Items where Subject is "W330 History of Music"

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1990s 20th century 3D visualisation American literature American studies Barthes Bharatanatyam Broadway Cavalcade Childhood Studies Contemporary musical Council Estates Country Music Dana Spiotta Digital Heritage Digital Humanities Disney Disney musical Early Modern Festivals GI Gay's the Word Gender Get'cha Head in the Game Hedwig and the Angry Inch High School Musical Identity Indian Music Integration John Cameron Mitchell John Doyle Joni Mitchell Kristeva Les Miserables Lew Fields Manic Street Preachers Marginalisation Meme Memory Music Music Hall Music history Music technology Musical Theatre Musical film Musical theatre Musicians Musicology Novello Oh Oklahoma! Pageantry Paul Rubens Phantom of the Opera Politics Popular culture Recruiting Song Regeneration Richey Edwards Rodgers and Hammerstein Rodgers and Hart SharpWire Siegfried Sassoon Sing-along Stick to the Status Quo Tamasha The 1970s Theatre producers Traditional Indian Theatre Utopia Vanessa Hudgens Vesta Tilley Voice Weber and Fields What a Lovely War When There Was Me and You Wilfred Owen William Blake World War I Zac Efron actor-musician aesthetics affect art avant-garde bmjholiday broadside ballads electronic music ethnomusicology film filmed musical performance genosong grain of the voice history of computing identity masculinity music music and gender music on television phenosong popular music post-punk post-war public communication of science radical politics reception of new technology second-wave feminism self-fashioning seventeenth-century women ‘Dulce et decorum est’ ‘Your King and Country Want You’
Number of items at this level: 120.

1990s

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

20th century

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

3D visualisation

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

American literature

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

American studies

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Barthes

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Bharatanatyam

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Broadway

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Cavalcade

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Childhood Studies

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

Contemporary musical

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Council Estates

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

Country Music

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Dana Spiotta

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Digital Heritage

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Digital Humanities

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Disney

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Disney musical

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Early Modern Festivals

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

GI

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Gay's the Word

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Gender

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Get'cha Head in the Game

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Hedwig and the Angry Inch

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

High School Musical

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Identity

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Indian Music

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Integration

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

John Cameron Mitchell

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

John Doyle

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Joni Mitchell

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Kristeva

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Les Miserables

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Lew Fields

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Manic Street Preachers

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Marginalisation

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Meme

Dean, Robert (2020) Durrr-dur-dur-dur-dur-durrrr-durrrrrr: more than just White Stripes. Sport in Society . ISSN 1743-0437

Memory

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

Music

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Dean, Robert (2020) Durrr-dur-dur-dur-dur-durrrr-durrrrrr: more than just White Stripes. Sport in Society . ISSN 1743-0437

Whittaker, Jason (2019) Blake and Music. In: The Reception of William Blake in Europe. Bloomsbury, pp. 673-684. ISBN 9781472507457

Music Hall

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Music history

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford Handbook of Sondheim Studies. Oxford University Press. ISBN 9780195391374

Music technology

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Musical Theatre

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Musical film

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Musical theatre

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford Handbook of Sondheim Studies. Oxford University Press. ISBN 9780195391374

Musicians

Mankowski, Guy (2020) Albion's Secret History- Snapshots of England's Pop Rebels and Outsiders. Zer0 Books, Winchester. ISBN 978-1-78904-028-9

Musicology

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford Handbook of Sondheim Studies. Oxford University Press. ISBN 9780195391374

Novello

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Oh

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Oklahoma!

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Pageantry

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Paul Rubens

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Phantom of the Opera

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Politics

Dean, Robert (2020) Durrr-dur-dur-dur-dur-durrrr-durrrrrr: more than just White Stripes. Sport in Society . ISSN 1743-0437

Popular culture

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Recruiting Song

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Regeneration

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Richey Edwards

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Rodgers and Hammerstein

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Rodgers and Hart

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

SharpWire

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Siegfried Sassoon

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Sing-along

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Stick to the Status Quo

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Tamasha

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

The 1970s

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Theatre producers

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

Traditional Indian Theatre

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Utopia

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Vanessa Hudgens

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Vesta Tilley

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Voice

Symonds, Dominic (2019) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the contemporary American stage musical. Routledge. ISBN 9781138684614

Weber and Fields

Symonds, Dominic (2017) Coherency: Lew Fields, the performer-producer and experimenter in integration. In: Palgrave handbook of musical theatre producers. Palgrave, pp. 127-135. ISBN 9781137440297, 9781137433084

What a Lovely War

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

When There Was Me and You

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

Wilfred Owen

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

William Blake

Whittaker, Jason (2019) Blake and Music. In: The Reception of William Blake in Europe. Bloomsbury, pp. 673-684. ISBN 9781472507457

World War I

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Zac Efron

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

actor-musician

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

aesthetics

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

affect

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

art

Mankowski, Guy (2020) Albion's Secret History- Snapshots of England's Pop Rebels and Outsiders. Zer0 Books, Winchester. ISBN 978-1-78904-028-9

avant-garde

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

bmjholiday

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

broadside ballads

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

electronic music

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

ethnomusicology

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

film

Mankowski, Guy (2020) Albion's Secret History- Snapshots of England's Pop Rebels and Outsiders. Zer0 Books, Winchester. ISBN 978-1-78904-028-9

filmed musical performance

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

genosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

grain of the voice

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

history of computing

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

identity

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

masculinity

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

music

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford Handbook of Sondheim Studies. Oxford University Press. ISBN 9780195391374

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

music and gender

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

music on television

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

phenosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

popular music

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

post-punk

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

post-war

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

public communication of science

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

radical politics

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

reception of new technology

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

second-wave feminism

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

self-fashioning

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

seventeenth-century

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

women

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

‘Dulce et decorum est’

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

‘Your King and Country Want You’

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

This list was generated on Mon Aug 15 03:53:29 2022 BST.