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Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397
Andrews, Hannah (2014) More than a Television Channel: Channel 4’s Adventures in Convergence. VIEW: Journal of European Television History and Culture, 3 (6). pp. 5-13. ISSN 2213-0969
Andrews, Hannah (2016) "No-nonsense-two-up-two-down-by-gum-you-daft-ha'poth-Northerness”: Jane Horrocks, Gracie Fields and performing generic Northernness. Journal of Popular Television, 4 (2). pp. 225-238. ISSN 2046-9861
Andrews, Hannah (2021) Reading the Biopic through Persona: A Comparison between Bohemian Rhapsody and Rocketman. Comparative Cinema, 9 (16). pp. 10-30. ISSN 2604-9821
Andrews, Hannah (2013) Recitation, Quotation, Interpretation: Adapting the Oeuvre in Poet Biopics. Adaptation, 6 (3). pp. 365-383. ISSN 1755-0637
Andrews, Hannah (2023) Small Axe and/as Cinematic Television. In: Steve McQueen: I Want the Burden. Edinburgh University Press. ISBN UNSPECIFIED
Andrews, Hannah (2014) Television and British Cinema: Convergence and Divergence since 1990. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137311160
Andrews, Hannah (2012) "This is FilmFour - not some cheesy pseudo-Hollywood thing!” The Opening Night Simulcast of FilmFour on Channel 4. Journal of British Cinema and Television, 9 (4). pp. 569-587. ISSN 1743-4521
Barrow, Sarah, Haenni, Sabine and White, John (2014) The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) 4 luni, 3 saptamâni si 2 zile / 4 Months, 3 Weeks and 2 Days (2007). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303
Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974
Barrow, Sarah (2016) Constraints and possibilities: Lima Film Festival, politics and cultural formation in Peru. New Review of Film and Television Studies, 14 (1). ISSN 1740-0309
Barrow, Sarah (2017) Contemporary Peruvian cinema: history, identity and violence on screen. I.B. Tauris, London. ISBN 9781784538217
Barrow, Sarah (2016) Cynthia Tomkins, Experimental Latin American cinema: history and aesthetics [Austin, TX: University of Texas Press, 2013]. Screen, 57 (1). pp. 109-111. ISSN 0036-9543
Barrow, Sarah (2012) Deconstructive humour: subverting Mexican and Chicano stereotypes in ‘Un Día Sin Mexicanos’. iMex: Interdisciplinary Mexico, 2 . pp. 31-45. ISSN 2193-9756
Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303
Barrow, Sarah (2014) Días de Santiago / Days of Santiago (Peru, 2004). In: The Routledge Encyclopedia of Films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) Kukuli (Peru, 1961). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) La boca del lobo / The lion’s den (1988). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2014) La teta asustada / Milk of sorrow (Peru 2009). In: The Routledge encyclopedia of films. Routledge. ISBN 9780415688932
Barrow, Sarah (2016) Latin American cinema [Stephen M. Hart (Reaktion Books, 2015)]. Viewfinder: The journal of the British Universities Film & Video Council (102). p. 21. ISSN 0952-4444
Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303
Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303
Barrow, Sarah (2015) Made in Peru: Lima Film Festival comes of age. European Journal of Media Studies (journal of NECSUS) . ISSN 2215-1222
Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974
Barrow, Sarah (2014) Out of the shadows: ‘new’ Peruvian cinema, national identity and political violence. Modern Languages Open . pp. 1-17. ISSN 1234-4321
Barrow, Sarah (2017) Portfolio careers and a new common cause: the conditions for screen workers in Peru. In: Forms of the precarious in the cinemas of the Americas. Palgrave. ISBN UNSPECIFIED
Barrow, Sarah (2008) Ratcatcher. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303
Barrow, Sarah (2016) Reframing transitions and contesting memories: the archive and the archival object in Peruvian cinema. New Cinemas: Journal of Contemporary Film, 13 (1). pp. 23-36. ISSN 1474-2756
Barrow, Sarah (2017) Through female eyes: reframing Peru on screen. In: Latin American Women Filmmakers: Production, Politics, Poetics. Tauris World Cinema Series . I.B. Tauris, London. ISBN 9781784537111
Barrow, Sarah (2010) Transnational financial structures in the cinema of Latin America: Programa Ibermedia in study [Libia Villazana (Verlag, 2009)]. Transnational Cinemas, 1 (1). pp. 101-102. ISSN 2040-3526
Barrow, Sarah (2007) Violence, nation and Peruvian cinema: a critical analysis of Bajo la Piel (Francisco Lombardi, 1996). In: A world torn apart: representations of Violence in Latin American narrative. Cultural Identity Series . Peter Lang in association with the University of St Andrews and the INstitute of European Cultural Identity Studies, Oxford, pp. 81-100. ISBN 9783039113354
Barrow, Sarah (2008) The lodger. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303
Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303
Barrow, Sarah and White, John (2008) Fifty key British films. Routledge Key Guides . Routledge, London. ISBN 9780415433303
Barrow, Sarah E. (2011) The British film industry: creativity and constraint. British Politics Review: Journal of the British Politics Society Norway, 6 (1). p. 9. ISSN 1890-4505
Batkin, Jane (2018) Mirrors and shadows: duality, illusion and the divided self in Toy Story. In: Toy Story: how Pixar reimagined the animated Feature. Animation: Key Films/Filmmakers . Bloomsbury, New York. ISBN 1501324918, 9781501324918
Batkin, Jane (2020) ‘A Darker Heartland: A study of Otherness, Dysfunction and the Uncanny in Aardman’s Animated Short Films’. In: Aardman Animations: Beyond Stop Motion. Bloomsbury. ISBN UNSPECIFIED
Batkin, Jane (2021) Framing Snow White: Preservation, Nostalgia and the American Way in the 1930s. In: Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 149-162. ISBN 9781501351228
Batkin, Jane (2021) The Wandering Child and The Family in Crisis in Henry Selick’s Coraline. In: Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft. Animation Key Films/Filmmakers . Bloomsbury, New York, London, pp. 207-224. ISBN 9781501347887, 9781501347863, 9781501347870
Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914
Brewster, Scott (2008) Access denied: memory and resistance in the contemporary ghost film. In: Uncanny Modernity: Cultural Theories, Modern Anxieties. Palgrave, London. ISBN 9780230517714
Charnock, Ruth (2018) Anaïs Nin: shame and sex in contemporary culture. Edinburgh University Press. ISBN UNSPECIFIED
Charnock, Ruth (2015) 'Back and forth, forever': digital intimacies in Me and You and Everyone We Know [Miranda July, 2006] and Her [Spike Jonze, 2013]. In: 21st Century Research Seminar Series, 11th February 2015., 11th February, 2015., University of Lincoln.
Clarke, Andy and Mitchell, Grethe (2001) Film and the development of interactive narrative. In: Virtual storytelling: using virtual reality technologies for storytelling. Lecture Notes in Computer Science (2197). Springer-Verlag, Berlin, pp. 81-89. ISBN 3540426116
Clarke, Andy and Mitchell, Grethe (2000) Playing with film language. In: The visual-narrative matrix: interdisciplinary collisions and collusions. Fine Art Research Centre, Southampton Institute, Southampton, pp. 85-89. ISBN 1874011095
Clarke, Andy and Mitchell, Grethe (2001) Screen play: film and the future of interactive entertainment. In: Digital content creation. Springer-Verlag, London, pp. 9-19. ISBN 1852333790
Coley, Rob, Kearns, Janice and Lockwood, Dean (2012) Dreams never end: Carol Morley’s documentary fabulation. In: Powers of the False, 18-19 May 2012, Institut Francais, London.
Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543
Cowman, Krista (2018) The Militant Suffrage Campaign on Screen. In: Screening Protest: Visual Narratives of Dissent Across Time, Space and Genre. Routledge, pp. 209-230. ISBN 978_1_138_04213_1 (hbk), 978_138_04217_9 (pbk), 978_1_315_17389_4 (ebk)
Culley, Amy and Styler, Rebecca (2011) Lives in relation [special issue of Life Writing]. Life Writing, 8 (3). Taylor & Francis (Routledge). ISBN UNSPECIFIED
Dean, Robert (2017) Imperial heroes and native villains. In: Neo-Victorian villains: adaptations and transformations in popular culture. Rodopi / Brill, Amsterdam, pp. 106-123. ISBN 9789004322257
Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630
Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592
Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).
Dickerson, Nikolas (2018) Bread and Circuses, Redux. In: North American Society for the Sociology of Sport.
Dickinson, Margaret and Harvey, Sylvia (2005) Film policy in the United Kingdom: New Labour at the movies. The Political Quarterly, 76 (3). pp. 420-429. ISSN 0032-3179
Donald, Stephanie and Gammack, J.G. (2009) Tourism and the Branded City: Film and identity on the Pacific Rim. Ashgate, UK, pp. 1-216. ISBN 978-0-7546-4829-1
Donald, Stephanie (2022) Children, Belonging and European Film: Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. OUP, Oxford. ISBN 9780190939359
Donald, Stephanie (2014) Inertia in ethical urban relations: the living, the dying and the dead. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 153-172. ISBN 9781780769738, 9781780769721
Donald, Stephanie (2015) Landscape in the Mist: thinking beyond the perimeter fence. In: The Cinema of Theo Angelopoulos. Edinburgh University Press, Edinburgh, pp. 206-218. ISBN 9780748697953, 9780748697960, 9781474409117
Donald, Stephanie (2011) Landscapes of class in contemporary Chinese film: from Yellow Earth to Still Life. In: The Place of Landscape: concepts, contexts, studies. MIT Press, Boston, pp. 227-243. ISBN 9780262015523
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: The Oxford Handbook of Children's Film. Oxford University Press, Oxford / New York. ISBN UNSPECIFIED
Donald, Stephanie (2020) Migrant Children and the ‘Space Between’ in the Films of Angelopoulos. In: Oxford Handbook of Children's Film. OUP. ISBN UNSPECIFIED
Donald, Stephanie (2019) Shaming Australia Cinematic responses to the “Pacific Solution”. Alphaville: Journal of Film and Screen Media, 18 . pp. 70-90. ISSN 2009-4078
Donald, Stephanie (2018) There's No Place Like Home: The Migrant Child in World Cinema. Tauris World Cinema Series, 30 . IB Tauris, London. ISBN 9781784534233
Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543
Donald, Stephanie and Brūveris, Klāra (2017) The Lost Children of Latvia: Deportees and Postmemory in Dzintra Geka’s The Children of Siberia. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, New York, pp. 63-88. ISBN 9781501318580
Donald, Stephanie and Lindner, Christoph P (2014) Inertia, suspension and mobility in the global city. In: Inert Cities: Globalization, Mobility and Suspension in Visual Culture. IB Tauris, London, pp. 1-16. ISBN 9781780769738, 9781780769721
Donald, Stephanie and Lindner, Christoph P. (2014) Inert Cities: Globalisation, Mobility and Suspension in Visual Culture. IB Tauris, London. ISBN 9781780769721, 9781780769738
Donald, Stephanie and Seale, Kirsten (2013) Children's Film Culture. In: The Routledge International Handbook of Children, Adolescents and Media. Informa UK Limited, pp. 95-102. ISBN UNSPECIFIED
Donald, Stephanie and Sorbera, Lucia (2019) Challenges of Separation for Refugee Film-making Introduction. Alphaville: Journal of Film and Media (18). ISSN 2009-4078
Donald, Stephanie, Wilson, Emma and Wright, Sarah (2017) Introduction: nation, film, child. In: Childhood and Nation in Contemporary World Cinema: borders and encounters. Bloomsbury Academic, pp. 1-11. ISBN 9781501318580
Donald, Stephanie (Hemelryk) (2019) Follow the Yellow Brick Road:The passeur, the gatekeeper, and the young migrant filmmaker. Film Education Journal . ISSN 2515-7086
Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236
Elliott, Andrew (2011) From Maciste to Maximus & Co.: the fragmented hero in the new epic. In: Of muscles and men: sword and sandal films. McFarland, Jefferson, NC, pp. 58-74. ISBN 0786461624
Elliott, Andrew (2010) Shakespeare and the Middle Ages: essays on the performance and adaptation of the plays with Medieval sources or settings [Martha W. Driver and Sid Ray, eds., Jefferson, N.C.: McFarland & Company, 2009]. Arthuriana, 20 (4). pp. 103-104. ISSN 1078-6279
Elliott, Andrew (2011) "She's a goddam liar": perspectives of truth in Aliens, Strange Days, and Titanic. In: The films of James Cameron: critical essays. McFarland, Jefferson, NC, pp. 72-89. ISBN 0786462795
Elliott, Andrew (2014) Special effects, reality, and the new epic film. In: The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century. Edinburgh University Press, Edinburgh, pp. 129-143. ISBN 9780748684021, 9781474402842
Elliott, Andrew (2013) Unmasking Marian: representing violence, gender and agency in Medieval films. In: Gender, Agency and Violence. European Perspectives from the Early Modern Period to the Modern Day. Cambridge Scholars Publishing, Cambridge, pp. 173-187. ISBN 9781443850377, 1443850373
Elliott, Andrew (2014) The return of the epic film: genre, aesthetics and history in the 21st century. Edinburgh University Press, Edinburgh. ISBN 9780748684021, 9781474402842
Elliott, Andrew B. R. (2014) Lucius Artorius Castus as global icon: the modern uses of the Arthurian legend. In: Lucius Artorius Castus and the King Arthur legend. Knjizevni Krug Split, Split, pp. 145-158. ISBN 9789531634014
Elliott, Andrew B. R. (2010) Remaking the Middle Ages: the methods of cinema and history in portraying the medieval world. McFarland, Jefferson, N.C.. ISBN 9780786446247
Elliott, Andrew B. R. (2011) Time out of joint? Why Astérix fought the Norsemen in Astérix and the Vikings. In: The Vikings on film: essays on the depictions of the Nordic middle ages. McFarland, Jefferson, NC, pp. 165-177. ISBN 9780786460441, 078646044X
Elliott, Andrew B.R. (2015) The Grail as symbolic quest in Andrei Tarkovsky’s Stalker. In: The Holy Grail on Film: Essays on the Cinematic Quest. McFarland, Jefferson, N.C., pp. 187-201. ISBN 9780786477852, 9781476620534
Elliott, Andrew (2021) Satira e sacrilegio nel cinema medievale. Cinema e Medioevo: Special Issue of Bianco e Nero, 82 (600). pp. 116-121. ISSN 979 12800 23 216
Elliott, Andrew B. R. (2013) Historical spaces as narrative: mapping collective memory onto cinematic space. Media Fields Journal, 5 . ISSN 2159-7553
Elliott, Andrew B.R. (2020) Gender, Violence, and Medievalism in La Passion Béatrice. In: Medieval Women on Film. McFarland, Jefferson, pp. 116-131. ISBN 9781476668444
Elliott, Andrew B.R. (2019) Special Effects and the Biblical Epic. In: New Heart, New Spirit: Perspectives on the Modern Biblical Epic. Manchester University Press, Manchester, pp. 50-67. ISBN 9781526136589
Eve, Martin Paul (2016) Password. Bloomsbury. ISBN UNSPECIFIED
Eve, Martin Paul (2010) The time that remains. Excursions, 1 (1). ISSN 2044-4095
Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078
Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078
Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700
Gergely, Gabor (2012) Foreign devils: exile and host nation in Hollywood's golden age. Framing Film . Peter Lang, New York. ISBN 9781433119422
Gergely, Gabor (2018) Andy Vajna Makes Cinema Great Again – Nationalist Film Funding in Illiberal Hungary. In: British Association of Film, Television and Screen Studies Conference, 12-13 April, 2018, University of Canterbury, Kent..
Gergely, Gabor (2017) Beyond genre: reorienting Hungarian film scholarship. In: BAFTSS Annual Conference, 19-20 April, 2017, University of Bristol.
Gergely, Gabor (2014) Cutting a dash in 1930s Hungary: the enduring stardom of Pál Jávor. In: BAFTSS Annual Conference, 24-26 April, 2014, Birkbeck, University of London.
Gergely, Gabor (2016) Cutting a dash in interwar Hungary: Pál Jávor's enduring stardom. In: Lasting screen stars: images that fade and personas that endure. Palgrave Macmillan, pp. 41-54. ISBN 9781137407320, 9781137407337
Gergely, Gabor (2012) ‘Don’t just stand there, idiot! Call a doctor and help me find my nose!’ or the Absent Nose as Marker of Villainy in Popular Film. In: Sensualising Deformity: Communication and Construction of Monstrous Embodiment, 15-16 June, 2012., Edinburgh University.
Gergely, Gabor (2022) Editorial. Studies in Eastern European Cinema., 13 (2). ISSN 2040-350X
Gergely, Gabor (2022) Ethnic and Racial Difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Oxford Handbook of Children's Film. Oxford University Press. ISBN 9780190939359
Gergely, Gabor (2014) Ethno-realist docu-fiction and Hungary’s forgotten female film pioneer. In: Doing Women's Film and Television History Conference 2014, 10-12 April, 2014, University of East Anglia.
Gergely, Gabor (2022) Film Topography and National Belonging: Hungarian Jewishness and the High Mountains. In: The Routledge Companion to European Cinema. Routledge. ISBN 9780367461850
Gergely, Gabor (2017) Hungarian film 1929-1947: national identity, anti-Semitism and popular cinema. Eastern European Screen Cultures . Amsterdam University Press, Amsterdam. ISBN 9789462980761
Gergely, Gabor (2008) Jean-Luc Godard's film essays of the 1960s: the virtues and limitations of realism theories. Studies in French Cinema, 8 (2). pp. 111-121. ISSN 1471-5880
Gergely, Gabor (2015) The Jews who weren’t there: cinema, anti-Semitism and Hungarian national identity 1938-48. In: AAJS 27th Annual Conference, 15-16 February, 2015, University of New South Wales, Sydney.
Gergely, Gabor (2014) Los Olvidados: a damning verdict on neorealism’s aesthetic and moral positions. In: New visions of the child in Italian cinema. Italian Modernities . Peter Lang, pp. 103-128. ISBN 303430269X
Gergely, Gabor (2021) Misfitting in America: Paul Leni, Conrad Veidt, and The Man Who Laughs. In: ReFocus: The Films of Paul Leni. ReFocus: The International Directors Series . Edinburgh University Press. ISBN 9781474454513
Gergely, Gabor (2013) Only drawn that way: ethnic and racial difference in Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007). In: Ethnicity, Race and Nationalism in European Media and Film: Rights, Responsibilities, Representations – International Conference, 23-25 May, 2013., University of Manchester.
Gergely, Gabor (2012) Pruning roses, producing space: representing the social bond in the melodramas of Claude Chabrol. Studies in French Cinema, 12 (1). pp. 47-57. ISSN 1471-5880
Gergely, Gabor (2019) Race, sex, state power: Lili Horváth’s Sunstroke (2009) and The Wednesday Child (2015). In: BAFTSS 2019 Annual Conference, 25-27 April, 2019, University of Birmingham.
Gergely, Gabor (2022) Schwarzenegger: Uses of the Foreign Star. Palgrave Macmillan. ISBN 978-3031069505
Gergely, Gabor (2012) Somewhere in Europe (1947): locating Hungary within a shifting geopolitical landscape. Studies in Eastern European Cinema, 3 (2). pp. 133-150. ISSN 2040-350X
Gergely, Gabor (2019) Sonority, Difference and the Schwarzenegger Star Body. Film Philosophy, 23 (2). pp. 137-158. ISSN 1466-4615
Gergely, Gabor (2018) Sonority, difference and the Schwarzenegger star body. In: Society of Cinema and Media Studies Conference, 14-18 March, 2018., Toronto, Canada.
Gergely, Gabor (2022) Stardom in Eastern European Cinema. Taylor and Francis. ISBN UNSPECIFIED
Gergely, Gabor (2016) Women directors in Hungarian cinema 1931–44. Studies in Eastern European Cinema, 7 (3). pp. 258-273. ISSN 2040-350X
Gergely, Gabor (2017) You cannot be Sirius! Hungarian nationalist science fiction. Studies in Eastern European Cinema, 8 (2). pp. 117-120. ISSN 2040-350X
Gergely, Gabor (2013) The absence/presence of Jews in Hungarian problem films after 1941. In: 45th AJS Annual Conference, 15-17 December, 2013, Boston, Mass..
Gergely, Gabor (2016) The accented cinema of Arnold Schwarzenegger. In: BAFTSS Annual Conference, 14-16 April 2016, Reading University.
Gergely, Gabor (2014) The invention of prestige: 'People on the mountain' and the politics of the national. Slavonica, 20 (2). pp. 114-132. ISSN 1361-7427
Gergely, Gabor (2017) "The jungle Is my home": questions of belonging, exile, and the negotiation of foreign spaces in the Tarzan films of Johnny Weissmuller. In: Projecting the world: representing the "foreign" in classical Hollywood. Contemporary Approaches to Film and Media . Wayne State University Press, Detroit, pp. 69-87. ISBN 9780814343067
Gergely, Gabor (2012) The nature of the exile: discourse and power in The Thief of Bagdad (1940). Journal of British Cinema and Television . pp. 159-176. ISSN 1743-4521
Gergely, Gabor and Hayward, Susan (2022) The Routledge Companion to European Cinema. Routledge Media and Cultural Studies Companions . Routledge. ISBN 9780367461850
Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936
Grandy, Christine (2015) Amateur film: meaning and practice, 1927–77 [Heather Norris Nicholson]. Twentieth Century British History, 26 (1). pp. 170-172. ISSN 0955-2359
Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070
Gray, Ann (2013) History documentaries for television. In: The documentary film book. British Film Institute, London. ISBN 9781844573417
Hainstock, Chris (2015) The editor. In: Understanding cinematography. The Crowood Press, Ramsbury, Marlborough, pp. 28-30. ISBN 9781847979919
Hainstock, Chris, Forman, Denis, Broomfield, Nick, Bruzzi, Stella, Reynard, Mark, Henley, Paul and Stoney, George (2014) On Robert Flaherty and the documentary form. [Video]
Hainstock, Chris and Hainstock, Chris (2014) JA 'The Boy' from Louisiana Story. [Video]
Hainstock, Chris, Leacock, Ricky and Winston, Brian (2014) Ricky Leacock in conversation with Professor Brian Winston. [Video]
Hirsch, Pam and O'Rourke, Chris (2017) Introduction: Film Londons. In: London on film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 1-13. ISBN 9783319649795
Hjort, Mette (2020) Activist filmmaking in Africa, with a Focus on Cameroonian Jean-Marie Teno. In: Contemporary Radical Film Culture - Networks, Organisations and Activists. Routledge, London, pp. 100-112. ISBN 1138543608, 9781351006385
Hjort, Mette (2022) The Benefits of Genre: Feel-Good Films as a Path to Health and Well-Being. In: A Companion to Motion Pictures and Public Value. John Wiley & Sons, Hoboken, NJ, pp. 556-573. ISBN 9781119677116, 9781119677154
Hjort, Mette (2019) Denmark beyond Denmark: Soft Power, Talent Development, and Filmmaking in the Middle East. In: Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, Edinburgh, pp. 287-302. ISBN 9781474438056
Hjort, Mette (2022) The Ethics of Filmmaking: How the Genetic History of Works Affects their Value. In: A Companion to Motion Pictures and Public Value. Wiley, Hoboken, NJ, pp. 148-170. ISBN 978-1-119-67712-3
Hjort, Mette (2018) Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production. In: Refocus - The Films of Susanne Bier. Edinburgh University Press, Edinburgh, pp. 130-144. ISBN 9781474428729
Hjort, Mette (2018) Guilt-based filmmaking: moral failings, muddled activism, and the “dogumentary” Get a Life. Journal of Aesthetics & Culture, 10 (2). pp. 6-14. ISSN 2000-4214
Hjort, Mette (2019) In Defense of Human Rights Filmmaking: A response to the sceptics, based on Kenyan examples. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 103-124. ISBN 0253039428
Hjort, Mette (2011) Lone Scherfig's Italian for Beginners. University of Washington Press, Seattle. ISBN UNSPECIFIED
Hjort, Mette (2022) The Necessity of Sustainable Filmmaking: Production Notes from Palestine, Burkina Faso, and Zanzibar.’ Film and TV Production in an Era of Climate Change. In: Film and TV Production in the Age of Climate Crisis - Towards a Greener Screen. Palgrave Macmillan, London. ISBN UNSPECIFIED
Hjort, Mette (2021) New Danish Screen and The Sketch: The Role of Imposed and Self-Imposed Constraints. In: A History of Danish Cinema. Edinburgh University Press, Edinburgh, pp. 200-215. ISBN 1474461123
Hjort, Mette (2019) The Ontological Transnationalism of the Filmmaker: Solidarity-based Talent Development Across Borders. Transnational Screens, 10 (1). pp. 53-68. ISSN 2578-5273
Hjort, Mette (2019) The Public Value of Film: Moving Images, Health, and Well-being. Journal of Scandinavian Cinema, 9 (1). pp. 7-23. ISSN 2042-7905
Hjort, Mette (2005) Small Nation, Global Cinema: The New Danish Cinema. Public Worlds . University of Minnesota Press, Minneapolis. ISBN 9780816646487, 0816646481
Hjort, Mette (2010) Stanley Kwan's Centre Stage. University of Hong Kong Press, Hong Kong. ISBN UNSPECIFIED
Hjort, Mette and Joerholt, Eva (2019) Filmmaking on the African Continent: On the centrality of human rights thinking. In: African Cinema & Human Rights. Indiana University Press, Bloomington, Indiana, pp. 1-14. ISBN 9780253039446, 9780253039460, 9780253039439, 9780253039422
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Jackson, Neil (2017) Sex Work at the BBFC (Parts 1 and 2). Screening Sex .
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Jackson, Neil (2021) Twenty-first-century Euro-snuff: a Serbian Film for the Family. In: New Blood: Critical Approaches to Contemporary Horror. Horror Studies . University of Wales Press, Cardiff, pp. 247-263. ISBN 1786836343, 978-1786836342
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Kang-Riou, Nicolas (2021) Science fiction cinema and the nature of international law. In: Cinematic perspectives on international law. Manchester University Press, Manchester. ISBN 978-1-5261-4991-6
Kapell, Matthew Wilhelm and Elliott, Andrew B. R. (2013) Playing with the past: digital games and the simulation of history. Bloomsbury Academic. ISBN 1623567289, 9781623567286
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Leacock, Ricky, Winston, Brian and Hainstock, Chris (2008) Ricky Leacock in conversation with Professor Brian Winston. In: Visible Evidence XV: the International Documentary Studies Conference, 4 - 8 August 2008, University of Lincoln.
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Lockwood, Dean and Wilczek, Emily (2008) Beyond good and evil: whe will to jouissance in cult and avant-garde cinema. In: Cine-Excess II: The 2nd Annual International Film festival and Conference on Global Cult Film Traditions, 1-3 May 2008, Institute of Contemporary Arts, London and University of Brunel.
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Mccaig, Dave and Lockwood, Dean (2011) Contemporary K-Horror as critique of ecstatic consumption: 'The Housemaid' and other wired narratives. In: East Winds 2011: Asia Exposure – East Asian Cinema in a Global Context Symposium, 11-12 February 2011, Coventry University.
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Moorhouse, Emma (2022) Eighth Grade and Booksmart: Cinematic Representations of American Girlhood in the 2010s. MRes thesis, University of Lincoln.
Morris, Nigel (2012) 2006: movies and crisis. In: American cinema of the 2000s: themes and variations. Screen Decades: American Culture/ American Cinema . Rutgers University Press, New Brunswick, New Jersey, and London, pp. 147-171. ISBN 9780813552811 (hardcover), 9780813552828 (pbk), 9780813553238 (e-book)
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Morris, Nigel (2017) A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
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Morris, Nigel (2020) Eisenstein: Revolutionary and International Modernist. Modern Humanities Research Association Yearbook of English Studies: “Back to the Twenties: Modernism Then and Now”, 50 . ISSN 0306-2473
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Morris, Nigel (2017) Introduction. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2017) Magisterial juvenilia: Amblin’ and Spielberg’s early television work. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley-Blackwell, Boston, MA. ISBN 9781118726914
Morris, Nigel (2013) Multimodal discourse analysis, film and adaptation theory: Hardy's/Winterbottom's Jude the Obscure. In: The London film and media reader. London Symposium, London, pp. 13-25. ISBN 9780957363144
Morris, Nigel (2019) Review of Abrams, Nathan. 2018. Stanley Kubrick: New York Jewish Intellectual. New Brunswick, NJ: Rutgers University Press. Shofar: An Interdisciplinary Journal of Jewish Studies, . ISSN 0882-8539
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O'Rourke, Chris (2018) Mary R. Desjardins, Recycled Stars: Female Film Stardom in the Age of Television and Video. Gender and History, 30 (2). pp. 542-543. ISSN 1468-0424
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O'Rourke, Chris (2017) Queer London on film: Victim (1961), The Killing of Sister George (1968) and Nighthawks (1978). In: London on Film. Screening Spaces . Palgrave Macmillan, Basingstoke, pp. 117-131. ISBN 9783319649795
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O'Rourke, Chris and Nightingale, Sam (2015) London's Silent Cinemas. University College London.
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Ziegler, Harry and Charlesworth, Diane (2014) An analysis of the representation of Jewish resistance in the film Defiance [2008: Zwick] and aspects of its public reception as part of the holocaust narrative. In: Anti-Fascism on Film, 20 Feb. 2014, De Montfort University, Leicester, UK.