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Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

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Hogg, Christopher and Smith, Charlotte (2018) Well-being and the television actor: challenges and coping strategies. In: Exploring Television Acting. Bloomsbury, London. ISBN 9781474248587

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Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

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Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2016) Corporeality of taste: Kudiyattam, and the facial expression of taste. In: IFTR 2016, 13-17 June 2016, Stockholm, Sweden.

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Meyer-Dinkgräfe, Daniel (2001) Approaches to acting: past and present. Continuum studies in drama . Continuum, London, UK. ISBN 0826478794

Meyer-Dinkgräfe, Daniel (2015) Comedy, consciousness and the Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, pp. 89-98. ISBN 9780786471782

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel, Valentine, Elizabeth, Acs, Veronica and Wasley, David (2006) Exploratory investigation of South Indian techniques and Neurolinguistic Programming as methods of reducing stage fright in actors. Medical Problems of Performing Artists, 21 (3). pp. 126-136. ISSN 0885-1158

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel, Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Mitchell, Grethe (2011) The game catcher. AHRC.

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Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782