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O'Neill, Mary (2009) Verloren. De Gids: Serenity and Anxiety (5).
O'Neill, Mary (2013) What’s your problem? Performance art and the question of value. Miami Performance '13 .
Scheer, Anna (2010) Don’t expect too much from the end of the world! Christoph Schlingensief’s "Church of Fear”. ANTITHESIS, 20 . pp. 92-111. ISSN 1030-3839
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Bartram, Angela (2012) Between bodies: an artist’s account of the oral connection between human and dog. In: Intimacy across visceral and digital performance. Palgrave Macmillan, London. ISBN 9780230348868
Bracey, Andrew (2010) Electric moving shadow garden. In: UnSpooling: Artists & Cinema. Cornerhouse, Manchester, pp. 6-10. ISBN 9780955047862
Charnley, Clare and Azevedo, Patricia (2010) Leave blank (2009/2010). In: Crunchtime2010 catalogue. Martins publishing, p. 38. ISBN 97809565462
Clarke, Andy and Mitchell, Grethe (2013) An interview with Eddo Stern. In: Videogames and art [second edition]. University of Chicago Press, USA and Intellect Books, UK. ISBN 9781841504193
Clarricoates, Rhiannon (2018) ‘Chapter 3: The Discovery of the Baroque Wall Paintings in the East Staircase.’. In: Stowe House: Saving An Architectural Masterpiece. Scala Arts & Heritage Publishers Ltd, pp. 115-119. ISBN 978-1-78551-111-0
Cologni, Elena (2016) Dialogic approach for the artist as an interface in an intercultural society. In: The Routledge International Handbook of Intercultural Arts Research. Routledge International Handbooks . Routledge, pp. 215-226. ISBN 9781138909939
Lang, Martin (2022) The truth in painting 1993. In: Painting, photography, and the digital: crossing the borders of the mediums. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 133-158. ISBN 152758917X, 9781527589179
Mitchell, Grethe (2013) Figures in a landscape: in conversation with Gibson/Martelli (igloo). In: Videogames and art [second edition]. University of Chicago Press, USA and Intellect Books, UK. ISBN 9781841504193
Mitchell, Grethe and Clarke, Andy (2007) Introduction. In: Videogames and Art [First Edition]. University of Chicago Press and Intellect Books, Chicago and Bristol, pp. 7-22. ISBN 9781841501420
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Mitchell, Grethe and Clarke, Andy (2003) Videogame art: remixing, reworking and other interventions. In: Level Up. Utrecht University, Utrecht, pp. 338-348. ISBN 9039335508
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Scheer, Anna (2021) Evocative Wordplay and Utopian Image-traces in Schlingensief’s Participatory Projects. In: Arbeit am Bild. Christoph Schlingensief und die Tradition. Inter/media (14). Wilhelm: Fink Verlag, Austria, pp. 245-260. ISBN UNSPECIFIED
Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196
Sicchio, Kate (2012) Hacking choreography beta v.02 (2012). In: On turtles and dragons and the dangerous quest for a media art notation system. Times Up Press, Linz. ISBN 9781300943600, 5800086962958
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Khatri, Bishnu, Timalsina, Rajib and Poudel, Sanjay (2022) Policy Brief: “Reducing Child Labor through Art based Approaches” Bhusaldanda Child Club, Tansen, Palpa. Technical Report. N/A.
Bartram, Angela (2012) The performance of pain: the consequences for the performing body and its portrayal of mental health. In: Confined Spaces: Considering Performance, Madness, and Psychiatry, 17-18 September 2012, Corpus Christi College Cambridge.
Collinson, Stewart (2012) To, er, is human. To hmmm? is sublime. In: John Cage: Man-Work-Paradox, 16-18 October 2012, Academy of Music, Krakow, Poland.
Cologni, Elena (2012) SPA(E)CIOUS PRESENT, Dynamics of collective and individual experiences of space and duration within specious present, adopting technologies for enhancing audience engagement, while producing forms of documentation. In: How Performance thinks, 13-14 April 2012, London Studio Centre.
Morrad, Annie and Dutton, Steve (2016) Words fail me. In: Research Practice: Practice Research, 15 July 2016, NAFAE Cumbria.
O'Neill, Mary (2005) Art and money: experience, destruction, exposure. In: Money and Culture: XIII Annual Conference on Cross-currents in literature, film and the visual arts 2005, 6-8 May 2005, Cork, Ireland.
O'Neill, Mary (2009) Death, art and mortality awareness: images of the dead in contemporary art. In: Death, Dying and Disposal Conference (DDD09), September 2009, Institute of Advanced Study, Durham University,.
O'Neill, Mary (2012) Entitlement, empathy and the ethics of representation: contemporary art and the appropriation of trauma. In: Interrogating Trauma in the Humanities, 20th - 23rd August 2012, University of Lincoln.
O'Neill, Mary (2010) A year of living dangerously: collaborating with undergraduate students. In: International Conference on Learning & Teaching: Creative Pedagogies, Changing Perspectives, Crossing Boundaries, 9th June 2010, Singapore.
O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.
Shepley, Alec (2014) Camping in a mud house: ruins and fragments as tropes of reflexivity. In: 9th International Conference on the Arts in Society, 24-27 June 2014, Sapienza University, Rome.
Shepley, Alec (2015) Student as curator: exhibition methodologies expanded + reimagined. In: Symposium on: Embedding Partnership in Teaching & Learning, 2 June 2015, University of Lincoln.
Shepley, Alec (2015) Thinking through uncertain and paradoxical practices (#1): aesthetic disengagement and escapology. In: Paradox: alternative zones uncovering the official and unofficial in fine art practice, research and education, 9-11, September 2015, The University of the Arts in Poznan, Poland.
Wilczek, Emily (2019) Radical film exhibition – a local perspective. In: Transnational Radical Film Cultures: An International Conference on Film, Aesthetics and Politics, 03-05 June 2019, Nottingham, UK.
Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.
Bartram, Angela and O'Neill, Mary (2014) BartramONeill Actions 2009 - 2014 [iBook]. Apple iBook. ISBN UNSPECIFIED
Clarke, Andy and Mitchell, Grethe (2007) Videogames and art [1st Edition]. Intellect Books and University of Chicago Press, Bristol, UK and Chicago USA. ISBN 9781841501420, 1841501425
Clarke, Andy and Mitchell, Grethe (2013) Videogames and art [2nd Edition]. Intellect, The University of Chicago Press, Chicago, USA and Bristol, UK. ISBN 184150419X, 9781841504193
Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143
Mather, George (2013) The psychology of visual art: eye, brain, and art. Cambridge University Press, Cambridge, UK. ISBN 9781107005983, 9780521184793
Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940
Shepley, Alec (2015) Ibid. Sisyphean Projects, England. ISBN 9780993192807
Xu, Rujia (2019) Art and Text Collisions in Contemporary Chinese Art. PhD thesis, University of Lincoln.
Burge, Catherine, Allington, Edward and Charnley, Clare (2010) Often failed sculptures are more interesting. [Artefact]
Hammad, Medina and Charnley, Clare (2010) Menagerie. [Artefact]
Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]
Collinson, Stewart and Szigetvári, Andrea (2009) (COsMIC) ∫OUND∫ of (EAR)th. [Event, Show or Exhibition]
Hudson, John (2013) Migraine art. [Event, Show or Exhibition]
McClenagehen, John and Shepley, Alec (2012) Distance 2. [Event, Show or Exhibition]
Shepley, Alec (2014) IBID. [Event, Show or Exhibition]
Shepley, Alec (2010) '... but the steady renegotiation of small realities'. [Event, Show or Exhibition]
Shepley, Alec, Ackroyd-Willoughby, Lily, Ainsworth, Mike, Bradshaw, Alice, Catterall, Lydia, Dennis, Spike, Drenth, Natalie, Hardaker, Emma, Hopkins, Phill, Hurst, Edward, Jones, Luc, MacGarry, Ellie, Martin, Bess, McGinn, Tom, Moody-Smith, Emma, Miorin, Julia, Mor, Shanie, Plumb, Leo, Pooler, Ned, Quaia, Stanley, Turner, Will, Welding, Philip and Wheeldon, Matt (2014) La mariée mise à nu par ses célibataires, même. [Event, Show or Exhibition]
Shepley, Alec, Bartram, Angela, Plowman, John, Bracey, Andrew, Holt, Roy, Burge, Catherine, Charnley, Clare, Watts, Lisa, Chiara, Miriam, Garcia, Lucas Delfino, Cifre-Cedre, Joana, Edwards, Paul, Cuthbertson, Tom, Hammad, Medina, Plowman, John, Healey, Michael, James, Keith, Cross, Robert, Fong Ling, Yuen, Holland, Rachel and Paz, Fabiola (2010) Pebbles and avalanches. [Event, Show or Exhibition]
Streffen, Isabella, Robinson, Alistair, Knight, Peter, Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]
Wilczek, Emily and Nesbitt, Ian (2015) ANNEXINEMA | Island: Adaptations. [Event, Show or Exhibition]
Wilczek, Emily and Nesbitt, Ian (2015) ANNEXINEMA | Island: Variations. [Event, Show or Exhibition]
Collinson, Stewart, Hajdu, Georg, Szigetvári, Andrea, Kretz, Johannes, Siska, Adam, Nigermann, Kai and Larson, Andy (2012) Symposium of laptop ensembles and orchestras, Louisiana State University Baton Rouge US. [Performance]