptation and Ireland artists autobiographical avant-gardes bmjconvert bmjdoi circus collaboration commemoration consciousness cultural diversity culture and Covid-19 dance devising director documenting performance documenting processes drama dramaturgy ethnicity fade gender and sexuality migration motherhood opera over-identification participation performance performance and populism performance studies post-colonialism post-truth politics race scenography short play single sword stage combat stage fencing stage fighting subversive affirmation task-based dramaturgy theatre theatre and the community theatre design transmedial art video visual culture
Number of items at this level: 198.

A Midsummer Night's Dream

Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]

Acting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Activism

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Adaptation

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

American culture

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

Bmjconvert

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Bmjid

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

COVID-19

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Christoph Schlingensief

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Community

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Community participation

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Community theatre

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Conducting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Contemporary Theatre-Making

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Designers

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Devising

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Directing

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Drama

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Dramaturgy

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

Engagement

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

European Culture

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Feminist history

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Film

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

France

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Frank Castorf

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Funding

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Gender

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

German Theatre

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Germany Trilogy

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Impact

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Indian theatre

Nair, Sreenath and Madhavan, Arya (2016) Lincolnshire diversity in the arts: research and development. Project Report. University of Lincoln.

Intercultural performance

Nair, Sreenath and Madhavan, Arya (2016) Lincolnshire diversity in the arts: research and development. Project Report. University of Lincoln.

Interdisciplinary

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Invitations

Savage, Karen and Bucknall, Joanna (2013) KeepHouse Performance in You, Hope, Her & Me. New Theatre Royal, Portsmouth. [Performance]

Ireland

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Irish Studies

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Irish culture

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

Irish studies

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2021) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Irish theatre

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

JCOpen

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

KeepHouse

Savage, Karen and Bucknall, Joanna (2013) KeepHouse Performance in You, Hope, Her & Me. New Theatre Royal, Portsmouth. [Performance]

KeepHouse Performance

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

Liminoid

Savage, Karen and Bucknall, Joanna (2013) KeepHouse Performance in You, Hope, Her & Me. New Theatre Royal, Portsmouth. [Performance]

Lincolnshire Festival of New Writing

Hughes, Nathan and Forster, Marcella (2010) The enlightenment of Maisie, Joanne and Laura. [Performance]

Metrics

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Michael Pinchbeck

Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]

Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]

Northern Ireland

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Participatory practices

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Performance

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Performance Studies

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Political Theatre

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Practice as research

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Race

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Radio drama

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Samuel Beckett

O'Gorman, Siobhán (2016) Beckett out of Focus: Happy Days and Waiting for Godot at Dublin's Focus Theatre. In: Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London and New York, pp. 67-87. ISBN 9781474240574

Scenography

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

Scotland

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Singing

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

South Africa

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Spirituality

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Stage Design

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

The Beginning

Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]

Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]

The End

Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]

Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]

The Middle

Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]

Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]

The Winter's Tale

Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]

Theater Bremen

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

Theatre

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Baynton, Rachel (2018) Resisting the Auditable Surface: Participation and Process in Community Theatre. In: Irish society for Theatre Research - 2018 Conference | Regions, Ruins and Regeneration, 1-2nd June 2018, University of Lincoln.

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhan (2021) RISE 4.1 Staging Europe at the Gate Theatre. European Federation of Associations and Centres of Irish Studies. ISBN UNSPECIFIED

O'Gorman, Siobhan and Dargent, Sabine (2016) Sculpting the Spaces of Enda Walsh’s Work. In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort, pp. 2255-2293. ISBN 1909325953, 9781909325951

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

O'Gorman, Siobhán (2016) Beckett out of Focus: Happy Days and Waiting for Godot at Dublin's Focus Theatre. In: Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London and New York, pp. 67-87. ISBN 9781474240574

O'Gorman, Siobhán (2016) “Hers and his”: Carolyn Swift, Alan Simpson, and collective creation at Dublin’s Pike Theatre. In: Women, Collective Creation, and Devised Performance. Palgrave MacMillan, pp. 121-138. ISBN 9781137550132

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Theatre History

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

Theatre and technology

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

Theatre history

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

Theatre studies

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

Theory and practice of education

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Visual Culture

O'Gorman, Siobhan, Kelly, Marie and Phillips, Áine (2020) Performance and Ireland. Scene, 8 (1 & 2). ISSN 2044-3714

Volksbühne Berlin

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Wajdi Mouawad

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

World War I

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

adaptation

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

and Ireland

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2021) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

artists

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

autobiographical

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

avant-gardes

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

bmjconvert

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

bmjdoi

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

circus

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

collaboration

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

Savage, Karen, Somers, Gareth and Somers, Catherine (2007) Performers and new media - a collaboration: In-Dust. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias: An International Conference of CRI and LANTISS, 24-29 May 2007, Montréal and Québec, Canada.

commemoration

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2021) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

consciousness

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

cultural diversity

Nair, Sreenath and Madhavan, Arya (2016) Lincolnshire diversity in the arts: research and development. Project Report. University of Lincoln.

culture and Covid-19

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2021) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

dance

Savage, Karen, Somers, Gareth and Somers, Catherine (2007) Performers and new media - a collaboration: In-Dust. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias: An International Conference of CRI and LANTISS, 24-29 May 2007, Montréal and Québec, Canada.

devising

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

director

Savage, Karen, Somers, Gareth and Somers, Catherine (2007) Performers and new media - a collaboration: In-Dust. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias: An International Conference of CRI and LANTISS, 24-29 May 2007, Montréal and Québec, Canada.

documenting performance

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

documenting processes

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

drama

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

dramaturgy

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

ethnicity

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2021) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

fade

Savage, Karen, Somers, Gareth and Somers, Catherine (2007) Performers and new media - a collaboration: In-Dust. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias: An International Conference of CRI and LANTISS, 24-29 May 2007, Montréal and Québec, Canada.

gender and sexuality

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2021) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

migration

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

motherhood

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

opera

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

over-identification

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

participation

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

performance

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

performance and populism

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

performance studies

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2021) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

post-colonialism

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2021) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

post-truth politics

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

race

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2021) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

scenography

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

short play

Hughes, Nathan and Forster, Marcella (2010) The enlightenment of Maisie, Joanne and Laura. [Performance]

single sword stage combat

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

stage fencing

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

stage fighting

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

subversive affirmation

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

task-based dramaturgy

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

theatre

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

theatre and the community

Nair, Sreenath and Madhavan, Arya (2016) Lincolnshire diversity in the arts: research and development. Project Report. University of Lincoln.

theatre design

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhan (2021) Tartan Transpositions: Materialising Europe, Ireland and Scotland in the Designs of Molly MacEwen. In: The Gate Theatre: A Stage of Emancipation. Liverpool University Press. ISBN 1800859511, 978-1800859517

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

transmedial art

O'Gorman, Siobhan and Scheer, Anna (2021) “Truth,” Technology and Transmedial Theatre in Europe. Studies in Theatre and Performance . ISSN 1468-2761

video

Savage, Karen, Somers, Gareth and Somers, Catherine (2007) Performers and new media - a collaboration: In-Dust. In: Intermédialité, théâtralité, (re)-présentation et nouveaux médias: An International Conference of CRI and LANTISS, 24-29 May 2007, Montréal and Québec, Canada.

visual culture

Kelly, Marie, O'Gorman, Siobhan and Phillips, Áine (2021) Scene: Performance and Ireland. Scene, 8 (1 & 2). Intellect. ISBN UNSPECIFIED

This list was generated on Sun Oct 24 08:31:57 2021 BST.