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'Ghost Stories' 1215 Today 21st-century drama 9/11 A Doll's House A Midsummer Night's Dream Aborigines Absence Acting Activism Actors and Acting Adaptation Add-Aptation Adrian Heathfield Aesthetics Africa African-American Studies Ageing Alan Ayckbourn Alex Buzo Algerian Revolution Alistair McDowall Amateur Amelia Jones American culture Amy Johnson Anempathetic Music Anthony Nielson Antithesis Applied Performance Appropriation Arcadia Architect of Spiritual World Archival Studies Archives Arrangement Artists Arts Council Arts Council England Arts Council of Great Britain Arts-based research Asian Performance Asian drama Asian theatre Audience Audiences Audio Augusto Boal Australia Australian Aboriginal Australian Theatre Australian culture Australian politics Australian racism Australian theatre Australian youth culture Authorship Autobiography B.B.C. Back to Back Theatre Balkans Barthes Basil Dean Bear Baiting Berger Berlin Bertolt Brecht Betrayal Bharatanatyam Biographical plays Biography Biopolitics Birdland Blasted Bmjconvert Bmjid Body Body Art Bomber Command Book Reviews Bourdieu Bovell Brandon Thomas Brazil Brazilian playwriting Brecht Breivik British British Avant-Garde Theatre British Council British Theatre British Theatre Consortium British Theatre History British drama British left British theatre Broadway Buchner C W Mills COVID-19 Caliban Canadian literature Capitalism Care Carl Djerassi Carrie Cracknell Caryl Churchill Caterina Nella Cotrupi Centrism Chair Charles Dickens Charlotte Bronte Chekhov Chekhov’s The Cherry Orchard Childhood Studies Children Children's theatre Chion Choreography Chris Bush Chris Hannan Chris Thorpe Christmas Christoph Schlingensief Clarice Lispector Co-creation Collaboration Collaborative Collaborative research Comedy Commemoration Community Community theatre Composition Composition of music Conducting Confessional Confirmation Confirmation bias Conflict Conor McPherson Consciousness Consciousness studies Contemporary British Drama Contemporary British Playwriting Contemporary British theatre Contemporary Drama Contemporary Theatre Contemporary Theatre-Making Contemporary drama in English Contemporary musical Contemporary playwriting Context Corporeality Cranford Creative collaboration Creative writing Creativity Critical impro Criticism Cultural diplomacy Cultural politics Culture Curatorial Practice Curious Incident of the Dog in the Night-Time DIY DIY Theatre Dambusters Dance David Edgar David Greig David Grieg David Hare Deconstruction Derrida Desire Devised Theatre Devising Diane Dubois Diegetic Diegetic Music Digital Performance Digitised Directing Direction Disability Disney Disney musical Doctor Who Documentary Drama Dramaturgy Drunk Enough to Say I Love You? Duet Durational Dystopia Economics Edward Bond Electra Elites Elizabeth Gaskell Embodied methodologies Embodiment Emotional wellbeing English Civil War and Revolution English Modernist women English modern drama English women Modernist dramatists Enoch Powell Ensemble Erasure in Asian Performance Escape European politics Eva Peron Evita Ewan MacColl Exhibition design Experiment Expressive Face to Face Facelessness Far Away Fascism Fashion Feminism Fernando Pessoa Film Film and Video Fingerature First World War Forced Entertainment Forgetting Frances Hodgson Burnett Frank Castorf Frankenstein Frankenstein's Wedding Frantic Assembly Franz Fanon Freud’s ‘double’ Fringe theatre Fukuyama Game Studies Gay theatre Gender Gender and theatre George Bernard Shaw German Theatre German theatre Germany Trilogy Gestural reconstruction Get'cha Head in the Game Ghost Ghosting Gillian Slovo Goffman’s ‘frames’ Gothic Gower Greece Greek Greenland Group Theatre Hamlet Hand-feeding Harold Pinter Harper Regan Hedwig and the Angry Inch Helene Cixous Heritage High School Musical History History plays Homelessness Hospital at the time of the Revolution Howard Barker; New Writing; In-Yer-Face; Naturalism Howard Brenton Hull Hunger Strike Ibsen Ibsen’s A Doll’s House Icon Iconicity Identity Ideology Image and words Imagination Immersive theatre Immigrant Theatre Impact In-yer-face theatre Indian Drama Indian Music Indian Pedagogical Practice Indian Theatre Indian aesthetic theory Indian aesthetics Indian dance training Indian martial arts Indian theatre Innovations in Kudiyattam Inscription Installation Integration Intercultural Intercultural performance Intercultural theatre Interculturalism Interdisciplinary Internationalisation Internationalism; Politics Intertextuality Intimacy Irish Studies Irish culture Irish studies JCNotOpen JCOpen Jack Thorne Jacques Ranciere James Elroy Flecker Jean Mohr Jean-Luc Nancy Jerusalem Jez Butterworth John Berger John Cameron Mitchell John Doyle John Gabriel Borkman Joint Stock Josef Weinberger Kabakov Katie Hopkins Katie Mitchell Ken Campbell Kinect Kinesthetics Kinetics King John Knowing Kristeva Kudiyattam Kutiyattam L'Orfeo Landscapes Les Miserables Let the Right One In Lew Fields Liberalism Light Shining in Buckinghamshire Liminality Lincolnshire Literary Management Literary criticism Live Art Live art Live-cast Liveness Loneliness Loss Love MC Mad Forest Magna Carta Manchester Mannequin Marginalisation Marianne Eliot Mark Haddon Marketing Marxism Marxism and literature Mary Braddon Mediating revolution Medicine Memorial Memory Mental health Meta-theatre Metatheatre Meyer-Dinkgrafe Michael Pinchbeck Michel Foucault Miranda Mobile Arts for Peace Modern British Drama Modern British Playwriting Modernism Monteverdi Motortown Movement Mozart Mudra Multiculturalism Multimodality theory Music Music Theatre Music technology Musical Dramaturgy Musical Motifs Musical Theatre Musical film Musical theatre Musicality Myth NHS NT Live Nangiar kuthu Narrative Nathaniel Hawthorne National Theatre Live Nationalism Nationhood Naturalism Natyasastra Natyashastra Neo-Victorian Neo-nazism Neoliberalism Neural mechanism Neuroscience New Brutalism New Sincerity New Writing New critical sincerity New writing Non-diegetic Music Non-linearity Normal Northrop Frye NotOAChecked Oh Oklahoma! Olivia Turnbull One Minute One-to-one Online Games Opera Opera House Orchestration Orientalism Otherness PARIP Pan-Asian performance theory Participation Participatory Arts Pastoral Pathognomy Patriarchy Pauline Hanson Penetrator People with disabilities Pepper's Ghost Performance Performance Studies Performance and Commemoration Performance anxiety Performance art Performance spaces Performance studies Performative Performativity Performing Arts Pericles Phantom of the Opera Philip Stevens Photography Plays Playwriting Poetics of Process Political Theatre Political performance Political theatre Political theory Politics Politics of Indian theatre Pornography Port Postcolonial Postcolonialism Postmodernism Practice Practice as Research Practice as research Praxis Presence Presence; ephemerality; Indian Performance theory; the Natyasastra; Battlefield; trace; heterotopia; ontology of absence Process Processing Procession Producing Production Proximity Psychosocial intervention Punk Rock Putting it Together Queen's Hotel Racism Radio drama Rasa theory Rasatrialogue Ravel Reactionary ideology Realism Reception Theory Reckless Sleepers Reenactment Reflexivity Reinterpretation Relational Religious Visionary Remembering Remembrance Repair Representations of children Research Revival Revolution Richard Bean Right wing politics Ritual Roald Hoffman Robert D Denham Robert Denham Robert Russell Bennett Robinsonade Rodgers and Hammerstein Rodgers and Hart Romanian Revolution Romanian revolution Romanticism Rose Playhouse Royal Court Royal Court Theatre Royal National Theatre Ruin Russia Russian playwriting Rwanda Salford Samuel Beckett Sanskrit studies Sarah Frankcom Sarah Kane Saved Scenography Schenchner’s ‘dark play’ Schlingensief Schröder Science Scores Scottish Referendum Sean Holmes Sebastian Nuebling Second World war Secret Theatre Set design Seven Jewish Children Sexuality Shakespeare Shakespeare's Globe SharpWire Shaw Signifying Practice Simon Stephens Simulcast Singing Sir Arthur Conan Doyle Site specific performance Site specific theatre Site-specific Site-specific art Site-specific performance Site-specific theatre Social Class Social Media Social Space Social Spaces Sondheim Song and dance Sophocles South Africa Spect-actors Spectatorship Spirituality St George and the Dragon Stage Fright Stanislavski Stick to the Status Quo Stoppard Sunday in the Park With George Sweeney Todd Switzerland Tamasha Taste Technique as knowledge Technology Television Text The Assassination of Katie Hopkins The Body The Book of Mormon The Censor The Events The Hard Problem The Life of Galileo The Natyasastra The Riots The Rocky Horror Show The Secret Garden The Skriker The Tempest The Trilogy The Walking Dead The Winter's Tale The Woman in Black The Wonderful World of Dissocia Theater Bremen Theatre Theatre Music Theatre and Globalization Theatre and Interculturalism Theatre and multiculturalism Theatre companies Theatre for Young Audiences Theatre history Theatre of the Oppressed Theatre producers Theatre studies Theatre translation Theatrical history Thesis Three Kingdoms Three Tenors Tim Crouch Tom Stoppard Tomorrow's Parties Tourism Traditional Indian Theatre Training Transition Translation Travel Twentieth century Twentieth-century drama Unity Theatre University of York Unknown Urban studies Urinetown the Musical Use of mirror in dance Utopia Utopian space Vanessa Hudgens Vedanta Verbatim Verbatim Theatre Victorian Victorian Theatre Visibility Visual Art Visual perception Voice Volksbühne Volksbühne Berlin Wagner Waiting for Godot Wajdi Mouawad War memorials Weber and Fields Wedekind What Shadows When There Was Me and You When we dead awaken Wicked Wii William Blake William Shakespeare Winnicott’s ‘transitional object’ Women Women in Asian Performance Women in Kathakali Women's Rights Working class World War I Writers Writing York Festival of Ideas Yorkshire Zac Efron absence acting actor training actor-musician actor-training adaptation aesthetics aesthetics of Indian theatre affordance ageing anthology applied theatre archetypal or ‘myth criticism’ archives arts management asian theatre audience audience interaction audio austerity authentic authority authorship auto-dramaturgy autobiography avant-garde theatre avant-gardes aviation beatboxing becoming berger biography bmjanomaly bmjcheck bmjconvert bmjdate bmjdoi bmjgoldcheck bmjpub bmjtitle bmjtype bodies body bollywood brazil breath studies cabaret childhood children's culture children's games children's play children's play cultures choreography chronicles of freedom city of culture clapping games collaboration commemoration composed theatre computer game computer game design computer games confession consciousness consciousness studies consent contemporary art contemporary drama contemporary performance practice contemporary theatre conversation cool-down counter-culture creative practice criminalities cultural criticism cultural diversity dance democracy devising dialectics dialogue digital-Foley display do-it-yourself document performativity drama dramaturg dramaturgy drowning dystopian drama ecological dystopias elite theory embodied movement embodiment end of history english equality ethnographic research evolutionary biology exhibition experience eye training eyes in acting failure family far right politics far-right farce female voice feminist theatre film fine arts fire folk theatre folklore folklore research folklore studies foucault freedom gender and sexuality genosong ghost plays ghost story ghosts gothic grain of the voice greek tragedy haunting history horror hospitality hospitality; thresholds; permeability; interrelationality; site-specificity; intimacy hulme humber mouth festival ibsen iftr immersive immersive theatre improvisation indian theatre installation institution interactive design intercultural actor-training interculturality interrelationality intersubjectivity intertextuality intimacy jazz justice knowledge production kudiyattam and post-dramatic landscape landscape theatre landscapes late twentieth-century cultural contexts left-leaning liberalism legend liberal libraries literary criticism literary management literature live art live music livecast liveness living history living painting loss manifesto markerless markerless motion capture martial arts masculinity as performance medicine melodrama memorial memorialisation memory metaphor migration misogyny modernism modernist mollusc motion capture motion tracking movement movement notation movement research multi-disciplinary music music hall music industry music theatre musical performance musical theatre musicianship mythology narrative nativism naturalism neo-liberalism neoliberalism new writing nineteenth-century non-linearity nostalgia oaopen one-to-one one-to-one performance one-woman show onsciousness studies opera oral storytelling orchestra original music paranormal participation perception perfomance performance performance and consciousness performance art performance practice performance studies performative performativity phenomenology phenosong philosophy piano place playground playground cultures playground games playtext playwright playwrights playwriting poetry political theatre political theatre-making politics poltergeist pop-up theatre popular culture popular theatre portrait possession post dramatic post truth post-apocalyptic narratives post-conflict post-dramatic post-dramatic theatre postdramatic postmodern power presence presentness problem proximity psychosocial psychosocial approaches published works racism rasa reactionary politics refnyp refpending regional theatre regional theatres regionality reinterpretation relationality remembrance representation representations of childhood research research methods rhetoric right wing politics royal court theatre rural salad days sanskrit theatre scenography screenwriting scriptwriting signification silence single sword stage combat situation ethics sound sound effects sound sculpture spiritual spoken word sports stage fencing stage fighting stage translation storytelling supernatural surreal symposium séances television temporality and imagination temporary theatre text text-based theatre the Body the Gothic the gaze theatre theatre and consciousness theatre and the community theatre anthropology theatre design theatre history theatre studies theatre translation theatres theatricality thunder tolerance trace transduction translation translation studies translation theory troika trust twentieth-century politics twenty-first century cultural contexts twenty-first century drama unpublished works utilitarianism utopia utopian drama utopian theatre verbatim videogame videogame design videogame hardware videogames violence visual research vowel war warm-up women women and Asian performance women writers workshop writers writing writing for theatre zombies ‘the idea of the university’
Number of items at this level: 2186.

'Ghost Stories'

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

1215 Today

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

21st-century drama

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

9/11

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

A Doll's House

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

A Midsummer Night's Dream

Hudson, James (2020) Bear Necessity: The Means to The End. In: The Trilogy: Acts of Dramaturgy. Playtext Series . Intellect, Bristol. ISBN UNSPECIFIED

Aborigines

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209.

Absence

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Acting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Activism

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Actors and Acting

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Adaptation

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

O'Thomas, Mark (2006) Dona Flor and her two husbands. [Performance]

O'Thomas, Mark (2010) Rewriting "The book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Add-Aptation

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Adrian Heathfield

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Aesthetics

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Africa

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

African-American Studies

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

Ageing

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Alan Ayckbourn

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Alex Buzo

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Algerian Revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Alistair McDowall

Holden, Nicholas (2016) 'There are times when naturalism just isn't enough': breaking open the kitchen sink in the theatre of Alistair McDowall. In: British Theatre in the 21st Century: new texts, new stages, new identities, new worlds, 13-15 October, 2016, Université Paris-Sorbonne.

Amateur

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Amelia Jones

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

American culture

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

Amy Johnson

Turner, Laura (2016) Letters From Amy. [Project]

Anempathetic Music

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Anthony Nielson

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Antithesis

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Applied Performance

Breed, Ananda (2019) Mobile Arts for Peace (MAP): Youth and Participatory Arts in Rwanda. In: Participatory Arts in International Development. Routledge, pp. 124-143. ISBN 9780367024963

Appropriation

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Arcadia

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Architect of Spiritual World

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Archival Studies

Holden, Nicholas (2015) 'The jewel in the crown': the Young Peoples' Theatre Scheme at the Royal Court, 1966-1976. In: Theatre and Performance Research Association, Annual Conference, 8-10 September 2015, University of Worcester.

Archives

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Arrangement

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Artists

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Arts Council

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

Arts Council England

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

Arts Council of Great Britain

Bolton, Jacqueline (2012) ‘“I’m not mad, I’ve just read different books”: Ken Campbell and the Arts Council of Great Britain’. In: International Federation for Theatre Research, 22-28 July 2012, Santiago, Chile.

Arts-based research

Breed, Ananda (2021) Introduction to MAP at Home. [Video]

Asian Performance

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Asian drama

Madhavan, Arya, ed. (2017) Women in Asian performance: aesthetics and politics. Routledge. ISBN 9781138917828

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Nair, Sreenath (2014) Special panel on Embodiment in/and Indian theatre. [Event, Show or Exhibition]

Nair, Sreenath (2014) The embodied knowledge in performance: some reflections on the Natyasastra. In: IFTR 2015, 6 - 10 July 2015, Hyderabad.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Asian theatre

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Madhavan, Arya (2015) Women in Asian theatre [special issue of: Asian Theatre Journal]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED

Madhavan, Arya (2016) Women in Indian Performance [special issue of: Samyukta, a Journal of Women's Studies]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED

Madhavan, Arya (2015) Introduction [to special issue] Women in Asian theatre: conceptual, political, and aesthetic paradigms. Asian Theatre Journal, 32 (2). pp. 345-355. ISSN 0742-5457

Nair, Sreenath (2007) Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA. ISBN 0313335303

Audience

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Audiences

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Audio

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Augusto Boal

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Australia

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209.

Australian Aboriginal

Pulford, Donald (2006) Staging past and present simultaneously: Andrew Bovell's Holy Day (The Red Sea). In: Mapping uncertain territories: space and place in contemporary theatre and drama. Contemporary Drama in English, 13 . Wissenschaftlicher Verlag Trier. ISBN 3884768263

Australian Theatre

Pulford, Donald (2000) America and the Australian performing group. Antipodes, 14 (2). pp. 111-114. ISSN 0893-5580

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Pulford, Donald (2006) The history wars. Antipodes, 20 . ISSN 0893-5580

Australian culture

Pulford, Donald (2006) Staging past and present simultaneously: Andrew Bovell's Holy Day (The Red Sea). In: Mapping uncertain territories: space and place in contemporary theatre and drama. Contemporary Drama in English, 13 . Wissenschaftlicher Verlag Trier. ISBN 3884768263

Australian politics

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Australian racism

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Australian theatre

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Pulford, Donald (2006) Staging past and present simultaneously: Andrew Bovell's Holy Day (The Red Sea). In: Mapping uncertain territories: space and place in contemporary theatre and drama. Contemporary Drama in English, 13 . Wissenschaftlicher Verlag Trier. ISBN 3884768263

Australian youth culture

Pulford, Donald (2000) America and the Australian performing group. Antipodes, 14 (2). pp. 111-114. ISSN 0893-5580

Pulford, Donald (2006) The history wars. Antipodes, 20 . ISSN 0893-5580

Authorship

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Autobiography

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

B.B.C.

Lawrence, Conan, Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Back to Back Theatre

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Balkans

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Barthes

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Basil Dean

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Bear Baiting

Hudson, James (2020) Bear Necessity: The Means to The End. In: The Trilogy: Acts of Dramaturgy. Playtext Series . Intellect, Bristol. ISBN UNSPECIFIED

Berger

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Berlin

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Bertolt Brecht

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Betrayal

Hudson, James (2017) Harold Pinter's Betrayal and the benefit of hindsight. In: Pinter Unwrapped, 23 March 2017, Derby Theatre.

Bharatanatyam

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Biographical plays

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Biography

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Biopolitics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Birdland

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Blasted

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Bmjconvert

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Bmjid

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Body

Nair, Sreenath (2012) The body: introduction. Studies in South Asian Film and Media, 4 (2). pp. 121-122. ISSN 1756-4921

Body Art

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Bomber Command

Ellin, Dan and Lawrence, Conan (2018) After Them, The Flood: Remembering the Dam Busters and Bomber Command through Performance. In: Staging Loss Performance as Commemoration. Palgrave Macmillan, pp. 109-129. ISBN 978-3-319-97969-4

Lawrence, Conan, Rodgers, Emma and Leader, Howard (2013) Dambusters 70: after me, the flood. [Performance]

Book Reviews

Rush, Adam (2015) Creating musical theatre: conversations with Broadway directors and choreographers by Lyn Cramer [London and New York: Bloomsbury Methuen Drama, 2013]. Platform: Postgraduate Journal of Theatre Arts, 9 (1). pp. 77-81. ISSN 1751-0171

Rush, Adam (2013) West End Broadway: the golden age of the American musical in London by Adrian Wright Woodbridge [London: The Boydell Press, 2012]. Platform: Postgraduate Journal of Theatre Arts, 7 (2). pp. 92-95. ISSN 1751-0171

Bourdieu

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

Bovell

Pulford, Donald (2006) Staging past and present simultaneously: Andrew Bovell's Holy Day (The Red Sea). In: Mapping uncertain territories: space and place in contemporary theatre and drama. Contemporary Drama in English, 13 . Wissenschaftlicher Verlag Trier. ISBN 3884768263

Brandon Thomas

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Brazil

Moreno, Newton and O'Thomas, Mark (2007) Agreste (Drylands). [Performance]

O'Thomas, Mark (2006) Dona Flor and her two husbands. [Performance]

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244

Yazbek, Samir and O'Thomas, Mark (2012) The ritual. [Performance]

Brazilian playwriting

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Brecht

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Breivik

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

British

Chandler, Clare (2017) Review of British Musical Theatre Since 1950 edited by Robert Gordon, Olaf Jubin and Millie Taylor. Theatre Notebook, 71 (2). pp. 134-135. ISSN 2051-8358

British Avant-Garde Theatre

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

British Council

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

British Theatre

Bolton, Jacqueline (2021) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Jones, Kelly, Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN 9781349953585

British Theatre Consortium

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

British Theatre History

Bull, John (2016) British theatre companies, 1965-1979: CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 theatre companies. British Theatre Companies: From Fringe to Mainstream, 1 . Bloomsbury, London. ISBN 9781408175439

Holden, Nicholas (2015) 'The jewel in the crown': the Young Peoples' Theatre Scheme at the Royal Court, 1966-1976. In: Theatre and Performance Research Association, Annual Conference, 8-10 September 2015, University of Worcester.

British drama

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

British left

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

British theatre

Holden, Nicholas Oliver (2018) Building the engine room: a study of the Royal Court Young Peoples’ Theatre and its development into the Young Writers’ Programme. PhD thesis, University of Lincoln.

Broadway

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Buchner

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

C W Mills

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

COVID-19

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Caliban

Turner, Laura (2017) The Buried Moon. [Performance]

Canadian literature

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

Capitalism

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Care

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

Carl Djerassi

Jordan, Andy (2002) Calculus. In: [Performance at ]Royal Institution of Great Britain, 30 Sep 2002, London, UK.

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Jordan, Andy (2006) Taboos. In: [Performance at ]New End Theatre, 23 Feb - 1 Apr 2006, London, UK.

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Carrie Cracknell

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Caryl Churchill

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181

Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Caterina Nella Cotrupi

Dubois, Diane (2002) Northrop Frye and the poetics of process by Caterina Nella Cotrupi. Canadian Review of Comparative Literature, 29 (4). pp. 629-633. ISSN 0319-051X

Centrism

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Hudson, James (2019) The Dramaturgy of Reactionary Politics on the Recent UK Stage. In: International Federation for Theatre Research 2019 Conference, 8th - 13th July 2019, Shanghai Theatre Academy.

Chair

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Charles Dickens

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Charlotte Bronte

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Chekhov

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Chekhov’s The Cherry Orchard

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Childhood Studies

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Children

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Children's theatre

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Chion

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Choreography

Pinchbeck, Michael (2014) Bolero. [Video]

Chris Bush

Hudson, James (2019) The Dramaturgy of Reactionary Politics on the Recent UK Stage. In: International Federation for Theatre Research 2019 Conference, 8th - 13th July 2019, Shanghai Theatre Academy.

Chris Hannan

Hudson, James (2019) The Dramaturgy of Reactionary Politics on the Recent UK Stage. In: International Federation for Theatre Research 2019 Conference, 8th - 13th July 2019, Shanghai Theatre Academy.

Chris Thorpe

Hudson, James (2017) Confirmation: Chris Thorpe in conversation with James Hudson. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 7 (1). pp. 3-12. ISSN 1757-1979

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

Christmas

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Christoph Schlingensief

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Clarice Lispector

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Co-creation

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Collaboration

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Collaborative

Pinchbeck, Michael (2014) Bolero. [Performance]

Collaborative research

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Comedy

Meyer-Dinkgräfe, Daniel (2015) Comedy, consciousness and the Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, pp. 89-98. ISBN 9780786471782

Commemoration

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Community

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Community theatre

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Composition

Pinchbeck, Michael (2014) Bolero. [Artefact]

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Composition of music

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Conducting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Confessional

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Confirmation

Hudson, James (2017) Confirmation: Chris Thorpe in conversation with James Hudson. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 7 (1). pp. 3-12. ISSN 1757-1979

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Confirmation bias

Hudson, James (2017) Confirmation: Chris Thorpe in conversation with James Hudson. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 7 (1). pp. 3-12. ISSN 1757-1979

Conflict

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Conor McPherson

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Consciousness

Madhavan, Arya (2013) Politics of roar: towards a female Kathakali. In: ". International Federation for Theatre Research, 5 - 10 July 2015, University of Hyderabad, India.

Madhavan, Arya (2014) Reflections on Asian pedagogy at the University of Lincoln. In: Consortium Roundtable on Asian Performance: Pedagogy and Research in the UK HEIs, 17 May 2014, Centre for Creative Collaboration, 16 Acton Street, London.

Madhavan, Arya (2015) TaPRA (Theatre and Performance Research Association), Asian Performance and Diaspora. [Event, Show or Exhibition]

Madhavan, Arya (2013) Women in Asian Theatre Conference. [Event, Show or Exhibition]

Meyer-Dinkgrafe, Daniel (2013) Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809, 9789401210294

Meyer-Dinkgrafe, Daniel, Brask, Per and Youtt, Harry (2013) Appropriate forms of praise of acting in theatre criticism. In: Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809

Nair, Sreenath (2012) Breath and movement. In: Invited Workshop/Lecture, 9 Feb 2012, Bernard College, Columbia University, New York.

Nair, Sreenath (2015) Evocative body. In: Evocative Body, 28 October 2015, Centre for Psychophysical Performance Research, University of Huddersfield.

Nair, Sreenath (2013) Rasa trialogue: gestural reconstruction of seeing in Nangiyar Kuthu. In: Women in Asian Theatre Conference, 13 - 14 September 2013, University of Lincoln, UK.

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Nair, Sreenath (2015) Time and embodiment in the Natyasastra. In: 16 World Sanskrit Conference (WSC), 28 June-2 July 2015, Bangkok, Thailand..

Nair, Sreenath (2015) Understanding breath. In: Understanding Breath, Centre for Medical Humanities, University of Durham.

Nair, Sreenath (2014) The body as optical mechanism: Indian conceptualization of embodiment in performance. In: International Conference on Indian Society for Theatre Research (ISTR), 8-11 January 2014, Central University of Rajasthan, India.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Consciousness studies

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Meyer-Dinkgräfe, Daniel, Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

Contemporary British Drama

Jones, Kelly, Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN 9781349953585

Contemporary British Playwriting

Bolton, Jacqueline, ed. (2016) David Greig: dramaturgies of encounter and engagement [special issue of Contemporary Theatre Review]. Taylor and Francis. ISBN UNSPECIFIED

Contemporary British theatre

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Pulford, Donald, Goode, Chris, Brewer, Mark and Collis-Scurll, Jonny (2010) Weepie. [Performance]

Contemporary Drama

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Contemporary Theatre

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Contemporary Theatre-Making

Bolton, Jacqueline (2016) ‘Changing the Conversation’: Simon Stephens, Sean Holmes, and Secret Theatre. Contemporary Theatre Review, 26 (3). pp. 337-344. ISSN 1048-6801

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Contemporary drama in English

Bull, John (2017) Nation, nationalism and theatre. [Event, Show or Exhibition]

Bull, John (2018) Nation, nationalism and theatre [special issue of Journal of Contemporary Drama in English]. Journal of Contemporary Drama in English (6/1). De Gruyter. ISBN UNSPECIFIED

Bull, John (2018) Nation, nationhood and theatre [introduction to special issue]. Journal of Contemporary Drama in English, 6 (1). pp. 1-14. ISSN 2195-0164

Contemporary musical

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Contemporary playwriting

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

O'Thomas, Mark (2006) Dona Flor and her two husbands. [Performance]

Context

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Corporeality

Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Cranford

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Creative collaboration

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Creative writing

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

Creativity

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

Critical impro

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Criticism

Jones, Kelly (2006) Between nature and eternity: (present)ing absence in theatrical representations of Shakespeare as the ghost of Hamlet. Consciousness, Literature and the Arts, 8 (3). ISSN 1470-5648

Meyer-Dinkgrafe, Daniel (2013) Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809, 9789401210294

Meyer-Dinkgrafe, Daniel, Brask, Per and Youtt, Harry (2013) Appropriate forms of praise of acting in theatre criticism. In: Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809

Cultural diplomacy

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Cultural politics

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Culture

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Curatorial Practice

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Curious Incident of the Dog in the Night-Time

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Edition. Methuen Drama GCSE Student Editions . Bloomsbury Methuen Drama. ISBN 9781474240338

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Guide. GCSE Student Guides . Bloomsbury Methuen Drama. ISBN 9781474240598

DIY

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

DIY Theatre

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Dambusters

Lawrence, Conan, Rodgers, Emma and Leader, Howard (2013) Dambusters 70: after me, the flood. [Performance]

Dance

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

David Edgar

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

David Greig

Bolton, Jacqueline, ed. (2016) David Greig: dramaturgies of encounter and engagement [special issue of Contemporary Theatre Review]. Taylor and Francis. ISBN UNSPECIFIED

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

David Grieg

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

David Hare

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Deconstruction

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.

Pinchbeck, Michael D., Hobday, Nicki and Smith, Ollie (2010) The beginning [programme]. [Artefact]

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end [programme]. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video]

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Derrida

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Desire

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Devised Theatre

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Devising

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). p. 511. ISSN 0967-0882

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Pinchbeck, Michael D. (2013) The beginning. [Video]

Diane Dubois

Dubois, Diane (2008) Chronicles of freedom. [Performance]

Diegetic

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Digital Performance

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Digitised

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244

Directing

Chandler, Clare (2019) ‘It Takes A Cock’ or does it? - feminist directorial interventions in Angry Birds the Musical. In: Musical Theatre in Process: A Symposium., The Other Palace.

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Direction

Jordan, Andy (2002) Calculus. In: [Performance at ]Royal Institution of Great Britain, 30 Sep 2002, London, UK.

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Jordan, Andy (2006) Taboos. In: [Performance at ]New End Theatre, 23 Feb - 1 Apr 2006, London, UK.

Disability

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Disney

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Disney musical

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Doctor Who

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Documentary

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Drama

Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181

Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408

Adiseshiah, Sian (2007) Still a socialist? Caryl Churchill’s The Skriker and Far Away. In: Drama and/after Postmodernism. Contemporary Drama in English, 14 . WVT Wissenschaftlicher Verlag Trier, pp. 277-291. ISBN 9783884769362

Adiseshiah, Sian (2005) Utopian space in Caryl Churchill’s history plays: "Light Shining in Buckinghamshire" and "Vinegar Tom". Utopian Studies, 16 (1). pp. 3-26. ISSN 1045-991x

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Bowtell, Kayla (2010) Day and night. [Performance]

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

Chandler, Clare (2018) ‘Je suis Katie – free speech in post truth verbatim musical theatre.’. In: Let The Sun Shine In: American Theatre, Protest and Censorship. American Theatre and Drama Society., British Library.

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Jones, Kelly (2006) Between nature and eternity: (present)ing absence in theatrical representations of Shakespeare as the ghost of Hamlet. Consciousness, Literature and the Arts, 8 (3). ISSN 1470-5648

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Jordan, Andy (2002) Calculus. In: [Performance at ]Royal Institution of Great Britain, 30 Sep 2002, London, UK.

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Jordan, Andy (2006) Taboos. In: [Performance at ]New End Theatre, 23 Feb - 1 Apr 2006, London, UK.

Madhavan, Arya (2013) Politics of roar: towards a female Kathakali. In: ". International Federation for Theatre Research, 5 - 10 July 2015, University of Hyderabad, India.

Madhavan, Arya (2014) Reflections on Asian pedagogy at the University of Lincoln. In: Consortium Roundtable on Asian Performance: Pedagogy and Research in the UK HEIs, 17 May 2014, Centre for Creative Collaboration, 16 Acton Street, London.

Madhavan, Arya (2015) TaPRA (Theatre and Performance Research Association), Asian Performance and Diaspora. [Event, Show or Exhibition]

Madhavan, Arya (2013) Women in Asian Theatre Conference. [Event, Show or Exhibition]

Madhavan, Arya (2015) Women in Asian theatre [special issue of: Asian Theatre Journal]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED

Madhavan, Arya (2016) Women in Indian Performance [special issue of: Samyukta, a Journal of Women's Studies]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED

Madhavan, Arya (2015) Introduction [to special issue] Women in Asian theatre: conceptual, political, and aesthetic paradigms. Asian Theatre Journal, 32 (2). pp. 345-355. ISSN 0742-5457

Marlow, Christopher (2005) Scholarly interiority in the Parnassus trilogy. Dalhousie Review, 85 (2). pp. 275-284. ISSN 0011-5827

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Meyer-Dinkgräfe, Daniel (2015) Comedy, consciousness and the Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, pp. 89-98. ISBN 9780786471782

Nair, Sreenath (2012) Breath and movement. In: Invited Workshop/Lecture, 9 Feb 2012, Bernard College, Columbia University, New York.

Nair, Sreenath (2015) Evocative body. In: Evocative Body, 28 October 2015, Centre for Psychophysical Performance Research, University of Huddersfield.

Nair, Sreenath (2013) Less is more: interview with Ralph Yarrow. Studies in South Asian Film and Media, 4 (2). pp. 123-129. ISSN 1756-4921

Nair, Sreenath (2013) Rasa trialogue: gestural reconstruction of seeing in Nangiyar Kuthu. In: Women in Asian Theatre Conference, 13 - 14 September 2013, University of Lincoln, UK.

Nair, Sreenath (2015) Time and embodiment in the Natyasastra. In: 16 World Sanskrit Conference (WSC), 28 June-2 July 2015, Bangkok, Thailand..

Nair, Sreenath (2015) Understanding breath. In: Understanding Breath, Centre for Medical Humanities, University of Durham.

Nair, Sreenath (2014) The body as optical mechanism: Indian conceptualization of embodiment in performance. In: International Conference on Indian Society for Theatre Research (ISTR), 8-11 January 2014, Central University of Rajasthan, India.

Nair, Sreenath (2013) The body: introduction II. Studies in South Asian Film and Media, 5 (1). pp. 3-4. ISSN 1756-4921

Nair, Sreenath (2012) The body: introduction. Studies in South Asian Film and Media, 4 (2). pp. 121-122. ISSN 1756-4921

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance]

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Voase, Richard (2001) The future for live drama. In: Trends and strategies in the arts and cultural industries. Barjesteh van Waalwijk van Doorn, Rotterdam. ISBN 9056130617

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078

Warden, Claire (2010) Politics, war, and adaptation: Ewan Maccoll's Operation Olive Branch, 1947. Comparative Drama, 44-45 (4-1). pp. 536-538. ISSN 0010-4078

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Dramaturgy

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

Bolton, Jacqueline (2009) Demarcating dramaturgy: mapping theory onto practice. PhD thesis, University of Leeds.

Hudson, James (2020) Bear Necessity: The Means to The End. In: The Trilogy: Acts of Dramaturgy. Playtext Series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck.

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Pinchbeck, Michael D. (2012) Mirror, signal, manoeuvre: reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London.

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.

Pinchbeck, Michael D. (2013) The beginning. [Video]

Pinchbeck, Michael D., Hobday, Nicki and Smith, Ollie (2010) The beginning [programme]. [Artefact]

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end [programme]. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video]

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Drunk Enough to Say I Love You?

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Duet

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Durational

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video]

Dystopia

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Economics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Edward Bond

Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Electra

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Elites

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

Elizabeth Gaskell

Turner, Laura (2015) Cranford. Josef Weinberger. ISBN 978 0 85676 350 2

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Embodied methodologies

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

Embodiment

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Emotional wellbeing

Meyer-Dinkgräfe, Daniel, Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

English Civil War and Revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

English Modernist women

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

English modern drama

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

English women Modernist dramatists

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

Enoch Powell

Hudson, James (2019) The Dramaturgy of Reactionary Politics on the Recent UK Stage. In: International Federation for Theatre Research 2019 Conference, 8th - 13th July 2019, Shanghai Theatre Academy.

Ensemble

Bolton, Jacqueline (2016) ‘Changing the Conversation’: Simon Stephens, Sean Holmes, and Secret Theatre. Contemporary Theatre Review, 26 (3). pp. 337-344. ISSN 1048-6801

Erasure in Asian Performance

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

Escape

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

European politics

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Eva Peron

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Evita

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Ewan MacColl

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

Exhibition design

Ellin, Dan and Lawrence, Conan (2018) After Them, The Flood: Remembering the Dam Busters and Bomber Command through Performance. In: Staging Loss Performance as Commemoration. Palgrave Macmillan, pp. 109-129. ISBN 978-3-319-97969-4

Experiment

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Expressive

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Face to Face

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Facelessness

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Far Away

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Fascism

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

Fashion

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

Feminism

Chandler, Clare (2016) Aftershocks: Next To Normal and the crackle of difference. In: “History has its Eyes on You: Musical Theatre’s Moments of Transition” American Society for Theatre Research Annual Conference, November 2016, Minneapolis.

Chandler, Clare (2019) Integration & Disintegration in Next to Normal. MTEA Journal, 2 . pp. 82-86.

Chandler, Clare (2019) ‘It Takes A Cock’ or does it? - feminist directorial interventions in Angry Birds the Musical. In: Musical Theatre in Process: A Symposium., The Other Palace.

Chandler, Clare (2021) Keynote at the University of Wolverhampton’s CCHIP PRG symposium. In: CCHIP PRG symposium, University of Wolverhampton.

Chandler, Clare (2021) Restaging Musical Theatre’s Feminisms: male sidekicks and womxn superheroes. In: Hybrid Postgraduate Research Conference Lancaster University, 17th July 2021, Hybrid.

Chandler, Clare (2022) Star-crossed utopia and dissonant pleasure in & Juliet (2019). In: Utopian Studies Society Conference, 13th - 15th July 2022, Brighton, UK.

Chandler, Clare (2022) ‘You’ll Never Walk Alone’ unless you're a solo womxn spectator watching Carousel. In: TaPRA, 12-14 September, University of Essex.

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

Fernando Pessoa

O'Thomas, Mark (2010) Rewriting "The book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

Pessoa, Fernado, O'Thomas, Mark and La Barrie, Nicolai (2011) The book of disquiet. [Performance]

Film

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Film and Video

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Fingerature

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

First World War

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Forced Entertainment

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Forgetting

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Frances Hodgson Burnett

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

Frank Castorf

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Frankenstein

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Frankenstein's Wedding

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Frantic Assembly

Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Franz Fanon

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Freud’s ‘double’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Fringe theatre

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Fukuyama

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Game Studies

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Gay theatre

Pulford, Donald (2011) Shadow boxing. [Performance]

Gender

Madhavan, Arya (2019) Redefining the feminine in Kathakali: A Case Study of Asti. New Theatre Quarterly, 35 (2). pp. 169-186. ISSN 0266-464X

Pulford, Donald (2011) Shadow boxing. [Performance]

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Gender and theatre

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

George Bernard Shaw

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

German Theatre

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

German theatre

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Germany Trilogy

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Gestural reconstruction

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Get'cha Head in the Game

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Ghost

Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Ghosting

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Gillian Slovo

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Goffman’s ‘frames’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Gothic

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Jones, Kelly (2020) The Theatrical Gothic in the Nineteenth Century. In: The Cambridge History of the Gothic. Cambridge University Press, pp. 162-181. ISBN 9781108472715

Jones, Kelly, Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN 9781349953585

Gower

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Greece

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Greek

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Greenland

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Group Theatre

Warden, Claire (2013) The poetic materiality of fascism on the British stage. In: The aesthetics of matter: modernism, the avant-garde and material exchange. de Gruyter, Berlin, pp. 82-93. ISBN UNSPECIFIED

Hamlet

Pinchbeck, Michael (2013) The middle. [Video]

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Hand-feeding

Fossey, Steve (2014) Host(s). [Performance]

Harold Pinter

Hudson, James (2017) Harold Pinter's Betrayal and the benefit of hindsight. In: Pinter Unwrapped, 23 March 2017, Derby Theatre.

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

Harper Regan

Bolton, Jacqueline (2015) Introduction to Harper Regan by Simon Stephens. In: Harper Regan. Modern Classics . Bloomsbury Methuen Drama, pp. 3-24. ISBN 9781472574671

Hedwig and the Angry Inch

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Helene Cixous

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Heritage

Ellin, Dan and Lawrence, Conan (2018) After Them, The Flood: Remembering the Dam Busters and Bomber Command through Performance. In: Staging Loss Performance as Commemoration. Palgrave Macmillan, pp. 109-129. ISBN 978-3-319-97969-4

High School Musical

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

History

Jones, Kelly (2006) Between nature and eternity: (present)ing absence in theatrical representations of Shakespeare as the ghost of Hamlet. Consciousness, Literature and the Arts, 8 (3). ISSN 1470-5648

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

History plays

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Homelessness

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Hospital at the time of the Revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Howard Barker; New Writing; In-Yer-Face; Naturalism

Hudson, James (2015) Vintage Barker: new writing in old bottles. In: Howard Barker's theatre: wrestling with catastrophe. Methuen Drama Engage . Bloomsbury Methuen, London, pp. 113-130. ISBN 9781408185995

Howard Brenton

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Hull

Turner, Laura (2016) Letters From Amy. [Project]

Hunger Strike

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.

Ibsen

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Ibsen’s A Doll’s House

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Icon

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Iconicity

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Identity

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Ideology

Marlow, Christopher and Rowcroft, Andrew (2017) Dr Christopher Marlow: 'systems of control?: Shakespeare, cultural materialism and agency'. [Event, Show or Exhibition]

Image and words

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Imagination

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Immersive theatre

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Immigrant Theatre

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Impact

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

In-yer-face theatre

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Indian Drama

Nair, Sreenath (2013) Manikin plays: two contemporary Indian plays. Cambridge Scholars, New Castle. ISBN 9781443849418

Indian Music

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Indian Pedagogical Practice

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Indian Theatre

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Indian aesthetic theory

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Indian aesthetics

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Indian dance training

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Indian martial arts

Meyer-Dinkgräfe, Daniel, Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Indian theatre

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2019) Redefining the feminine in Kathakali: A Case Study of Asti. New Theatre Quarterly, 35 (2). pp. 169-186. ISSN 0266-464X

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal, 25 (1). pp. 165-168. ISSN 0742-5457

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Nair, Sreenath and Madhavan, Arya (2016) Lincolnshire diversity in the arts: research and development. Project Report. University of Lincoln.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Innovations in Kudiyattam

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Inscription

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Installation

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Integration

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Intercultural

Pinchbeck, Michael (2014) Bolero. [Video]

Intercultural performance

Nair, Sreenath and Madhavan, Arya (2016) Lincolnshire diversity in the arts: research and development. Project Report. University of Lincoln.

Intercultural theatre

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Pinchbeck, Michael (2014) Bolero. [Performance]

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Interculturalism

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Interdisciplinary

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Internationalisation

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Internationalism; Politics

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Intertextuality

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Intimacy

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Irish Studies

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Irish culture

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). p. 511. ISSN 0967-0882

Irish studies

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

JCNotOpen

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

JCOpen

Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

Jack Thorne

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Jacques Ranciere

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales.

Fossey, Steve (2012) Trying to make more sense: an introduction, beginning and reflection of a dialogic performance. Activate, 2 .

James Elroy Flecker

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Jean Mohr

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Jean-Luc Nancy

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Jerusalem

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Jez Butterworth

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

John Berger

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

John Cameron Mitchell

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

John Doyle

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

John Gabriel Borkman

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Joint Stock

Bolton, Jacqueline (2012) 'Whether or not they are actors, they're not writers': carving up creative territories in the 'Joint Stock method'. In: American Society for Theatre Research, November 1-4, 2012, Nashville, Tennessee,.

Bolton, Jacqueline (2015) Joint Stock Theatre Company. In: British theatre companies 1980-1994. British theatre companies: from fringe to mainstream (2). Bloomsbury Methuen Drama, London, pp. 115-139. ISBN 9781408175491

Josef Weinberger

Turner, Laura (2015) Cranford. Josef Weinberger. ISBN 978 0 85676 350 2

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

Kabakov

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Katie Hopkins

Hudson, James (2019) The Dramaturgy of Reactionary Politics on the Recent UK Stage. In: International Federation for Theatre Research 2019 Conference, 8th - 13th July 2019, Shanghai Theatre Academy.

Katie Mitchell

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Ken Campbell

Bolton, Jacqueline (2012) ‘“I’m not mad, I’ve just read different books”: Ken Campbell and the Arts Council of Great Britain’. In: International Federation for Theatre Research, 22-28 July 2012, Santiago, Chile.

Kinect

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Kinesthetics

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Kinetics

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

King John

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

Knowing

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Kristeva

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Kudiyattam

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Kutiyattam

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

L'Orfeo

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Landscapes

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Les Miserables

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Let the Right One In

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Lew Fields

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Liberalism

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Light Shining in Buckinghamshire

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Liminality

Pinchbeck, Michael (2013) The middle. [Video]

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Lincolnshire

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

Literary Management

Bolton, Jacqueline (2008) Looking back, looking forward: literary management at the Royal Court. Contemporary Theatre Review, 18 (1). pp. 137-140. ISSN 1048-6801

Literary criticism

Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181

Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408

Adiseshiah, Sian (2007) Still a socialist? Caryl Churchill’s The Skriker and Far Away. In: Drama and/after Postmodernism. Contemporary Drama in English, 14 . WVT Wissenschaftlicher Verlag Trier, pp. 277-291. ISBN 9783884769362

Live Art

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video]

Live art

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Live-cast

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Liveness

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Loneliness

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Loss

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Love

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

MC

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

Mad Forest

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Magna Carta

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

Manchester

Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

Mannequin

Nair, Sreenath (2013) Manikin plays: two contemporary Indian plays. Cambridge Scholars, New Castle. ISBN 9781443849418

Marginalisation

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Marianne Eliot

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Mark Haddon

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Edition. Methuen Drama GCSE Student Editions . Bloomsbury Methuen Drama. ISBN 9781474240338

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Guide. GCSE Student Guides . Bloomsbury Methuen Drama. ISBN 9781474240598

Marketing

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Marxism

Marlow, Christopher and Rowcroft, Andrew (2017) Dr Christopher Marlow: 'systems of control?: Shakespeare, cultural materialism and agency'. [Event, Show or Exhibition]

Marxism and literature

Rowcroft, Andrew and Adiseshiah, Sian (2017) Dr Siân Adiseshiah: Ageing, Utopia and G.B. Shaw’s Back to Methuselah. [Event, Show or Exhibition]

Mary Braddon

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Mediating revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Medicine

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Memorial

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Memory

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Mental health

Breed, Ananda (2021) Introduction to MAP at Home. [Video]

Chandler, Clare (2019) Integration & Disintegration in Next to Normal. MTEA Journal, 2 . pp. 82-86.

Meta-theatre

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Metatheatre

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel, Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Michael Pinchbeck

Hudson, James (2020) Bear Necessity: The Means to The End. In: The Trilogy: Acts of Dramaturgy. Playtext Series . Intellect, Bristol. ISBN UNSPECIFIED

Michel Foucault

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Miranda

Turner, Laura (2017) The Buried Moon. [Performance]

Mobile Arts for Peace

Breed, Ananda (2019) Mobile Arts for Peace (MAP): Youth and Participatory Arts in Rwanda. In: Participatory Arts in International Development. Routledge, pp. 124-143. ISBN 9780367024963

Modern British Drama

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Modern British Playwriting

Holden, Nicholas Oliver (2018) Building the engine room: a study of the Royal Court Young Peoples’ Theatre and its development into the Young Writers’ Programme. PhD thesis, University of Lincoln.

Modernism

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078

Monteverdi

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Motortown

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Movement

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Mozart

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Mudra

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Multiculturalism

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

Multimodality theory

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Music

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Music Theatre

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Music technology

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Musical Dramaturgy

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Musical Motifs

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Musical Theatre

Chandler, Clare (2016) Aftershocks: Next To Normal and the crackle of difference. In: “History has its Eyes on You: Musical Theatre’s Moments of Transition” American Society for Theatre Research Annual Conference, November 2016, Minneapolis.

Chandler, Clare (2019) Integration & Disintegration in Next to Normal. MTEA Journal, 2 . pp. 82-86.

Chandler, Clare (2019) ‘It Takes A Cock’ or does it? - feminist directorial interventions in Angry Birds the Musical. In: Musical Theatre in Process: A Symposium., The Other Palace.

Chandler, Clare (2021) Keynote at the University of Wolverhampton’s CCHIP PRG symposium. In: CCHIP PRG symposium, University of Wolverhampton.

Chandler, Clare (2021) Restaging Musical Theatre’s Feminisms: male sidekicks and womxn superheroes. In: Hybrid Postgraduate Research Conference Lancaster University, 17th July 2021, Hybrid.

Chandler, Clare (2017) Review of British Musical Theatre Since 1950 edited by Robert Gordon, Olaf Jubin and Millie Taylor. Theatre Notebook, 71 (2). pp. 134-135. ISSN 2051-8358

Chandler, Clare (2022) Star-crossed utopia and dissonant pleasure in & Juliet (2019). In: Utopian Studies Society Conference, 13th - 15th July 2022, Brighton, UK.

Chandler, Clare (2022) ‘You’ll Never Walk Alone’ unless you're a solo womxn spectator watching Carousel. In: TaPRA, 12-14 September, University of Essex.

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Musical film

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Musical theatre

Rush, Adam Christopher, Jones, Kelly and Dean, Rob (2017) Recycled culture: the significance of intertextuality in twenty-first century musical theatre. PhD thesis, University of Lincoln.

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Musicality

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Myth

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

NHS

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

NT Live

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Nangiar kuthu

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Narrative

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck.

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Pinchbeck, Michael D. (2012) Mirror, signal, manoeuvre: reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London.

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.

Pinchbeck, Michael D. (2013) The beginning. [Video]

Pinchbeck, Michael D., Hobday, Nicki and Smith, Ollie (2010) The beginning [programme]. [Artefact]

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end [programme]. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video]

Nathaniel Hawthorne

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

National Theatre Live

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Nationalism

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Nationhood

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Naturalism

Holden, Nicholas (2016) 'There are times when naturalism just isn't enough': breaking open the kitchen sink in the theatre of Alistair McDowall. In: British Theatre in the 21st Century: new texts, new stages, new identities, new worlds, 13-15 October, 2016, Université Paris-Sorbonne.

Natyasastra

Nair, Sreenath, ed. (2015) The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA. ISBN 9780786471782

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Natyashastra

Meyer-Dinkgräfe, Daniel, Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Neo-Victorian

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Turner, Laura (2018) Sherlock Holmes Investigates the Impossible. In: Sherlock Holmes Investigates the Impossible, 12 June 2018, University of York.

Neo-nazism

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Neoliberalism

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Neural mechanism

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Neuroscience

Nair, Sreenath, ed. (2015) The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA. ISBN 9780786471782

New Brutalism

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

New Sincerity

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

New Writing

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Holden, Nicholas (2016) ‘Think kitchen-sink with a wormhole where the plug should be’: exploring new approaches to new writing in the work of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, 27 - 30 June 2016, University of Lincoln.

New critical sincerity

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

New writing

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Holden, Nicholas (2016) 'There are times when naturalism just isn't enough': breaking open the kitchen sink in the theatre of Alistair McDowall. In: British Theatre in the 21st Century: new texts, new stages, new identities, new worlds, 13-15 October, 2016, Université Paris-Sorbonne.

Non-diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Non-linearity

Pinchbeck, Michael (2016) The trilogy. [Performance]

Normal

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Northrop Frye

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

Dubois, Diane (2002) Northrop Frye and the poetics of process by Caterina Nella Cotrupi. Canadian Review of Comparative Literature, 29 (4). pp. 629-633. ISSN 0319-051X

Dubois, Diane (2000) Rereading Frye: the published and unpublished works. Canadian Review of Comparative Literature, 27 (1-2). pp. 313-316. ISSN 0319-051X

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

NotOAChecked

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Bolton, Jacqueline (2016) ‘Changing the Conversation’: Simon Stephens, Sean Holmes, and Secret Theatre. Contemporary Theatre Review, 26 (3). pp. 337-344. ISSN 1048-6801

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Madhavan, Arya (2015) Introduction [to special issue] Women in Asian theatre: conceptual, political, and aesthetic paradigms. Asian Theatre Journal, 32 (2). pp. 345-355. ISSN 0742-5457

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078

Oh

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Oklahoma!

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Olivia Turnbull

Dubois, Diane (2009) Bringing down the house: the crisis in Britain’s regional theatres [Olivia Turnbull]. Times Higher Education . ISSN 0049-3929

One Minute

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

One-to-one

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Online Games

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

Opera

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Opera House

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Orchestration

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Orientalism

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Otherness

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

PARIP

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Pan-Asian performance theory

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Participation

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Participatory Arts

Breed, Ananda (2019) Mobile Arts for Peace (MAP): Youth and Participatory Arts in Rwanda. In: Participatory Arts in International Development. Routledge, pp. 124-143. ISBN 9780367024963

Pastoral

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Pathognomy

Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833

Patriarchy

Madhavan, Arya (2019) Redefining the feminine in Kathakali: A Case Study of Asti. New Theatre Quarterly, 35 (2). pp. 169-186. ISSN 0266-464X

Pauline Hanson

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Penetrator

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

People with disabilities

Bowtell, Kayla (2010) Day and night. [Performance]

Pepper's Ghost

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Performance

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Gaughan, Lisa (2009) Alternative tutorial systems. In: Teaching and Learning Symposium, 2009, University of Lincoln.

Gaughan, Lisa (2010) Carnival against capitalism: the changing face of satire on stage. In: What Happens Now: 21st Century Writing in English, July 2010, University of Lincoln.

Gaughan, Lisa (2014) Developing the curriculum in partnership with students. In: Kickstart Conference, 24 October 2014, University of Lincoln.

Gaughan, Lisa (2017) 'The God, The Owner and the Master’ (Barthes, 1979): staging rites of passage in the maritime crossing the line ceremony. In: Performance of loss and commemoration. UNSPECIFIED. ISBN UNSPECIFIED

Gaughan, Lisa (2010) The Horror, the humour: satire and dark comedy in a postmodern world. In: International Conference, 2010, University of Lincoln.

Gaughan, Lisa (2010) It's no time for sound bites: the praxis of travesty via the New Labour of political comedy. Studies in Documentary Film, 4 (3). ISSN 1750-3280

Gaughan, Lisa (2009) It’s no time for soundbites: the praxis of travesty via the new labour of political. In: ., 2009, University of Reading.

Gaughan, Lisa (2010) Shapeless and as amorphous as tapioca: how to produce satire from the ‘New’ politician. In: ., 2010, University of Salford with Manchester Metropolitan University.

Gaughan, Lisa (2010) The character crunch: a crisis in satirical representations of ‘real’ politicians. In: Invited paper, 2010, University of Reading.

Gaughan, Lisa (2017) The kingdom of yes: Students involvement in curriculum design. In: HEA Annual Conference 2017 Generation TEF: Teaching in the spotlight, 4 July 2017, Renold Building, Manchester.

Gaughan, Lisa and Miller, Kirsty (2015) Student partnership in first year curriculum design: positives and pitfalls. In: SPARQS Annual Conference, 29 May 2015, Edinburgh Conference Centre, Heriot-Watt University.

Gaughan, Lisa Jane (2008) Drama/theatre/performance [Simon Shepherd and Mick Wallis]. Theatre Journal, 60 (1). pp. 164-165. ISSN 0192-2882

Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833

Jordan, Andy (2002) Calculus. In: [Performance at ]Royal Institution of Great Britain, 30 Sep 2002, London, UK.

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Nair, Sreenath (2014) Special panel on Embodiment in/and Indian theatre. [Event, Show or Exhibition]

Nair, Sreenath (2014) The embodied knowledge in performance: some reflections on the Natyasastra. In: IFTR 2015, 6 - 10 July 2015, Hyderabad.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Pinchbeck, Michael D. (2012) Mirror, signal, manoeuvre: reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London.

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078

Performance Studies

Nair, Sreenath, ed. (2015) The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA. ISBN 9780786471782

Performance and Commemoration

Ellin, Dan and Lawrence, Conan (2018) After Them, The Flood: Remembering the Dam Busters and Bomber Command through Performance. In: Staging Loss Performance as Commemoration. Palgrave Macmillan, pp. 109-129. ISBN 978-3-319-97969-4

Lawrence, Conan, Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Performance anxiety

Meyer-Dinkgräfe, Daniel, Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Performance art

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Performance spaces

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Performance studies

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

Performative

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Performativity

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Performing Arts

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Pericles

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Phantom of the Opera

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Philip Stevens

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

Photography

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Plays

Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181

Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408

Adiseshiah, Sian (2007) Still a socialist? Caryl Churchill’s The Skriker and Far Away. In: Drama and/after Postmodernism. Contemporary Drama in English, 14 . WVT Wissenschaftlicher Verlag Trier, pp. 277-291. ISBN 9783884769362

Marlow, Christopher (2005) Scholarly interiority in the Parnassus trilogy. Dalhousie Review, 85 (2). pp. 275-284. ISSN 0011-5827

Playwriting

Bolton, Jacqueline (2021) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Poetics of Process

Dubois, Diane (2002) Northrop Frye and the poetics of process by Caterina Nella Cotrupi. Canadian Review of Comparative Literature, 29 (4). pp. 629-633. ISSN 0319-051X

Political Theatre

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Political performance

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.

Political theatre

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Political theory

Warden, Claire (2013) May Day 1932: British workers' theatre on and off the stage. In: Modernist Studies Association 15th Annual Conference: Everydayness and the Event, 29 August-1 September 2013, University of Sussex, Brighton.

Politics

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Politics of Indian theatre

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal, 25 (1). pp. 165-168. ISSN 0742-5457

Pornography

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Port

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Postcolonial

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209.

Postcolonialism

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Postmodernism

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Practice

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Practice as Research

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Practice as research

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Praxis

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Presence

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Presence; ephemerality; Indian Performance theory; the Natyasastra; Battlefield; trace; heterotopia; ontology of absence

Nair, Sreenath (2019) Aesthetics of [the] Invisible: Presence in Indian Performance Theory. In: The Routledge Companion to Performance Philosophy. Routledge. ISBN UNSPECIFIED

Process

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Processing

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Procession

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Producing

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Production

Jordan, Andy (2006) Taboos. In: [Performance at ]New End Theatre, 23 Feb - 1 Apr 2006, London, UK.

Proximity

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Psychosocial intervention

Breed, Ananda (2021) Introduction to MAP at Home. [Video]

Punk Rock

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Putting it Together

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Queen's Hotel

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Racism

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

Radio drama

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Rasa theory

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Rasatrialogue

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Ravel

Pinchbeck, Michael (2016) Concerto. [Video]

Reactionary ideology

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Realism

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

Reception Theory

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Reckless Sleepers

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Reenactment

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Reflexivity

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Reinterpretation

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Relational

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Religious Visionary

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Remembering

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Remembrance

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Repair

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Representations of children

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Research

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Revival

Chandler, Clare (2022) ‘You’ll Never Walk Alone’ unless you're a solo womxn spectator watching Carousel. In: TaPRA, 12-14 September, University of Essex.

Revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Richard Bean

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Right wing politics

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Ritual

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Roald Hoffman

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Robert D Denham

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Robert Denham

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Robert Russell Bennett

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Robinsonade

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95.

Rodgers and Hammerstein

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rodgers and Hart

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Romanian Revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Romanian revolution

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Romanticism

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

Rose Playhouse

Turner, Laura (2017) The Buried Moon. [Performance]

Royal Court

Bolton, Jacqueline (2008) Looking back, looking forward: literary management at the Royal Court. Contemporary Theatre Review, 18 (1). pp. 137-140. ISSN 1048-6801

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

Royal Court Theatre

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Holden, Nicholas (2015) 'The jewel in the crown': the Young Peoples' Theatre Scheme at the Royal Court, 1966-1976. In: Theatre and Performance Research Association, Annual Conference, 8-10 September 2015, University of Worcester.

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents, 12-14 December 2013, University of Porto.

Royal National Theatre

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

Ruin

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Russia

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078

Russian playwriting

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Rwanda

Breed, Ananda (2021) Introduction to MAP at Home. [Video]

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

Salford

Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

Samuel Beckett

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Sanskrit studies

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Sarah Frankcom

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Sarah Kane

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Saved

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Scenography

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Schenchner’s ‘dark play’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Schlingensief

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Schröder

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Science

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Scores

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

Scottish Referendum

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Sean Holmes

Bolton, Jacqueline (2016) ‘Changing the Conversation’: Simon Stephens, Sean Holmes, and Secret Theatre. Contemporary Theatre Review, 26 (3). pp. 337-344. ISSN 1048-6801

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Sebastian Nuebling

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Second World war

Warden, Claire (2013) Modern life through the actor's distorting mirror: Basil Dean's impressions of Russia. In: British Comparative Literature Conference, 8-11 July, University of Essex.

Warden, Claire (2013) "We are here to Salute the Red Army": Basil Dean and his Russian adventures. Theatre Survey, 54 (3). pp. 347-366. ISSN 0040-5574

Warden, Claire (2010) Politics, war, and adaptation: Ewan Maccoll's Operation Olive Branch, 1947. Comparative Drama, 44-45 (4-1). pp. 536-538. ISSN 0010-4078

Secret Theatre

Bolton, Jacqueline (2016) ‘Changing the Conversation’: Simon Stephens, Sean Holmes, and Secret Theatre. Contemporary Theatre Review, 26 (3). pp. 337-344. ISSN 1048-6801

Set design

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Seven Jewish Children

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Sexuality

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Shakespeare

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Hudson, James (2020) Bear Necessity: The Means to The End. In: The Trilogy: Acts of Dramaturgy. Playtext Series . Intellect, Bristol. ISBN UNSPECIFIED

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Marlow, Christopher and Rowcroft, Andrew (2017) Dr Christopher Marlow: 'systems of control?: Shakespeare, cultural materialism and agency'. [Event, Show or Exhibition]

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck.

Pinchbeck, Michael (2013) The middle. [Video]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.

Pinchbeck, Michael D. (2013) The beginning. [Video]

Pinchbeck, Michael D., Hobday, Nicki and Smith, Ollie (2010) The beginning [programme]. [Artefact]

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end [programme]. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video]

Turner, Laura (2017) The Buried Moon. [Performance]

Shakespeare's Globe

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

SharpWire

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Shaw

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Signifying Practice

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Simon Stephens

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Bolton, Jacqueline (2016) ‘Changing the Conversation’: Simon Stephens, Sean Holmes, and Secret Theatre. Contemporary Theatre Review, 26 (3). pp. 337-344. ISSN 1048-6801

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales.

Bolton, Jacqueline (2014) Introduction. In: Blindsided. Modern Plays . Methuen. ISBN 9781472568717

Bolton, Jacqueline (2015) Introduction to Harper Regan by Simon Stephens. In: Harper Regan. Modern Classics . Bloomsbury Methuen Drama, pp. 3-24. ISBN 9781472574671

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Edition. Methuen Drama GCSE Student Editions . Bloomsbury Methuen Drama. ISBN 9781474240338

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Guide. GCSE Student Guides . Bloomsbury Methuen Drama. ISBN 9781474240598

Bolton, Jacqueline (2021) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Stephens, Simon and Bolton, Jacqueline (2014) Pornography. Methuen Student Edition . Methuen. ISBN 1408110563, 1408179857

Simulcast

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Singing

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Sir Arthur Conan Doyle

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Turner, Laura (2018) Sherlock Holmes Investigates the Impossible. In: Sherlock Holmes Investigates the Impossible, 12 June 2018, University of York.

Site specific performance

Lawrence, Conan, Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Site specific theatre

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Site-specific

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Site-specific art

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

Site-specific performance

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

Site-specific theatre

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Social Class

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Social Media

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Social Space

Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Social Spaces

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

Sondheim

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Song and dance

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Sophocles

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

South Africa

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Spect-actors

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Spectatorship

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Spirituality

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

St George and the Dragon

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

Stage Fright

Meyer-Dinkgräfe, Daniel, Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Stanislavski

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Stick to the Status Quo

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Stoppard

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

Sunday in the Park With George

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Sweeney Todd

Poore, Ben and Jones, Kelly (2009) Introduction to 'Swing your razor wide ...': Sweeney Todd and other (Neo-)Victorian criminalities. Neo-Victorian Studies, 2 (1). pp. 1-16. ISSN 1757-9481

Switzerland

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Tamasha

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Taste

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Technique as knowledge

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Technology

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Television

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95.

Text

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck.

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.

Pinchbeck, Michael D., Hobday, Nicki and Smith, Ollie (2010) The beginning [programme]. [Artefact]

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end [programme]. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video]

The Assassination of Katie Hopkins

Hudson, James (2019) The Dramaturgy of Reactionary Politics on the Recent UK Stage. In: International Federation for Theatre Research 2019 Conference, 8th - 13th July 2019, Shanghai Theatre Academy.

The Body

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

The Book of Mormon

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

The Censor

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

The Events

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

The Hard Problem

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

The Life of Galileo

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

The Natyasastra

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Meyer-Dinkgräfe, Daniel (2015) Comedy, consciousness and the Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, pp. 89-98. ISBN 9780786471782

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

The Riots

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

The Rocky Horror Show

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

The Secret Garden

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

The Skriker

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

The Tempest

Turner, Laura (2017) The Buried Moon. [Performance]

The Trilogy

Hudson, James (2020) Bear Necessity: The Means to The End. In: The Trilogy: Acts of Dramaturgy. Playtext Series . Intellect, Bristol. ISBN UNSPECIFIED

The Walking Dead

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95.

The Winter's Tale

Hudson, James (2020) Bear Necessity: The Means to The End. In: The Trilogy: Acts of Dramaturgy. Playtext Series . Intellect, Bristol. ISBN UNSPECIFIED

The Woman in Black

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

The Wonderful World of Dissocia

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Theater Bremen

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

Theatre

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Ellin, Dan and Lawrence, Conan (2018) After Them, The Flood: Remembering the Dam Busters and Bomber Command through Performance. In: Staging Loss Performance as Commemoration. Palgrave Macmillan, pp. 109-129. ISBN 978-3-319-97969-4

Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Holden, Nicholas (2016) ‘Think kitchen-sink with a wormhole where the plug should be’: exploring new approaches to new writing in the work of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, 27 - 30 June 2016, University of Lincoln.

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209.

Warden, Claire (2014) Dancing atoms and talking feet: British avant-garde theatre. In: Research Seminars on the Theory, Practice and History of Performance, 26/2/14, Goldsmiths.

Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401

Warden, Claire (2013) May Day 1932: British workers' theatre on and off the stage. In: Modernist Studies Association 15th Annual Conference: Everydayness and the Event, 29 August-1 September 2013, University of Sussex, Brighton.

Warden, Claire (2013) Modern life through the actor's distorting mirror: Basil Dean's impressions of Russia. In: British Comparative Literature Conference, 8-11 July, University of Essex.

Warden, Claire (2012) Obscure margins: re-imagining a British avant-garde. In: Performing Arts Department Research Series, 28th November 2012, Edge Hill University.

Warden, Claire (2012) Peripheries and margins: re-imagining a British avant-garde. In: English Department Visiting Speaker Programme, 31st October 2012, University of Dundee.

Warden, Claire (2013) "We are here to Salute the Red Army": Basil Dean and his Russian adventures. Theatre Survey, 54 (3). pp. 347-366. ISSN 0040-5574

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Theatre Music

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Theatre and Globalization

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Walsh, Aylwyn M. (2012) Theatre & Globalization, and: Theatre & Interculturalism, and: Theatre & Prison. Theatre Topics, 22 (1). pp. 110-112. ISSN 1054-8378

Theatre and Interculturalism

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Walsh, Aylwyn M. (2012) Theatre & Globalization, and: Theatre & Interculturalism, and: Theatre & Prison. Theatre Topics, 22 (1). pp. 110-112. ISSN 1054-8378

Theatre and multiculturalism

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Theatre companies

Bull, John (2016) British theatre companies, 1965-1979: CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 theatre companies. British Theatre Companies: From Fringe to Mainstream, 1 . Bloomsbury, London. ISBN 9781408175439

Theatre for Young Audiences

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Theatre history

O'Gorman, Siobhán and McIvor, Charlotte, eds. (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

Theatre of the Oppressed

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Theatre producers

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Theatre studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Theatre translation

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Moreno, Newton and O'Thomas, Mark (2007) Agreste (Drylands). [Performance]

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

O'Thomas, Mark (2010) Rewriting "The book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2008) What is this thing called 'jazz'? Translation, adaptation and the jazz form. In: Cultures of Translation Conference, 26-28 June 2008, University of Glamorgan.

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: Conexões. British Council/National Theatre/Celia Helena, São Paulo. ISBN UNSPECIFIED

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244

Yazbek, Samir and O'Thomas, Mark (2012) The ritual. [Performance]

Theatrical history

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Thesis

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Three Kingdoms

Bolton, Jacqueline (2012) Preface. In: Three kingdoms. Modern Plays . Methuen, London. ISBN 9781408172957

Three Tenors

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Tim Crouch

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Tom Stoppard

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Tomorrow's Parties

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Tourism

Voase, Richard (2001) The future for live drama. In: Trends and strategies in the arts and cultural industries. Barjesteh van Waalwijk van Doorn, Rotterdam. ISBN 9056130617

Traditional Indian Theatre

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Training

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Transition

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Translation

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Travel

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Twentieth century

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Twentieth-century drama

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2010) Politics, war, and adaptation: Ewan Maccoll's Operation Olive Branch, 1947. Comparative Drama, 44-45 (4-1). pp. 536-538. ISSN 0010-4078

Unity Theatre

Warden, Claire (2013) The poetic materiality of fascism on the British stage. In: The aesthetics of matter: modernism, the avant-garde and material exchange. de Gruyter, Berlin, pp. 82-93. ISBN UNSPECIFIED

University of York

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Turner, Laura (2018) Sherlock Holmes Investigates the Impossible. In: Sherlock Holmes Investigates the Impossible, 12 June 2018, University of York.

Unknown

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Urban studies

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.

Urinetown the Musical

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Use of mirror in dance

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Utopia

Adiseshiah, Sian (2005) Utopian space in Caryl Churchill’s history plays: "Light Shining in Buckinghamshire" and "Vinegar Tom". Utopian Studies, 16 (1). pp. 3-26. ISSN 1045-991x

Chandler, Clare (2022) Star-crossed utopia and dissonant pleasure in & Juliet (2019). In: Utopian Studies Society Conference, 13th - 15th July 2022, Brighton, UK.

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Utopian space

Adiseshiah, Sian (2005) Utopian space in Caryl Churchill’s history plays: "Light Shining in Buckinghamshire" and "Vinegar Tom". Utopian Studies, 16 (1). pp. 3-26. ISSN 1045-991x

Vanessa Hudgens

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Vedanta

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel, Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Verbatim

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Verbatim Theatre

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Chandler, Clare (2019) ‘Have You Seen This?’ Notions of authenticity in post-truth verbatim musical theatre. In: Song Stage and Screen XIV, Leeds University.

Victorian

Turner, Laura (2015) Cranford. Josef Weinberger. ISBN 978 0 85676 350 2

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

Victorian Theatre

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie, Radcliffe, Caroline, Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.

Visibility

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Visual Art

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Visual perception

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Voice

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Volksbühne

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Volksbühne Berlin

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Wagner

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Waiting for Godot

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Wajdi Mouawad

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

War memorials

Ellin, Dan and Lawrence, Conan (2018) After Them, The Flood: Remembering the Dam Busters and Bomber Command through Performance. In: Staging Loss Performance as Commemoration. Palgrave Macmillan, pp. 109-129. ISBN 978-3-319-97969-4

Weber and Fields

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Wedekind

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

What Shadows

Hudson, James (2019) The Dramaturgy of Reactionary Politics on the Recent UK Stage. In: International Federation for Theatre Research 2019 Conference, 8th - 13th July 2019, Shanghai Theatre Academy.

When There Was Me and You

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

When we dead awaken

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Wicked

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Wii

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

William Blake

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

William Shakespeare

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

Winnicott’s ‘transitional object’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Women

Turner, Laura (2018) Abyss: Reflections on Drowning. [Performance]

Turner, Laura (2016) Letters From Amy. [Project]

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

Women in Asian Performance

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Women in Kathakali

Madhavan, Arya (2019) Redefining the feminine in Kathakali: A Case Study of Asti. New Theatre Quarterly, 35 (2). pp. 169-186. ISSN 0266-464X

Women's Rights

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Working class

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

World War I

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Writers

Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.

Writing

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

York Festival of Ideas

Turner, Laura (2018) Sherlock Holmes Investigates the Impossible. In: Sherlock Holmes Investigates the Impossible, 12 June 2018, University of York.

Yorkshire

Turner, Laura (2016) Letters From Amy. [Project]

Zac Efron

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

absence

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

acting

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

actor training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

actor-musician

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

actor-training

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

adaptation

Bolton, Jacqueline (2012) Practices of reading: ‘theoretical method’ and ‘expressive realism’ as dramaturgical strategy. In: Between: Page / Stage, 17-19 May 2012, Sopot, Poland.

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

O'Thomas, Mark (2008) Fight Club the musical: Bollywood, Hollywood and the rules of engagement. In: Literature on Screen Conference, September 2008, University of Amsterdam.

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

O'Thomas, Mark (2008) What is this thing called 'jazz'? Translation, adaptation and the jazz form. In: Cultures of Translation Conference, 26-28 June 2008, University of Glamorgan.

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

Pessoa, Fernado, O'Thomas, Mark and La Barrie, Nicolai (2011) The book of disquiet. [Performance]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Turner, Laura (2016) Letters From Amy. [Project]

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2015) Cranford. Josef Weinberger. ISBN 978 0 85676 350 2

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

Turner, Laura (2018) Sherlock Holmes Investigates the Impossible. In: Sherlock Holmes Investigates the Impossible, 12 June 2018, University of York.

aesthetics

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

aesthetics of Indian theatre

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal, 25 (1). pp. 165-168. ISSN 0742-5457

affordance

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

ageing

Pinchbeck, Michael (2013) The middle. [Video]

anthology

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

applied theatre

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

archetypal or ‘myth criticism’

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

archives

Pearce, Cathie, Catalani, Anna, Patterson, Rebecca and Evans, Stephen (2019) The Royle Collection: Antsy arrivals - Who do we think we are? In: AHRC Connected Communities Heritage Network Symposium Proceedings 2018, 29th June 2018, Leicester.

arts management

Dubois, Diane (2009) Bringing down the house: the crisis in Britain’s regional theatres [Olivia Turnbull]. Times Higher Education . ISSN 0049-3929

asian theatre

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

audience

Campbell, Lee (2014) Heckling, performance, participation and politeness: using performance art as a tool to explore the liminal space between art and theatre and its capacity for confrontation. In: Performativity in the gallery: staging interactive encounters. Cultural Interactions: Studies in the Relationship Between the Arts . Peter Lang Ltd. ISBN 9783034309660

audience interaction

Cologni, Elena (2010) That spot in the ‘moving picture’ is you, (perception in time-based art). In: Blood, Sweat & Theory: Research through Practice in Performance. Libri Publishing, pp. 83-107. ISBN 9781907471049

audio

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

austerity

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents, 12-14 December 2013, University of Porto.

authentic

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

authority

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

authorship

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

auto-dramaturgy

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

autobiography

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

avant-garde theatre

Pulford, Donald (2000) America and the Australian performing group. Antipodes, 14 (2). pp. 111-114. ISSN 0893-5580

Pulford, Donald (2006) The history wars. Antipodes, 20 . ISSN 0893-5580

avant-gardes

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

aviation

Turner, Laura (2016) Letters From Amy. [Project]

beatboxing

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

becoming

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

berger

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

biography

Pinchbeck, Michael (2016) Concerto. [Video]

bmjanomaly

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

bmjcheck

Bolton, Jacqueline (2008) Looking back, looking forward: literary management at the Royal Court. Contemporary Theatre Review, 18 (1). pp. 137-140. ISSN 1048-6801

bmjconvert

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

bmjdate

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie, Radcliffe, Caroline, Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.

bmjdoi

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Gaughan, Lisa (2010) It's no time for sound bites: the praxis of travesty via the New Labour of political comedy. Studies in Documentary Film, 4 (3). ISSN 1750-3280

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

bmjgoldcheck

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

bmjpub

Dubois, Diane (2009) Bringing down the house: the crisis in Britain’s regional theatres [Olivia Turnbull]. Times Higher Education . ISSN 0049-3929

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

bmjtitle

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

bmjtype

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209.

bodies

Poore, Ben and Jones, Kelly (2009) Introduction to 'Swing your razor wide ...': Sweeney Todd and other (Neo-)Victorian criminalities. Neo-Victorian Studies, 2 (1). pp. 1-16. ISSN 1757-9481

body

Nair, Sreenath (2013) The body: introduction II. Studies in South Asian Film and Media, 5 (1). pp. 3-4. ISSN 1756-4921

bollywood

O'Thomas, Mark (2008) Fight Club the musical: Bollywood, Hollywood and the rules of engagement. In: Literature on Screen Conference, September 2008, University of Amsterdam.

brazil

O'Thomas, Mark (2013) Feast. [Performance]

breath studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

cabaret

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

childhood

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

children's culture

Mitchell, Grethe (2011) The game catcher. AHRC.

children's games

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

children's play

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

children's play cultures

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

choreography

Fossey, Steve (2012) Trying to make more sense: an introduction, beginning and reflection of a dialogic performance. Activate, 2 .

chronicles of freedom

Dubois, Diane (2008) Chronicles of freedom. [Performance]

city of culture

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

clapping games

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

collaboration

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

commemoration

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

composed theatre

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

computer game

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

computer game design

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

computer games

Mitchell, Grethe (2011) The game catcher. AHRC.

confession

Fossey, Steve (2014) Host(s). [Performance]

consciousness

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

consciousness studies

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

consent

Turner, Laura (2017) The Buried Moon. [Performance]

contemporary art

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

contemporary drama

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

contemporary performance practice

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

contemporary theatre

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

conversation

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

cool-down

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

counter-culture

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

creative practice

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

criminalities

Poore, Ben and Jones, Kelly (2009) Introduction to 'Swing your razor wide ...': Sweeney Todd and other (Neo-)Victorian criminalities. Neo-Victorian Studies, 2 (1). pp. 1-16. ISSN 1757-9481

cultural criticism

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

cultural diversity

Nair, Sreenath and Madhavan, Arya (2016) Lincolnshire diversity in the arts: research and development. Project Report. University of Lincoln.

dance

Mitchell, Grethe (2011) The game catcher. AHRC.

democracy

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

devising

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Bolton, Jacqueline (2007) Fretting at textual fetters: performance and the playwright within 'new writing'. In: Performing Literatures, 29 June - 1 July 2007, University of Leeds.

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

dialectics

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

dialogue

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

digital-Foley

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

display

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

do-it-yourself

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

document performativity

Cologni, Elena (2010) That spot in the ‘moving picture’ is you, (perception in time-based art). In: Blood, Sweat & Theory: Research through Practice in Performance. Libri Publishing, pp. 83-107. ISBN 9781907471049

drama

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Mitchell, Grethe (2011) The game catcher. AHRC.

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

dramaturg

Bolton, Jacqueline (2007) Fretting at textual fetters: performance and the playwright within 'new writing'. In: Performing Literatures, 29 June - 1 July 2007, University of Leeds.

Bolton, Jacqueline (2012) Practices of reading: ‘theoretical method’ and ‘expressive realism’ as dramaturgical strategy. In: Between: Page / Stage, 17-19 May 2012, Sopot, Poland.

dramaturgy

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael (2013) The middle. [Video]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

drowning

Turner, Laura (2018) Abyss: Reflections on Drowning. [Performance]

Turner, Laura (2017) The Buried Moon. [Performance]

dystopian drama

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

ecological dystopias

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

elite theory

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

embodied movement

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

embodiment

Mitchell, Grethe (2011) The game catcher. AHRC.

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

end of history

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

english

Bull, John (2018) Introduction. Journal of Contemporary Drama in English, 6 (1). ISSN 2195-0164

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

equality

Turner, Laura (2016) Letters From Amy. [Project]

ethnographic research

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

evolutionary biology

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

exhibition

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

experience

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

eye training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

eyes in acting

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

failure

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

family

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

far right politics

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

far-right

Hudson, James (2019) The Dramaturgy of Reactionary Politics on the Recent UK Stage. In: International Federation for Theatre Research 2019 Conference, 8th - 13th July 2019, Shanghai Theatre Academy.

farce

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

female voice

Turner, Laura (2016) Letters From Amy. [Project]

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

feminist theatre

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). p. 511. ISSN 0967-0882

film

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Turner, Laura (2018) Sherlock Holmes Investigates the Impossible. In: Sherlock Holmes Investigates the Impossible, 12 June 2018, University of York.

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

fine arts

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

fire

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

folk theatre

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

folklore

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

folklore research

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

folklore studies

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

foucault

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

freedom

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

gender and sexuality

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

genosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

ghost plays

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

ghost story

Brewster, Scott and Thurston, Luke, eds. (2017) The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

ghosts

Brewster, Scott and Thurston, Luke, eds. (2017) The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

gothic

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

grain of the voice

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

greek tragedy

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

haunting

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

history

Turner, Laura (2016) Letters From Amy. [Project]

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

horror

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

hospitality

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

hospitality; thresholds; permeability; interrelationality; site-specificity; intimacy

Fossey, Steve (2018) Fossey, S 2019 Bites of Passage: Thresholds, Permeability and Hand-Fed Food for Thought at Digesting Ritual: Food, waste and the body. In: Digesting Ritual: Food, waste and the body., 6th July 2018, The Ivy Arts Centre – GSA, University of Surrey.

hulme

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95.

humber mouth festival

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

ibsen

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

iftr

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

immersive

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

immersive theatre

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

improvisation

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

indian theatre

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

installation

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

institution

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

interactive design

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

intercultural actor-training

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

interculturality

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

interrelationality

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

intersubjectivity

Fossey, Steve (2012) Trying to make more sense: an introduction, beginning and reflection of a dialogic performance. Activate, 2 .

intertextuality

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

intimacy

Fossey, Steve (2014) Host(s). [Performance]

Fossey, Steve (2012) Trying to make more sense: an introduction, beginning and reflection of a dialogic performance. Activate, 2 .

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

jazz

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance]

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2008) What is this thing called 'jazz'? Translation, adaptation and the jazz form. In: Cultures of Translation Conference, 26-28 June 2008, University of Glamorgan.

justice

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

knowledge production

Pearce, Cathie, Catalani, Anna, Patterson, Rebecca and Evans, Stephen (2019) The Royle Collection: Antsy arrivals - Who do we think we are? In: AHRC Connected Communities Heritage Network Symposium Proceedings 2018, 29th June 2018, Leicester.

kudiyattam and post-dramatic

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

landscape

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

landscape theatre

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

landscapes

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

late twentieth-century cultural contexts

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

left-leaning liberalism

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

legend

Turner, Laura (2018) Incanti (Enchantments). [Performance]

liberal

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

libraries

Turner, Laura (2016) Letters From Amy. [Project]

literary criticism

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

literary management

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

literature

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

live art

Fossey, Steve (2014) Host(s). [Performance]

Fossey, Steve (2012) Trying to make more sense: an introduction, beginning and reflection of a dialogic performance. Activate, 2 .

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

live music

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

livecast

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

liveness

Cologni, Elena (2010) That spot in the ‘moving picture’ is you, (perception in time-based art). In: Blood, Sweat & Theory: Research through Practice in Performance. Libri Publishing, pp. 83-107. ISBN 9781907471049

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

living history

Turner, Laura (2016) Letters From Amy. [Project]

living painting

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

loss

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

manifesto

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

markerless

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

markerless motion capture

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

martial arts

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

masculinity as performance

Pulford, Donald (2011) Shadow boxing. [Performance]

medicine

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

melodrama

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Jones, Kelly (2020) The Theatrical Gothic in the Nineteenth Century. In: The Cambridge History of the Gothic. Cambridge University Press, pp. 162-181. ISBN 9781108472715

memorial

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

memorialisation

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

memory

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

metaphor

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

migration

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

misogyny

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

modernism

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Warden, Claire (2014) “Let the good incendiaries with charred fingers come!”: Modernist performance and the destruction/construction of legacies. In: Modernism Now! British Association for Modernist Studies International Conference 2014, 26-28 June 2014, Senate House, University of London.

Warden, Claire (2012) Obscure margins: re-imagining a British avant-garde. In: Performing Arts Department Research Series, 28th November 2012, Edge Hill University.

Warden, Claire (2012) Peripheries and margins: re-imagining a British avant-garde. In: English Department Visiting Speaker Programme, 31st October 2012, University of Dundee.

Warden, Claire (2012) Unperformable plays?: British avant-garde theatre. In: Lincoln Academy lecture series, 25 September 2012, LPAC, Lincoln.

Warden, Claire (2013) The poetic materiality of fascism on the British stage. In: The aesthetics of matter: modernism, the avant-garde and material exchange. de Gruyter, Berlin, pp. 82-93. ISBN UNSPECIFIED

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

modernist

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

mollusc

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

motion capture

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

motion tracking

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

movement

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

movement notation

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

movement research

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

multi-disciplinary

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

music

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

music hall

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

music industry

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

music theatre

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

musical performance

Mitchell, Grethe (2011) The game catcher. AHRC.

musical theatre

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

Chandler, Clare (2019) ‘Have You Seen This?’ Notions of authenticity in post-truth verbatim musical theatre. In: Song Stage and Screen XIV, Leeds University.

Chandler, Clare (2018) ‘Je suis Katie – free speech in post truth verbatim musical theatre.’. In: Let The Sun Shine In: American Theatre, Protest and Censorship. American Theatre and Drama Society., British Library.

musicianship

Mitchell, Grethe (2011) The game catcher. AHRC.

mythology

Turner, Laura (2018) Incanti (Enchantments). [Performance]

narrative

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael (2013) The middle. [Video]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

nativism

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

naturalism

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

neo-liberalism

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

neoliberalism

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

new writing

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

nineteenth-century

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

non-linearity

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

nostalgia

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

oaopen

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

one-to-one

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

one-to-one performance

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

one-woman show

Turner, Laura (2018) Abyss: Reflections on Drowning. [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

onsciousness studies

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

opera

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

oral storytelling

Turner, Laura (2018) Incanti (Enchantments). [Performance]

orchestra

Pinchbeck, Michael (2016) Concerto. [Video]

original music

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

paranormal

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

participation

Campbell, Lee (2014) Heckling, performance, participation and politeness: using performance art as a tool to explore the liminal space between art and theatre and its capacity for confrontation. In: Performativity in the gallery: staging interactive encounters. Cultural Interactions: Studies in the Relationship Between the Arts . Peter Lang Ltd. ISBN 9783034309660

perception

Cologni, Elena (2010) That spot in the ‘moving picture’ is you, (perception in time-based art). In: Blood, Sweat & Theory: Research through Practice in Performance. Libri Publishing, pp. 83-107. ISBN 9781907471049

perfomance

Mitchell, Grethe (2011) The game catcher. AHRC.

performance

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Fossey, Steve (2014) Host(s). [Performance]

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2015) Cranford. Josef Weinberger. ISBN 978 0 85676 350 2

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

Turner, Laura (2018) Sherlock Holmes Investigates the Impossible. In: Sherlock Holmes Investigates the Impossible, 12 June 2018, University of York.

Warden, Claire (2014) “Let the good incendiaries with charred fingers come!”: Modernist performance and the destruction/construction of legacies. In: Modernism Now! British Association for Modernist Studies International Conference 2014, 26-28 June 2014, Senate House, University of London.

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

performance and consciousness

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

performance art

Campbell, Lee (2014) Heckling, performance, participation and politeness: using performance art as a tool to explore the liminal space between art and theatre and its capacity for confrontation. In: Performativity in the gallery: staging interactive encounters. Cultural Interactions: Studies in the Relationship Between the Arts . Peter Lang Ltd. ISBN 9783034309660

performance practice

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

performance studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

performative

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

performativity

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

phenomenology

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

phenosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

philosophy

Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833

piano

Pinchbeck, Michael (2016) Concerto. [Video]

place

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

playground

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

playground cultures

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

playground games

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

playtext

Turner, Laura (2015) Cranford. Josef Weinberger. ISBN 978 0 85676 350 2

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

playwright

Turner, Laura (2015) Cranford. Josef Weinberger. ISBN 978 0 85676 350 2

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

playwrights

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

playwriting

Bolton, Jacqueline (2007) Fretting at textual fetters: performance and the playwright within 'new writing'. In: Performing Literatures, 29 June - 1 July 2007, University of Leeds.

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales.

Bolton, Jacqueline (2012) 'Whether or not they are actors, they're not writers': carving up creative territories in the 'Joint Stock method'. In: American Society for Theatre Research, November 1-4, 2012, Nashville, Tennessee,.

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents, 12-14 December 2013, University of Porto.

Turner, Laura (2015) Cranford. Josef Weinberger. ISBN 978 0 85676 350 2

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

poetry

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

political theatre

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

political theatre-making

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

politics

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

poltergeist

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

pop-up theatre

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

popular culture

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Poore, Ben and Jones, Kelly (2009) Introduction to 'Swing your razor wide ...': Sweeney Todd and other (Neo-)Victorian criminalities. Neo-Victorian Studies, 2 (1). pp. 1-16. ISSN 1757-9481

popular theatre

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

portrait

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

possession

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

post dramatic

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

post truth

Chandler, Clare (2019) ‘Have You Seen This?’ Notions of authenticity in post-truth verbatim musical theatre. In: Song Stage and Screen XIV, Leeds University.

Chandler, Clare (2018) ‘Je suis Katie – free speech in post truth verbatim musical theatre.’. In: Let The Sun Shine In: American Theatre, Protest and Censorship. American Theatre and Drama Society., British Library.

post-apocalyptic narratives

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95.

post-conflict

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

post-dramatic

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

post-dramatic theatre

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Pinchbeck, Michael (2016) The trilogy. [Performance]

postdramatic

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Chandler, Clare (2019) ‘Have You Seen This?’ Notions of authenticity in post-truth verbatim musical theatre. In: Song Stage and Screen XIV, Leeds University.

Chandler, Clare (2018) ‘Je suis Katie – free speech in post truth verbatim musical theatre.’. In: Let The Sun Shine In: American Theatre, Protest and Censorship. American Theatre and Drama Society., British Library.

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

postmodern

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

power

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

presence

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

presentness

Cologni, Elena (2010) That spot in the ‘moving picture’ is you, (perception in time-based art). In: Blood, Sweat & Theory: Research through Practice in Performance. Libri Publishing, pp. 83-107. ISBN 9781907471049

problem

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

proximity

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

psychosocial

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

psychosocial approaches

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

published works

Dubois, Diane (2000) Rereading Frye: the published and unpublished works. Canadian Review of Comparative Literature, 27 (1-2). pp. 313-316. ISSN 0319-051X

racism

Hudson, James (2017) Confirmation: Chris Thorpe in conversation with James Hudson. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 7 (1). pp. 3-12. ISSN 1757-1979

rasa

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

reactionary politics

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

refnyp

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

refpending

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Meyer-Dinkgrafe, Daniel (2013) Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809, 9789401210294

regional theatre

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

regional theatres

Dubois, Diane (2009) Bringing down the house: the crisis in Britain’s regional theatres [Olivia Turnbull]. Times Higher Education . ISSN 0049-3929

regionality

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

reinterpretation

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

relationality

Fossey, Steve (2012) Trying to make more sense: an introduction, beginning and reflection of a dialogic performance. Activate, 2 .

remembrance

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

representation

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

representations of childhood

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

research

Mitchell, Grethe (2011) The game catcher. AHRC.

research methods

Mitchell, Grethe (2011) The game catcher. AHRC.

rhetoric

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

right wing politics

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

royal court theatre

O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.

rural

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

salad days

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

sanskrit theatre

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

scenography

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

screenwriting

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

scriptwriting

Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.

Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

signification

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

silence

Pearce, Cathie, Catalani, Anna, Patterson, Rebecca and Evans, Stephen (2019) The Royle Collection: Antsy arrivals - Who do we think we are? In: AHRC Connected Communities Heritage Network Symposium Proceedings 2018, 29th June 2018, Leicester.

single sword stage combat

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

situation ethics

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95.

sound

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

sound effects

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

sound sculpture

Turner, Laura (2018) Incanti (Enchantments). [Performance]

spiritual

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

spoken word

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

sports

Mitchell, Grethe (2011) The game catcher. AHRC.

stage fencing

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

stage fighting

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

stage translation

O'Thomas, Mark (2006) Dona Flor and her two husbands. [Performance]

Pessoa, Fernado, O'Thomas, Mark and La Barrie, Nicolai (2011) The book of disquiet. [Performance]

storytelling

Turner, Laura (2018) Incanti (Enchantments). [Performance]

supernatural

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

surreal

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

symposium

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

séances

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

television

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Turner, Laura (2018) Sherlock Holmes Investigates the Impossible. In: Sherlock Holmes Investigates the Impossible, 12 June 2018, University of York.

temporality and imagination

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

temporary theatre

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

text

Pinchbeck, Michael, ed. (2020) Acts of Dramaturgy: The Shakespeare Trilogy. Playtext Series . Intellect, Bristol. ISBN 9781789382945

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

text-based theatre

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

the Body

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

the Gothic

Jones, Kelly, Dean, Robert and Poore, Benjamin, eds. (2018) Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave. ISBN 9781349953585

the gaze

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

theatre

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Hudson, James (2017) Confirmation: Chris Thorpe in conversation with James Hudson. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 7 (1). pp. 3-12. ISSN 1757-1979

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Jones, Kelly (2020) The Theatrical Gothic in the Nineteenth Century. In: The Cambridge History of the Gothic. Cambridge University Press, pp. 162-181. ISBN 9781108472715

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

O'Thomas, Mark (2013) Feast. [Performance]

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents, 12-14 December 2013, University of Porto.

O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Turner, Laura (2018) Abyss: Reflections on Drowning. [Performance]

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Turner, Laura (2018) Sherlock Holmes Investigates the Impossible. In: Sherlock Holmes Investigates the Impossible, 12 June 2018, University of York.

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

theatre and consciousness

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

theatre and the community

Nair, Sreenath and Madhavan, Arya (2016) Lincolnshire diversity in the arts: research and development. Project Report. University of Lincoln.

theatre anthropology

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

theatre design

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

theatre history

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

theatre studies

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

theatre translation

O'Thomas, Mark (2012) Platform: Connections National Theatre 2012. In: Platform, 21st June 2012, Royal National Theatre, London.

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

Pessoa, Fernado, O'Thomas, Mark and La Barrie, Nicolai (2011) The book of disquiet. [Performance]

theatres

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

theatricality

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

thunder

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

tolerance

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

trace

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

transduction

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

translation

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

O'Thomas, Mark (2013) Feast. [Performance]

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents, 12-14 December 2013, University of Porto.

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

translation studies

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

translation theory

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

troika

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents, 12-14 December 2013, University of Porto.

trust

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

twentieth-century politics

Warden, Claire (2013) The poetic materiality of fascism on the British stage. In: The aesthetics of matter: modernism, the avant-garde and material exchange. de Gruyter, Berlin, pp. 82-93. ISBN UNSPECIFIED

twenty-first century cultural contexts

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

twenty-first century drama

Adiseshiah, Siân and LePage, Louise, eds. (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

unpublished works

Dubois, Diane (2000) Rereading Frye: the published and unpublished works. Canadian Review of Comparative Literature, 27 (1-2). pp. 313-316. ISSN 0319-051X

utilitarianism

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95.

utopia

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

utopian drama

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

utopian theatre

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Rowcroft, Andrew and Adiseshiah, Sian (2017) Dr Siân Adiseshiah: Ageing, Utopia and G.B. Shaw’s Back to Methuselah. [Event, Show or Exhibition]

verbatim

Chandler, Clare (2018) ‘Je suis Katie – free speech in post truth verbatim musical theatre.’. In: Let The Sun Shine In: American Theatre, Protest and Censorship. American Theatre and Drama Society., British Library.

videogame

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

videogame design

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

videogame hardware

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

videogames

Mitchell, Grethe (2011) The game catcher. AHRC.

violence

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

visual research

Mitchell, Grethe (2011) The game catcher. AHRC.

vowel

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

war

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

warm-up

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

women

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

women and Asian performance

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

women writers

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

workshop

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

writers

Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.

writing

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Turner, Laura (2018) Incanti (Enchantments). [Performance]

writing for theatre

Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.

Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.

zombies

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95.

‘the idea of the university’

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

This list was generated on Fri Mar 24 21:38:13 2023 GMT.