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Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181

Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Adiseshiah, Sian (2007) Still a socialist? Caryl Churchill’s The Skriker and Far Away. In: Drama and/after Postmodernism. Contemporary Drama in English, 14 . WVT Wissenschaftlicher Verlag Trier, pp. 277-291. ISBN 9783884769362

Adiseshiah, Sian (2005) Utopian space in Caryl Churchill’s history plays: "Light Shining in Buckinghamshire" and "Vinegar Tom". Utopian Studies, 16 (1). pp. 3-26. ISSN 1045-991x

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

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Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]

Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]

Baynton, Rachel and Pinchbeck, Michael (2022) Igniting response-ability: Co-creating one-on-one audience experience. In: The Routledge Companion to Audience Research and the Performing Arts. Routledge, London, pp. 409-417. ISBN 9780367470753, 9781003033226

Bolton, Jacqueline (2016) ‘Changing the Conversation’: Simon Stephens, Sean Holmes, and Secret Theatre. Contemporary Theatre Review, 26 (3). pp. 337-344. ISSN 1048-6801

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Bolton, Jacqueline (2007) Fretting at textual fetters: performance and the playwright within 'new writing'. In: Performing Literatures, 29 June - 1 July 2007, University of Leeds.

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales.

Bolton, Jacqueline (2014) Introduction. In: Blindsided. Modern Plays . Methuen. ISBN 9781472568717

Bolton, Jacqueline (2015) Introduction to Harper Regan by Simon Stephens. In: Harper Regan. Modern Classics . Bloomsbury Methuen Drama, pp. 3-24. ISBN 9781472574671

Bolton, Jacqueline (2012) ‘“I’m not mad, I’ve just read different books”: Ken Campbell and the Arts Council of Great Britain’. In: International Federation for Theatre Research, 22-28 July 2012, Santiago, Chile.

Bolton, Jacqueline (2008) Looking back, looking forward: literary management at the Royal Court. Contemporary Theatre Review, 18 (1). pp. 137-140. ISSN 1048-6801

Bolton, Jacqueline (2012) Practices of reading: ‘theoretical method’ and ‘expressive realism’ as dramaturgical strategy. In: Between: Page / Stage, 17-19 May 2012, Sopot, Poland.

Bolton, Jacqueline (2012) Preface. In: Three kingdoms. Modern Plays . Methuen, London. ISBN 9781408172957

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Bolton, Jacqueline (2012) 'Whether or not they are actors, they're not writers': carving up creative territories in the 'Joint Stock method'. In: American Society for Theatre Research, November 1-4, 2012, Nashville, Tennessee,.

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Edition. Methuen Drama GCSE Student Editions . Bloomsbury Methuen Drama. ISBN 9781474240338

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Guide. GCSE Student Guides . Bloomsbury Methuen Drama. ISBN 9781474240598

Bolton, Jacqueline (2021) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

Bolton, Jacqueline (2009) Demarcating dramaturgy: mapping theory onto practice. PhD thesis, University of Leeds.

Bolton, Jacqueline (2015) Joint Stock Theatre Company. In: British theatre companies 1980-1994. British theatre companies: from fringe to mainstream (2). Bloomsbury Methuen Drama, London, pp. 115-139. ISBN 9781408175491

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Bowtell, Kayla (2010) Day and night. [Performance]

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Breed, Ananda (2021) Introduction to MAP at Home. [Video]

Breed, Ananda (2019) Mobile Arts for Peace (MAP): Youth and Participatory Arts in Rwanda. In: Participatory Arts in International Development. Routledge, pp. 124-143. ISBN 9780367024963

Breed, Ananda, Uwihoreye, Chaste and Elliott, Matthew (2021) MAP at Home: Unit 1 Workshop Plan. [Artefact]

Bull, John (2016) British theatre companies, 1965-1979: CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 theatre companies. British Theatre Companies: From Fringe to Mainstream, 1 . Bloomsbury, London. ISBN 9781408175439

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Bull, John (2017) Nation, nationalism and theatre. [Event, Show or Exhibition]

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN 1969-6302

Bull, John (2018) Add-Aptation: Simon Stephens, Carrie Cracknell and Katie Mitchell’s ‘Dialogues’ with the Classic Canon. Journal of Contemporary Drama in English, 6 (2). pp. 280-299. ISSN 2195-0156

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Bull, John (2018) Introduction. Journal of Contemporary Drama in English, 6 (1). ISSN 2195-0164

Bull, John (2018) Nation, nationalism and theatre [special issue of Journal of Contemporary Drama in English]. Journal of Contemporary Drama in English (6/1). De Gruyter. ISBN UNSPECIFIED

Bull, John (2018) Nation, nationhood and theatre [introduction to special issue]. Journal of Contemporary Drama in English, 6 (1). pp. 1-14. ISSN 2195-0164

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.

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Campbell, Lee (2014) Heckling, performance, participation and politeness: using performance art as a tool to explore the liminal space between art and theatre and its capacity for confrontation. In: Performativity in the gallery: staging interactive encounters. Cultural Interactions: Studies in the Relationship Between the Arts . Peter Lang Ltd. ISBN 9783034309660

Chandler, Clare (2016) Aftershocks: Next To Normal and the crackle of difference. In: “History has its Eyes on You: Musical Theatre’s Moments of Transition” American Society for Theatre Research Annual Conference, November 2016, Minneapolis.

Chandler, Clare (2019) ‘Have You Seen This?’ Notions of authenticity in post-truth verbatim musical theatre. In: Song Stage and Screen XIV, Leeds University.

Chandler, Clare (2019) Integration & Disintegration in Next to Normal. MTEA Journal, 2 . pp. 82-86.

Chandler, Clare (2019) ‘It Takes A Cock’ or does it? - feminist directorial interventions in Angry Birds the Musical. In: Musical Theatre in Process: A Symposium., The Other Palace.

Chandler, Clare (2018) ‘Je suis Katie – free speech in post truth verbatim musical theatre.’. In: Let The Sun Shine In: American Theatre, Protest and Censorship. American Theatre and Drama Society., British Library.

Chandler, Clare (2021) Keynote at the University of Wolverhampton’s CCHIP PRG symposium. In: CCHIP PRG symposium, University of Wolverhampton.

Chandler, Clare (2021) Looking Back to Think Forward: Feminist Utopian Resistance and Musical Theatre. In: Telephone Hour: A Quarantine Colloquium. The Association for Theatre in Higher Education., Online.

Chandler, Clare (2021) Restaging Musical Theatre’s Feminisms: male sidekicks and womxn superheroes. In: Hybrid Postgraduate Research Conference Lancaster University, 17th July 2021, Hybrid.

Chandler, Clare (2017) Review of British Musical Theatre Since 1950 edited by Robert Gordon, Olaf Jubin and Millie Taylor. Theatre Notebook, 71 (2). pp. 134-135. ISSN 2051-8358

Chandler, Clare (2022) Star-crossed utopia and dissonant pleasure in & Juliet (2019). In: Utopian Studies Society Conference, 13th - 15th July 2022, Brighton, UK.

Chandler, Clare (2022) ‘You’ll Never Walk Alone’ unless you're a solo womxn spectator watching Carousel. In: TaPRA, 12-14 September, University of Essex.

Cologni, Elena (2010) That spot in the ‘moving picture’ is you, (perception in time-based art). In: Blood, Sweat & Theory: Research through Practice in Performance. Libri Publishing, pp. 83-107. ISBN 9781907471049

Crossley, Tracy, Woods, Niki and Pinchbeck, Michael (2018) MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. In: MAKING POSTDRAMATIC THEATRE: A HANDBOOK OF DEVISING EXERCISES. Digital Theatre +, pp. 59-68. ISBN UNSPECIFIED

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Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95.

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Dubois, Diane (2009) Bringing down the house: the crisis in Britain’s regional theatres [Olivia Turnbull]. Times Higher Education . ISSN 0049-3929

Dubois, Diane (2008) Chronicles of freedom. [Performance]

Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.

Dubois, Diane (2017) Northrop Frye. Oxford Bibliographies . ISSN 7183892312

Dubois, Diane (2002) Northrop Frye and the poetics of process by Caterina Nella Cotrupi. Canadian Review of Comparative Literature, 29 (4). pp. 629-633. ISSN 0319-051X

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.

Dubois, Diane (2000) Rereading Frye: the published and unpublished works. Canadian Review of Comparative Literature, 27 (1-2). pp. 313-316. ISSN 0319-051X

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

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Ellin, Dan and Lawrence, Conan (2018) After Them, The Flood: Remembering the Dam Busters and Bomber Command through Performance. In: Staging Loss Performance as Commemoration. Palgrave Macmillan, pp. 109-129. ISBN 978-3-319-97969-4

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Fossey, Steve (2022) Face to Facelessness: Imagined Intimacies and Socially Distant Desires. Body, Space & Technology, 1 (21). ISSN 1470-9120

Fossey, Steve (2018) Fossey, S 2019 Bites of Passage: Thresholds, Permeability and Hand-Fed Food for Thought at Digesting Ritual: Food, waste and the body. In: Digesting Ritual: Food, waste and the body., 6th July 2018, The Ivy Arts Centre – GSA, University of Surrey.

Fossey, Steve (2014) Host(s). [Performance]

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

Fossey, Steve (2013) Toeing the Line – the culture of getting involved. TAPRA International Annual Conference, University of Kent, Canterbury, UK. In: TAPRA International Annual Conference, Toeing the Line – the culture of getting involvedUniversity of Kent, Canterbury, UK.

Fossey, Steve (2012) Trying to make more sense: an introduction, beginning and reflection of a dialogic performance. Activate, 2 .

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Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie, Radcliffe, Caroline, Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.

Gaughan, Lisa (2009) Alternative tutorial systems. In: Teaching and Learning Symposium, 2009, University of Lincoln.

Gaughan, Lisa (2010) Carnival against capitalism: the changing face of satire on stage. In: What Happens Now: 21st Century Writing in English, July 2010, University of Lincoln.

Gaughan, Lisa (2014) Developing the curriculum in partnership with students. In: Kickstart Conference, 24 October 2014, University of Lincoln.

Gaughan, Lisa (2017) 'The God, The Owner and the Master’ (Barthes, 1979): staging rites of passage in the maritime crossing the line ceremony. In: Performance of loss and commemoration. UNSPECIFIED. ISBN UNSPECIFIED

Gaughan, Lisa (2010) The Horror, the humour: satire and dark comedy in a postmodern world. In: International Conference, 2010, University of Lincoln.

Gaughan, Lisa (2010) It's no time for sound bites: the praxis of travesty via the New Labour of political comedy. Studies in Documentary Film, 4 (3). ISSN 1750-3280

Gaughan, Lisa (2009) It’s no time for soundbites: the praxis of travesty via the new labour of political. In: ., 2009, University of Reading.

Gaughan, Lisa (2010) Shapeless and as amorphous as tapioca: how to produce satire from the ‘New’ politician. In: ., 2010, University of Salford with Manchester Metropolitan University.

Gaughan, Lisa (2010) The character crunch: a crisis in satirical representations of ‘real’ politicians. In: Invited paper, 2010, University of Reading.

Gaughan, Lisa (2017) The kingdom of yes: Students involvement in curriculum design. In: HEA Annual Conference 2017 Generation TEF: Teaching in the spotlight, 4 July 2017, Renold Building, Manchester.

Gaughan, Lisa and Miller, Kirsty (2015) Student partnership in first year curriculum design: positives and pitfalls. In: SPARQS Annual Conference, 29 May 2015, Edinburgh Conference Centre, Heriot-Watt University.

Gaughan, Lisa Jane (2008) Drama/theatre/performance [Simon Shepherd and Mick Wallis]. Theatre Journal, 60 (1). pp. 164-165. ISSN 0192-2882

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Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Holden, Nicholas (2016) 'There are times when naturalism just isn't enough': breaking open the kitchen sink in the theatre of Alistair McDowall. In: British Theatre in the 21st Century: new texts, new stages, new identities, new worlds, 13-15 October, 2016, Université Paris-Sorbonne.

Holden, Nicholas (2016) ‘Think kitchen-sink with a wormhole where the plug should be’: exploring new approaches to new writing in the work of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, 27 - 30 June 2016, University of Lincoln.

Holden, Nicholas (2015) 'The jewel in the crown': the Young Peoples' Theatre Scheme at the Royal Court, 1966-1976. In: Theatre and Performance Research Association, Annual Conference, 8-10 September 2015, University of Worcester.

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Holden, Nicholas Oliver (2018) Building the engine room: a study of the Royal Court Young Peoples’ Theatre and its development into the Young Writers’ Programme. PhD thesis, University of Lincoln.

Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Hudson, James (2019) The Dramaturgy of Reactionary Politics on the Recent UK Stage. In: International Federation for Theatre Research 2019 Conference, 8th - 13th July 2019, Shanghai Theatre Academy.

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Hudson, James (2017) Harold Pinter's Betrayal and the benefit of hindsight. In: Pinter Unwrapped, 23 March 2017, Derby Theatre.

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2020) Bear Necessity: The Means to The End. In: The Trilogy: Acts of Dramaturgy. Playtext Series . Intellect, Bristol. ISBN UNSPECIFIED

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Hudson, James (2017) Confirmation: Chris Thorpe in conversation with James Hudson. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 7 (1). pp. 3-12. ISSN 1757-1979

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

Hudson, James (2015) Vintage Barker: new writing in old bottles. In: Howard Barker's theatre: wrestling with catastrophe. Methuen Drama Engage . Bloomsbury Methuen, London, pp. 113-130. ISBN 9781408185995

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

J

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Jones, Kelly (2006) Between nature and eternity: (present)ing absence in theatrical representations of Shakespeare as the ghost of Hamlet. Consciousness, Literature and the Arts, 8 (3). ISSN 1470-5648

Jones, Kelly (2018) Little monsters: gothic children and contemporary theatrical performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 99-123. ISBN 9781349953585

Jones, Kelly (2017) Performing the ghost story on the English stage. In: The Routledge handbook to the ghost story. Routledge Literature Handbooks . Routledge. ISBN 9781138184763

Jones, Kelly (2020) The Theatrical Gothic in the Nineteenth Century. In: The Cambridge History of the Gothic. Cambridge University Press, pp. 162-181. ISBN 9781108472715

Jones, Kelly, Poore, Benjamin and Dean, Robert (2018) 'Introduction'. In: Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Gothic . Palgrave, Basingstoke, Hampshire, pp. 1-20. ISBN 9781349953585

Jordan, Andy (2002) Calculus. In: [Performance at ]Royal Institution of Great Britain, 30 Sep 2002, London, UK.

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Jordan, Andy (2006) Taboos. In: [Performance at ]New End Theatre, 23 Feb - 1 Apr 2006, London, UK.

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

K

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

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Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Lawrence, Conan, Rodgers, Emma and Leader, Howard (2013) Dambusters 70: after me, the flood. [Performance]

Lawrence, Conan, Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

M

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2013) Politics of roar: towards a female Kathakali. In: ". International Federation for Theatre Research, 5 - 10 July 2015, University of Hyderabad, India.

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2014) Reflections on Asian pedagogy at the University of Lincoln. In: Consortium Roundtable on Asian Performance: Pedagogy and Research in the UK HEIs, 17 May 2014, Centre for Creative Collaboration, 16 Acton Street, London.

Madhavan, Arya (2015) TaPRA (Theatre and Performance Research Association), Asian Performance and Diaspora. [Event, Show or Exhibition]

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Madhavan, Arya (2013) Women in Asian Theatre Conference. [Event, Show or Exhibition]

Madhavan, Arya (2015) Women in Asian theatre [special issue of: Asian Theatre Journal]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED

Madhavan, Arya (2016) Women in Indian Performance [special issue of: Samyukta, a Journal of Women's Studies]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Madhavan, Arya (2015) Introduction [to special issue] Women in Asian theatre: conceptual, political, and aesthetic paradigms. Asian Theatre Journal, 32 (2). pp. 345-355. ISSN 0742-5457

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Madhavan, Arya (2019) Redefining the feminine in Kathakali: A Case Study of Asti. New Theatre Quarterly, 35 (2). pp. 169-186. ISSN 0266-464X

Marlow, Christopher and Rowcroft, Andrew (2017) Dr Christopher Marlow: 'systems of control?: Shakespeare, cultural materialism and agency'. [Event, Show or Exhibition]

Marlow, Christopher (2005) Scholarly interiority in the Parnassus trilogy. Dalhousie Review, 85 (2). pp. 275-284. ISSN 0011-5827

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Meyer-Dinkgrafe, Daniel (2013) Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809, 9789401210294

Meyer-Dinkgrafe, Daniel, Brask, Per and Youtt, Harry (2013) Appropriate forms of praise of acting in theatre criticism. In: Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Meyer-Dinkgräfe, Daniel (2015) Comedy, consciousness and the Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, pp. 89-98. ISBN 9780786471782

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel and Meerzon, Yana (2016) In transit: Wajdi Mouawad’s 'Scorched' in Bremen, Germany as Theatre of Anticipation. Critical Stages, 14 . ISSN 2409-7411

Meyer-Dinkgräfe, Daniel, Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Moreno, Newton and O'Thomas, Mark (2007) Agreste (Drylands). [Performance]

N

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2012) Breath and movement. In: Invited Workshop/Lecture, 9 Feb 2012, Bernard College, Columbia University, New York.

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

Nair, Sreenath (2007) Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA. ISBN 0313335303

Nair, Sreenath (2015) Evocative body. In: Evocative Body, 28 October 2015, Centre for Psychophysical Performance Research, University of Huddersfield.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2013) Less is more: interview with Ralph Yarrow. Studies in South Asian Film and Media, 4 (2). pp. 123-129. ISSN 1756-4921

Nair, Sreenath (2013) Manikin plays: two contemporary Indian plays. Cambridge Scholars, New Castle. ISBN 9781443849418

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal, 25 (1). pp. 165-168. ISSN 0742-5457

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2013) Rasa trialogue: gestural reconstruction of seeing in Nangiyar Kuthu. In: Women in Asian Theatre Conference, 13 - 14 September 2013, University of Lincoln, UK.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Nair, Sreenath (2014) Special panel on Embodiment in/and Indian theatre. [Event, Show or Exhibition]

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Nair, Sreenath (2015) Time and embodiment in the Natyasastra. In: 16 World Sanskrit Conference (WSC), 28 June-2 July 2015, Bangkok, Thailand..

Nair, Sreenath (2015) Understanding breath. In: Understanding Breath, Centre for Medical Humanities, University of Durham.

Nair, Sreenath (2014) The body as optical mechanism: Indian conceptualization of embodiment in performance. In: International Conference on Indian Society for Theatre Research (ISTR), 8-11 January 2014, Central University of Rajasthan, India.

Nair, Sreenath (2013) The body: introduction II. Studies in South Asian Film and Media, 5 (1). pp. 3-4. ISSN 1756-4921

Nair, Sreenath (2012) The body: introduction. Studies in South Asian Film and Media, 4 (2). pp. 121-122. ISSN 1756-4921

Nair, Sreenath (2014) The embodied knowledge in performance: some reflections on the Natyasastra. In: IFTR 2015, 6 - 10 July 2015, Hyderabad.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Nair, Sreenath (2019) Aesthetics of [the] Invisible: Presence in Indian Performance Theory. In: The Routledge Companion to Performance Philosophy. Routledge. ISBN UNSPECIFIED

Nair, Sreenath (2017) Rasatrialogue: the politics of the female body in Asian performance. In: Women in Asian performance: aesthetics and politics. Routledge, pp. 159-172. ISBN 9781138917828

Nair, Sreenath and Madhavan, Arya (2016) Lincolnshire diversity in the arts: research and development. Project Report. University of Lincoln.

O

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhan (2020) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan, pp. 83-103. ISBN 978-3-030-25160-4

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). p. 511. ISSN 0967-0882

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance]

O'Thomas, Mark (2006) Dona Flor and her two husbands. [Performance]

O'Thomas, Mark (2013) Feast. [Performance]

O'Thomas, Mark (2008) Fight Club the musical: Bollywood, Hollywood and the rules of engagement. In: Literature on Screen Conference, September 2008, University of Amsterdam.

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

O'Thomas, Mark (2012) Platform: Connections National Theatre 2012. In: Platform, 21st June 2012, Royal National Theatre, London.

O'Thomas, Mark (2010) Rewriting "The book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents, 12-14 December 2013, University of Porto.

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2008) What is this thing called 'jazz'? Translation, adaptation and the jazz form. In: Cultures of Translation Conference, 26-28 June 2008, University of Glamorgan.

O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

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Pearce, Cathie, Catalani, Anna, Patterson, Rebecca and Evans, Stephen (2019) The Royle Collection: Antsy arrivals - Who do we think we are? In: AHRC Connected Communities Heritage Network Symposium Proceedings 2018, 29th June 2018, Leicester.

Pessoa, Fernado, O'Thomas, Mark and La Barrie, Nicolai (2011) The book of disquiet. [Performance]

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck.

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, M and Pinchbeck, Michael (2018) A Fortunate Man. [Performance]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2014) Bolero. [Video]

Pinchbeck, Michael (2014) Bolero. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2016) Concerto. [Artefact]

Pinchbeck, Michael (2016) Concerto. [Video]

Pinchbeck, Michael (2020) Conversation is part of the cure: Dramaturgy in Dialogue for A Fortunate Man. In: InDialogue: artistic research and dialogic practices. Palgrave Macmillan. ISBN UNSPECIFIED

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2018) Errors of memory, memories of error: slip-roads and pit-stops on the long and winding road. In: Association of Art History, 5 - 7 April 2018, King's College, London.

Pinchbeck, Michael (2018) A Fortunate Man. [Video]

Pinchbeck, Michael (2019) A Fortunate Man. [Project]

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2018) Making Bolero: dramaturgies of remembrance. In: Staging loss: performance as commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2018) The Ravel Trilogy. [Project]

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2018) Requiems for Sarajevo: The dramaturgy of ruins, the musicality of repair. In: ISTR 10th International Conference, 1 June 2018, University of Lincoln.

Pinchbeck, Michael (2017) Sit with me for a moment and remember. [Performance]

Pinchbeck, Michael (2012) Sit with me for a moment and remember. [Video]

Pinchbeck, Michael (2018) Sit with me for a moment and remember. [Project]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - Audio Recordings. [Audio]

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Pinchbeck, Michael (2018) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. In: TaPRA, 6 September 2018, University of Aberystwyth.

Pinchbeck, Michael (2019) Staging Landscapes, Turning Pages: The scenography of A Fortunate Man. Contemporary Theatre Review . ISSN 1048-6801

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2018) A dance of absence: (in)visible dramaturgies within A Duet Without You. In: Performing collaboration in solo performance: A Duet Without You and practice-as-research. Playtext series . Intellect, Bristol. ISBN UNSPECIFIED

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2015) The man who flew into space from his apartment. [Video]

Pinchbeck, Michael (2017) The man who flew into space from his apartment. [Project]

Pinchbeck, Michael (2013) The middle. [Video]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Baynton, Rachel (2018) A Fortunate Man: work-in-progress. In: Hold Everything Dear: Performance, Politics and John Berger, 14 April 2018, University of Greenwich.

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Lewis, Sarah (2015) Bolero. In: Make believe: UK design for performance 2011-2015. The Society of British Theatre Designers, Royal Welsh College of Music and Drama, p. 109. ISBN 9780952930983

Pinchbeck, Michael and Mangan, Michael (2019) Somewhere between remembering and forgetting: Working across generations on The Middle. Performance Research, 24 (3). pp. 122-131. ISSN 1352-8165

Pinchbeck, Michael and Smith, Oliver (2019) Solo. [Video]

Pinchbeck, Michael and Smith, Ollie (2017) Solo. [Performance]

Pinchbeck, Michael and Westerside, Andrew (2018) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (7). pp. 57-66. ISSN 1352-8165

Pinchbeck, Michael and Westerside, Andrew (2018) ‘Introduction’ in Pinchbeck, M and Westerside, A. (2018) Staging Loss: Performance as Commemoration. London: Palgrave Macmillan. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, London. ISBN UNSPECIFIED

Pinchbeck, Michael and Westerside, Andrew (2018) Staging Loss: A Conclusion—Some Words Speak of Events. Other Words, Events Make Us Speak. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan. ISBN 9783319979694

Pinchbeck, Michael D. (2012) Mirror, signal, manoeuvre: reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London.

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck.

Pinchbeck, Michael D. (2013) The beginning. [Video]

Pinchbeck, Michael D., Hobday, Nicki and Smith, Ollie (2010) The beginning [programme]. [Artefact]

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end [programme]. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video]

Poore, Ben and Jones, Kelly (2009) Introduction to 'Swing your razor wide ...': Sweeney Todd and other (Neo-)Victorian criminalities. Neo-Victorian Studies, 2 (1). pp. 1-16. ISSN 1757-9481

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Pulford, Donald (2000) America and the Australian performing group. Antipodes, 14 (2). pp. 111-114. ISSN 0893-5580

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209.

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Pulford, Donald (2006) The history wars. Antipodes, 20 . ISSN 0893-5580

Pulford, Donald (2011) Shadow boxing. [Performance]

Pulford, Donald (2006) Staging past and present simultaneously: Andrew Bovell's Holy Day (The Red Sea). In: Mapping uncertain territories: space and place in contemporary theatre and drama. Contemporary Drama in English, 13 . Wissenschaftlicher Verlag Trier. ISBN 3884768263

Pulford, Donald, Goode, Chris, Brewer, Mark and Collis-Scurll, Jonny (2010) Weepie. [Performance]

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Rowcroft, Andrew and Adiseshiah, Sian (2017) Dr Siân Adiseshiah: Ageing, Utopia and G.B. Shaw’s Back to Methuselah. [Event, Show or Exhibition]

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Rush, Adam (2015) Creating musical theatre: conversations with Broadway directors and choreographers by Lyn Cramer [London and New York: Bloomsbury Methuen Drama, 2013]. Platform: Postgraduate Journal of Theatre Arts, 9 (1). pp. 77-81. ISSN 1751-0171

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Rush, Adam (2013) West End Broadway: the golden age of the American musical in London by Adrian Wright Woodbridge [London: The Boydell Press, 2012]. Platform: Postgraduate Journal of Theatre Arts, 7 (2). pp. 92-95. ISSN 1751-0171

Rush, Adam Christopher, Jones, Kelly and Dean, Rob (2017) Recycled culture: the significance of intertextuality in twenty-first century musical theatre. PhD thesis, University of Lincoln.

S

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Scheer, Anna (2018) Christoph Schlingensief: staging chaos, performing politics and theatrical phantasmagorias. Engage . Bloomsbury/Methuen, United Kingdom. ISBN 9781350001053, 9781350001060

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Stephens, Simon and Bolton, Jacqueline (2014) Pornography. Methuen Student Edition . Methuen. ISBN 1408110563, 1408179857

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

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Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Turner, Laura (2018) Abyss: Reflections on Drowning. [Performance]

Turner, Laura (2016) Letters From Amy. [Project]

Turner, Laura (2017) The Buried Moon. [Performance]

Turner, Laura (2015) Cranford. Josef Weinberger. ISBN 978 0 85676 350 2

Turner, Laura (2015) Cranford at Christmas. Josef Weinberger. ISBN 978 0 85676 351 9

Turner, Laura (2014) Don Jon. [Performance]

Turner, Laura (2018) Incanti (Enchantments). [Performance]

Turner, Laura (2017) Lexi, or Electra Retold. [Performance]

Turner, Laura (2014) Modern Life is Rubbish: A Musical Manifesto. [Performance]

Turner, Laura (2013) Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen. In: Neo-Victorian Villainy: Adaptation and Reinvention on Stage, Page and Screen, 25 May 2013, University of York.

Turner, Laura (2015) The Secret Garden. Josef Weinberger. ISBN 978 0 85676 364 9

Turner, Laura (2017) Selected Poems. In: East of Nowhere. Wild Boar Books. ISBN 978-0995595552

Turner, Laura (2018) Sherlock Holmes Investigates the Impossible. In: Sherlock Holmes Investigates the Impossible, 12 June 2018, University of York.

Turner, Laura and Stevens, Philip (2015) The Empty Throne. [Video]

V

Voase, Richard (2001) The future for live drama. In: Trends and strategies in the arts and cultural industries. Barjesteh van Waalwijk van Doorn, Rotterdam. ISBN 9056130617

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

W

Walsh, Aylwyn M. (2012) Theatre & Globalization, and: Theatre & Interculturalism, and: Theatre & Prison. Theatre Topics, 22 (1). pp. 110-112. ISSN 1054-8378

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging, 19-20 April 2012, RHUL.

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2014) Dancing atoms and talking feet: British avant-garde theatre. In: Research Seminars on the Theory, Practice and History of Performance, 26/2/14, Goldsmiths.

Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401

Warden, Claire (2014) “Let the good incendiaries with charred fingers come!”: Modernist performance and the destruction/construction of legacies. In: Modernism Now! British Association for Modernist Studies International Conference 2014, 26-28 June 2014, Senate House, University of London.

Warden, Claire (2013) May Day 1932: British workers' theatre on and off the stage. In: Modernist Studies Association 15th Annual Conference: Everydayness and the Event, 29 August-1 September 2013, University of Sussex, Brighton.

Warden, Claire (2013) Modern life through the actor's distorting mirror: Basil Dean's impressions of Russia. In: British Comparative Literature Conference, 8-11 July, University of Essex.

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078

Warden, Claire (2012) Obscure margins: re-imagining a British avant-garde. In: Performing Arts Department Research Series, 28th November 2012, Edge Hill University.

Warden, Claire (2012) Peripheries and margins: re-imagining a British avant-garde. In: English Department Visiting Speaker Programme, 31st October 2012, University of Dundee.

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

Warden, Claire (2012) Unperformable plays?: British avant-garde theatre. In: Lincoln Academy lecture series, 25 September 2012, LPAC, Lincoln.

Warden, Claire (2013) "We are here to Salute the Red Army": Basil Dean and his Russian adventures. Theatre Survey, 54 (3). pp. 347-366. ISSN 0040-5574

Warden, Claire (2013) The poetic materiality of fascism on the British stage. In: The aesthetics of matter: modernism, the avant-garde and material exchange. de Gruyter, Berlin, pp. 82-93. ISBN UNSPECIFIED

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Warden, Claire (2010) Politics, war, and adaptation: Ewan Maccoll's Operation Olive Branch, 1947. Comparative Drama, 44-45 (4-1). pp. 536-538. ISSN 0010-4078

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Y

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: Conexões. British Council/National Theatre/Celia Helena, São Paulo. ISBN UNSPECIFIED

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244

Yazbek, Samir and O'Thomas, Mark (2012) The ritual. [Performance]