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Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397

Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969

Andrews, Hannah (2016) "No-nonsense-two-up-two-down-by-gum-you-daft-ha'poth-Northerness”: Jane Horrocks, Gracie Fields and performing generic Northernness. Journal of Popular Television, 4 (2). pp. 225-238. ISSN 2046-9861

Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821

Andrews, Hannah (2013) Recitation, Quotation, Interpretation: Adapting the Oeuvre in Poet Biopics. Adaptation, 6 (3). pp. 365-383. ISSN 1755-0637

Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED

Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160

Andrews, Hannah (2012) "This is FilmFour - not some cheesy pseudo-Hollywood thing!” The Opening Night Simulcast of FilmFour on Channel 4. Journal of British Cinema and Television, 9 (4). pp. 569-587. ISSN 1743-4521

B

Barrow, Sarah, Haenni, Sabine and White, John (2014) The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) 4 luni, 3 saptamâni si 2 zile / 4 Months, 3 Weeks and 2 Days (2007). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309

Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217

Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American cinema: history and aesthetics [Austin, TX: University of Texas Press, 2013]. Screen, 57 (1). pp. 109-111. ISSN 0036-9543

Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Barrow, Sarah (2016) Latin American cinema [Stephen M. Hart (Reaktion Books, 2015)]. Viewfinder: The journal of the British Universities Film & Video Council (102). p. 21. ISSN 0952-4444

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. European Journal of Media Studies (journal of NECSUS) . ISSN 2215-1222

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Barrow, Sarah (2014) Out of the shadows: ‘new’ Peruvian cinema, national identity and political violence. Modern Languages Open . pp. 1-17. ISSN 1234-4321

Barrow, Sarah (2017) Portfolio careers and a new common cause: the conditions for screen workers in Peru. In: Forms of the precarious in the cinemas of the Americas. Palgrave. ISBN UNSPECIFIED

Barrow, Sarah (2008) Ratcatcher. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303

Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756

Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111

Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526

Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354

Barrow, Sarah (2008) The lodger. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Barrow, Sarah and White, John (2008) Fifty key British films. Routledge Key Guides . Routledge, London. ISBN 9780415433303

Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505

Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918

Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED

Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228

Batkin, Jane (2021) The Wandering Child and The Family in Crisis in Henry Selick’s Coraline. In: Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 207-224. ISBN 9781501347887, 9781501347863, 9781501347870

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714

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Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED

Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.

Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116

Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095

Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790

Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)

Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED

D

Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).

Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.

Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179

Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1

Donald, Stephanie (2022) Children, Belonging and European Film: Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. OUP, Oxford. ISBN 9780190939359

Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721

Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117

Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED

Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED

Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078

Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580

Donald, Stephanie and Lindner, Christoph P (2014) Inertia, suspension and mobility in the global city. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 1-16. ISBN 9781780769738, 9781780769721

Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738

Donald, Stephanie and Seale, Kirsten (2013) Children's Film Culture. In: The Routledge International Handbook of Children, Adolescents and Media. Informa UK Limited, pp. 95-102. ISBN UNSPECIFIED

Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078

Donald, Stephanie, Wilson, Emma and Wright, Sarah (2017) Introduction: nation, film, child. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, pp. 1-11. ISBN 9781501318580

Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

E

Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624

Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279

Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795

Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842

Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373

Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842

Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014

Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247

Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X

Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534

Elliott, Andrew (2021) Satira e sacrilegio nel cinema medievale. Cinema e Medioevo: Special Issue of Bianco e Nero, 82 (600). pp. 116-121. ISSN 979 12800 23 216

Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553

Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444

Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589

Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED

Eve, Martin Paul (2010) The time that remains. Excursions, 1 (1). ISSN 2044-4095

F

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

G

Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422

Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..

Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.

Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.

Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337

Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.

Gergely, Gabor (2022) Editorial. Studies in Eastern European Cinema., 13 (2). ISSN 2040-350X

Gergely, Gabor (2022) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN 9780190939359

Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.

Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850

Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761

Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880

Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.

Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X

Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513

Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.

Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880

Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.

Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505

Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X

Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615

Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.

Gergely, Gabor (2022) Stardom in Eastern European Cinema. Taylor and Francis. ISBN UNSPECIFIED

Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X

Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X

Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..

Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.

Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427

Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067

Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521

Gergely, Gabor and Hayward, Susan (2022) The Routledge Companion to European Cinema. Routledge Media and Cultural Studies Companions . Routledge. ISBN 9780367461850

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417

H

Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919

Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]

Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]

Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]

Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795

Hjort, Mette (2020) Activist filmmaking in Africa, with a Focus on Cameroonian Jean-Marie Teno. In: Contemporary Radical Film Culture - Networks, Organisations and Activists. Routledge, London, pp. 100-112. ISBN 1138543608, 9781351006385

Hjort, Mette (2022) The Benefits of Genre: Feel-Good Films as a Path to Health and Well-Being. In: A Companion to Motion Pictures and Public Value. John Wiley & Sons, Hoboken, NJ, pp. 556-573. ISBN 9781119677116, 9781119677154

Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056

Hjort, Mette (2022) The Ethics of Filmmaking: How the Genetic History of Works Affects their Value. In: A Companion to Motion Pictures and Public Value. Wiley, Hoboken, NJ, pp. 148-170. ISBN 978-1-119-67712-3

Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729

Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214

Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428

Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED

Hjort, Mette (2022) The Necessity of Sustainable Filmmaking: Production Notes from Palestine, Burkina Faso, and Zanzibar.’ Film and TV Production in an Era of Climate Change. In: Film and TV Production in the Age of Climate Crisis - Towards a Greener Screen. Palgrave Macmillan, London. ISBN UNSPECIFIED

Hjort, Mette (2021) New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints. In: A History of Danish Cinema. Edinburgh University Press, Edinburgh, pp. 200-215. ISBN 1474461123

Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273

Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905

Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481

Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED

Hjort, Mette and Joerholt, Eva (2019) Filmmaking on the African Continent: On the centrality of human rights thinking. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 1-14. ISBN 9780253039446, 9780253039460, 9780253039439, 9780253039422

Holden, John, Ashworth, Chris and Plant, Sadie (2001) Eyes only. Cornerhouse Publications, Umran Projects, Manchester. ISBN 0952364050

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Isaacs, Rico (2017) Love, Adventure, and Nationhood in the Everyday. Other. Filmatique.

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Jackson, Neil (2016) "Bigger than a payphone, smaller than a Cadillac": porn stardom in 'Exhausted: John C Holmes The Real Story'. In: Grindhouse: Cultural Exchange on 42nd Street and Beyond. Global Exploitation Cinemas . Bloomsbury, New York, pp. 145-162. ISBN 162892747X, 9781628927474

Jackson, Neil (2016) Introduction: Shot, cut and slaughtered. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 1-19. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .

Jackson, Neil (2016) Wild eyes, dead ladies: the snuff filmmaker in realist horror. In: Snuff: Real Death and Screen Media. Bloomsbury, New York/London, pp. 189-209. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2017) The pornographer. In: The Routledge companion to media, sex and sexuality. Routledge, London and New York, pp. 428-438. ISBN 1138777218, 9781138777217

Jackson, Neil, Kimber, Shaun, Walker, Johnny and Watson, Thomas Joseph (2016) Snuff: real death and screen media. Bloomsbury, New York/London. ISBN 9781628921120, 9781628921113, 9781628921144

Jackson, Neil (2020) Ben Gardner's Head is Missing: Notes on 'Jaws the Sharksploitation Edit'. In: The Jaws Book. Bloomsbury, New York, London, Oxford, New Delhi, Sydney, pp. 235-250. ISBN 1501373862, 978-1501373862

Jackson, Neil (2007) Cannibal Ferox. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 37-38. ISBN 978-1-84457-164-2

Jackson, Neil (2002) Cannibal Holocaust: Realist Horror and Reflexivity. Postscript, 21 (3). pp. 32-45. ISSN 0227-9897

Jackson, Neil (2017) Forced Entry (1972). Porn Studies, 4 (3). pp. 296-304. ISSN 2326-8743

Jackson, Neil (2022) Hardcore and Rough on the Outside: Evaluating 'Femmes De Sade' and 'Water Power'. In: Shocking Cinema of the 1970s. Bloomsbury, 2022, pp. 287-311. ISBN 978-1-3501-3631-1

Jackson, Neil (2023) Roberta Findlay's Bronx Tale: Notes on Game of Survival. In: The Films of Roberta Findlay. ReFocus . Edinburgh University Press, Edinburgh, pp. 140-159. ISBN 9781474497466, 9781474497497

Jackson, Neil (2007) Schramm. In: 100 European Horror Films. BFI Screen Guides . BFI, London, pp. 181-183. ISBN 978-1-84457-164-2

Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342

Jackson, Neil (2007) What Have You Done To Solange? In: 100 European Horror Films. BFI Screen Guides . BFI, pp. 227-228. ISBN 9781844571642

Jones, Sarah (2002) Film. Media Wise (Hodder Children's Books . Hodder Wayland, London. ISBN 0750240482

Jones, Sarah (1999) Reading the movies: learning through film. In: Teaching through texts: promoting literacy through popular and literary texts in the primary classroom. Routledge, pp. 103-110. ISBN 0415203074

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Kang-Riou, Nicolas (2021) Science fiction cinema and the nature of international law. In: Cinematic perspectives on international law. Manchester University Press, Manchester. ISBN 978-1-5261-4991-6

Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286

Kearns, Janice (2014) Like water for chocolate / Como agua para chocolate (1991). In: The Routledge Encyclopedia of Films. Routledge, Abingdon, Oxon, pp. 161-164. ISBN 9780415688932, 9781315773834

Kearns, Janice (2014) Y Tu Mamá También (2001). In: The Routledge encyclopedia of films. Routledge, Abingdon, Oxon, pp. 614-616. ISBN 9780415688932, 9781315773834

Kim, Jeongmee and Basil, Glynn (2013) 'Oppa”-tunity Knocks: PSY, 'Gangnam Style” and the Press Reception of K-Pop in Britain. Situations: Cultural Studies in the East Asian Context . ISSN 2288-7822

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Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.

Lockwood, Dean (2009) All stripped down: the spectacle of 'torture porn'. Popular Communication, 7 (1). pp. 40-48. ISSN 1540-5702

Lockwood, Dean (2005) Teratology of the spectacle. In: The spectacle of the real: from Hollywood to reality TV and beyond. Intellect. ISBN 1841501204

Lockwood, Dean (2013) Work is hell: life in the mannequin factory. In: To see the Saw movies: essays on torture porn and post-9/11 horror. McFarland & Company, pp. 139-156. ISBN 9780786470891

Lockwood, Dean and Mccaig, Dave (2009) Wired horrors: Korean fantastic cinema in the sost-IMF crisis context. In: Korean Cinema Symposium, 16 November 2009, Nottingham Trent University.

Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.

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Marrison, Kate and Morris, Nigel (2019) Sophie’s Voice? Dark Intertexts of The BFG. Jewish Film and New Media, 7 (2). p. 1. ISSN 2169-0324

Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.

Mitchell, Grethe (2011) Ipidipidation my generation! [Video]

Monro, Clementine (2015) Perpetual transitions: a communication between lens based media and absence within the spatial experience of the ruin and how this translates via installation art. MRes thesis, University of Lincoln.

Moorhouse, Emma (2022) Eighth Grade and Booksmart: Cinematic Representations of American Girlhood in the 2010s. MRes thesis, University of Lincoln.

Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)

Morris, Nigel (2018) Animal Farm. In: Books to film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Morris, Nigel (2012) Keeping it all in the (nuclear) family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four. Frames Cinema Journal .

Morris, Nigel (2011) Munich: a bitter fruit on the olive branch. In: The modern Jewish experience in world cinema. Brandeis University Press, Waltham, Massachusetts, pp. 349-358. ISBN 9781611681994

Morris, Nigel (2009) New Review of Film and Television Studies [Vol.7 No.1] Spielberg special issue. Routledge, Abingdon, Oxford, UK. ISBN UNSPECIFIED

Morris, Nigel (2017) A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Morris, Nigel (2014) Boundaries unbound: Jude, adaptation and assemblages. Excursions, 5 (1). pp. 1-24. ISSN 2055-494X

Morris, Nigel (2015) ‘Do you like taster menus?’ Beyond hybridity: The Trip & The Trip to Italy. New Review of Film and Television Studies, 13 (4). pp. 422-442. ISSN 1740-0309

Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473

Morris, Nigel (2020) In the Teeth of Criticism: 45 Years of Jaws. In: The Jaws Book: New Perspectives. Bloomsbury, New York. ISBN UNSPECIFIED

Morris, Nigel (2017) Introduction. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914

Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144

Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539

Morris, Nigel (2017) Schindler’s Ark. In: Books to Film. Gale, Cengage Learning, Farmington Hills, MI. ISBN UNSPECIFIED

Morris, Nigel (2005) Talk to me in your language: broadcasting and the context of Wales on film. Journal for the Study of British Cultures, 12 (1). pp. 9-23. ISSN 0944-9094

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Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

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O'Neill, Mary (2010) Living with the dead: cinematic love and death. In: Representations of Love in Film and Television, 11th November 2012, Milwaukee (USA).

O'Rourke, Chris (2017) Acting for the silent screen: film actors and aspiration between the wars. Cinema and Society . I.B.Tauris, London. ISBN 9781784532796

O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424

O'Rourke, Chris (2014) 'On the first rung of the ladder of fame': Would-be cinema stars in silent-era Britain. Film History: An International Journal, 26 (3). pp. 84-105. ISSN 0892-2160

O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795

O'Rourke, Chris (2014) The municipal plunge: silent cinema and the social life of swimming pools. In: The Cinema of the Swimming Pool. New studies in European cinema . Peter Lang, Oxford, pp. 21-36. ISBN 9783035398076, 9783034317832

O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.

O'Rourke, Chris (2015) 'Afterwards to see a cinema show': The diary of a London cinema-goer in 1915. Early Popular Visual Culture, 13 (1). pp. 66-82. ISSN 1746-0654

O'Rourke, Chris (2021) “Boyish” Women and Female Soldiers: British Gender Disguise Comedies between the World Wars. In: The Routledge Companion to European Cinema. Routledge, pp. 285-293. ISBN 9780367461850

O'Rourke, Chris (2014) Early cinema today: The art of programming and live performance [Martin Loiperdinger (ed.), New Barnet: Libbey, 2011]. Historical Journal of Film, Radio and Television, 34 (2). pp. 316-317. ISSN 0143-9685

O'Rourke, Chris (2020) Exploiting Ambiguity: Murder! (1930) and the Meanings of Cross-Dressing in Interwar Britain. Journal of British Cinema and Television, 17 (3). pp. 289-312. ISSN 1743-4521

O'Rourke, Chris (2011) How to become a bioscope model: transition, mediation and the language of film performance. Early Popular Visual Culture, 11 (3). pp. 191-201. ISSN 1746-0654

O'Rourke, Chris (2022) Imagining British Film Beauty: Gender and National Identity in 1920s ‘Star Search’ Contests. Early Popular Visual Culture, 19 (4). pp. 342-363. ISSN 1746-0654

O'Rourke, Chris (2014) In the flesh: personal appearances and the picture personality in Britain. In: Performing New Media, 1890-1915. John Libbey Publishing, pp. 67-75. ISBN 9780861967148

O'Rourke, Chris (2019) Main Street Movies: The History of Local Film in the United States. Historical Journal of Film, Radio and Television . ISSN 0143-9685

O'Rourke, Chris (2016) Soho's silent cinemas. Soho Clarion . p. 20. ISSN .

O'Rourke, Chris (2020) ‘What a Pretty Man – or Girl!’: Male Cross‐Dressing Performances in Early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. ISSN 0953-5233

O'Rourke, Chris (2015) The worst cinema in Soho: Felix Haté's side street venture. Picture House (40). pp. 13-16. ISSN 0263-7553

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

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Palmieri, Antonella (2014) ‘"America is home … America is her oyster!": Dynamics of ethnic assimilation in Alida Valli’s American star persona. In: Stars in world cinema: screen icons and star systems across cultures. Tauris World Cinema . I.B.TAURIS. ISBN 9781780769776

Palmieri, Antonella (2014) Central station / Central do Brasil. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Palmieri, Antonella (2006) Cross-dressing comedies: performativity of gender(s) in Tootsie and Mrs Doubtfire. Other thesis, Anglia Ruskin University.

Palmieri, Antonella (2014) Ossessione. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Palmieri, Antonella (2012) Passport to the dream factory: Hollywood and the exotic allure of female Italian ethnicity. PhD thesis, University of East Anglia.

Palmieri, Antonella (2016) Sophia Loren and the healing power of female Italian ethnicity in Grumpier Old Men. In: Lasting screen stars: images that fade and personas that endure. Palgrave. ISBN 9781137407320

Palmieri, Antonella (2013) Transnational ecocinema: film culture in an era of ecological transformation [Tommi Gustafsson and Pietari Kääpä editors]. Transnational Cinemas, 4 (2). ISSN 2040-3526

Palmieri, Antonella (2014) The conformist / Il Conformista. In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932

Palmieri, Antonella (2008) The reinvention of the femme fatale in Hollywood neo noir films: post-feminist versions of a classic icon. Masters thesis, University of East Anglia.

Palmieri, Antonella (2019) ‘We are not calling her Italian’: narratives and images of ethnic incorporation in Isa Miranda’s American persona. Celebrity Studies, 10 (3). pp. 346-363. ISSN 1939-2397

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Redpath, Catherine and Dixon, John (2012) Ideology as wound: reading trauma in Cristian Mungui's '4 Months, 3 weeks and 2 days'. In: Models of, models for communication and journalism. Ars Docendi Press/University of Bucharest, Bucharest. ISBN UNSPECIFIED

Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8

Rocha, Leon (2019) How to be a good Maoist doctor: Wuyingdeng xia song yinzhen (An Ode to the Silver Needle Under a Shadowless Lamp, 1974). In: Film and the Chinese Medical Humanities. Routledge, London. ISBN UNSPECIFIED

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Savage, Karen and Pank, Dylan (2009) Practical film-making. In: Film: the essential study guide. Routledge, Oxon, pp. 199-216. ISBN 0415437008, 020300292X, 9780415437004, 9780203002926

Savage, Karen and Smith, Justin (2018) Deference, Deferred: Rejourn as Practice in Familial War Commemoration. In: Staging Loss: Performance as Commemoration. Palgrave Macmillan, pp. 37-59. ISBN 9783319979694

Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the sum of the parts. Palgrave. ISBN 978-3-319-95209-3

Sloane, Peter (2018) Kinetic Iconography: Anderson, Parajanov, and the Illusion of Motion. Texas Studies in Literature and Language, 60 (2). pp. 246-268. ISSN 0040-4691

Styler, Rebecca (2014) Revelations of romantic childhood: Anna Jameson, Mary Howitt, and Victorian Women’s spiritual autobiography. Life Writing, 11 (3). pp. 313-330. ISSN 1448-4528

Sutherland, Thomas (2018) Film History as Media Archaeology: Tracking Digital Cinema. Screen, 59 (4). pp. 552-555. ISSN 0036-9543

Symonds, Dominic (2017) Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001). In: Twenty-first century musicals: from stage to screen. Routledge. ISBN 9781138648890, 9781138648906

Symonds, Dominic (2017) “We’re all in this Together”: being girls and boys in High School Musical (2006). In: The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'. Methuen. ISBN 9781474234184

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Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: Reusing archival footage in Latin American cinema [special issue of New Cinemas: Journal of Contemporary Film]. Intellect Books. ISBN UNSPECIFIED

Tadeo Fuica, Beatriz and Barrow, Sarah (2016) (In)visible cinemas: reusing archival footage in Latin American cinema [Introduction]. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 3-8. ISSN 1474-2756

Thayne, Martyn (2014) Amores Perros. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 34-37. ISBN 9780415688932

Thayne, Martyn (2014) Whale Rider. In: The Routledge Encyclopedia of Films. Routledge, Abingdon, pp. 593-596. ISBN 9780415688932

Trotter, David and O'Rourke, Chris (2011) Cinema re-mystified: A. S. Appelbee's technological ghost story. In: Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Exeter Studies in Film History . University of Exeter Press, Exeter, pp. 46-57. ISBN 9780859898539, 9780859898546

Tulloch, John (2012) Sceptic in the palace of dreams: George Orwell as film reviewer. In: Orwell Today. Abramis, Bury St Edmunds, pp. 79-101. ISBN 1845495535, 9781845495534

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Vanstone, Gail and Winston, Brian (2019) ‘This would be scary to any other culture … but to us it’s so cute!’ The radicalism of Fourth Cinema from Tangata Whenua to Angry Inuk. Studies in Documentary Film, 13 (3). pp. 233-249. ISSN 1750-3280

Vickers, Richard and Field, James (2012) www.24-hours.in. [Event, Show or Exhibition]

Vickers, Richard and Proto, Francesco (2011) Cityscapes: exploring the spirit of urban identity. In: 17th International Symposium on Electronic Art - ISEA 2011 Istanbul, 14-21 September 2011, Istanbul, Turkey.

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

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Waddell, Calum (2020) Cinethetic Racism and Orientalism in Early Italian Exploitation Films. Mise-en-scène: The Journal of Film & Visual Narration, 5 (1). pp. 1-15. ISSN 2560-7065

Waddell, Calum (2012) Exorcising the Liberal. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 125-138. ISBN 1933618965

Waddell, Calum (2018) Exploitation-horror? Halloween Stabbed it from the Theatres…. Edinburgh University Press blog .

Waddell, Calum (2021) Images of Apartheid: Filmmaking on the Fringe in the Old South Africa. Edinburgh University Press, Edinburgh. ISBN 1474450024, 978-1474450027

Waddell, Calum (2012) Interview with Bud Smith. In: The Exorcist: Studies in the Horror Film. Centipede Press, pp. 119-124. ISBN 1933618965

Waddell, Calum (2019) Savage Man, Savage Cinema: The strange undocumented lineage of Arthur Davis. Film International, 17 (2). pp. 53-61. ISSN 1651-6826

Waddell, Calum (2019) Stick ‘em Up: How a South African Horror Film Prophesied Apartheid’s Road to Nowhere. Edinburgh University Press Blog .

Waddell, Calum (2018) The Style of Sleaze: The American Exploitation Film, 1959 - 1977. Edinburgh University Press, Edinburgh. ISBN 1474431836

Ward, Renée and Elliott, Andrew (2022) Arthurian Medievalism [Co-Edited Journal Special Issue] Journal of the International Arthurian Society [Journal]. ISSN 2196-9353

Whittaker, Jason (2018) Dark angels: Blake, Milton, and Lovecraft in Ridley Scott's Prometheus. In: William Blake's gothic imagination: bodies of horror. Manchester University Press. ISBN 9781526121943

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Wilczek, Emily and Nesbitt, Ian (2014) Making and presenting work in non-arts places and spaces, a presentation by Annexinema. In: Chamber Of Culture Stimulus Day – Making and presenting work in non-arts places and spaces, 29 Sep 2014, Metal, Chaufferurs Cottage, Peterborough PE1 1YX.

Winn, Joss (2002) Preserving the hand-painted films of Margaret Tait. Masters thesis, University of East Anglia.

Winn, Joss (2002) An ecology of images. [Video]

Winston, Brian (2007) Grierson versus ethnographic film. In: Memories of the Origins of Ethnographic Film. Menschen Wissen Medien (1). Peter Lang, Oxford. ISBN 9783631507353

Winston, Brian (2014) Man with a movie camera: Dziga Vertov. Sight and Sound, 24 (9). pp. 38-39. ISSN 0037-4806

Winston, Brian (2013) The documentary film book. British Film Institute, London. ISBN 9781844573417, 9781844573424

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian, Vanstone, Gail and Chi, Wang (2017) The act of documenting: documentary film in the 21st century. Bloomsbury Academic. ISBN 9781501309175

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (2010) Documentary film. In: The Routledge companion to film history. Routledge, London & New York, pp. 84-91. ISBN 9780415776578

Winston, Brian (2018) "Le rapport de face à face” in digital documentary. Post Script, 36 (2&3). pp. 12-30. ISSN 0277-9897

Winston, Brian (2014) The greatest documentaries of all time: The Sight and Sound 2014 poll. Studies in Documentary Film, 8 (3). pp. 267-272. ISSN 1750-3280

Winston, Brian (2010) ‘”The last refuge of a scoundrel”: Propaganda in eine Kulture, die Propaganda abelhnt’. In: Die Kamera als Waffe: Propagandabilder des Zweiten Weltkrieges. Text + Kritik (Richard Boorberg Verlag), München, DE, pp. 255-266. ISBN 9783869160672

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Woolley, Agnes (2014) 'There's a storm coming!': reading the threat of climate change in Jeff Nichols's Take Shelter. ISLE: Interdisciplinary Studies in Literature and Environment, 21 (1). pp. 174-191. ISSN 1076-0962

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Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.