Lincoln Repository

Items where Subject is "W300 Music"

JACS Subject (264)
- W Creative Arts and Design (264)
  - W300 Music (264)

Group by: Creators | Keywords | Item Type

1990s 20th century 8-bit 8-bit aesthetic A Doll's House AIDS Acoustic Ecology Acting Adaptation Advertising Affect Affect theory Africa American Studies American literature American studies Anempathetic Music Animation Applied Ethnomusicology Archival Research Archives Arrangement Art Artists Arts-based research Asian drama Asian theatre Audiences Audio-visuals Autoethnography BBC Radiophonic Workshop Bagpipes Berlin Beyond Borders Bharatanatyam Biography Biopolitics Blake Bob Dylan Body modding Book Reviews Brevity Brian Massumi British British Music British literature Broadway C64 Cabaret Voltaire Chekhov Chion Chiptunes Choir Choreography Cinema Classical Guitar Classical Music Coil Collaboration Collaborative working Collage Collections. Series. Collected works Community Composer Composers Composition Composition of music Computer Games Concrete poetry Conducting Conservatoire Consumer Behaviour Contemporary Contemporary Music Contemporary classical Contemporary culture Contemporary music Context Control Society Country Music Creative collaboration Creator Crime Fiction Crime Prevention through Environmental Design Critical impro Cultural studies Culture Dana Spiotta Dance David Lynch Deconstruction Deleuze Deleuze and Guattari Delia Derbyshire Derrida Devised work Devising Diamanda Galas Diegetic Diegetic Music Digital Art Digital Media Digital Performance Digitised Directing Drama Dramaturgy Drones EMS Eastern Europe Electronic Music Electronic music Elgar Embodiment Englishness Ethics Ethnomusicology Eva Peron Evita Exemplary Agency Exhibition Experimental music Fado Fan Art Fan-art Female choir Femininity Feminism Feminist Analysis Feminist history Feminist methodologies Festival promotion Fictional narratives Fieldwork Fiesta Film Fine Arts Flamenco Flute Folk Music Foucault Fragmentation Fragments Frequency Festival Gameboy Gender George Benjamin Gilles Deleuze György Kurtág Haraway Harp Harpsichord Higher Education Higher education teaching and learning Historiography Hubert Parry Hungarian Music Ian Curtis Iberian music Ibsen Icon Iconicity Identity Impact Improvisation Independence Indian Music Industrial music Intercultural Composition Intercultural Music Intercultural Music Making Intercultural music Intercultural performance International Opera Theater Intertextuality Intradisciplinarity J. G. Ballard JCNotOpen JCOpen Jacques Attali Jazz Jerusalem Joan LaBarbara John Doyle John Gabriel Borkman Joni Mitchell Joy Division Kurtág L'Orfeo LSDJ Labour Lincolnshire Literature of music Lithuania Lorenz Hart Machinima Mallorca Mallorcan bagpipes Manhattan Manic Street Preachers Mark E Smith Marketing Medievalism Megamusical Melisma Meme Memory Mental health Metropolitan Museum of Art Meyer-Dinkgrafe Michel Serres Migration Miniatures Mod Modding Modernism Monteverdi Movement Mozart Museum Catalogue Museums Museums (General). Collectors and collecting (General) Music Music Analysis Music Consumption Music Education Music Piracy Music Theatre Music education Music history Music of Portugal Music of Spain Music technology Music, composition, twentieth century, analysis, miniature, fragmentation, Kurtág, Webern, Stravinsky, George Benjamin Musical Acoustics Musical Analysis Musical Composition Musical Dramaturgy Musical Instrument Musical Instruments Musical Motifs Musical Theatre Musical analysis Musical instrument control Musical theatre Musicals Musicians Musicking Musicology Myth Nanoloop Nationhood Neoliberalism New Music New York Noise Noise Poetry Non-diegetic Music Nonlinear NotOAChecked Oh Oklahoma! Old Hispanic Office Olympics Opera Opera House Orchestra Orchestration Originality Otherness PARIP Parry Pauline Oliveros Peak experiences Pedagogy Perception Perception of time Performance Performance-as-Commemoration Performativity PhD Phase patterns Poetry Poland Political theory Politics Popular Music Popular culture Portugal Post Conflict Peacebuilding Post-Soviet Politics Post-punk Postcapitalism Power Practice Practice Research Practice as Research Practice-based doctorates Precarity Professionalism Protean Protest Putting it Together Queer theory REF Reception History Reception Theory Recorder quintet Regieoper Research Revival Richard Rodgers Richard Wagner Richey Edwards Robert Russell Bennett Rodgers and Hammerstein Rodgers and Hart Roundhay artists Runhild Gammelsaeter Rwanda Schlingensief Schröder Sexuality Shaw Signifying Practice Silence Singing Skype Social Influence Social Media Solo piano Sondheim Song Song and dance Sonic art Sonic subcultures Sound Sound Poetry Sound art Sound as research Soundscapes Spain Spectralism Spectralist Spinoza Spirituality Stasis String Quartet Style Sunday in the Park With George TED TEF Tamasha Teaching Technology Temporality The 1960s The 1970s The Book of Mormon The Fall The Rocky Horror Show Theatre Theatre Music Thomas Simaku Three Tenors Throbbing Gristle Time Tin Pan Alley Traditional Indian Theatre Transition Twentieth Century Music Twenty-first century fiction Typewriter art Typography Upper voices Urinetown the Musical Utopia Vedanta Verbatim Theatre Video art Videogame Art Videogame music Videogames Violin Duo Virtual Broadway Virtual Environments Visual Art Volksbühne Wagner Welcoming Voices Werktreue Wicked Wiliam Blake William Blake William Burroughs Women Work in the arts World Music World War Two World music Writing Xenophobia Xeremies Young Adult fiction Youth crime acoustic ecology acoustics adolescence aesthetic moralism aesthetics affect affect theory applied relationships appropriation archives art artificial intelligence artistic research audience audio production audio visual aural skills auteurism automation avant-garde aviation bagpipes bashment bimusicality biocapitalism biopower bmjcheck bmjconvert bmjgoldcheck bmjholiday bmjtype bombing borders brevity broadside ballads cartography classical music collective experience coming of age composition computer music conceptual art consciousness consciousness studies contemporary fiction contemporary music creativity criticism cross-cultural identity cultural heritage cyberfeminism cybernetics cyborg deterrent digital platforms digital-Foley disability studies drama economics electronic music history electronica emotion ethnomusicology exhibition experimental music extended vocal technique fabulation fan studies farce femininity feminism feminist histories field recording film fine arts fire flute folk music folk revival formal education fragmentation fragments frequency festival gender gentrification gothic materialism graphic score guitar harp hauntology heteronormativity identity identity and music identity representation iftr imposture improvisation indeterminacy industrial music information theory installation instrument control instrument making intercultural collaboration intercultural music interdisciplinarity interdisicplinary research jazz joni mitchell literature live electronic music liveness looping lydia lunch machine learning madness marimba materialism media image mediapheme mediation metropolitan museum mimesis minoritarian minoritarian culture motion graphics multidisciplinary museum studies music music and gender music education music journalism music representation music sampling music theatre music venues music video musical musical instruments musical score musical theatre musicology muzak nationalism neoliberalism neon hunk nineteenth century collectors noise noise music non-representational theory novel oaopen online communities ontology open source hardware opera opera conductors opera directors opera singers organology paraontology parenting pedagogy percussion quartet performance performative performer as researcher poetry politics popular culture popular music post truth post-punk post-punk music postdramatic power powers of the false practice-as-research practice-based research practice-in-research practice-led research pregnancy promo promoting promotional psychogeography public space queer radical politics radio programme reflection remixing repetition reproduction research research project researcher as performer residency revanchism reworking rhetoric rhythm rhythmanalysis robotics saxophone science and technology studies second-wave feminism self-fashioning set theory seventeenth-century signification sirens societies of control songlines sonic anthropocentrism sonic arts sonic culture sonic warfare sonic weapon sonic weapons sound sound art sound design sound studies soundtrack space spinoza spirituality subjectivity synth-pop synthesizers t.v temporality the Gothic the extreme the gothic the weird theatre timbre traditional music trailer training transgression untimely urban regeneration urban space urban theory verbatim viola virality visual art vocal fry voice vowel whiteness women xeremies youth

Number of items at this level: 1189.

1990s

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

20th century

Charnock, Ruth, ed. (2019) Joni Mitchell: New Critical Readings. Music and Sound Studies . Bloomsbury Publishing. ISBN 9781501332098

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

8-bit

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

8-bit aesthetic

A Doll's House

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

AIDS

Whittaker, Jason (2022) All Too Human: Industrial Bodies and Anti- bodies in the Time of AIDS. In: Bodies, Noise and Power in Industrial Music. Routledge. ISBN 978-3030924614

Acoustic Ecology

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Acting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Adaptation

Chandler, Clare (2021) The Courtesan and the Collaborator: Marguérite [2008]. In: Paris in the Musical: The City of Light on Stage and Screen. Routledge, London, pp. 222-241. ISBN 9781138611092, 9780429465437

Advertising

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Affect

Kazlauskaite, Sandra (2023) Silence. In: Sound Affects: A User's Guide. Bloomsbury Publishing, New York, pp. 19-30. ISBN 9781501388880

Thompson, Marie (2016) Power over, power to: affect, music and contestations of social space. In: Popular Music and Power: Sonic Materiality between Cultural Studies and Music Analysis, 24-25 June 2016, Humboldt University, Berlin.

Affect theory

Charnock, Ruth, ed. (2019) Joni Mitchell: New Critical Readings. Music and Sound Studies . Bloomsbury Publishing. ISBN 9781501332098

Africa

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

American Studies

Charnock, Ruth, ed. (2019) Joni Mitchell: New Critical Readings. Music and Sound Studies . Bloomsbury Publishing. ISBN 9781501332098

American literature

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

American studies

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Charnock, Ruth (2015) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira''. In: Court and Spark: An International Symposium on the Work of Joni Mitchell, 3 July 2015, University of Lincoln.

Anempathetic Music

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Animation

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Applied Ethnomusicology

Balosso-bardin, Cassandre (2018) Unidos por la diversidad: un viaje gastronómico y musical por Baleares. In: Unidos por la diversidad: un viaje gastronómico y musical por Baleares, 21 March 2018, Brussels.

Archival Research

Westerside, Andrew, Lawrence, Conan, Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Arrangement

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Artists

Morrad, Annie and McArthur, Ian (2018) The grid. [Project]

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research in Music Studies, 16–17 April 2018, Institute for Musical Research, School of Advanced Study, University of London.

Arts-based research

Breed, Ananda (2021) Song: Don’t disturb the peace (Rwanda). [Image]

Asian drama

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Asian theatre

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Audiences

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Audio-visuals

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Autoethnography

BBC Radiophonic Workshop

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

Bagpipes

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Ernoult, Augustin, Fabre, Benoit, Balosso-bardin, Cassandre, Franciosi, Ilya and de la Cuadra, Patricio (2017) Music in a bag? Controlling the bag of Majorcan and Galician bagpipes. Journal of the Acoustical Society of America (142). pp. 1454-1465. ISSN 0001-4966

Berlin

Beyond Borders

Rask, Erik, Thyberg, Alexander, Möller, Anna, Rask, Arvid, Gray, Dave, Hariharan, Charu, Cissokho, Abdou, Balosso-Bardin, Cassandre, Aslund, Thea, Grauman, Adam, Jones, Matthew, Grind, Mischa, Elbaz, Navah, Karlehag, Tobias, Malmström, Anna and Foley, David (2015) Världens Band - Transglobal Roots Fusion. [Audio]

Bharatanatyam

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Biography

Charnock, Ruth, Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Biopolitics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Blake

Whittaker, Jason (2018) Blake and the New Jerusalem: Art and English Nationalism into the Twenty-First Century. Visual Culture in Britain, 19 (3). pp. 380-392. ISSN 1471-4787

Bob Dylan

Coley, Rob (2015) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan: cultural appropriations of an American icon. Manchester University Press. ISBN 9780719097164

Isaacs, Rico (2022) Review of Bob Dylan at 80: It used to go like that, and now it goes like this. The European Legacy . ISSN 1084-8770

Body modding

Whittaker, Jason (2022) All Too Human: Industrial Bodies and Anti- bodies in the Time of AIDS. In: Bodies, Noise and Power in Industrial Music. Routledge. ISBN 978-3030924614

Book Reviews

Rush, Adam (2015) Creating musical theatre: conversations with Broadway directors and choreographers by Lyn Cramer [London and New York: Bloomsbury Methuen Drama, 2013]. Platform: Postgraduate Journal of Theatre Arts, 9 (1). pp. 77-81. ISSN 1751-0171

Rush, Adam (2013) West End Broadway: the golden age of the American musical in London by Adrian Wright Woodbridge [London: The Boydell Press, 2012]. Platform: Postgraduate Journal of Theatre Arts, 7 (2). pp. 92-95. ISSN 1751-0171

Brevity

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Brian Massumi

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

British

Chandler, Clare (2017) Review of British Musical Theatre Since 1950 edited by Robert Gordon, Olaf Jubin and Millie Taylor. Theatre Notebook, 71 (2). pp. 134-135. ISSN 2051-8358

British Music

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Scheuregger, Martin (2017) Spectral thinking in the music of George Benjamin. In: Spectralisms: an international conference, 15–16 March 2017, Faculty of Music, University of Oxford.

British literature

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

Broadway

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

C64

Cabaret Voltaire

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Chekhov

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Chion

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Chiptunes

Choir

Efthymiou, Litha (2016) Let him kiss me with the kiss of his mouth. [Composition]

Choreography

McSherry, David, Walsh, Michelle, Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Cinema

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Classical Guitar

Efthymiou, Litha (2013) States of ice: diamond dust. [Composition]

Classical Music

Scheuregger, Martin (2018) Why are we scared of new classical music? In: TEDx Brayford Pool, 30 June 2018.

Scheuregger, Martin (2019) The Music of Thomas Simaku. Tempo, 73 (290). pp. 40-50. ISSN 0040-2982

Coil

Whittaker, Jason (2022) All Too Human: Industrial Bodies and Anti- bodies in the Time of AIDS. In: Bodies, Noise and Power in Industrial Music. Routledge. ISBN 978-3030924614

Collaboration

Efthymiou, L. (2016) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Johnson Quinn, Arianne and Chandler, Clare (2022) “Forget About the Boy”: Women and Creative Collaborations in Musical Theatre. In: The Routledge Companion to Musical Theatre. Routledge. ISBN 9780367202095

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Scheuregger, Martin (2019) From lace pattern to notation and back again: integrating visual arts approaches in notation for guided improvisation. In: Notation for Improvisors Conference, 9 February 2019, Institute for Musical Research, Senate House, London.

Scheuregger, Martin and Efthymiou, Litha (2020) Composer-composer collaboration and the difficulty of intradisciplinarity. Airea: Arts and Interdisciplinary Research, 2 . pp. 23-35. ISSN 2516-8061

Collaborative working

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

Collage

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Collections. Series. Collected works

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Community

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Composer

Scheuregger, Martin (2017) The composer's voice in contemporary music scholarship. In: Writing About Contemporary Artists: Challenges, Practices and Complexities, 20–22 October 2017, University of Surrey.

Composers

Smith, Neil Thomas and Thwaites, Rachel (2018) The composition of precarity: ‘emerging’ composers’ experiences of opportunity culture in contemporary classical music. British Journal of Sociology . ISSN 0007-1315

Composition

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism and Modernism: Between Old and New, 27-28 June 2018, University of Huddersfield.

Efthymiou, L. (2016) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Efthymiou, Litha (2017) Iberian refractions. [Composition]

Efthymiou, Litha (2016) Rituals to mould her with. [Composition]

Efthymiou, Litha (2015) Tread softly [string quartet]. [Composition]

Efthymiou, Litha and Scheuregger, Martin (2021) Audience Perception in Experiential Embodied Music Theatre: A Practice-based Case Study. Act: Zeitschrift für Musik & Performance, 10 . ISSN 2191-253X

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Compositional practice in and as musical research: a led/based solution. In: Creativity: Method or Madness?, 26–27 May 2015, University of Glasgow.

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2017) Spectral thinking in the music of George Benjamin. In: Spectralisms: an international conference, 15–16 March 2017, Faculty of Music, University of Oxford.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Composition of music

Chandler, Clare (2021) “Does Anybody Have A Map?”: The Impact of “Virtual Broadway” on Musical Theatre Composition. The Journal of Popular Culture, 54 (2). pp. 276-300. ISSN 0022-3840

Chandler, Clare and Scheuber-Rush, Simeon (2017) ‘Does Anybody Have A Map?’ The Impact of ‘Virtual Broadway’ on Musical Theatre Composition. In: Song, Stage and Screen XII, June 2017, GSA.

Chandler, Clare and Scheuber-Rush, Simeon (2018) Musical Theatre Composition: how Digital Broadway has changed ‘What’s Inside’. In: Association for Theatre in Higher Education Conference, August 2018, Boston.

Scheuregger, Martin (2013) In that solitude. [Video]

Scheuregger, Martin and Efthymiou, Litha (2020) Composer-composer collaboration and the difficulty of intradisciplinarity. Airea: Arts and Interdisciplinary Research, 2 . pp. 23-35. ISSN 2516-8061

Smith, Neil Thomas and Thwaites, Rachel (2018) Narratives of originality in competitive composition opportunities for 'emerging composers'. Tempo, 72 (283). pp. 45-55. ISSN 0040-2982

Computer Games

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Concrete poetry

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Conducting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Conservatoire

Balosso-bardin, Cassandre (2016) Oral transmission in French conservatoires: towards a hybrid learning strategy? Journal of the Vernacular Music Centre, 1 (2). ISSN .

Consumer Behaviour

Dilmperi, Athina, King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Contemporary

Efthymiou, Litha (2017) Moments held. [Composition]

Efthymiou, Litha (2017) Present shadows (flute, clarinet, piano, cello, double bass). [Composition]

Efthymiou, Litha (2015) Tread softly [string quartet]. [Composition]

Contemporary Music

Efthymiou, Litha (2017) Reimagining old Hispanic melisma. [Project]

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2015) Inventing fragments, manipulating time. In: The Making of Musical Time: Temporality in Musical Composition and Performance (Orpheus Institute), 25-26 Feb 2015, Ghent, Belgium.

Scheuregger, Martin (2018) Spectral temporality in the music of George Benjamin. In: Royal Musical Association Annual Conference 2018, 13–15 September 2018, Department of Music, University of Bristol.

Scheuregger, Martin (2018) Why are we scared of new classical music? In: TEDx Brayford Pool, 30 June 2018.

Scheuregger, Martin (2019) The Music of Thomas Simaku. Tempo, 73 (290). pp. 40-50. ISSN 0040-2982

Scheuregger, Martin (2021) Temporal Experience in George Benjamin’s Sudden Time. In: Time in Variance. Brill, Leiden, pp. 291-318. ISBN 9789004470170

Contemporary classical

Efthymiou, Litha (2013) Bustling. [Composition]

Contemporary culture

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

Contemporary music

Efthymiou, Litha (2017) Devising music. [Project]

Efthymiou, Litha (2014) Kalyani. [Composition]

Efthymiou, Litha (2015) Myisi [flute and electronics]. [Composition]

Efthymiou, Litha (2013) States of ice: diamond dust. [Composition]

Context

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Control Society

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

Country Music

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Creative collaboration

Scheuregger, Martin and Efthymiou, Litha (2020) Composer-composer collaboration and the difficulty of intradisciplinarity. Airea: Arts and Interdisciplinary Research, 2 . pp. 23-35. ISSN 2516-8061

Creator

Crime Fiction

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

Crime Prevention through Environmental Design

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Critical impro

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Cultural studies

Charnock, Ruth, Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Culture

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Dana Spiotta

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Dance

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

McSherry, David, Walsh, Michelle, Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Remera Protestant, Groupe Scolaire and Uwihoreye, Chaste (2022) Mbera Incuti. [Video]

David Lynch

Mankowski, Guy and Bernholz, E (2014) 'I Get Off on Intense Atmospheres': An Interview with Gazelle Twin. Pop Matters . ISSN NOT SPECIFIED

Deconstruction

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Deleuze

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

Thompson, Marie (2017) Experimental music and the question of what a body can do. In: Musical encounters with Deleuze and Guattari. Bloomsbury, pp. 149-167. ISBN 9781501316746

Deleuze and Guattari

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford.

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

Delia Derbyshire

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

Derrida

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Devised work

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism and Modernism: Between Old and New, 27-28 June 2018, University of Huddersfield.

Devising

Efthymiou, L. (2016) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Diamanda Galas

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Diegetic

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Digital Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Digital Media

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

Digital Performance

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Digitised

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Directing

Chandler, Clare (2019) ‘It Takes A Cock’ or does it? - feminist directorial interventions in Angry Birds the Musical. In: Musical Theatre in Process: A Symposium., The Other Palace.

Drama

Chandler, Clare (2018) ‘Je suis Katie – free speech in post truth verbatim musical theatre.’. In: Let The Sun Shine In: American Theatre, Protest and Censorship. American Theatre and Drama Society., British Library.

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance]

Dramaturgy

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Drones

Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

EMS

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

Eastern Europe

Symonds, Dominic (2019) Welcoming Voices: Memory, Migration and Music. Performance Research, 24 (1). pp. 17-24. ISSN 1352-8165

Electronic Music

McSherry, David (2013) Frequency Festival 2013. [Composition]

McSherry, David (2016) Geom - multichannel performance. [Performance]

McSherry, David (2015) Liberator [Frequency 2015]. [Composition]

McSherry, David (2010) SGT-400. [Composition]

McSherry, David (2010) U∂+. [Composition]

McSherry, David (2011) White noise in the key of F. [Composition]

McSherry, David and Cobby, Steve (2009) Nokia N97 TV ad campaign. [Composition]

McSherry, David, Walsh, Michelle, Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Morgan, Frances (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound, 22 (2). pp. 238-249. ISSN 1355-7718

Electronic music

McSherry, David (2015) Lighting up Lincolnshire. [Composition]

Elgar

Whittaker, Jason (2018) Blake and the New Jerusalem: Art and English Nationalism into the Twenty-First Century. Visual Culture in Britain, 19 (3). pp. 380-392. ISSN 1471-4787

Embodiment

Englishness

Whittaker, Jason (2018) Blake and the New Jerusalem: Art and English Nationalism into the Twenty-First Century. Visual Culture in Britain, 19 (3). pp. 380-392. ISSN 1471-4787

Ethics

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Ethnomusicology

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Balosso-Bardin, Cassandre (2018) Review: Castelo-Branco, Salwa El-Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press. Cuadernos de ETNOmusicología, 11 . pp. 10-12. ISSN 2014-4660

Eva Peron

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Evita

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Exemplary Agency

Lockwood, Dean (2019) ‘The Blessed Glow of Labour: Independence, Style and Process in the Music of Swans’. In: Mute Records: Artists, Business, History. Bloomsbury Academic, London and New York, pp. 155-167. ISBN 978-1-5013-4060-4

Exhibition

Morrad, Annie, McArthur, Ian and Oliver, Ross (2016) Itinerant mind. [Event, Show or Exhibition]

Experimental music

Thompson, Marie (2017) Experimental music and the question of what a body can do. In: Musical encounters with Deleuze and Guattari. Bloomsbury, pp. 149-167. ISBN 9781501316746

Fado

Fan Art

Fan-art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Female choir

Efthymiou, Litha (2016) Let him kiss me with the kiss of his mouth. [Composition]

Femininity

Thompson, Marie (2016) Low quality sonic snapshots: the smartphone as a feminized recording device. Sound::Gender::Feminism::Activism Zine . pp. 29-30. ISSN .

Feminism

Charnock, Ruth, ed. (2019) Joni Mitchell: New Critical Readings. Music and Sound Studies . Bloomsbury Publishing. ISBN 9781501332098

Chandler, Clare (2016) Aftershocks: Next To Normal and the crackle of difference. In: “History has its Eyes on You: Musical Theatre’s Moments of Transition” American Society for Theatre Research Annual Conference, November 2016, Minneapolis.

Chandler, Clare (2019) Integration & Disintegration in Next to Normal. MTEA Journal, 2 . pp. 82-86.

Chandler, Clare (2019) ‘It Takes A Cock’ or does it? - feminist directorial interventions in Angry Birds the Musical. In: Musical Theatre in Process: A Symposium., The Other Palace.

Chandler, Clare (2021) Keynote at the University of Wolverhampton’s CCHIP PRG symposium. In: CCHIP PRG symposium, University of Wolverhampton.

Chandler, Clare (2021) Looking Back to Think Forward: Feminist Utopian Resistance and Musical Theatre. In: Telephone Hour: A Quarantine Colloquium. The Association for Theatre in Higher Education., Online.

Chandler, Clare (2021) Restaging Musical Theatre’s Feminisms: male sidekicks and womxn superheroes. In: Hybrid Postgraduate Research Conference Lancaster University, 17th July 2021, Hybrid.

Chandler, Clare (2022) Star-crossed utopia and dissonant pleasure in & Juliet (2019). In: Utopian Studies Society Conference, 13th - 15th July 2022, Brighton, UK.

Chandler, Clare (2022) ‘You’ll Never Walk Alone’ unless you're a solo womxn spectator watching Carousel. In: TaPRA, 12-14 September, University of Essex.

Kazlauskaite, Sandra (2019) Expanded Soundscapes. In: Atlas of Diagrammatic Imagination: Maps in Research, Art and Education. Vilnius Academy of Arts Press, pp. 149-153. ISBN 9786094473296

Kazlauskaite, Sandra (2023) Silence. In: Sound Affects: A User's Guide. Bloomsbury Publishing, New York, pp. 19-30. ISBN 9781501388880

Morgan, Frances (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound, 22 (2). pp. 238-249. ISSN 1355-7718

Feminist Analysis

Feminist history

Morgan, Frances (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound, 22 (2). pp. 238-249. ISSN 1355-7718

Feminist methodologies

Morgan, Frances (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound, 22 (2). pp. 238-249. ISSN 1355-7718

Festival promotion

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Fictional narratives

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

Fieldwork

Balosso-Bardin, Cassandre (2022) ‘You are part of the club': Negotiating the field as a musician-ethnomusicologist. Ethnomusicology Forum . ISSN 1741-1912

Balosso-bardin, Cassandre (2016) A musician in the field: the productivity of performance as an intercultural research tool. In: The Routledge international handbook for international arts research. Routledge International Handbooks of Education . Routledge. ISBN UNSPECIFIED

Fiesta

Film

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Fine Arts

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Flamenco

Flute

Efthymiou, Litha (2015) Myisi [flute and electronics]. [Composition]

Folk Music

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2017) Symi. [Composition]

Foucault

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Fragmentation

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Fragments

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Frequency Festival

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

Gameboy

Gender

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

George Benjamin

Scheuregger, Martin (2017) Spectral thinking in the music of George Benjamin. In: Spectralisms: an international conference, 15–16 March 2017, Faculty of Music, University of Oxford.

Scheuregger, Martin (2021) Temporal Experience in George Benjamin’s Sudden Time. In: Time in Variance. Brill, Leiden, pp. 291-318. ISBN 9789004470170

Gilles Deleuze

György Kurtág

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Haraway

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.

Harp

Scheuregger, Martin (2019) Redefining idiomatic writing for the pedal harp. Contemporary Music Review, 38 (6). pp. 553-576. ISSN 0749-4467

Harpsichord

Efthymiou, Litha (2016) Rituals to mould her with. [Composition]

Higher Education

Scheuregger, Martin (2017) 'Joint Show': finding teaching excellence through experiential learning. In: National Association of Music in Higher Education Annual Conference – Snakes and Ladders?: Negotiating the new TEF landscape, 2 May 2017, University of Cambridge.

Scheuregger, Martin and Leedham, Christopher (2020) The Purpose of the Written Element in Composition PhDs. In: Researching and Writing on Contemporary Art and Artists. Palgrave Macmillan, pp. 65-90. ISBN 9783030392321

Higher education teaching and learning

Scheuregger, Martin (2021) Teaching Musical Analysis as an Aural Skill. In: The Routledge Companion to Aural Skills Pedagogy. Routledge, pp. 58-76. ISBN 9780367226893, 9780429276392

Historiography

Hubert Parry

Whittaker, Jason (2022) Jerusalem: Blake, Parry, and the Fight for Englishness. Oxford University Press. ISBN 9780192845870

Hungarian Music

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Ian Curtis

Whittaker, Jason (2016) The pornography of science: Curtis, Ballard and Burroughs. In: Joy devotion: the importance of Ian Curtis and fan culture. Headpress, pp. 34-40. ISBN UNSPECIFIED

Iberian music

Ibsen

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Icon

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Iconicity

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Identity

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

Impact

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Improvisation

Independence

Indian Music

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Industrial music

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Intercultural Composition

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

Rask, Erik, Hariharan, Charu, Cissokho, Abdou, Möller, Anna, Aslund, Thea, Foley, David, Balosso-Bardin, Cassandre, Malmström, Anna, Gray, Dave, Jones, Matthew, Rask, Arvid, Grind, Mischa, Karlehag, Tobias, Grauman, Adam, Sedemark, Oskar, O'Malley, Larry, Utler, Knut, Grind, Olof and Alverman, Simon (2018) Dadjalo. [Audio]

Intercultural Music

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 Sweden Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 UK Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2015 European Tour (31 performances). [Performance]

Intercultural Music Making

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

Intercultural music

Intercultural performance

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

International Opera Theater

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

Intertextuality

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Intradisciplinarity

Scheuregger, Martin and Efthymiou, Litha (2020) Composer-composer collaboration and the difficulty of intradisciplinarity. Airea: Arts and Interdisciplinary Research, 2 . pp. 23-35. ISSN 2516-8061

J. G. Ballard

Whittaker, Jason (2016) The pornography of science: Curtis, Ballard and Burroughs. In: Joy devotion: the importance of Ian Curtis and fan culture. Headpress, pp. 34-40. ISBN UNSPECIFIED

JCNotOpen

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

JCOpen

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Jacques Attali

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Jazz

Pantano, Daniele (2017) Dalia Donadio's Poem Pot Plays Pantano. [Performance]

Pantano, Daniele, Donadio, Dalia and Perret, Martin (2021) "Ballerinas". [Composition]

Jerusalem

Whittaker, Jason (2012) Mental fight, corporeal war and righteous dub: the struggle for 'Jerusalem', 1979-2009. In: Blake 2.0: William Blake in twentieth-century art, music and culture. Palgrave, pp. 263-273. ISBN 9780230280335

Whittaker, Jason (2018) Blake and the New Jerusalem: Art and English Nationalism into the Twenty-First Century. Visual Culture in Britain, 19 (3). pp. 380-392. ISSN 1471-4787

Whittaker, Jason (2022) Jerusalem: Blake, Parry, and the Fight for Englishness. Oxford University Press. ISBN 9780192845870

Joan LaBarbara

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

John Doyle

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

John Gabriel Borkman

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Joni Mitchell

Charnock, Ruth, ed. (2019) Joni Mitchell: New Critical Readings. Music and Sound Studies . Bloomsbury Publishing. ISBN 9781501332098

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Charnock, Ruth (2019) 'Introduction' in Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Charnock, Ruth (2019) 'Preface'. In Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences, 2 (12). pp. 90-107. ISSN 2212-5736

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences, 2 (13). pp. 88-100. ISSN 2212-5736

Charnock, Ruth and David, Andrew (2015) Interview with Andrew David on Joni Mitchell [Siren FM]. [Audio]

Charnock, Ruth, Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Joy Division

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Kurtág

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

L'Orfeo

LSDJ

Labour

Lincolnshire

Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

Literature of music

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

Lithuania

Kazlauskaite, Sandra (2015) Soundscapes of the Post-Soviet World Today: Resounding Lithuania. Leonardo Music Journal, 25 . pp. 98-99. ISSN 0961-1215

Symonds, Dominic (2019) Welcoming Voices: Memory, Migration and Music. Performance Research, 24 (1). pp. 17-24. ISSN 1352-8165

Lorenz Hart

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Machinima

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mallorca

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

Mallorcan bagpipes

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

Manhattan

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Manic Street Preachers

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Mark E Smith

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

Marketing

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Medievalism

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism and Modernism: Between Old and New, 27-28 June 2018, University of Huddersfield.

Megamusical

Melisma

Efthymiou, Litha (2017) Reimagining old Hispanic melisma. [Project]

Meme

Dean, Robert (2020) Durrr-dur-dur-dur-dur-durrrr-durrrrrr: more than just White Stripes. Sport in Society . ISSN 1743-0437

Memory

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Mental health

Chandler, Clare (2019) Integration & Disintegration in Next to Normal. MTEA Journal, 2 . pp. 82-86.

Metropolitan Museum of Art

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Michel Serres

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Migration

Symonds, Dominic (2019) Welcoming Voices: Memory, Migration and Music. Performance Research, 24 (1). pp. 17-24. ISSN 1352-8165

Miniatures

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2013) In that solitude. [Video]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Mod

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Modding

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Modernism

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

Monteverdi

Movement

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Mozart

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Museum Catalogue

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Museums

Museums (General). Collectors and collecting (General)

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

Music

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Balosso-bardin, Cassandre, Ernoult, Augustin, de la Cuadra, Patricio, Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . pp. 189-206. ISSN 0072-0127

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Dean, Robert (2020) Durrr-dur-dur-dur-dur-durrrr-durrrrrr: more than just White Stripes. Sport in Society . ISSN 1743-0437

Dean, Robert and Challis, Ben (2014) Deﬁning digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Efthymiou, L. (2016) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Efthymiou, Litha (2017) Iberian refractions. [Composition]

Isaacs, Rico (2022) Review of Bob Dylan at 80: It used to go like that, and now it goes like this. The European Legacy . ISSN 1084-8770

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

McSherry, David (2018) Bummock: The Lace Archive [Soundtrack composition]. [Event, Show or Exhibition]

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Compositional practice in and as musical research: a led/based solution. In: Creativity: Method or Madness?, 26–27 May 2015, University of Glasgow.

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2017) Spectral thinking in the music of George Benjamin. In: Spectralisms: an international conference, 15–16 March 2017, Faculty of Music, University of Oxford.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2013) In that solitude. [Video]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Scheuregger, Martin (2019) The Music of Thomas Simaku. Tempo, 73 (290). pp. 40-50. ISSN 0040-2982

Scheuregger, Martin and Maier, Danica (2023) Score: Mechanical Asynchronicity – Mimesis and (non-)repetition through notation and performance. ECHO, a journal of music, thought and technology (4). ISSN 2736-5824

Symonds, Dominic (2019) Welcoming Voices: Memory, Migration and Music. Performance Research, 24 (1). pp. 17-24. ISSN 1352-8165

Westerside, Andrew, Lawrence, Conan, Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

Whittaker, Jason (2019) Blake and Music. In: The Reception of William Blake in Europe. Bloomsbury, pp. 673-684. ISBN 9781472507457

Whittaker, Jason (2018) Blake and Music, 2017. Blake/An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Whittaker, Jason (2019) Blake and Music, 2018. Blake, An Illustrated Quarterly . ISSN 0160-628X

Whittaker, Jason (2020) Blake and Music, 2019. Blake, An Illustrated Quarterly, 54 (1). ISSN 0160-628X

Whittaker, Jason (2021) Blake and Music, 2020. Blake, An Illustrated Quarterly, 55 (1). ISSN 0160-628X

Whittaker, Jason (2019) Jerusalem set to music: A selected discography. Blake/An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Whittaker, Jason and Oliveira, Camila (2022) Blake and Music, 2021. Blake, An Illustrated Quarterly, 56 (1). ISSN 0160-628X

Whittaker, Jason and Potter, Elizabeth (2022) Bodies, Noise and Power in Industrial Music (Pop Music, Culture and Identity). Palgrave Macmillan. ISBN 978-3030924614, 3030924610

Music Analysis

Scheuregger, Martin (2019) The Music of Thomas Simaku. Tempo, 73 (290). pp. 40-50. ISSN 0040-2982

Scheuregger, Martin (2021) Temporal Experience in George Benjamin’s Sudden Time. In: Time in Variance. Brill, Leiden, pp. 291-318. ISBN 9789004470170

Music Consumption

Dilmperi, Athina, King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Music Education

Music Piracy

Dilmperi, Athina, King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Music Theatre

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Music education

Balosso-bardin, Cassandre (2016) Oral transmission in French conservatoires: towards a hybrid learning strategy? Journal of the Vernacular Music Centre, 1 (2). ISSN .

Music history

Morgan, Frances (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound, 22 (2). pp. 238-249. ISSN 1355-7718

Music of Portugal

Music of Spain

Music technology

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Music, composition, twentieth century, analysis, miniature, fragmentation, Kurtág, Webern, Stravinsky, George Benjamin

Scheuregger, Martin Daniel (2015) Conceptions of time and form in twentieth and twenty-first-century music. PhD thesis, University of York.

Musical Acoustics

Musical Analysis

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Scheuregger, Martin (2021) Teaching Musical Analysis as an Aural Skill. In: The Routledge Companion to Aural Skills Pedagogy. Routledge, pp. 58-76. ISBN 9780367226893, 9780429276392

Musical Composition

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Musical Dramaturgy

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Musical Instrument

Musical Instruments

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Musical Motifs

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Musical Theatre

Chandler, Clare (2021) “Does Anybody Have A Map?”: The Impact of “Virtual Broadway” on Musical Theatre Composition. The Journal of Popular Culture, 54 (2). pp. 276-300. ISSN 0022-3840

Chandler, Clare (2019) Integration & Disintegration in Next to Normal. MTEA Journal, 2 . pp. 82-86.

Chandler, Clare (2019) ‘It Takes A Cock’ or does it? - feminist directorial interventions in Angry Birds the Musical. In: Musical Theatre in Process: A Symposium., The Other Palace.

Chandler, Clare (2021) Keynote at the University of Wolverhampton’s CCHIP PRG symposium. In: CCHIP PRG symposium, University of Wolverhampton.

Chandler, Clare (2021) Restaging Musical Theatre’s Feminisms: male sidekicks and womxn superheroes. In: Hybrid Postgraduate Research Conference Lancaster University, 17th July 2021, Hybrid.

Chandler, Clare (2017) Review of British Musical Theatre Since 1950 edited by Robert Gordon, Olaf Jubin and Millie Taylor. Theatre Notebook, 71 (2). pp. 134-135. ISSN 2051-8358

Chandler, Clare (2022) Star-crossed utopia and dissonant pleasure in & Juliet (2019). In: Utopian Studies Society Conference, 13th - 15th July 2022, Brighton, UK.

Chandler, Clare (2022) ‘You’ll Never Walk Alone’ unless you're a solo womxn spectator watching Carousel. In: TaPRA, 12-14 September, University of Essex.

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Musical analysis

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Musical instrument control

Musical theatre

Musicals

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Musicians

Musicking

Musicology

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Scheuregger, Martin (2021) Teaching Musical Analysis as an Aural Skill. In: The Routledge Companion to Aural Skills Pedagogy. Routledge, pp. 58-76. ISBN 9780367226893, 9780429276392

Myth

Nanoloop

Nationhood

Neoliberalism

New Music

Scheuregger, Martin (2018) Why are we scared of new classical music? In: TEDx Brayford Pool, 30 June 2018.

New York

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Noise

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Noise Poetry

Pantano, Daniele (2023) Errata Vol. 5. [Composition]

Non-diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Nonlinear

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

NotOAChecked

Dean, Robert and Challis, Ben (2014) Deﬁning digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2016) Low quality sonic snapshots: the smartphone as a feminized recording device. Sound::Gender::Feminism::Activism Zine . pp. 29-30. ISSN .

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

Oh

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Oklahoma!

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Old Hispanic Office

Efthymiou, Litha (2017) Reimagining old Hispanic melisma. [Project]

Olympics

Whittaker, Jason (2018) Blake and the New Jerusalem: Art and English Nationalism into the Twenty-First Century. Visual Culture in Britain, 19 (3). pp. 380-392. ISSN 1471-4787

Opera

Efthymiou, Litha (2017) Riversong. [Composition]

Efthymiou, L. (2016) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Opera House

Orchestra

Efthymiou, Litha (2017) Moments held. [Composition]

Orchestration

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Originality

Smith, Neil Thomas and Thwaites, Rachel (2018) Narratives of originality in competitive composition opportunities for 'emerging composers'. Tempo, 72 (283). pp. 45-55. ISSN 0040-2982

Otherness

PARIP

Parry

Whittaker, Jason (2018) Blake and the New Jerusalem: Art and English Nationalism into the Twenty-First Century. Visual Culture in Britain, 19 (3). pp. 380-392. ISSN 1471-4787

Pauline Oliveros

Kazlauskaite, Sandra (2023) Silence. In: Sound Affects: A User's Guide. Bloomsbury Publishing, New York, pp. 19-30. ISBN 9781501388880

Peak experiences

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Pedagogy

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Perception

Perception of time

Scheuregger, Martin (2021) Temporal Experience in George Benjamin’s Sudden Time. In: Time in Variance. Brill, Leiden, pp. 291-318. ISBN 9789004470170

Performance

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 Sweden Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 UK Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2015 European Tour (31 performances). [Performance]

Performance-as-Commemoration

Westerside, Andrew, Lawrence, Conan, Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Performativity

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

PhD

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Phase patterns

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Poetry

Pantano, Daniele (2017) Dalia Donadio's Poem Pot Plays Pantano. [Performance]

Pantano, Daniele, Donadio, Dalia and Perret, Martin (2021) "Ballerinas". [Composition]

Whittaker, Jason (2018) Blake and Music, 2017. Blake/An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Whittaker, Jason (2019) Jerusalem set to music: A selected discography. Blake/An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Poland

Symonds, Dominic (2019) Welcoming Voices: Memory, Migration and Music. Performance Research, 24 (1). pp. 17-24. ISSN 1352-8165

Political theory

Isaacs, Rico (2022) Review of Bob Dylan at 80: It used to go like that, and now it goes like this. The European Legacy . ISSN 1084-8770

Politics

Dean, Robert (2020) Durrr-dur-dur-dur-dur-durrrr-durrrrrr: more than just White Stripes. Sport in Society . ISSN 1743-0437

Popular Music

Popular culture

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Portugal

Post Conflict Peacebuilding

Breed, Ananda (2021) Song: Don’t disturb the peace (Rwanda). [Image]

Post-Soviet Politics

Kazlauskaite, Sandra (2015) Soundscapes of the Post-Soviet World Today: Resounding Lithuania. Leonardo Music Journal, 25 . pp. 98-99. ISSN 0961-1215

Post-punk

Postcapitalism

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Power

Practice

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Practice Research

Practice as Research

Scheuregger, Martin (2015) Compositional practice in and as musical research: a led/based solution. In: Creativity: Method or Madness?, 26–27 May 2015, University of Glasgow.

Practice-based doctorates

Precarity

Professionalism

Protean

Isaacs, Rico (2022) Review of Bob Dylan at 80: It used to go like that, and now it goes like this. The European Legacy . ISSN 1084-8770

Protest

Putting it Together

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Queer theory

Charnock, Ruth, ed. (2019) Joni Mitchell: New Critical Readings. Music and Sound Studies . Bloomsbury Publishing. ISBN 9781501332098

REF

Balosso-Bardin, Cassandre (2022) ‘You are part of the club': Negotiating the field as a musician-ethnomusicologist. Ethnomusicology Forum . ISSN 1741-1912

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Reception History

Reception Theory

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Recorder quintet

Efthymiou, Litha (2013) Bustling. [Composition]

Regieoper

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Research

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Revival

Chandler, Clare (2022) ‘You’ll Never Walk Alone’ unless you're a solo womxn spectator watching Carousel. In: TaPRA, 12-14 September, University of Essex.

Richard Rodgers

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Richard Wagner

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Richey Edwards

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Robert Russell Bennett

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Rodgers and Hammerstein

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rodgers and Hart

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Roundhay artists

Whittaker, Jason (2018) Blake and the New Jerusalem: Art and English Nationalism into the Twenty-First Century. Visual Culture in Britain, 19 (3). pp. 380-392. ISSN 1471-4787

Runhild Gammelsaeter

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

Rwanda

Breed, Ananda (2021) Song: Don’t disturb the peace (Rwanda). [Image]

Remera Protestant, Groupe Scolaire and Uwihoreye, Chaste (2022) Mbera Incuti. [Video]

Schlingensief

Schröder

Sexuality

Shaw

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Signifying Practice

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Silence

Kazlauskaite, Sandra (2023) Silence. In: Sound Affects: A User's Guide. Bloomsbury Publishing, New York, pp. 19-30. ISBN 9781501388880

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Singing

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Skype

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Social Influence

O'Neill, Katherine (2022) Development of the Social Experience of a Concert Scales (SECS): The social experience of a live western art music concert influences people’s overall enjoyment of an event but not their emotional response to the music. Music and Science . ISSN 2059-2043

Social Media

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Solo piano

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Sondheim

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Song

Breed, Ananda (2021) Song: Don’t disturb the peace (Rwanda). [Image]

Remera Protestant, Groupe Scolaire and Uwihoreye, Chaste (2022) Mbera Incuti. [Video]

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Symonds, Dominic (2019) Welcoming Voices: Memory, Migration and Music. Performance Research, 24 (1). pp. 17-24. ISSN 1352-8165

Song and dance

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Sonic art

Kazlauskaite, Sandra (2015) Soundscapes of the Post-Soviet World Today: Resounding Lithuania. Leonardo Music Journal, 25 . pp. 98-99. ISSN 0961-1215

Sonic subcultures

Sound

Kazlauskaite, Sandra (2023) Silence. In: Sound Affects: A User's Guide. Bloomsbury Publishing, New York, pp. 19-30. ISBN 9781501388880

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Sound Poetry

Pantano, Daniele (2023) Errata Vol. 5. [Composition]

Sound art

Kazlauskaite, Sandra (2019) Expanded Soundscapes. In: Atlas of Diagrammatic Imagination: Maps in Research, Art and Education. Vilnius Academy of Arts Press, pp. 149-153. ISBN 9786094473296

Thompson, Marie (2016) Low quality sonic snapshots: the smartphone as a feminized recording device. Sound::Gender::Feminism::Activism Zine . pp. 29-30. ISSN .

Sound as research

Kazlauskaite, Sandra (2019) Expanded Soundscapes. In: Atlas of Diagrammatic Imagination: Maps in Research, Art and Education. Vilnius Academy of Arts Press, pp. 149-153. ISBN 9786094473296

Soundscapes

Kazlauskaite, Sandra (2019) Expanded Soundscapes. In: Atlas of Diagrammatic Imagination: Maps in Research, Art and Education. Vilnius Academy of Arts Press, pp. 149-153. ISBN 9786094473296

Kazlauskaite, Sandra (2015) Soundscapes of the Post-Soviet World Today: Resounding Lithuania. Leonardo Music Journal, 25 . pp. 98-99. ISSN 0961-1215

Spain

Spectralism

Scheuregger, Martin (2017) Spectral thinking in the music of George Benjamin. In: Spectralisms: an international conference, 15–16 March 2017, Faculty of Music, University of Oxford.

Spectralist

Scheuregger, Martin (2017) Spectral thinking in the music of George Benjamin. In: Spectralisms: an international conference, 15–16 March 2017, Faculty of Music, University of Oxford.

Spinoza

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Thompson, Marie (2017) Experimental music and the question of what a body can do. In: Musical encounters with Deleuze and Guattari. Bloomsbury, pp. 149-167. ISBN 9781501316746

Spirituality

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Stasis

String Quartet

Efthymiou, Litha (2015) Tread softly [string quartet]. [Composition]

Style

Sunday in the Park With George

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

TED

Scheuregger, Martin (2018) Why are we scared of new classical music? In: TEDx Brayford Pool, 30 June 2018.

TEF

Tamasha

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Teaching

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Technology

Dean, Robert and Challis, Ben (2014) Deﬁning digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Temporality

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Scheuregger, Martin (2021) Temporal Experience in George Benjamin’s Sudden Time. In: Time in Variance. Brill, Leiden, pp. 291-318. ISBN 9789004470170

The 1960s

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences, 2 (12). pp. 90-107. ISSN 2212-5736

The 1970s

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

The Book of Mormon

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

The Fall

The Rocky Horror Show

Theatre

Efthymiou, L. (2016) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Westerside, Andrew, Lawrence, Conan, Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Theatre Music

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Thomas Simaku

Scheuregger, Martin (2019) The Music of Thomas Simaku. Tempo, 73 (290). pp. 40-50. ISSN 0040-2982

Three Tenors

Throbbing Gristle

Whittaker, Jason (2022) All Too Human: Industrial Bodies and Anti- bodies in the Time of AIDS. In: Bodies, Noise and Power in Industrial Music. Routledge. ISBN 978-3030924614

Time

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Tin Pan Alley

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Traditional Indian Theatre

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Transition

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Twentieth Century Music

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Twenty-first century fiction

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

Typewriter art

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Typography

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Upper voices

Efthymiou, Litha (2016) Let him kiss me with the kiss of his mouth. [Composition]

Urinetown the Musical

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Utopia

Chandler, Clare (2022) Star-crossed utopia and dissonant pleasure in & Juliet (2019). In: Utopian Studies Society Conference, 13th - 15th July 2022, Brighton, UK.

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Vedanta

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Verbatim Theatre

Chandler, Clare (2019) ‘Have You Seen This?’ Notions of authenticity in post-truth verbatim musical theatre. In: Song Stage and Screen XIV, Leeds University.

Video art

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

Videogame Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Videogame music

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Videogames

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Violin Duo

Efthymiou, Litha (2017) Iberian refractions. [Composition]

Virtual Broadway

Chandler, Clare (2021) “Does Anybody Have A Map?”: The Impact of “Virtual Broadway” on Musical Theatre Composition. The Journal of Popular Culture, 54 (2). pp. 276-300. ISSN 0022-3840

Virtual Environments

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Visual Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Volksbühne

Wagner

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Welcoming Voices

Symonds, Dominic (2019) Welcoming Voices: Memory, Migration and Music. Performance Research, 24 (1). pp. 17-24. ISSN 1352-8165

Werktreue

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Wicked

Wiliam Blake

Whittaker, Jason (2021) Blake and Music, 2020. Blake, An Illustrated Quarterly, 55 (1). ISSN 0160-628X

William Blake

Whittaker, Jason (2018) Blake and Music. Blake, An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Whittaker, Jason (2019) Blake and Music. In: The Reception of William Blake in Europe. Bloomsbury, pp. 673-684. ISBN 9781472507457

Whittaker, Jason (2018) Blake and Music, 2017. Blake/An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Whittaker, Jason (2019) Blake and Music, 2018. Blake, An Illustrated Quarterly . ISSN 0160-628X

Whittaker, Jason (2020) Blake and Music, 2019. Blake, An Illustrated Quarterly, 54 (1). ISSN 0160-628X

Whittaker, Jason (2019) Jerusalem set to music: A selected discography. Blake/An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Whittaker, Jason (2022) Jerusalem: Blake, Parry, and the Fight for Englishness. Oxford University Press. ISBN 9780192845870

Whittaker, Jason and Oliveira, Camila (2022) Blake and Music, 2021. Blake, An Illustrated Quarterly, 56 (1). ISSN 0160-628X

William Burroughs

Whittaker, Jason (2016) The pornography of science: Curtis, Ballard and Burroughs. In: Joy devotion: the importance of Ian Curtis and fan culture. Headpress, pp. 34-40. ISBN UNSPECIFIED

Women

Work in the arts

Smith, Neil Thomas and Thwaites, Rachel (2018) Narratives of originality in competitive composition opportunities for 'emerging composers'. Tempo, 72 (283). pp. 45-55. ISSN 0040-2982

World Music

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 Sweden Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 UK Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2015 European Tour (31 performances). [Performance]

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

World War Two

World music

Writing

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Xenophobia

Xeremies

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

Young Adult fiction

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

Youth crime

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

acoustic ecology

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

acoustics

Balosso-bardin, Cassandre and de la Cuadra, Patricio (2017) Autour des instruments de musique, une recherche pluridisciplinaire. Culture et Recherche - Scenes de Recherche, 135 . p. 47. ISSN 0765-5991

adolescence

Charnock, Ruth (2019) '"The only thing that's never going away': Still Listening to "Blue"'. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

aesthetic moralism

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

aesthetics

Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

affect

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie (2017) Spinoza and musical power. In: Spinoza's Artes, 11 August 2017, University of Sydney.

Thompson, Marie (2017) To soothe or remove? Affect, revanchism and the weaponized use of classical music. Communication and the Public, 2 (4). pp. 272-283. ISSN 2057-0473

affect theory

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

applied relationships

Balosso-Bardin, Cassandre (2022) ‘You are part of the club': Negotiating the field as a musician-ethnomusicologist. Ethnomusicology Forum . ISSN 1741-1912

appropriation

art

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2015) Summer lodge residency. soundcloud.

artificial intelligence

Fox, Charles (2021) MusicHastie: field-based hierarchical music representation. In: International Conference on Computer Music, 2021 Jul 25-30, Chile.

artistic research

audience

audio production

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

audio visual

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

aural skills

Scheuregger, Martin (2021) Teaching Musical Analysis as an Aural Skill. In: The Routledge Companion to Aural Skills Pedagogy. Routledge, pp. 58-76. ISBN 9780367226893, 9780429276392

auteurism

Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905

automation

Bennett, James, Moncur, Bethan, Fogarty, Kyle, Clawson, Garry and Fox, Charles (2022) Towards Open Source Hardware Robotic Woodwind: an Internal Duct Flute Player. In: International Computer Music Conference, 3-7 July 2022, Limerick, Ireland.

avant-garde

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

aviation

Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

bagpipes

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

Balosso-bardin, Cassandre, Landes, Roger, Faulker, David, Moreno, Susana, Trujillo, Candid and Torrens, Toni (2018) Fourth International Bagpipe Conference. [Event, Show or Exhibition]

bashment

Thompson, Marie (2018) Gendered Sound. In: The Routledge Companion to Sound Studies. Routledge, pp. 108-117. ISBN UNSPECIFIED

bimusicality

Balosso-Bardin, Cassandre (2022) ‘You are part of the club': Negotiating the field as a musician-ethnomusicologist. Ethnomusicology Forum . ISSN 1741-1912

biocapitalism

Thompson, Marie (2017) Uterine audiophilia: feminized mediation, pre-natal speakers and sonic reproduction. In: Research Colloquium, 7 November 2017, Oxford University.

Thompson, Marie (2017) Uterine soundsystems, feotal 'listening' and the auditory politics of the future. In: The Future Sound of Pop Music, 30 November - 2 December 2017, University of the Arts, Bern.

biopower

Whittaker, Jason and Potter, Elizabeth (2022) Bodies, Noise and Power in Industrial Music (Pop Music, Culture and Identity). Palgrave Macmillan. ISBN 978-3030924614, 3030924610

bmjcheck

bmjconvert

Morrad, Annie (2015) Summer lodge residency. soundcloud.

bmjgoldcheck

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

bmjholiday

McSherry, David (2015) Lighting up Lincolnshire. [Composition]

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary.

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

bmjtype

Charnock, Ruth, Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

bombing

Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

borders

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

brevity

Scheuregger, Martin (2013) In that solitude. [Video]

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

broadside ballads

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

cartography

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

classical music

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

collective experience

coming of age

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

composition

Efthymiou, Litha (2018) Waves. [Composition]

Scheuregger, Martin (2019) Redefining idiomatic writing for the pedal harp. Contemporary Music Review, 38 (6). pp. 553-576. ISSN 0749-4467

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

computer music

Fox, Charles (2021) MusicHastie: field-based hierarchical music representation. In: International Conference on Computer Music, 2021 Jul 25-30, Chile.

conceptual art

Pantano, Daniele (2023) Errata Vol. 5. [Composition]

consciousness

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

consciousness studies

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

contemporary fiction

Charnock, Ruth and West, Mark (2016) Write in tune: contemporary music in fiction [Erich Hertz and Jeffrey Roessner (eds.), New York: Bloomsbury]. C21 Literature: Journal of 21st-century Writings, 4 (1). pp. 1-10. ISSN 2045-5216

contemporary music

Efthymiou, Litha (2012) Egg soldiers. [Composition]

Scheuregger, Martin (2019) Redefining idiomatic writing for the pedal harp. Contemporary Music Review, 38 (6). pp. 553-576. ISSN 0749-4467

Smith, Neil Thomas and Thwaites, Rachel (2018) Narratives of originality in competitive composition opportunities for 'emerging composers'. Tempo, 72 (283). pp. 45-55. ISSN 0040-2982

creativity

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

criticism

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

cross-cultural identity

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

cultural heritage

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

cyberfeminism

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

cybernetics

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

cyborg

deterrent

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

digital platforms

Chandler, Clare and Scheuber-Rush, Simeon (2017) ‘Does Anybody Have A Map?’ The Impact of ‘Virtual Broadway’ on Musical Theatre Composition. In: Song, Stage and Screen XII, June 2017, GSA.

digital-Foley

Dean, Robert and Challis, Ben (2014) Deﬁning digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

disability studies

Charnock, Ruth (2019) 'Introduction' in Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

drama

Dean, Robert and Challis, Ben (2014) Deﬁning digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

economics

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

electronic music history

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

electronica

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

emotion

ethnomusicology

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

Balosso-Bardin, Cassandre (2022) ‘You are part of the club': Negotiating the field as a musician-ethnomusicologist. Ethnomusicology Forum . ISSN 1741-1912

Balosso-bardin, Cassandre, Landes, Roger, Faulker, David, Moreno, Susana, Trujillo, Candid and Torrens, Toni (2018) Fourth International Bagpipe Conference. [Event, Show or Exhibition]

exhibition

Morrad, Annie and McArthur, Ian (2018) Documents, alternatives #2. [Event, Show or Exhibition]

experimental music

Rekret, Paul and Thompson, Marie (2017) Beholder halfway #25: beyond unwanted sound with Marie Thompson. [Audio]

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

extended vocal technique

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

fabulation

fan studies

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

farce

femininity

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

feminism

Charnock, Ruth (2017) Creepy / sexy: father figures and pop music. In: Under my thumb: the songs that hate women and the women that love them. Repeater Books. ISBN UNSPECIFIED

Charnock, Ruth (2019) 'Introduction' in Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Charnock, Ruth (2019) '"The only thing that's never going away': Still Listening to "Blue"'. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2020) Sonic Feminisms: Doing Gender in Neoliberal Times. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury. ISBN UNSPECIFIED

feminist histories

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

field recording

Kazlauskaite, Sandra (2019) Expanded Soundscapes. In: Atlas of Diagrammatic Imagination: Maps in Research, Art and Education. Vilnius Academy of Arts Press, pp. 149-153. ISBN 9786094473296

Thompson, Marie (2016) Low quality sonic snapshots: the smartphone as a feminized recording device. Sound::Gender::Feminism::Activism Zine . pp. 29-30. ISSN .

film

Charnock, Ruth (2019) '"The only thing that's never going away': Still Listening to "Blue"'. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Morrad, Annie (2018) Laced. [Audio]

fine arts

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

fire

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

flute

folk music

folk revival

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

formal education

Balosso-bardin, Cassandre (2016) Oral transmission in French conservatoires: towards a hybrid learning strategy? Journal of the Vernacular Music Centre, 1 (2). ISSN .

fragmentation

Scheuregger, Martin (2013) In that solitude. [Video]

fragments

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

frequency festival

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

gender

Charnock, Ruth (2019) '"The only thing that's never going away': Still Listening to "Blue"'. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Thompson, Marie (2017) Uterine audiophilia: feminized mediation, pre-natal speakers and sonic reproduction. In: Research Colloquium, 7 November 2017, Oxford University.

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2018) Gendered Sound. In: The Routledge Companion to Sound Studies. Routledge, pp. 108-117. ISBN UNSPECIFIED

Thompson, Marie (2020) Sonic Feminisms: Doing Gender in Neoliberal Times. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury. ISBN UNSPECIFIED

gentrification

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

gothic materialism

graphic score

guitar

Henry, Andrew and Fox, Charles (2021) Open source hardware automated guitar player. In: International Conference on Computer Music, 2021 Jul 25-30, Chile.

harp

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

hauntology

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

heteronormativity

Charnock, Ruth (2019) '"The only thing that's never going away': Still Listening to "Blue"'. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

identity

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

identity and music

identity representation

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

iftr

imposture

improvisation

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2018) Wave Farm Radio. [Performance]

indeterminacy

Isaacs, Rico (2022) Review of Bob Dylan at 80: It used to go like that, and now it goes like this. The European Legacy . ISSN 1084-8770

industrial music

Whittaker, Jason (2022) All Too Human: Industrial Bodies and Anti- bodies in the Time of AIDS. In: Bodies, Noise and Power in Industrial Music. Routledge. ISBN 978-3030924614

Whittaker, Jason and Potter, Elizabeth (2022) Bodies, Noise and Power in Industrial Music (Pop Music, Culture and Identity). Palgrave Macmillan. ISBN 978-3030924614, 3030924610

information theory

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

installation

Morrad, Annie and McArthur, Ian (2017) Lack of chairs. [Event, Show or Exhibition]

instrument control

instrument making

intercultural collaboration

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

intercultural music

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

interdisciplinarity

Scheuregger, Martin and Efthymiou, Litha (2020) Composer-composer collaboration and the difficulty of intradisciplinarity. Airea: Arts and Interdisciplinary Research, 2 . pp. 23-35. ISSN 2516-8061

interdisicplinary research

jazz

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance]

joni mitchell

Charnock, Ruth (2019) '"The only thing that's never going away': Still Listening to "Blue"'. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

literature

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

live electronic music

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

liveness

Dean, Robert and Challis, Ben (2014) Deﬁning digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

looping

lydia lunch

machine learning

Godfrey, Reece, Rimmer, Matthew, Headleand, Chris and Fox, Charles (2022) RhythmTrain: making rhythmic sight reading training fun. In: International Computer Music Conference, 3-7 July 2022, Limerick, Ireland.

madness

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

marimba

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

materialism

Thompson, Marie (2017) Experimental music and the question of what a body can do. In: Musical encounters with Deleuze and Guattari. Bloomsbury, pp. 149-167. ISBN 9781501316746

media image

mediapheme

mediation

Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905

metropolitan museum

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

mimesis

minoritarian

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

minoritarian culture

motion graphics

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

multidisciplinary

Efthymiou, Litha (2017) Devising music. [Project]

museum studies

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

music

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

Charnock, Ruth (2019) 'Introduction' in Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Efthymiou, Litha (2018) Waves. [Composition]

Henry, Andrew and Fox, Charles (2021) Open source hardware automated guitar player. In: International Conference on Computer Music, 2021 Jul 25-30, Chile.

Mankowski, Guy (2014) The Manic Street Preachers Re-Open 'The Holy Bible'. Pop Matters .

Mankowski, Guy and Bernholz, E (2014) 'I Get Off on Intense Atmospheres': An Interview with Gazelle Twin. Pop Matters . ISSN NOT SPECIFIED

Mankowski, Guy and Marnie, H (2014) Synthesizers Are Extremely Versatile: An Interview with Helen Marnie of Ladytron. Pop Matters .

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Mankowski, Guy and Swash, Olivia (2015) TV Interview (North East Arts And Culture Show) for 'How I Left The National Grid: A Post-Punk Novel'. [Impact]

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Morrad, Annie (2018) Laced. [Audio]

Morrad, Annie and McArthur, Ian (2017) Lack of chairs. [Event, Show or Exhibition]

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Thompson, Marie (2017) Spinoza and musical power. In: Spinoza's Artes, 11 August 2017, University of Sydney.

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

Thompson, Marie (2020) Sonic Feminisms: Doing Gender in Neoliberal Times. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury. ISBN UNSPECIFIED

Thompson, Marie (2017) To soothe or remove? Affect, revanchism and the weaponized use of classical music. Communication and the Public, 2 (4). pp. 272-283. ISSN 2057-0473

Whittaker, Jason (2016) The pornography of science: Curtis, Ballard and Burroughs. In: Joy devotion: the importance of Ian Curtis and fan culture. Headpress, pp. 34-40. ISBN UNSPECIFIED

Whittaker, Jason (2018) Blake and Music. Blake, An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Whittaker, Jason (2022) Jerusalem: Blake, Parry, and the Fight for Englishness. Oxford University Press. ISBN 9780192845870

music and gender

music education

music journalism

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

music representation

Fox, Charles (2021) MusicHastie: field-based hierarchical music representation. In: International Conference on Computer Music, 2021 Jul 25-30, Chile.

music sampling

Charnock, Ruth (2019) 'Preface'. In Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

music theatre

music venues

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

music video

Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905

musical

Morrad, Annie and McArthur, Ian (2018) Wave Farm Radio. [Performance]

musical instruments

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

Balosso-bardin, Cassandre, Landes, Roger, Faulker, David, Moreno, Susana, Trujillo, Candid and Torrens, Toni (2018) Fourth International Bagpipe Conference. [Event, Show or Exhibition]

musical score

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

musical theatre

Chandler, Clare (2019) ‘Have You Seen This?’ Notions of authenticity in post-truth verbatim musical theatre. In: Song Stage and Screen XIV, Leeds University.

Chandler, Clare and Scheuber-Rush, Simeon (2017) ‘Does Anybody Have A Map?’ The Impact of ‘Virtual Broadway’ on Musical Theatre Composition. In: Song, Stage and Screen XII, June 2017, GSA.

musicology

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

muzak

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

nationalism

Whittaker, Jason (2018) Blake and the New Jerusalem: Art and English Nationalism into the Twenty-First Century. Visual Culture in Britain, 19 (3). pp. 380-392. ISSN 1471-4787

neoliberalism

Thompson, Marie (2020) Sonic Feminisms: Doing Gender in Neoliberal Times. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury. ISBN UNSPECIFIED

Thompson, Marie (2017) To soothe or remove? Affect, revanchism and the weaponized use of classical music. Communication and the Public, 2 (4). pp. 272-283. ISSN 2057-0473

neon hunk

nineteenth century collectors

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

noise

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Rekret, Paul and Thompson, Marie (2017) Beholder halfway #25: beyond unwanted sound with Marie Thompson. [Audio]

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

noise music

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

non-representational theory

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

novel

Mankowski, Guy and Swash, Olivia (2015) TV Interview (North East Arts And Culture Show) for 'How I Left The National Grid: A Post-Punk Novel'. [Impact]

oaopen

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

online communities

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

ontology

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

open source hardware

Henry, Andrew and Fox, Charles (2021) Open source hardware automated guitar player. In: International Conference on Computer Music, 2021 Jul 25-30, Chile.

opera

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

opera conductors

opera directors

opera singers

organology

paraontology

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

parenting

Remera Protestant, Groupe Scolaire and Uwihoreye, Chaste (2022) Mbera Incuti. [Video]

pedagogy

percussion quartet

Efthymiou, Litha (2012) Egg soldiers. [Composition]

performance

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Scheuregger, Martin (2013) In that solitude. [Video]

performative

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

performer as researcher

poetry

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

politics

Rekret, Paul and Thompson, Marie (2017) Beholder halfway #25: beyond unwanted sound with Marie Thompson. [Audio]

Thompson, Marie (2017) Sounding the revanchist city. In: Conversations in Sound and Power, 31 March 3017, Utrecht University.

popular culture

Charnock, Ruth (2019) 'Introduction' in Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

popular music

Charnock, Ruth, ed. (2019) Joni Mitchell: New Critical Readings. Music and Sound Studies . Bloomsbury Publishing. ISBN 9781501332098

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Charnock, Ruth (2017) Creepy / sexy: father figures and pop music. In: Under my thumb: the songs that hate women and the women that love them. Repeater Books. ISBN UNSPECIFIED

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences, 2 (12). pp. 90-107. ISSN 2212-5736

Charnock, Ruth and David, Andrew (2015) Interview with Andrew David on Joni Mitchell [Siren FM]. [Audio]

Charnock, Ruth, Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

post truth

Chandler, Clare (2019) ‘Have You Seen This?’ Notions of authenticity in post-truth verbatim musical theatre. In: Song Stage and Screen XIV, Leeds University.

post-punk

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Mankowski, Guy and Swash, Olivia (2015) TV Interview (North East Arts And Culture Show) for 'How I Left The National Grid: A Post-Punk Novel'. [Impact]

post-punk music

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

postdramatic

Chandler, Clare (2019) ‘Have You Seen This?’ Notions of authenticity in post-truth verbatim musical theatre. In: Song Stage and Screen XIV, Leeds University.

power

Thompson, Marie (2017) Spinoza and musical power. In: Spinoza's Artes, 11 August 2017, University of Sydney.

powers of the false

practice-as-research

practice-based research

Kazlauskaite, Sandra (2019) Expanded Soundscapes. In: Atlas of Diagrammatic Imagination: Maps in Research, Art and Education. Vilnius Academy of Arts Press, pp. 149-153. ISBN 9786094473296

practice-in-research

Balosso-Bardin, Cassandre (2022) ‘You are part of the club': Negotiating the field as a musician-ethnomusicologist. Ethnomusicology Forum . ISSN 1741-1912

practice-led research

pregnancy

Thompson, Marie (2017) Uterine audiophilia: feminized mediation, pre-natal speakers and sonic reproduction. In: Research Colloquium, 7 November 2017, Oxford University.

promo

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

promoting

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

promotional

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

psychogeography

Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

public space

Thompson, Marie (2017) Sounding the revanchist city. In: Conversations in Sound and Power, 31 March 3017, Utrecht University.

queer

Charnock, Ruth (2019) 'Introduction' in Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Charnock, Ruth (2019) 'Preface'. In Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

radical politics

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

radio programme

Morrad, Annie and McArthur, Ian (2018) Wave Farm Radio. [Performance]

reflection

Morrad, Annie (2015) Summer lodge residency. soundcloud.

remixing

repetition

reproduction

Thompson, Marie (2017) Uterine audiophilia: feminized mediation, pre-natal speakers and sonic reproduction. In: Research Colloquium, 7 November 2017, Oxford University.

research

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

research project

Morrad, Annie and McArthur, Ian (2018) The grid. [Project]

researcher as performer

residency

Morrad, Annie (2015) Summer lodge residency. soundcloud.

revanchism

Thompson, Marie (2017) Sounding the revanchist city. In: Conversations in Sound and Power, 31 March 3017, Utrecht University.

Thompson, Marie (2017) To soothe or remove? Affect, revanchism and the weaponized use of classical music. Communication and the Public, 2 (4). pp. 272-283. ISSN 2057-0473

reworking

rhetoric

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

rhythm

rhythmanalysis

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

robotics

Henry, Andrew and Fox, Charles (2021) Open source hardware automated guitar player. In: International Conference on Computer Music, 2021 Jul 25-30, Chile.

saxophone

Morrad, Annie (2018) Laced. [Audio]

science and technology studies

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

second-wave feminism

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences, 2 (12). pp. 90-107. ISSN 2212-5736

self-fashioning

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

set theory

Scheuregger, Martin (2019) Redefining idiomatic writing for the pedal harp. Contemporary Music Review, 38 (6). pp. 553-576. ISSN 0749-4467

seventeenth-century

signification

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

sirens

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

societies of control

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

songlines

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

sonic anthropocentrism

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

sonic arts

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

sonic culture

sonic warfare

sonic weapon

Thompson, Marie (2017) To soothe or remove? Affect, revanchism and the weaponized use of classical music. Communication and the Public, 2 (4). pp. 272-283. ISSN 2057-0473

sonic weapons

sound

Dean, Robert and Challis, Ben (2014) Deﬁning digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Morrad, Annie (2016) Tactics of interruption. [Performance]

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2015) Summer lodge residency. soundcloud.

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

Thompson, Marie (2017) Sounding the revanchist city. In: Conversations in Sound and Power, 31 March 3017, Utrecht University.

Thompson, Marie (2017) Uterine audiophilia: feminized mediation, pre-natal speakers and sonic reproduction. In: Research Colloquium, 7 November 2017, Oxford University.

Thompson, Marie (2018) Gendered Sound. In: The Routledge Companion to Sound Studies. Routledge, pp. 108-117. ISBN UNSPECIFIED

sound art

McSherry, David (2016) The Russell Chantry: Lothar Götz/ Duncan Grant. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2018) Documents, alternatives #2. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2017) Lack of chairs. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2018) The grid. [Project]

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

sound design

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

sound studies

Thompson, Marie (2020) Sonic Feminisms: Doing Gender in Neoliberal Times. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury. ISBN UNSPECIFIED

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

soundtrack

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

space

spinoza

Thompson, Marie (2017) Spinoza and musical power. In: Spinoza's Artes, 11 August 2017, University of Sydney.

spirituality

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

subjectivity

synth-pop

Mankowski, Guy and Marnie, H (2014) Synthesizers Are Extremely Versatile: An Interview with Helen Marnie of Ladytron. Pop Matters .

synthesizers

Morgan, Frances (2022) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

t.v

Charnock, Ruth (2019) '"The only thing that's never going away': Still Listening to "Blue"'. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

temporality

Charnock, Ruth (2019) 'Preface'. In Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

the Gothic

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

the extreme

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

the gothic

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

the weird

Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905

theatre

Dean, Robert and Challis, Ben (2014) Deﬁning digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

timbre

Scheuregger, Martin (2019) Redefining idiomatic writing for the pedal harp. Contemporary Music Review, 38 (6). pp. 553-576. ISSN 0749-4467

traditional music

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

trailer

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

training

transgression

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

untimely

urban regeneration

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

urban space

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

urban theory

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

verbatim

viola

Efthymiou, Litha (2018) Waves. [Composition]

virality

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

visual art

vocal fry

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

voice

Thompson, Marie (2018) Gendered Sound. In: The Routledge Companion to Sound Studies. Routledge, pp. 108-117. ISBN UNSPECIFIED

vowel

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

whiteness

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

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