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Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Crossley, Alice (2023) ‘Beliefs and Cultures: The Good, The Bad and The Aged Other in the Nineteenth Century’. In: A Cultural History of Old Age in the Era of Industry and Empire (1800-1920). Bloomsbury. ISBN UNSPECIFIED
Crossley, Alice (2023) ‘Beliefs and Cultures: The Good, The Bad and The Aged Other in the Nineteenth Century’. In: A Cultural History of Old Age in the Era of Industry and Empire (1800-1920). Bloomsbury. ISBN UNSPECIFIED
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Cheshire, Jim (2022) King Arthur Goes Mainstream: Tennyson’s Cornish Tours and Idylls of the King. In: The Legend of King Arthur: Pilgrimage, Place and the Pre-Raphaelites. Sansom, Bristol. ISBN 978-1-911408-89-5
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .
Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857
Corry, Maya (2020) Contemplating Angels: Artworks for Domestic Devotion from Renaissance Lombardy. In: The Announcement: Annunciations and Beyond. De Gruyter, pp. 113-136. ISBN 9783110359220
Roos, Anna Marie, ed. (2024) The Scientific Grand Tour: The Travel Diary of Martin Folkes (1690-1754). Hakluyt Society (Routledge). ISBN UNSPECIFIED
Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553
Fernandez-Gonzalez, Laura (2021) El Monasterio de San Lorenzo de El Escorial, Carlos II y la Fama de los Austrias de España. In: Le règne de Charles II. Grandeurs et misères. Estudes Hispaniques, Paris. ISBN 9782853551175
Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .
Fernandez-Gonzalez, Laura (2020) Architectural Hybrids? Building, Law and Architectural Design in the Early Modern Iberian World, In Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies, 34 (4). pp. 550-571. ISSN 0269-1213
Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .
Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213
Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie), eds. (2019) Special Issue on Visual and Spatial Hybridity in the Early Modern Iberian World. Renaissance Studies, 34 (4). Wiley. ISBN UNSPECIFIED
Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .
Mcdonnell, Phillipa (2020) Architectural Paint Research and the Archaeology of Buildings. The Archaeological Journal, 177 (1). pp. 140-166. ISSN 0066-5983
Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411
Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411
Waites, Ian (2020) The postwar British power station as rural Picturesque ornament. In: New Lives, New Landscapes: Rural Modernism in Twentieth-Century Britain, 1-2 August 2019, Northumbria University.
Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411
Wharton, Alyson (2020) ‘I have the honour to inform you that I have just arrived from Constantinople’: Migration, Identity and Commodity Disavowal in the Formation of the Islamic Art Collection at the V&A. Museum and Society, 18 (2). pp. 258-279. ISSN 1479-8360
Wharton, Alyson (2020) Sopon Bezirdjian, Craft, Heritage and Identity in Victorian Manchester. In: Craft and Heritage. Bloomsbury Academic. ISBN UNSPECIFIED
Wharton, Alyson (2022) Wharton, Alyson (2022), The Missing Pages: The Modern Life of a Medieval Manuscript from Genocide to Justice, Heghnar Zeitlian Watenpaugh (2019). International Journal of Islamic Architecture, 11 (1). pp. 191-193. ISSN 2045-5895
Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]
Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.
Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857
Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.
Rosenfeld, Jason and Dowling, John (2012) John Everett Millais. Phaidon Press, London. ISBN 9780714839776
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130
Wharton, Alyson (2020) ‘I have the honour to inform you that I have just arrived from Constantinople’: Migration, Identity and Commodity Disavowal in the Formation of the Islamic Art Collection at the V&A. Museum and Society, 18 (2). pp. 258-279. ISSN 1479-8360
Liuzzo Scorpo, Antonella, ed. (2023) A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden. ISBN 9789004683754, 9789004425460
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Fernandez-Gonzalez, Laura (2021) Philip II of Spain and the Architecture of Empire. Penn State University Press. ISBN 9780271087245
Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773
Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History, 26 (3). pp. 342-357. ISSN 0968-3445
Morrison, John (2014) Painting Labour in Scotland and Europe, 1850-1900. Ashgate. ISBN 9781472415196
Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X
Rosenfeld, Jason and Dowling, John (2012) John Everett Millais. Phaidon Press, London. ISBN 9780714839776
Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Fernandez-Gonzalez, Laura (2021) Philip II of Spain and the Architecture of Empire. Penn State University Press. ISBN 9780271087245
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]
Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X
Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.
Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Cheshire, Jim (2020) Remediation, Medievalism and Empire in T. W. Camm’s ‘Jubilee of Nations’ Window at Great Malvern Priory. 19: Interdisciplinary Studies in the Long Nineteenth Century, 2020 (30). pp. 1-20. ISSN 1755-1560
Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: Sacred Thresholds: The Door to the Sanctuary in Late Antiquity. Religions in the Graeco-Roman World (185). Brill, Leiden, pp. 341-370. ISBN 9789004368590
Shilling, Brooke (2016) Fountains of paradise in early Byzantine art, homilies and hymns. In: Fountains and water culture in Byzantium. Cambridge University Press, Cambridge, pp. 208-228. ISBN 9781107105997
Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: Sacred Thresholds: The Door to the Sanctuary in Late Antiquity. Religions in the Graeco-Roman World (185). Brill, Leiden, pp. 341-370. ISBN 9789004368590
Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Lang, Martin (2013) Carl Andre: Mass & Matter//Rosa Barba: Subject to Constant Change. Artists Newsletter . ISSN .
Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885
Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885
Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543
Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115
Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Roos, Anna Marie (2022) Head in the Clouds: Unpublished correspondence between John Ruskin and Oliver Lodge. The Ruskin Review, 15 . pp. 4-29. ISSN 1745-3895
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367
Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Lang, Martin (2012) Painting: Documents of Contemporary Art [edited by Terry R. Myers, Whitechapel Gallery Press, 2012]. a-n magazine . ISSN .
Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885
Cheshire, Jim (2022) King Arthur Goes Mainstream: Tennyson’s Cornish Tours and Idylls of the King. In: The Legend of King Arthur: Pilgrimage, Place and the Pre-Raphaelites. Sansom, Bristol. ISBN 978-1-911408-89-5
Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.
Wharton, Alyson (2020) Sopon Bezirdjian, Craft, Heritage and Identity in Victorian Manchester. In: Craft and Heritage. Bloomsbury Academic. ISBN UNSPECIFIED
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917
Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]
Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885
Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115
Liuzzo Scorpo, Antonella, ed. (2023) A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden. ISBN 9789004683754, 9789004425460
Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History, 26 (3). pp. 342-357. ISSN 0968-3445
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]
Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .
Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Fernandez-Gonzalez, Laura (2021) El Monasterio de San Lorenzo de El Escorial, Carlos II y la Fama de los Austrias de España. In: Le règne de Charles II. Grandeurs et misères. Estudes Hispaniques, Paris. ISBN 9782853551175
Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617
Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]
Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]
Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .
Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773
Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .
Fernandez-Gonzalez, Laura (2020) Architectural Hybrids? Building, Law and Architectural Design in the Early Modern Iberian World, In Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies, 34 (4). pp. 550-571. ISSN 0269-1213
Corry, Maya, Faini, Marco and Meneghin, Alessia (2018) Domestic Devotions in Early Modern Italy. In: Domestic Devotions in Early Modern Italy. Intersections . Brill. ISBN UNSPECIFIED
Corry, Maya (2018) Delight in Painted Companions: Shaping the Soul from Birth in Early Modern Italy. In: Domestic Devotions in Early Modern Italy. Brill, pp. 310-341. ISBN UNSPECIFIED
Corry, Maya, Faini, Marco and Meneghin, Alessia (2018) Domestic Devotions in Early Modern Italy. Intersections, 59 . Brill. ISBN 978-90-04-37587-1
Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745
Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Rosenfeld, Jason and Dowling, John (2012) John Everett Millais. Phaidon Press, London. ISBN 9780714839776
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619
Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.
Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Streffen, Isabella, Robinson, Alistair, Knight, Peter, Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]
Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Shilling, Brooke (2016) Fountains of paradise in early Byzantine art, homilies and hymns. In: Fountains and water culture in Byzantium. Cambridge University Press, Cambridge, pp. 208-228. ISBN 9781107105997
Cheshire, Jim (2022) King Arthur Goes Mainstream: Tennyson’s Cornish Tours and Idylls of the King. In: The Legend of King Arthur: Pilgrimage, Place and the Pre-Raphaelites. Sansom, Bristol. ISBN 978-1-911408-89-5
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Cheshire, Jim (2020) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford, pp. 447-462. ISBN 9780199669509
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie), eds. (2019) Special Issue on Visual and Spatial Hybridity in the Early Modern Iberian World. Renaissance Studies, 34 (4). Wiley. ISBN UNSPECIFIED
Fernandez-Gonzalez, Laura (2020) Architectural Hybrids? Building, Law and Architectural Design in the Early Modern Iberian World, In Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies, 34 (4). pp. 550-571. ISSN 0269-1213
Roos, Anna Marie (2019) Goldfish. Animal . Reaktion Books, London. ISBN 978 1 78914 135 1, 978 1 78914 170 2
Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X
Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745
Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553
Cheshire, Jim (2020) Remediation, Medievalism and Empire in T. W. Camm’s ‘Jubilee of Nations’ Window at Great Malvern Priory. 19: Interdisciplinary Studies in the Long Nineteenth Century, 2020 (30). pp. 1-20. ISSN 1755-1560
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Cheshire, Jim (2020) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford, pp. 447-462. ISBN 9780199669509
Rosenfeld, Jason and Dowling, John (2012) John Everett Millais. Phaidon Press, London. ISBN 9780714839776
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Fernandez-Gonzalez, Laura (2021) Philip II of Spain and the Architecture of Empire. Penn State University Press. ISBN 9780271087245
Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773
Fernandez-Gonzalez, Laura (2021) Philip II of Spain and the Architecture of Empire. Penn State University Press. ISBN 9780271087245
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Liuzzo Scorpo, Antonella (2023) Introduction. Simon Barton’s Scholarly Legacy: Challenging Historiographical Narratives in Medieval Mediterranean and Iberian Studies. In: A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden, pp. 1-11. ISBN 9789004683754
Vescovi, Michele (2021) ‘Transregional Dynamics, Monastic Networks: Santa Fede in Cavagnolo, Conques, and the Geography of Romanesque Art’. In: The Regional and Transregional in Romanesque Europe. British Archaeological Association / Routledge, London and New York, pp. 103-118. ISBN 9780367752552, 9781003162827
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Wharton, Alyson (2022) Wharton, Alyson (2022), The Missing Pages: The Modern Life of a Medieval Manuscript from Genocide to Justice, Heghnar Zeitlian Watenpaugh (2019). International Journal of Islamic Architecture, 11 (1). pp. 191-193. ISSN 2045-5895
Roos, Anna Marie, ed. (2024) The Scientific Grand Tour: The Travel Diary of Martin Folkes (1690-1754). Hakluyt Society (Routledge). ISBN UNSPECIFIED
Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]
Roos, Anna Marie (2022) Head in the Clouds: Unpublished correspondence between John Ruskin and Oliver Lodge. The Ruskin Review, 15 . pp. 4-29. ISSN 1745-3895
Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.
Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856
Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213
Fernandez-Gonzalez, Laura (2021) Philip II of Spain and the Architecture of Empire. Penn State University Press. ISBN 9780271087245
Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773
Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213
Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617
Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213
Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.
Cheshire, Jim (2022) King Arthur Goes Mainstream: Tennyson’s Cornish Tours and Idylls of the King. In: The Legend of King Arthur: Pilgrimage, Place and the Pre-Raphaelites. Sansom, Bristol. ISBN 978-1-911408-89-5
Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie), eds. (2019) Special Issue on Visual and Spatial Hybridity in the Early Modern Iberian World. Renaissance Studies, 34 (4). Wiley. ISBN UNSPECIFIED
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Waites, Ian (2020) The postwar British power station as rural Picturesque ornament. In: New Lives, New Landscapes: Rural Modernism in Twentieth-Century Britain, 1-2 August 2019, Northumbria University.
Vescovi, Michele (2019) Inscribing Presence. In: Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. Materiale Textkulturen. Schriftenreihe des Sonderforschungbereichs 933 (23). Walter de Gruyter GmbH, Berlin/Boston, pp. 137-164. ISBN 978-3-11-062913-2, 978-3-11-062915-6, 978-3-11-063347-4
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Liuzzo Scorpo, Antonella, ed. (2023) A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden. ISBN 9789004683754, 9789004425460
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Liuzzo Scorpo, Antonella, ed. (2023) A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden. ISBN 9789004683754, 9789004425460
Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543
Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X
Roos, Anna Marie (2022) Head in the Clouds: Unpublished correspondence between John Ruskin and Oliver Lodge. The Ruskin Review, 15 . pp. 4-29. ISSN 1745-3895
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.
Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.
Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.
Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X
Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619
Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .
Fernandez-Gonzalez, Laura (2021) Philip II of Spain and the Architecture of Empire. Penn State University Press. ISBN 9780271087245
Corry, Maya (2020) Contemplating Angels: Artworks for Domestic Devotion from Renaissance Lombardy. In: The Announcement: Annunciations and Beyond. De Gruyter, pp. 113-136. ISBN 9783110359220
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History, 26 (3). pp. 342-357. ISSN 0968-3445
Liuzzo Scorpo, Antonella, ed. (2023) A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden. ISBN 9789004683754, 9789004425460
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Roos, Anna Marie, ed. (2024) The Scientific Grand Tour: The Travel Diary of Martin Folkes (1690-1754). Hakluyt Society (Routledge). ISBN UNSPECIFIED
Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427
Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857
Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Vescovi, Michele Luigi (2012) ‘Monferrato' medievale. Crocevia di culture e sperimentazioni. Ricerche di S/Confine, 4 . Scripta Edizioni/University of Parma, Verona. ISBN 9788896162590
Vescovi, Michele Luigi (2012) ‘Monferrato' medievale. Crocevia di culture e sperimentazioni. Ricerche di S/Confine, 4 . Scripta Edizioni/University of Parma, Verona. ISBN 9788896162590
Vescovi, Michele Luigi (2012) The ‘Westernisation’ of an image: the fast of St. Nicholas and the monastic connection. In: Art history – the future is now. Studies in honor of Professor Vladimir P. Goss. Faculty of Humanities and Social Sciences, Rijeka, Croatia, pp. 300-312. ISBN 9789536104901
Vescovi, Michele (2020) Stone, Image, Body. Constructing the Memory of saint Dionysius in Regensburg. In: Romanesque Saints, Shrines and Pilgrimage. The British Archaeological Association Romanesque Transactions . British Archaeological Association/Routledge, London, pp. 157-171. ISBN 9780367202071
Vescovi, Michele (2021) ‘Transregional Dynamics, Monastic Networks: Santa Fede in Cavagnolo, Conques, and the Geography of Romanesque Art’. In: The Regional and Transregional in Romanesque Europe. British Archaeological Association / Routledge, London and New York, pp. 103-118. ISBN 9780367752552, 9781003162827
Liuzzo Scorpo, Antonella, ed. (2023) A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden. ISBN 9789004683754, 9789004425460
Liuzzo Scorpo, Antonella (2023) Introduction. Simon Barton’s Scholarly Legacy: Challenging Historiographical Narratives in Medieval Mediterranean and Iberian Studies. In: A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden, pp. 1-11. ISBN 9789004683754
Liuzzo Scorpo, Antonella (2023) Introduction. Simon Barton’s Scholarly Legacy: Challenging Historiographical Narratives in Medieval Mediterranean and Iberian Studies. In: A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden, pp. 1-11. ISBN 9789004683754
Liuzzo Scorpo, Antonella (2023) Introduction. Simon Barton’s Scholarly Legacy: Challenging Historiographical Narratives in Medieval Mediterranean and Iberian Studies. In: A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden, pp. 1-11. ISBN 9789004683754
Vescovi, Michele (2019) Inscribing Presence. In: Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. Materiale Textkulturen. Schriftenreihe des Sonderforschungbereichs 933 (23). Walter de Gruyter GmbH, Berlin/Boston, pp. 137-164. ISBN 978-3-11-062913-2, 978-3-11-062915-6, 978-3-11-063347-4
Vescovi, Michele (2019) Inscribing Presence. In: Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. Materiale Textkulturen. Schriftenreihe des Sonderforschungbereichs 933 (23). Walter de Gruyter GmbH, Berlin/Boston, pp. 137-164. ISBN 978-3-11-062913-2, 978-3-11-062915-6, 978-3-11-063347-4
Cheshire, Jim (2020) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford, pp. 447-462. ISBN 9780199669509
Liuzzo Scorpo, Antonella, ed. (2023) A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden. ISBN 9789004683754, 9789004425460
Liuzzo Scorpo, Antonella (2023) Introduction. Simon Barton’s Scholarly Legacy: Challenging Historiographical Narratives in Medieval Mediterranean and Iberian Studies. In: A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden, pp. 1-11. ISBN 9789004683754
Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.
Wiltshire, Imogen (2019) ‘(Un)healthy Minds’ and Visual and Tactile Arts, c.1900–1950. In: Healthy Minds in the Twentieth Century. Palgrave Macmillan, pp. 211-238. ISBN 978-3-030-27274-6, 978-3-030-27275-3
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .
Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543
Wiltshire, Imogen (2019) ‘(Un)healthy Minds’ and Visual and Tactile Arts, c.1900–1950. In: Healthy Minds in the Twentieth Century. Palgrave Macmillan, pp. 211-238. ISBN 978-3-030-27274-6, 978-3-030-27275-3
Waites, Ian (2020) The postwar British power station as rural Picturesque ornament. In: New Lives, New Landscapes: Rural Modernism in Twentieth-Century Britain, 1-2 August 2019, Northumbria University.
Vescovi, Michele Luigi (2012) The ‘Westernisation’ of an image: the fast of St. Nicholas and the monastic connection. In: Art history – the future is now. Studies in honor of Professor Vladimir P. Goss. Faculty of Humanities and Social Sciences, Rijeka, Croatia, pp. 300-312. ISBN 9789536104901
Vescovi, Michele (2021) ‘Transregional Dynamics, Monastic Networks: Santa Fede in Cavagnolo, Conques, and the Geography of Romanesque Art’. In: The Regional and Transregional in Romanesque Europe. British Archaeological Association / Routledge, London and New York, pp. 103-118. ISBN 9780367752552, 9781003162827
Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427
Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.
Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857
Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Roos, Anna Marie, ed. (2024) The Scientific Grand Tour: The Travel Diary of Martin Folkes (1690-1754). Hakluyt Society (Routledge). ISBN UNSPECIFIED
Hill, Kate (2015) Britain and the narration of travel in the nineteenth century: texts, images, objects. Ashgate. ISBN 9781472458353
Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X
Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Crossley, Alice (2023) ‘Beliefs and Cultures: The Good, The Bad and The Aged Other in the Nineteenth Century’. In: A Cultural History of Old Age in the Era of Industry and Empire (1800-1920). Bloomsbury. ISBN UNSPECIFIED
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Roos, Anna Marie (2022) Head in the Clouds: Unpublished correspondence between John Ruskin and Oliver Lodge. The Ruskin Review, 15 . pp. 4-29. ISSN 1745-3895
Wharton, Alyson (2020) Sopon Bezirdjian, Craft, Heritage and Identity in Victorian Manchester. In: Craft and Heritage. Bloomsbury Academic. ISBN UNSPECIFIED
Wharton, Alyson (2020) ‘I have the honour to inform you that I have just arrived from Constantinople’: Migration, Identity and Commodity Disavowal in the Formation of the Islamic Art Collection at the V&A. Museum and Society, 18 (2). pp. 258-279. ISSN 1479-8360
Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]
Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]
Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Lang, Martin (2012) Painting: Documents of Contemporary Art [edited by Terry R. Myers, Whitechapel Gallery Press, 2012]. a-n magazine . ISSN .
Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X
Morrison, John (2014) Painting Labour in Scotland and Europe, 1850-1900. Ashgate. ISBN 9781472415196
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
Cheshire, Jim (2007) Peter DeWint and the Victorians: 'the most truly English of our painters'. In: Peter DeWint 1784-1849: for the common observer of life and nature. Lund Humphries, UK, pp. 60-70. ISBN 9780853319375
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.
Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857
Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.
Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617
Fernandez-Gonzalez, Laura (2021) Philip II of Spain and the Architecture of Empire. Penn State University Press. ISBN 9780271087245
Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411
Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411
Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411
Cheshire, Jim (2020) Remediation, Medievalism and Empire in T. W. Camm’s ‘Jubilee of Nations’ Window at Great Malvern Priory. 19: Interdisciplinary Studies in the Long Nineteenth Century, 2020 (30). pp. 1-20. ISSN 1755-1560
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]
Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Wiltshire, Imogen (2020) Representations of Pain in the Artwork of Magdalena Abakanowicz. Kwartalnik Rzeźby Oronsko (4). ISSN 1230-6703
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781
Waites, Ian (2020) The postwar British power station as rural Picturesque ornament. In: New Lives, New Landscapes: Rural Modernism in Twentieth-Century Britain, 1-2 August 2019, Northumbria University.
Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]
Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Rosenfeld, Jason and Dowling, John (2012) John Everett Millais. Phaidon Press, London. ISBN 9780714839776
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411
Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411
Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411
Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781
Cheshire, Jim (2020) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford, pp. 447-462. ISBN 9780199669509
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543
Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917
Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130
Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857
Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857
Morrison, John (2014) Painting Labour in Scotland and Europe, 1850-1900. Ashgate. ISBN 9781472415196
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
A. Portugal, Vanessa (2023) Review. Darío Velandia Onofre, Destrucción y culto: políticas de la imagen sagrada en América y España (1563-1700). Journal of Early American History, 13 (1-4). ISSN 1877-0223
Cheshire, Jim (2020) Remediation, Medievalism and Empire in T. W. Camm’s ‘Jubilee of Nations’ Window at Great Malvern Priory. 19: Interdisciplinary Studies in the Long Nineteenth Century, 2020 (30). pp. 1-20. ISSN 1755-1560
Corry, Maya (2020) Contemplating Angels: Artworks for Domestic Devotion from Renaissance Lombardy. In: The Announcement: Annunciations and Beyond. De Gruyter, pp. 113-136. ISBN 9783110359220
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]
Corry, Maya (2017) Madonnas & Miracles: the Holy Home in Renaissance Italy. [Event, Show or Exhibition]
Corry, Maya (2017) Madonnas & Miracles: the Holy Home in Renaissance Italy. Philip Wilson. ISBN 9781781300534
Corry, Maya (2014) The Alluring Beauty of a Leonardesque Ideal: Masculinity and Spirituality in Renaissance Milan. In: Sex, Gender and the Sacred: Reconfiguring Religion in Gender History. Blackwell Publishing Ltd, pp. 170-194. ISBN 9781118833766
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427
Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288
Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X
Morrison, John (2014) Painting Labour in Scotland and Europe, 1850-1900. Ashgate. ISBN 9781472415196
Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Whittaker, Jason (2021) Divine Images: The Life and Work of William Blake. Reaktion Books, London. ISBN 9781789142877
Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]
Lang, Martin (2013) Carl Andre: Mass & Matter//Rosa Barba: Subject to Constant Change. Artists Newsletter . ISSN .
Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857
Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367
Morrison, John (2014) Painting Labour in Scotland and Europe, 1850-1900. Ashgate. ISBN 9781472415196
Cheshire, Jim (2020) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford, pp. 447-462. ISBN 9780199669509
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: Sacred Thresholds: The Door to the Sanctuary in Late Antiquity. Religions in the Graeco-Roman World (185). Brill, Leiden, pp. 341-370. ISBN 9789004368590
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Morrison, John (2014) Painting Labour in Scotland and Europe, 1850-1900. Ashgate. ISBN 9781472415196
Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Wiltshire, Imogen (2020) Representations of Pain in the Artwork of Magdalena Abakanowicz. Kwartalnik Rzeźby Oronsko (4). ISSN 1230-6703
Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Donald, Stephanie (2001) Exchange and Display: Republics of Taste and the Vision of Elder Statesmen. Communal/Plural: Journal of Transnational & Cross-Cultural Studies, 9 (2). pp. 183-202. ISSN xxxx xxxx xx
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
A. Portugal, Vanessa (2023) Review. Darío Velandia Onofre, Destrucción y culto: políticas de la imagen sagrada en América y España (1563-1700). Journal of Early American History, 13 (1-4). ISSN 1877-0223
Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745
Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553
Cheshire, Jim (2020) Remediation, Medievalism and Empire in T. W. Camm’s ‘Jubilee of Nations’ Window at Great Malvern Priory. 19: Interdisciplinary Studies in the Long Nineteenth Century, 2020 (30). pp. 1-20. ISSN 1755-1560
Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.
Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]
Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857
Roos, Anna Marie, ed. (2024) The Scientific Grand Tour: The Travel Diary of Martin Folkes (1690-1754). Hakluyt Society (Routledge). ISBN UNSPECIFIED
Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857
Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History, 26 (3). pp. 342-357. ISSN 0968-3445
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773
Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Rosenfeld, Jason and Dowling, John (2012) John Everett Millais. Phaidon Press, London. ISBN 9780714839776
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .
Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X
Wharton, Alyson (2020) ‘I have the honour to inform you that I have just arrived from Constantinople’: Migration, Identity and Commodity Disavowal in the Formation of the Islamic Art Collection at the V&A. Museum and Society, 18 (2). pp. 258-279. ISSN 1479-8360
Cheshire, Jim (2020) Remediation, Medievalism and Empire in T. W. Camm’s ‘Jubilee of Nations’ Window at Great Malvern Priory. 19: Interdisciplinary Studies in the Long Nineteenth Century, 2020 (30). pp. 1-20. ISSN 1755-1560
Cheshire, Jim (2020) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford, pp. 447-462. ISBN 9780199669509
Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745
Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]
Wharton, Alyson (2020) Sopon Bezirdjian, Craft, Heritage and Identity in Victorian Manchester. In: Craft and Heritage. Bloomsbury Academic. ISBN UNSPECIFIED
Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED
Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553
Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .
Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .
Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604
Wiltshire, Imogen (2019) ‘(Un)healthy Minds’ and Visual and Tactile Arts, c.1900–1950. In: Healthy Minds in the Twentieth Century. Palgrave Macmillan, pp. 211-238. ISBN 978-3-030-27274-6, 978-3-030-27275-3
Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617
Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .
A. Portugal, Vanessa (2023) Review. Darío Velandia Onofre, Destrucción y culto: políticas de la imagen sagrada en América y España (1563-1700). Journal of Early American History, 13 (1-4). ISSN 1877-0223
Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Cheshire, Jim (2007) Peter DeWint and the Victorians: 'the most truly English of our painters'. In: Peter DeWint 1784-1849: for the common observer of life and nature. Lund Humphries, UK, pp. 60-70. ISBN 9780853319375
Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Whittaker, Jason (2021) Divine Images: The Life and Work of William Blake. Reaktion Books, London. ISBN 9781789142877
Cheshire, Jim (2020) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford, pp. 447-462. ISBN 9780199669509
Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299
Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Corry, Maya (2020) Contemplating Angels: Artworks for Domestic Devotion from Renaissance Lombardy. In: The Announcement: Annunciations and Beyond. De Gruyter, pp. 113-136. ISBN 9783110359220
Barrett, Graham, East, Matt, Fitzgibbons, Jonathan, Vescovi, Michele and Wood, Jamie (2023) Reading through the Pandemic: Promoting Active Digital Engagement with Text-Based Resources. IMPact: e-Journal of Higher Education Research, 6 (2). pp. 1-30. ISSN 2516-7561
Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540
Whittaker, Jason (2021) Divine Images: The Life and Work of William Blake. Reaktion Books, London. ISBN 9781789142877
Streffen, Isabella, Robinson, Alistair, Knight, Peter, Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259
Streffen, Isabella, Robinson, Alistair, Knight, Peter, Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]
Roos, Anna Marie (2022) Head in the Clouds: Unpublished correspondence between John Ruskin and Oliver Lodge. The Ruskin Review, 15 . pp. 4-29. ISSN 1745-3895
Hill, Kate (2021) Afterword. 19: Interdisciplinary Studies in the Long Nineteenth Century, 31 . ISSN 1755-1560
Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298
Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.
Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298
Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.
Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115
Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.
Whittaker, Jason (2021) Divine Images: The Life and Work of William Blake. Reaktion Books, London. ISBN 9781789142877
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553
Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367
Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952
Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617
Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]
Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.
Mcdonnell, Phillipa (2020) Architectural Paint Research and the Archaeology of Buildings. The Archaeological Journal, 177 (1). pp. 140-166. ISSN 0066-5983
Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Barrett, Graham, East, Matt, Fitzgibbons, Jonathan, Vescovi, Michele and Wood, Jamie (2023) Reading through the Pandemic: Promoting Active Digital Engagement with Text-Based Resources. IMPact: e-Journal of Higher Education Research, 6 (2). pp. 1-30. ISSN 2516-7561
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History, 26 (3). pp. 342-357. ISSN 0968-3445
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Donald, Stephanie (2001) Exchange and Display: Republics of Taste and the Vision of Elder Statesmen. Communal/Plural: Journal of Transnational & Cross-Cultural Studies, 9 (2). pp. 183-202. ISSN xxxx xxxx xx
Hill, Kate (2021) Afterword. 19: Interdisciplinary Studies in the Long Nineteenth Century, 31 . ISSN 1755-1560
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Donald, Stephanie (2001) Exchange and Display: Republics of Taste and the Vision of Elder Statesmen. Communal/Plural: Journal of Transnational & Cross-Cultural Studies, 9 (2). pp. 183-202. ISSN xxxx xxxx xx
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Mcdonnell, Phillipa (2020) Architectural Paint Research and the Archaeology of Buildings. The Archaeological Journal, 177 (1). pp. 140-166. ISSN 0066-5983
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Barrett, Graham, East, Matt, Fitzgibbons, Jonathan, Vescovi, Michele and Wood, Jamie (2023) Reading through the Pandemic: Promoting Active Digital Engagement with Text-Based Resources. IMPact: e-Journal of Higher Education Research, 6 (2). pp. 1-30. ISSN 2516-7561
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Barrett, Graham, East, Matt, Fitzgibbons, Jonathan, Vescovi, Michele and Wood, Jamie (2023) Reading through the Pandemic: Promoting Active Digital Engagement with Text-Based Resources. IMPact: e-Journal of Higher Education Research, 6 (2). pp. 1-30. ISSN 2516-7561
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Barrett, Graham, East, Matt, Fitzgibbons, Jonathan, Vescovi, Michele and Wood, Jamie (2023) Reading through the Pandemic: Promoting Active Digital Engagement with Text-Based Resources. IMPact: e-Journal of Higher Education Research, 6 (2). pp. 1-30. ISSN 2516-7561
Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427
Roos, Anna Marie (2019) Goldfish. Animal . Reaktion Books, London. ISBN 978 1 78914 135 1, 978 1 78914 170 2
Roos, Anna Marie, ed. (2024) The Scientific Grand Tour: The Travel Diary of Martin Folkes (1690-1754). Hakluyt Society (Routledge). ISBN UNSPECIFIED
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History, 26 (3). pp. 342-357. ISSN 0968-3445
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Mcdonnell, Phillipa (2020) Architectural Paint Research and the Archaeology of Buildings. The Archaeological Journal, 177 (1). pp. 140-166. ISSN 0066-5983
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.
Whittaker, Jason (2021) Divine Images: The Life and Work of William Blake. Reaktion Books, London. ISBN 9781789142877
Crossley, Alice (2023) ‘Beliefs and Cultures: The Good, The Bad and The Aged Other in the Nineteenth Century’. In: A Cultural History of Old Age in the Era of Industry and Empire (1800-1920). Bloomsbury. ISBN UNSPECIFIED
Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Mcdonnell, Phillipa (2020) Architectural Paint Research and the Archaeology of Buildings. The Archaeological Journal, 177 (1). pp. 140-166. ISSN 0066-5983
Vescovi, Michele (2020) Stone, Image, Body. Constructing the Memory of saint Dionysius in Regensburg. In: Romanesque Saints, Shrines and Pilgrimage. The British Archaeological Association Romanesque Transactions . British Archaeological Association/Routledge, London, pp. 157-171. ISBN 9780367202071
Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288
Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X
Liuzzo Scorpo, Antonella, ed. (2023) A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden. ISBN 9789004683754, 9789004425460
Mcdonnell, Phillipa (2020) Architectural Paint Research and the Archaeology of Buildings. The Archaeological Journal, 177 (1). pp. 140-166. ISSN 0066-5983
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Lang, Martin (2013) Carl Andre: Mass & Matter//Rosa Barba: Subject to Constant Change. Artists Newsletter . ISSN .
Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X
Waites, Ian (2020) The postwar British power station as rural Picturesque ornament. In: New Lives, New Landscapes: Rural Modernism in Twentieth-Century Britain, 1-2 August 2019, Northumbria University.
Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Liuzzo Scorpo, Antonella, ed. (2023) A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden. ISBN 9789004683754, 9789004425460
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Roos, Anna Marie (2019) Goldfish. Animal . Reaktion Books, London. ISBN 978 1 78914 135 1, 978 1 78914 170 2
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Crossley, Alice (2023) ‘Beliefs and Cultures: The Good, The Bad and The Aged Other in the Nineteenth Century’. In: A Cultural History of Old Age in the Era of Industry and Empire (1800-1920). Bloomsbury. ISBN UNSPECIFIED
Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856
Barrett, Graham, East, Matt, Fitzgibbons, Jonathan, Vescovi, Michele and Wood, Jamie (2023) Reading through the Pandemic: Promoting Active Digital Engagement with Text-Based Resources. IMPact: e-Journal of Higher Education Research, 6 (2). pp. 1-30. ISSN 2516-7561
Wiltshire, Imogen (2020) Representations of Pain in the Artwork of Magdalena Abakanowicz. Kwartalnik Rzeźby Oronsko (4). ISSN 1230-6703
Mcdonnell, Phillipa (2020) Architectural Paint Research and the Archaeology of Buildings. The Archaeological Journal, 177 (1). pp. 140-166. ISSN 0066-5983
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X
Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Cheshire, Jim (2020) Remediation, Medievalism and Empire in T. W. Camm’s ‘Jubilee of Nations’ Window at Great Malvern Priory. 19: Interdisciplinary Studies in the Long Nineteenth Century, 2020 (30). pp. 1-20. ISSN 1755-1560
Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Donald, Stephanie (2001) Exchange and Display: Republics of Taste and the Vision of Elder Statesmen. Communal/Plural: Journal of Transnational & Cross-Cultural Studies, 9 (2). pp. 183-202. ISSN xxxx xxxx xx
Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714
Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X
Corry, Maya (2020) Contemplating Angels: Artworks for Domestic Devotion from Renaissance Lombardy. In: The Announcement: Annunciations and Beyond. De Gruyter, pp. 113-136. ISBN 9783110359220
Vescovi, Michele (2019) Inscribing Presence. In: Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. Materiale Textkulturen. Schriftenreihe des Sonderforschungbereichs 933 (23). Walter de Gruyter GmbH, Berlin/Boston, pp. 137-164. ISBN 978-3-11-062913-2, 978-3-11-062915-6, 978-3-11-063347-4
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.
Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917
Liuzzo Scorpo, Antonella, ed. (2023) A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden. ISBN 9789004683754, 9789004425460
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Wiltshire, Imogen (2020) Representations of Pain in the Artwork of Magdalena Abakanowicz. Kwartalnik Rzeźby Oronsko (4). ISSN 1230-6703
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Waites, Ian (2020) The postwar British power station as rural Picturesque ornament. In: New Lives, New Landscapes: Rural Modernism in Twentieth-Century Britain, 1-2 August 2019, Northumbria University.
Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.
Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540
Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298
Hill, Kate (2015) Britain and the narration of travel in the nineteenth century: texts, images, objects. Ashgate. ISBN 9781472458353
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History, 26 (3). pp. 342-357. ISSN 0968-3445
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202
Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]
Corry, Maya (2020) Contemplating Angels: Artworks for Domestic Devotion from Renaissance Lombardy. In: The Announcement: Annunciations and Beyond. De Gruyter, pp. 113-136. ISBN 9783110359220
Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259
Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514
Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History, 26 (3). pp. 342-357. ISSN 0968-3445
Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Hill, Kate (2021) Afterword. 19: Interdisciplinary Studies in the Long Nineteenth Century, 31 . ISSN 1755-1560