A

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

B

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

Balosso-Bardin, Cassandre (2018) Review: Castelo-Branco, Salwa El-Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press. Cuadernos de ETNOmusicología, 11 . pp. 10-12. ISSN 2014-4660

Balosso-Bardin, Cassandre (2022) ‘You are part of the club': Negotiating the field as a musician-ethnomusicologist. Ethnomusicology Forum . ISSN 1741-1912

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 Sweden Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 UK Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2015 European Tour (31 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2017) Symi. [Composition]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2018) Världens Band 2018 Scandinavian Tour (14 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2019) Världens Band 2019 Mini UK Tour (3 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2016) Världens Band Transglobal Roots Fusion 2016 European Tour (16 performances). [Performance]

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

Balosso-bardin, Cassandre (2016) Oral transmission in French conservatoires: towards a hybrid learning strategy? Journal of the Vernacular Music Centre, 1 (2). ISSN .

Balosso-bardin, Cassandre (2018) Unidos por la diversidad: un viaje gastronómico y musical por Baleares. In: Unidos por la diversidad: un viaje gastronómico y musical por Baleares, 21 March 2018, Brussels.

Balosso-bardin, Cassandre (2016) A musician in the field: the productivity of performance as an intercultural research tool. In: The Routledge international handbook for international arts research. Routledge International Handbooks of Education . Routledge. ISBN UNSPECIFIED

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

Balosso-bardin, Cassandre, Ernoult, Augustin, de la Cuadra, Patricio, Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . pp. 189-206. ISSN 0072-0127

Balosso-bardin, Cassandre, Landes, Roger, Faulker, David, Moreno, Susana, Trujillo, Candid and Torrens, Toni (2018) Fourth International Bagpipe Conference. [Event, Show or Exhibition]

Balosso-bardin, Cassandre and de la Cuadra, Patricio (2017) Autour des instruments de musique, une recherche pluridisciplinaire. Culture et Recherche - Scenes de Recherche, 135 . p. 47. ISSN 0765-5991

Bennett, James, Moncur, Bethan, Fogarty, Kyle, Clawson, Garry and Fox, Charles (2022) Towards Open Source Hardware Robotic Woodwind: an Internal Duct Flute Player. In: International Computer Music Conference, 3-7 July 2022, Limerick, Ireland.

Breed, Ananda (2021) Song: Don’t disturb the peace (Rwanda). [Image]

C

Chandler, Clare (2016) Aftershocks: Next To Normal and the crackle of difference. In: “History has its Eyes on You: Musical Theatre’s Moments of Transition” American Society for Theatre Research Annual Conference, November 2016, Minneapolis.

Chandler, Clare (2021) The Courtesan and the Collaborator: Marguérite [2008]. In: Paris in the Musical: The City of Light on Stage and Screen. Routledge, London, pp. 222-241. ISBN 9781138611092, 9780429465437

Chandler, Clare (2021) “Does Anybody Have A Map?”: The Impact of “Virtual Broadway” on Musical Theatre Composition. The Journal of Popular Culture, 54 (2). pp. 276-300. ISSN 0022-3840

Chandler, Clare (2019) ‘Have You Seen This?’ Notions of authenticity in post-truth verbatim musical theatre. In: Song Stage and Screen XIV, Leeds University.

Chandler, Clare (2019) Integration & Disintegration in Next to Normal. MTEA Journal, 2 . pp. 82-86.

Chandler, Clare (2019) ‘It Takes A Cock’ or does it? - feminist directorial interventions in Angry Birds the Musical. In: Musical Theatre in Process: A Symposium., The Other Palace.

Chandler, Clare (2018) ‘Je suis Katie – free speech in post truth verbatim musical theatre.’. In: Let The Sun Shine In: American Theatre, Protest and Censorship. American Theatre and Drama Society., British Library.

Chandler, Clare (2021) Keynote at the University of Wolverhampton’s CCHIP PRG symposium. In: CCHIP PRG symposium, University of Wolverhampton.

Chandler, Clare (2021) Restaging Musical Theatre’s Feminisms: male sidekicks and womxn superheroes. In: Hybrid Postgraduate Research Conference Lancaster University, 17th July 2021, Hybrid.

Chandler, Clare (2017) Review of British Musical Theatre Since 1950 edited by Robert Gordon, Olaf Jubin and Millie Taylor. Theatre Notebook, 71 (2). pp. 134-135. ISSN 2051-8358

Chandler, Clare (2022) Star-crossed utopia and dissonant pleasure in & Juliet (2019). In: Utopian Studies Society Conference, 13th - 15th July 2022, Brighton, UK.

Chandler, Clare (2022) ‘You’ll Never Walk Alone’ unless you're a solo womxn spectator watching Carousel. In: TaPRA, 12-14 September, University of Essex.

Chandler, Clare and Scheuber-Rush, Simeon (2017) ‘Does Anybody Have A Map?’ The Impact of ‘Virtual Broadway’ on Musical Theatre Composition. In: Song, Stage and Screen XII, June 2017, GSA.

Chandler, Clare and Scheuber-Rush, Simeon (2018) Musical Theatre Composition: how Digital Broadway has changed ‘What’s Inside’. In: Association for Theatre in Higher Education Conference, August 2018, Boston.

Charnock, Ruth (2015) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira''. In: Court and Spark: An International Symposium on the Work of Joni Mitchell, 3 July 2015, University of Lincoln.

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Charnock, Ruth (2017) Creepy / sexy: father figures and pop music. In: Under my thumb: the songs that hate women and the women that love them. Repeater Books. ISBN UNSPECIFIED

Charnock, Ruth (2019) 'Introduction' in Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Charnock, Ruth (2019) 'Preface'. In Joni Mitchell: New Critical Readings. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

Charnock, Ruth (2019) '"The only thing that's never going away': Still Listening to "Blue"'. In: Joni Mitchell: New Critical Readings. Bloomsbury NY. ISBN 9781501332098

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences, 2 (12). pp. 90-107. ISSN 2212-5736

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences, 2 (13). pp. 88-100. ISSN 2212-5736

Charnock, Ruth and David, Andrew (2015) Interview with Andrew David on Joni Mitchell [Siren FM]. [Audio]

Charnock, Ruth, Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Charnock, Ruth and West, Mark (2016) Write in tune: contemporary music in fiction [Erich Hertz and Jeffrey Roessner (eds.), New York: Bloomsbury]. C21 Literature: Journal of 21st-century Writings, 4 (1). pp. 1-10. ISSN 2045-5216

Coley, Rob (2015) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan: cultural appropriations of an American icon. Manchester University Press. ISBN 9780719097164

Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

D

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2020) Durrr-dur-dur-dur-dur-durrrr-durrrrrr: more than just White Stripes. Sport in Society . ISSN 1743-0437

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Dilmperi, Athina, King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

E

Efthymiou, Litha (2013) Bustling. [Composition]

Efthymiou, Litha (2017) Devising music. [Project]

Efthymiou, Litha (2012) Egg soldiers. [Composition]

Efthymiou, Litha (2014) Kalyani. [Composition]

Efthymiou, Litha (2016) Let him kiss me with the kiss of his mouth. [Composition]

Efthymiou, Litha (2017) Moments held. [Composition]

Efthymiou, Litha (2015) Myisi [flute and electronics]. [Composition]

Efthymiou, Litha (2017) Present shadows (flute, clarinet, piano, cello, double bass). [Composition]

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism and Modernism: Between Old and New, 27-28 June 2018, University of Huddersfield.

Efthymiou, Litha (2017) Riversong. [Composition]

Efthymiou, Litha (2013) States of ice: diamond dust. [Composition]

Efthymiou, Litha (2018) Waves. [Composition]

Efthymiou, L. (2016) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Efthymiou, Litha (2017) Iberian refractions. [Composition]

Efthymiou, Litha (2017) Reimagining old Hispanic melisma. [Project]

Efthymiou, Litha (2016) Rituals to mould her with. [Composition]

Efthymiou, Litha (2015) Tread softly [string quartet]. [Composition]

Efthymiou, Litha and Scheuregger, Martin (2021) Audience Perception in Experiential Embodied Music Theatre: A Practice-based Case Study. Act: Zeitschrift für Musik & Performance, 10 . ISSN 2191-253X

Ernoult, Augustin, Fabre, Benoit, Balosso-bardin, Cassandre, Franciosi, Ilya and de la Cuadra, Patricio (2017) Music in a bag? Controlling the bag of Majorcan and Galician bagpipes. Journal of the Acoustical Society of America (142). pp. 1454-1465. ISSN 0001-4966

F

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

Fox, Charles (2021) MusicHastie: field-based hierarchical music representation. In: International Conference on Computer Music, 2021 Jul 25-30, Chile.

G

Godfrey, Reece, Rimmer, Matthew, Headleand, Chris and Fox, Charles (2022) RhythmTrain: making rhythmic sight reading training fun. In: International Computer Music Conference, 3-7 July 2022, Limerick, Ireland.

H

Henry, Andrew and Fox, Charles (2021) Open source hardware automated guitar player. In: International Conference on Computer Music, 2021 Jul 25-30, Chile.

I

Isaacs, Rico (2022) Review of Bob Dylan at 80: It used to go like that, and now it goes like this. The European Legacy . ISSN 1084-8770

J

Johnson Quinn, Arianne and Chandler, Clare (2022) “Forget About the Boy”: Women and Creative Collaborations in Musical Theatre. In: The Routledge Companion to Musical Theatre. Routledge. ISBN 9780367202095

K

Kazlauskaite, Sandra (2015) Soundscapes of the Post-Soviet World Today: Resounding Lithuania. Leonardo Music Journal, 25 . pp. 98-99. ISSN 0961-1215

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford.

L

Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905

Lockwood, Dean (2019) ‘The Blessed Glow of Labour: Independence, Style and Process in the Music of Swans’. In: Mute Records: Artists, Business, History. Bloomsbury Academic, London and New York, pp. 155-167. ISBN 978-1-5013-4060-4

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

M

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Mankowski, Guy (2014) The Manic Street Preachers Re-Open 'The Holy Bible'. Pop Matters .

Mankowski, Guy and Bernholz, E (2014) 'I Get Off on Intense Atmospheres': An Interview with Gazelle Twin. Pop Matters . ISSN NOT SPECIFIED

Mankowski, Guy and Marnie, H (2014) Synthesizers Are Extremely Versatile: An Interview with Helen Marnie of Ladytron. Pop Matters .

Mankowski, Guy (2021) ‘A Series of Images / Against You And Me.’ Richey Edwards’s Portrayal Of The Body in ‘Journal For Plague Lovers’. Punk & Post Punk, 10 (1). pp. 63-82. ISSN 2044-1983

Mankowski, Guy and Swash, Olivia (2015) TV Interview (North East Arts And Culture Show) for 'How I Left The National Grid: A Post-Punk Novel'. [Impact]

McSherry, David (2018) Bummock: The Lace Archive [Soundtrack composition]. [Event, Show or Exhibition]

McSherry, David (2013) Frequency Festival 2013. [Composition]

McSherry, David (2016) Geom - multichannel performance. [Performance]

McSherry, David (2015) Liberator [Frequency 2015]. [Composition]

McSherry, David (2015) Lighting up Lincolnshire. [Composition]

McSherry, David (2016) The Russell Chantry: Lothar Götz/ Duncan Grant. [Event, Show or Exhibition]

McSherry, David (2010) SGT-400. [Composition]

McSherry, David (2010) U∂+. [Composition]

McSherry, David (2011) White noise in the key of F. [Composition]

McSherry, David and Cobby, Steve (2009) Nokia N97 TV ad campaign. [Composition]

McSherry, David, Walsh, Michelle, Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Morrad, Annie (2016) Tactics of interruption. [Performance]

Morrad, Annie, McArthur, Ian and Oliver, Ross (2016) Itinerant mind. [Event, Show or Exhibition]

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2018) Laced. [Audio]

Morrad, Annie (2015) Summer lodge residency. soundcloud.

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2018) Documents, alternatives #2. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2017) Lack of chairs. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

Morrad, Annie and McArthur, Ian (2018) Wave Farm Radio. [Performance]

Morrad, Annie and McArthur, Ian (2018) The grid. [Project]

O

O'Neill, Katherine (2022) Development of the Social Experience of a Concert Scales (SECS): The social experience of a live western art music concert influences people’s overall enjoyment of an event but not their emotional response to the music. Music and Science . ISSN 2059-2043

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance]

P

Pantano, Daniele (2017) Dalia Donadio's Poem Pot Plays Pantano. [Performance]

Pantano, Daniele, Donadio, Dalia and Perret, Martin (2021) "Ballerinas". [Composition]

R

Rask, Erik, Hariharan, Charu, Cissokho, Abdou, Möller, Anna, Aslund, Thea, Foley, David, Balosso-Bardin, Cassandre, Malmström, Anna, Gray, Dave, Jones, Matthew, Rask, Arvid, Grind, Mischa, Karlehag, Tobias, Grauman, Adam, Sedemark, Oskar, O'Malley, Larry, Utler, Knut, Grind, Olof and Alverman, Simon (2018) Dadjalo. [Audio]

Rask, Erik, Thyberg, Alexander, Möller, Anna, Rask, Arvid, Gray, Dave, Hariharan, Charu, Cissokho, Abdou, Balosso-Bardin, Cassandre, Aslund, Thea, Grauman, Adam, Jones, Matthew, Grind, Mischa, Elbaz, Navah, Karlehag, Tobias, Malmström, Anna and Foley, David (2015) Världens Band - Transglobal Roots Fusion. [Audio]

Rekret, Paul and Thompson, Marie (2017) Beholder halfway #25: beyond unwanted sound with Marie Thompson. [Audio]

Remera Protestant, Groupe Scolaire and Uwihoreye, Chaste (2022) Mbera Incuti. [Video]

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Rush, Adam (2015) Creating musical theatre: conversations with Broadway directors and choreographers by Lyn Cramer [London and New York: Bloomsbury Methuen Drama, 2013]. Platform: Postgraduate Journal of Theatre Arts, 9 (1). pp. 77-81. ISSN 1751-0171

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Rush, Adam (2013) West End Broadway: the golden age of the American musical in London by Adrian Wright Woodbridge [London: The Boydell Press, 2012]. Platform: Postgraduate Journal of Theatre Arts, 7 (2). pp. 92-95. ISSN 1751-0171

S

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Compositional practice in and as musical research: a led/based solution. In: Creativity: Method or Madness?, 26–27 May 2015, University of Glasgow.

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2019) From lace pattern to notation and back again: integrating visual arts approaches in notation for guided improvisation. In: Notation for Improvisors Conference, 9 February 2019, Institute for Musical Research, Senate House, London.

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) Inventing fragments, manipulating time. In: The Making of Musical Time: Temporality in Musical Composition and Performance (Orpheus Institute), 25-26 Feb 2015, Ghent, Belgium.

Scheuregger, Martin (2017) 'Joint Show': finding teaching excellence through experiential learning. In: National Association of Music in Higher Education Annual Conference – Snakes and Ladders?: Negotiating the new TEF landscape, 2 May 2017, University of Cambridge.

Scheuregger, Martin (2018) Spectral temporality in the music of George Benjamin. In: Royal Musical Association Annual Conference 2018, 13–15 September 2018, Department of Music, University of Bristol.

Scheuregger, Martin (2017) Spectral thinking in the music of George Benjamin. In: Spectralisms: an international conference, 15–16 March 2017, Faculty of Music, University of Oxford.

Scheuregger, Martin (2018) Why are we scared of new classical music? In: TEDx Brayford Pool, 30 June 2018.

Scheuregger, Martin (2017) The composer's voice in contemporary music scholarship. In: Writing About Contemporary Artists: Challenges, Practices and Complexities, 20–22 October 2017, University of Surrey.

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Sound Agendas Composers’ Conferences, 27–29 April 2018, Centre for New Music, University of Sheffield.

Scheuregger, Martin and Leedham, Christopher (2018) The composer's place in academia. In: Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research in Music Studies, 16–17 April 2018, Institute for Musical Research, School of Advanced Study, University of London.

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Scheuregger, Martin (2013) In that solitude. [Video]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Scheuregger, Martin (2019) The Music of Thomas Simaku. Tempo, 73 (290). pp. 40-50. ISSN 0040-2982

Scheuregger, Martin (2019) Redefining idiomatic writing for the pedal harp. Contemporary Music Review, 38 (6). pp. 553-576. ISSN 0749-4467

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

Scheuregger, Martin (2021) Teaching Musical Analysis as an Aural Skill. In: The Routledge Companion to Aural Skills Pedagogy. Routledge, pp. 58-76. ISBN 9780367226893, 9780429276392

Scheuregger, Martin (2021) Temporal Experience in George Benjamin’s Sudden Time. In: Time in Variance. Brill, Leiden, pp. 291-318. ISBN 9789004470170

Scheuregger, Martin (2020) The role of the written element in composition PhDs in the UK: qualitative and quantitative survey data. [Dataset]

Scheuregger, Martin and Efthymiou, Litha (2020) Composer-composer collaboration and the difficulty of intradisciplinarity. Airea: Arts and Interdisciplinary Research, 2 . pp. 23-35. ISSN 2516-8061

Scheuregger, Martin and Leedham, Christopher (2020) The Purpose of the Written Element in Composition PhDs. In: Researching and Writing on Contemporary Art and Artists. Palgrave Macmillan, pp. 65-90. ISBN 9783030392321

Scheuregger, Martin Daniel (2015) Conceptions of time and form in twentieth and twenty-first-century music. PhD thesis, University of York.

Smith, Neil Thomas and Thwaites, Rachel (2018) Narratives of originality in competitive composition opportunities for 'emerging composers'. Tempo, 72 (283). pp. 45-55. ISSN 0040-2982

Smith, Neil Thomas and Thwaites, Rachel (2018) The composition of precarity: ‘emerging’ composers’ experiences of opportunity culture in contemporary classical music. British Journal of Sociology . ISSN 0007-1315

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Symonds, Dominic (2019) Welcoming Voices: Memory, Migration and Music. Performance Research, 24 (1). pp. 17-24. ISSN 1352-8165

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

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Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

Thompson, Marie (2016) Power over, power to: affect, music and contestations of social space. In: Popular Music and Power: Sonic Materiality between Cultural Studies and Music Analysis, 24-25 June 2016, Humboldt University, Berlin.

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary.

Thompson, Marie (2017) Sounding the revanchist city. In: Conversations in Sound and Power, 31 March 3017, Utrecht University.

Thompson, Marie (2017) Spinoza and musical power. In: Spinoza's Artes, 11 August 2017, University of Sydney.

Thompson, Marie (2017) Uterine audiophilia: feminized mediation, pre-natal speakers and sonic reproduction. In: Research Colloquium, 7 November 2017, Oxford University.

Thompson, Marie (2017) Uterine soundsystems, feotal 'listening' and the auditory politics of the future. In: The Future Sound of Pop Music, 30 November - 2 December 2017, University of the Arts, Bern.

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

Thompson, Marie (2017) Experimental music and the question of what a body can do. In: Musical encounters with Deleuze and Guattari. Bloomsbury, pp. 149-167. ISBN 9781501316746

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2018) Gendered Sound. In: The Routledge Companion to Sound Studies. Routledge, pp. 108-117. ISBN UNSPECIFIED

Thompson, Marie (2016) Low quality sonic snapshots: the smartphone as a feminized recording device. Sound::Gender::Feminism::Activism Zine . pp. 29-30. ISSN .

Thompson, Marie (2020) Sonic Feminisms: Doing Gender in Neoliberal Times. In: Bloomsbury Handbook of Sonic Methodologies. Bloomsbury. ISBN UNSPECIFIED

Thompson, Marie (2017) To soothe or remove? Affect, revanchism and the weaponized use of classical music. Communication and the Public, 2 (4). pp. 272-283. ISSN 2057-0473

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

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Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Westerside, Andrew, Lawrence, Conan, Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Weston, Robert Paul (2015) Blues for Zoey. Flux/North Star Editions (USA) / Penguin Random House/Razorbill (Canada). ISBN 0738743402, 978-0738743400

Whittaker, Jason (2012) Mental fight, corporeal war and righteous dub: the struggle for 'Jerusalem', 1979-2009. In: Blake 2.0: William Blake in twentieth-century art, music and culture. Palgrave, pp. 263-273. ISBN 9780230280335

Whittaker, Jason (2016) The pornography of science: Curtis, Ballard and Burroughs. In: Joy devotion: the importance of Ian Curtis and fan culture. Headpress, pp. 34-40. ISBN UNSPECIFIED

Whittaker, Jason (2022) All Too Human: Industrial Bodies and Anti- bodies in the Time of AIDS. In: Bodies, Noise and Power in Industrial Music. Routledge. ISBN 978-3030924614

Whittaker, Jason (2018) Blake and Music. Blake, An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Whittaker, Jason (2019) Blake and Music. In: The Reception of William Blake in Europe. Bloomsbury, pp. 673-684. ISBN 9781472507457

Whittaker, Jason (2018) Blake and Music, 2017. Blake/An Illustrated Quarterly, 52 (1). ISSN 0160-628X

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Whittaker, Jason (2021) Blake and Music, 2020. Blake, An Illustrated Quarterly, 55 (1). ISSN 0160-628X

Whittaker, Jason (2018) Blake and the New Jerusalem: Art and English Nationalism into the Twenty-First Century. Visual Culture in Britain, 19 (3). pp. 380-392. ISSN 1471-4787

Whittaker, Jason (2019) Jerusalem set to music: A selected discography. Blake/An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Whittaker, Jason (2022) Jerusalem: Blake, Parry, and the Fight for Englishness. Oxford University Press. ISBN 9780192845870

Whittaker, Jason and Oliveira, Camila (2022) Blake and Music, 2021. Blake, An Illustrated Quarterly, 56 (1). ISSN 0160-628X

Whittaker, Jason and Potter, Elizabeth (2022) Bodies, Noise and Power in Industrial Music (Pop Music, Culture and Identity). Palgrave Macmillan. ISBN 978-3030924614, 3030924610