1990s

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

20th century

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

3D visualisation

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

American literature

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

American studies

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Archives

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

BBC Radiophonic Workshop

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

Bagpipes

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Barthes

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Bharatanatyam

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Broadway

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Cavalcade

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Childhood Studies

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

Collaboration

Johnson Quinn, Arianne and Chandler, Clare (2022) “Forget About the Boy”: Women and Creative Collaborations in Musical Theatre. In: The Routledge Companion to Musical Theatre. Routledge. ISBN 9780367202095

Collections. Series. Collected works

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Composition of music

Johnson Quinn, Arianne and Chandler, Clare (2022) “Forget About the Boy”: Women and Creative Collaborations in Musical Theatre. In: The Routledge Companion to Musical Theatre. Routledge. ISBN 9780367202095

Contemporary musical

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Council Estates

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

Country Music

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Creator

Johnson Quinn, Arianne and Chandler, Clare (2022) “Forget About the Boy”: Women and Creative Collaborations in Musical Theatre. In: The Routledge Companion to Musical Theatre. Routledge. ISBN 9780367202095

Dana Spiotta

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Daphne Oram

Kazlauskaite, Sandra (2020) Women Sonic Thinkers: The Histories of Seeing, Touching, and Embodying Sound. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Handbooks . Bloomsbury Publishing, pp. 338-357. ISBN 9781501338816

Delia Derbyshire

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

Digital Heritage

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Digital Humanities

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Disney

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Disney musical

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

EMS

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

Early Modern Festivals

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Electronic Music

Morgan, Frances (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound, 22 (2). pp. 238-249. ISSN 1355-7718

Feminism

Kazlauskaite, Sandra (2020) Women Sonic Thinkers: The Histories of Seeing, Touching, and Embodying Sound. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Handbooks . Bloomsbury Publishing, pp. 338-357. ISBN 9781501338816

Morgan, Frances (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound, 22 (2). pp. 238-249. ISSN 1355-7718

Feminist history

Morgan, Frances (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound, 22 (2). pp. 238-249. ISSN 1355-7718

Feminist methodologies

Morgan, Frances (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound, 22 (2). pp. 238-249. ISSN 1355-7718

GI

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Gay's the Word

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Gender

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Get'cha Head in the Game

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Hedwig and the Angry Inch

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

High School Musical

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Hildegard Westerkmap

Kazlauskaite, Sandra (2020) Women Sonic Thinkers: The Histories of Seeing, Touching, and Embodying Sound. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Handbooks . Bloomsbury Publishing, pp. 338-357. ISBN 9781501338816

Historiography

Johnson Quinn, Arianne and Chandler, Clare (2022) “Forget About the Boy”: Women and Creative Collaborations in Musical Theatre. In: The Routledge Companion to Musical Theatre. Routledge. ISBN 9780367202095

Identity

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Indian Music

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Integration

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

John Cameron Mitchell

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

John Doyle

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Joni Mitchell

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Judy Dunaway

Kazlauskaite, Sandra (2020) Women Sonic Thinkers: The Histories of Seeing, Touching, and Embodying Sound. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Handbooks . Bloomsbury Publishing, pp. 338-357. ISBN 9781501338816

Kristeva

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Les Miserables

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Lew Fields

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Lis Rhodes

Kazlauskaite, Sandra (2020) Women Sonic Thinkers: The Histories of Seeing, Touching, and Embodying Sound. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Handbooks . Bloomsbury Publishing, pp. 338-357. ISBN 9781501338816

Manic Street Preachers

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Marginalisation

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Mary Ellen Bute

Kazlauskaite, Sandra (2020) Women Sonic Thinkers: The Histories of Seeing, Touching, and Embodying Sound. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Handbooks . Bloomsbury Publishing, pp. 338-357. ISBN 9781501338816

Maryanne Amacher

Kazlauskaite, Sandra (2020) Women Sonic Thinkers: The Histories of Seeing, Touching, and Embodying Sound. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Handbooks . Bloomsbury Publishing, pp. 338-357. ISBN 9781501338816

Meme

Dean, Robert (2020) Durrr-dur-dur-dur-dur-durrrr-durrrrrr: more than just White Stripes. Sport in Society . ISSN 1743-0437

Memory

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

Metropolitan Museum of Art

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Museum Catalogue

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Museums (General). Collectors and collecting (General)

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

Music

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Dean, Robert (2020) Durrr-dur-dur-dur-dur-durrrr-durrrrrr: more than just White Stripes. Sport in Society . ISSN 1743-0437

Whittaker, Jason (2019) Blake and Music. In: The Reception of William Blake in Europe. Bloomsbury, pp. 673-684. ISBN 9781472507457

Music Hall

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Music history

Morgan, Frances (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound, 22 (2). pp. 238-249. ISSN 1355-7718

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford Handbook of Sondheim Studies. Oxford University Press. ISBN 9780195391374

Music technology

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Musical Instruments

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Musical Theatre

Johnson Quinn, Arianne and Chandler, Clare (2022) “Forget About the Boy”: Women and Creative Collaborations in Musical Theatre. In: The Routledge Companion to Musical Theatre. Routledge. ISBN 9780367202095

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Musical film

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Musical theatre

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford Handbook of Sondheim Studies. Oxford University Press. ISBN 9780195391374

Musicians

Mankowski, Guy (2020) Albion's Secret History- Snapshots of England's Pop Rebels and Outsiders. Zer0 Books, Winchester. ISBN 978-1-78904-028-9

Musicology

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford Handbook of Sondheim Studies. Oxford University Press. ISBN 9780195391374

Novello

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Oh

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Oklahoma!

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Pageantry

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Paul Rubens

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Pauline Oliveros

Kazlauskaite, Sandra (2020) Women Sonic Thinkers: The Histories of Seeing, Touching, and Embodying Sound. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Handbooks . Bloomsbury Publishing, pp. 338-357. ISBN 9781501338816

Phantom of the Opera

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Politics

Dean, Robert (2020) Durrr-dur-dur-dur-dur-durrrr-durrrrrr: more than just White Stripes. Sport in Society . ISSN 1743-0437

Popular culture

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Recruiting Song

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Regeneration

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Richey Edwards

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Rodgers and Hammerstein

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Rodgers and Hart

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

SharpWire

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Siegfried Sassoon

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Sing-along

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Sound art history

Kazlauskaite, Sandra (2020) Women Sonic Thinkers: The Histories of Seeing, Touching, and Embodying Sound. In: The Bloomsbury Handbook of Sound Art. Bloomsbury Handbooks . Bloomsbury Publishing, pp. 338-357. ISBN 9781501338816

Stick to the Status Quo

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Tamasha

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

The 1970s

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Theatre producers

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Traditional Indian Theatre

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Utopia

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Vanessa Hudgens

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Vesta Tilley

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Voice

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Weber and Fields

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

What a Lovely War

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

When There Was Me and You

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Wilfred Owen

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

William Blake

Whittaker, Jason (2019) Blake and Music. In: The Reception of William Blake in Europe. Bloomsbury, pp. 673-684. ISBN 9781472507457

Women

Johnson Quinn, Arianne and Chandler, Clare (2022) “Forget About the Boy”: Women and Creative Collaborations in Musical Theatre. In: The Routledge Companion to Musical Theatre. Routledge. ISBN 9780367202095

World War I

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Zac Efron

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

actor-musician

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

aesthetics

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

affect

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

archives

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

art

Mankowski, Guy (2020) Albion's Secret History- Snapshots of England's Pop Rebels and Outsiders. Zer0 Books, Winchester. ISBN 978-1-78904-028-9

avant-garde

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

bagpipes

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

bmjholiday

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

broadside ballads

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

cultural heritage

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

electronic music

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

electronic music history

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

electronica

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

ethnomusicology

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

fan studies

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

feminist histories

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

film

Mankowski, Guy (2020) Albion's Secret History- Snapshots of England's Pop Rebels and Outsiders. Zer0 Books, Winchester. ISBN 978-1-78904-028-9

filmed musical performance

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

gender

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

genosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

grain of the voice

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

hauntology

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

history of computing

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

identity

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

live electronic music

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

masculinity

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

metropolitan museum

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

museum studies

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

music

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford Handbook of Sondheim Studies. Oxford University Press. ISBN 9780195391374

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

music and gender

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

music journalism

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

music on television

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

musical instruments

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

musicology

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

nineteenth century collectors

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

phenosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

popular music

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

post-punk

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

post-war

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

public communication of science

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

radical politics

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

reception of new technology

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

science and technology studies

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

second-wave feminism

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

self-fashioning

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

seventeenth-century

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

synthesizers

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

women

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

‘Dulce et decorum est’

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

‘Your King and Country Want You’

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630