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Allison, Kate (2009) Power and politics of the female form in the Boer war cartoons of 'Punch' and 'L'Assiette au Beurre' 1901. International Journal of Communication, 19 (1). pp. 75-104.

Aluffi, Giuliano and Ruffino, Paolo (2018) Come riprendersi il relax di una volta (English translation: how to claim back your leisure). [Impact]

Andrews, Hannah (2017) From unwilling celebrity to authored icon: reading Amy (Kapadia, 2015). Celebrity Studies, 8 (2). pp. 351-354. ISSN 1939-2397

Andrews, Hannah and Weston, Leanne (2023) A Voice Too Much: performance, authenticity and nostalgia in biographical television drama. In: Singing Out: The Musical Voice in Audiovisual Media. Edinburgh University Press. ISBN UNSPECIFIED

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Barrow, Sarah (2008) Bhaji on the beach. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 200-204. ISBN 9780415433303

Barrow, Sarah (2009) Bonnie and Clyde (1967). In: Fifty key American films. Routledge, London, pp. 137-142. ISBN 9780415772976, 0415772974

Barrow, Sarah (2008) Drifters. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 22-26. ISBN 9780415433303

Barrow, Sarah (2009) Exilio y encuentro cultural en Cosas que dejé en La Habana (Manuel Gutiérrez Aragón, 1997, Spain). Iberoamericana, 2 (34). pp. 117-126. ISSN 1577-3388

Barrow, Sarah (2005) Images of Peru: a national cinema in crisis. In: Latin American Cinema: Essays on Modernity, Gender and National Identity. McFarland & Co Inc, pp. 39-58. ISBN 9780786420049

Barrow, Sarah (2008) Listen to Britain. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 40-45. ISBN 9780415433303

Barrow, Sarah (2008) London. In: Fifty Key British Films. Routledge Key Guides . Routledge, Oxford, pp. 210-214. ISBN 9780415433303

Barrow, Sarah (2009) Mildred Pierce (1945). In: Fifty key American films. Routledge, London, pp. 89-94. ISBN 9780415772976, 0415772974

Barrow, Sarah (2007) Peruvian cinema and the struggle for international recognition: case study on El destino no tiene favoritos (Alvaro Velarde 2003). In: Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield, Lanham, Maryland, USA. ISBN 9780742539150

Barrow, Sarah (2007) Peruvian cinema, national identity and political violence 1988-2004. PhD thesis, University of Sheffield.

Barrow, Sarah (2008) Pressure. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 166-171. ISBN 9780415433303

Barrow, Sarah (2008) Ratcatcher. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 228-233. ISBN 9780415433303

Barrow, Sarah (2003) Stretching the limits: hybridity as cultural and artistic strategy in contemporary British cinema. In: European cinema: inside out. Images of the self and the other in postcolonial European film. Universitatsverlag Winter, Heidelberg. ISBN 9783825314743

Barrow, Sarah (2008) The lodger. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 12-16. ISBN 9780415433303

Barrow, Sarah (2008) The third man. In: Fifty key British films. Routledge Key Guides . Routledge, Oxford, pp. 74-79. ISBN 9780415433303

Batkin, Jane (2017) Identity in animation: a journey into self, difference, culture and the body. Routledge. ISBN 9781138849785, 9781138849778

Batkin, Jane (2016) Rethinking the rabbit: revolution, identity and connection in Looney Tunes. Animation Studies Online Journal, 11 . ISSN 1930-1928

Bell, Erin (2017) “Britain’s secret Schindler”: the impact of Schindler’s List on British media perceptions of civilian heroes. In: A companion to Steven Spielberg. Wiley Blackwell Companions to Film Directors . Wiley, pp. 320-335. ISBN 9781118726914

Bell, Erin (2011) Television and memory: history programming and contemporary identities. Image [&] Narrative, 12 (2). ISSN 1780-678X

Bell, Erin and Gray, Ann (2016) Television's royal family: continuity and change. In: The British monarchy on screen. Manchester University Press. ISBN 9780719099564

Berryman, Bruce and Rudd, Bryan Peter (2010) Shared stories. Journal of Community, Citizen's, Third Sector Media & Communication (6). pp. 1-8. ISSN 1832-6161

Bertolotti, Silvia and Ruffino, Paolo (2018) Review of Future Gaming: Creative Interventions in Video Game Culture. [Impact]

Bingham, Adrian, Mullen, Megan, Ward, Stephen J. A. and Winston, Brian (2009) Messages: free expression, media and the west from Gutenberg to Google. Media History, 15 (1). pp. 103-119. ISSN 1368-8804

Boothroyd, Dave (2007) Cinematic heroin and narcotic modernity. In: Symbolism: an international annual of critical aesthetics. AMS Press Inc., New York, pp. 7-28. ISBN 9780404635671

Boothroyd, Dave (2000) Deconstruction and drugs: a philosophical/literary cocktail. In: Deconstructions: a user's guide. Palgrave Macmillan, Basingstoke, pp. 44-63. ISBN 9780333717615

Boothroyd, Dave (2013) Ethical subjects in contemporary culture. Edinburgh University Press, Edinburgh University Press. ISBN 9780748640096

Boothroyd, Dave (1988) Responding to Levinas. In: The provocation of Levinas: rethinking the other. Warwick Studies in Philosophy and Literature . Routledge, pp. 15-31. ISBN 9780415008266, 0415008263

Boothroyd, Dave (1998) Sexual politics and sexual difference: Luce Irigaray. In: Politics of Sexuality: Identity, Gender, Citizenship. Routledge/ECPR Studies in European Political Science . Taylor & Francis Ltd, pp. 135-146. ISBN 9780415169530

Boothroyd, Dave (2005) To be 'hospitable to madness': Derrida and Foucault chez Freud. Journal for Cultural Research, 9 (1). pp. 3-21. ISSN 1479-7585

Boothroyd, Dave (2009) The ends of censorship. Eurozine . ISSN 1684-4637

Boothroyd, Dave (2001) The touch of the other on the threshold of sex. In: Sensual reading. Bucknell University Press, pp. 39-56. ISBN 9780838754719

Boothroyd, Dave (2011) Pharmacology. Living Books About Life . Open Humanities Press. ISBN 9781607852704

Boothroyd, Dave (2009) Touch, time and technics: Levinas and the ethics of haptic communications. Theory, Culture and Society, 26 (2-3). pp. 330-345. ISSN 0263-2764

Boothroyd, Dave and Lewis, Sarah (2016) Rethinking evidence in online social drug use research. In: Evidence in social drug research and drug policy. Pabst Science, Lengerich, pp. 69-84. ISBN 9783958532632

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Carbone, Marco Benoît, Ruffino, Paolo and Massonet, Stéphane (2017) Introduction: The other Caillois: The many masks of game studies. Games and Culture, 12 (4). pp. 303-320. ISSN 1555-4120

Chapman, Jane (2011) Counter hegemony, newspapers and the origins of anti-colonialism in French India. International Journal of Social Economics, 38 (2). pp. 128-139. ISSN 0306-8293

Chapman, Jane (2011) Female representation, readership, and early tabloid properties. Australian Journal of Communication, 38 (2). ISSN 0811-6202

Chapman, Jane (2012) From India’s big dams to jungle guerillas: Arundhati Roy and the literary polemics of global versus local. In: Global literary journalism: exploring the journalistic imagination. Peter Lang, New York. ISBN 9781433118678

Chapman, Jane (2013) Gender, citizenship and newspapers: historical and transnational perspectives. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke, UK. ISBN 9780230232440

Chapman, Jane (2007) George Sand: thwarted newspaper publisher or pioneer literary journalist. Modern and Contemporary France, 15 (4). pp. 479-495. ISSN 0963-9489

Chapman, Jane (2009) Hegemony and counter hegemony in communication history [Guest editorial of special issue on]. International Journal of Communication, 19 (1). pp. 5-8.

Chapman, Jane (2006) Reflections on 15 years of activist media and India’s Narmada Dams controversy. International Journal of Communication, 16 (1-2). pp. 21-39.

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (1988) Women working it out [1st ed.]. Careers & Occupational Information Centre, Sheffield, HMSO. ISBN 08611046681989

Chapman, Jane (1990) Women working it out [2nd ed.]. Careers & Occupational Information Centre, Sheffield, HMSO. ISBN 0861105524

Chapman, Jane (2007) The personal is the political: George Sand’s contribution to popular journalism. In: The journalistic imagination: literary journalists from Defoe to Capote and Carter. Routledge, New York, pp. 44-57. ISBN 9780415417235

Chapman, Jane and Allison, Kate (2011) Women and the press in British India, 1928-34: a window for protest? International Journal of Social Economics, 38 (8). pp. 676-692. ISSN 0306-8293

Chapman, Jane and Kinsey, Marie (2008) Broadcast journalism: a critical introduction. Routledge, London. ISBN 0203886453, 0415441544

Chapman, Jane (2007) Arundhati Roy and the Narmada Dams controversy : development journalism and the ‘new international public sphere’ ? International Journal of Communication, 17 (2). pp. 21-39.

Chapman, Jane (2005) Comparative media history, an introduction: 1789 to the present. Polity, Cambridge. ISBN 0745632424

Chapman, Jane (2007) Documentary in practice: filmmakers and production choices. Polity, Cambridge. ISBN 0745636128

Chapman, Jane (2019) Early Black Media, 1918–1924: Print Pioneers in Britain. Palgrave Studies in the History of the Media (1). Palgrave Pivot, Basingstoke. ISBN 978-3-319-69476-4

Chapman, Jane (2011) Female representation in Le Petit Journal, Europe’s first mass circulation daily. In: Parcours de femmes: Twenty Years of Women in French. Peter Lang. ISBN 9783034302081

Chapman, Jane (2007) India’s Narmada dams controversy: interdisciplinary examples of global media advocacy. The Journal of International Communication, 13 (1). pp. 71-85. ISSN 1321-6597

Chapman, Jane (2009) Issues in contemporary documentary. Polity Press, Cambridge, UK. ISBN 9780745640105

Chapman, Jane (2012) Press, protest and freedom movements in British and French India 1928-48: do subalterns speak? In: Research paper to Department of Modern History, 6th October 2010, 1st February 2012, Macquarie University, and the Centre of South Asian Studies, Cambridge University.

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Chapman, Jane (2005) Republican citizenship, ethics and the French revolutionary press 1789-92. Ethical Space: the International Journal of Communication Ethics, 2 (1). pp. 7-12. ISSN 1742-0105

Chapman, Jane (2019) The Struggles and Economic Hardship of Women Working Class Activists, 1918–1923. In: Letters to the Editor: Comparative and Historical Perspectives. Palgrave. ISBN UNSPECIFIED

Chapman, Jane (2014) The essential Gandhi as literary journalism in Hind Swaraj. In: Global literary journalism: exploring the journalistic imagination [volume 2]. Mass Communication and Journalism, 2 (15). Peter Lang, New York. ISBN 9781433124709, 9781433124693

Chapman, Jane (2010) The origins of a public voice for marginalised workers in French India, 1935-37. Web Journal of French Media Studies (WJFMS), 8 . ISSN 1460-6550

Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929

Chapman, Jane, Ellin, Dan and Sherif, Adam (2015) Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts . Palgrave Pivot, Basingstoke. ISBN 9781137407238

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Chapman, Jane, Hoyles, Anna, Kerr, Andrew and Sherif, Adam (2015) Comics and the world wars: a cultural record. Palgrave Studies in the History of the Media . Palgrave Macmillan, Basingstoke. ISBN 9781137273710

Chapman, Jane and King, Elliot (2009) A 'dozen best' essential readings in journalism. American Journalism, 26 (3). pp. 168-183. ISSN 0882-1127

Chapman, Jane and Nuttall, Nick (2011) Journalism today: a themed history. Wiley-Blackwell, Malden, MA. ISBN 9781405179539, 9781405179522

Chapman, Jane L. (2012) Methodological reflections on media and counter hegemonic protest in India. In: Local Issues, Global Claims, 10 Feb 2012, Open University.

Charlesworth, Diane (2011) Journeying with Jamie Oliver: masculinity, social entrepreneurialism and the politics of C4. In: Gender Politics and Reality Television Conference, 25th-27th August 2011, University College, Dublin.

Charlesworth, Diane (2014) Performing celebrity motherhood on Twitter: courting homage and (momentary) disaster - the case of Peaches Geldof. Celebrity Studies, 5 (4). pp. 508-510. ISSN 1939-2397

Charlesworth, Diane (2016) Stand Up to Cancer 2012 and 2014: The medical telethon as UK public service broadcasting in a neo-liberal age. Critical Studies in Television: the international journal of television studies, 11 (2). pp. 217-229. ISSN 1749-6020

Charnock, Ruth (2016) "I want what everyone wants": cruel optimism in HBO's 'Girls'. In: Gender and Economics in Popular Culture: Femininity, Masculinity and Austerity in Film and TV. I. B. Tauris. ISBN 1784536644, 9781784536640

Clayton, Owen (2019) How street papers have been battling against a Vagrancy Act for decades. The Big Issue .

Coley, Rob (2015) Confronting an inhuman world. In: The Anthropocene and the threat to the human (21st Century Research Group), 4th March, 2015, University of Lincoln.

Coley, Rob (2017) ‘Destabilized perception’: narrative as network in the films of Adam Curtis. In: Essay Film and Narrative Techniques: Screenwriting Non-Fiction, Symposium of the BAFTSS ‘Essay Film’ Research Group, 18-19 November, 2017, University of York.

Coley, Rob (2014) Digital memory and the archive (Wolfgang Ernst). Journal of American Studies of Turkey . ISSN 1300-6606

Coley, Rob (2016) Ecological detection. In: Photomediations: A Symposium, 19 February, 2016, Goldsmiths, University of London.

Coley, Rob (2011) ‘I don’t believe you...you’re a liar’: the fabulatory function of Bob Dylan. In: Refractions of Bob Dylan: Cultural Appropriations of an American Icon, 19-21 May, 2011, University of Vienna.

Coley, Rob (2016) Mapping the contours of vectoral space: inaugural statement of the Committee for Aeronautical Psychogeography. In: Radical space: exploring politics and practice. Radical Cultural Studies . Rowman and Littlefield. ISBN 9781783481521, 9781783481514, 9781783481538

Coley, Rob (2016) Street smarts for smart streets. In: Visualizing the Street, 16-17 June, 2016, Allard Pierson Museum, University of Amsterdam.

Coley, Rob (2015) Tradecraft accelerated, or, The spy who ceased being afraid of becoming mad. In: Spying on Spies: Popular Representations of Spies and Espionage, 3-5 September 2015, University of Warwick at The Shard.

Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. In: 21st century photography: art, philosophy, technique, 5-6 June, 2015, Central Saint Martins.

Coley, Rob (2014) Visuality and the vector: mapping and hijacking drone culture. In: Autonomy and Automation: Robotics, AI and the Digital Cultural Future, 8th March, 2014, Pervasive Media Studio, Digital Cultures Research Centre, University of the West of England.

Coley, Rob (2013) Visuality and the virtual: mediation and control in network ecologies. PhD thesis, University of Lincoln.

Coley, Rob (2017) The case of the speculative detective: aesthetic truths and the television ‘crime board’. NECSUS: European Journal of Media Studies, Spring . ISSN 2215-1222

Coley, Rob (2014) The horrors of visuality. Photomediations Machine .

Coley, Rob (2016) The horrors of visuality. In: Photomediations: a reader. Open Humanities Press, pp. 290-310. ISBN 9781785420023

Coley, Rob (2015) The terminal city: elemental politics and mediated urbanism. In: Political Agency in the Digital Age: Media, Participation and Democracy ( ECREA Communication and Democracy conference 2015), 9-10 October, Copenhagen Business School.

Coley, Rob, Kearns, Janice and OMeara, Adam (2014) The ins and outs of imaging: community filmmaking beyond representation. In: Community Filmmaking and Cultural Diversity: Practice, Innovation and Policy, 22-23 January, 2014, BFI Southbank.

Coley, Rob and Lockwood, Dean (2015) Arcanum of the exploded camera. In: School of Film and Media Research Seminar, 15th April, 2015, University of Lincoln.

Coley, Rob and Lockwood, Dean (2010) Cloud games: reinventing invention-power. In: The Experimental Society, 7-9 July, 2010, Lancaster University.

Coley, Rob and Lockwood, Dean (2012) Cloud time. In: The Colloquium for Unpopular Culture, 22 October, 2012, New York University.

Coley, Rob and Lockwood, Dean (2013) Cloud time and the ethics of mediation. In: Philosophy of Education Seminar on The Ethics of Information Technology, 23 January, 2013, Liverpool Hope University.

Coley, Rob and Lockwood, Dean (2012) Cloud time: the inception of the future. Zero Books. ISBN 1780990952, 9781780990958

Coley, Rob and Lockwood, Dean (2011) Digging a deeper hole: cloud computing and the tame ghost of radicalism. In: Platform Politics, 12 - 13 May, 2011, Anglia Ruskin University.

Coley, Rob and Lockwood, Dean (2015) Dreaming the drone. In: School of Arts and Media Research Seminar, 3 June, 2015, University of Salford.

Coley, Rob and Lockwood, Dean (2014) Paraphotographic belief, or, critical horror. In: Helsinki Photomedia: Photographic Powers, 26-28 March 2014, Aalto University, School of Arts, Design and Architecture, Helsinki.

Coley, Rob and Lockwood, Dean (2014) Photography in a war universe: control answers. In: Beyond the Cut-Up: William S Burroughs and the Image, 15th February, 2014, The Photographer's Gallery, London.

Coley, Rob and Lockwood, Dean (2015) A causeway around picture: Muybridge’s solar darkness. In: Rethinking Early Photography, 16th-17th June, University of Lincoln.

Coley, Rob, Lockwood, Dean and Micali, Alberto (2014) Fictive-friction: cyberpunk reprised. In: Friction: An interdisciplinary conference on technology and resistance, 8-9 May, 2014, University of Nottingham.

Coley, Rob, Lockwood, Dean and OMeara, Adam (2014) As above, so below: triangulating drone culture. In: As Above, So Below: A Colloquium on Drone Culture, 24 May, 2014, University of Lincoln.

Coley, Rob, Lockwood, Dean and OMeara, Adam (2013) Refraining photography for a post-media era. In: On the Verge of Photography: Imaging, Mobile Art, Humans & Computers, 24-25 May, 2013, Birmingham School of Art.

Coley, Rob, Lockwood, Dean, OMeara, Adam and McSherry, David (2014) Three moments. Photomediations Machine .

Coley, Rob, Lockwood, Dean, OMeara, Adam and McSherry, David (2015) Three moments. [Event, Show or Exhibition]

Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2014) Airminded. [Event, Show or Exhibition]

Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2014) Intervention - Airminded. Antipode: A Radical Journal of Geography .

Coley, Rob (2014) After the aftermath. Reviews in Cultural Theory, 5 (2). ISSN 1918-9710

Coley, Rob (2018) Choose Life (Review of Nonhuman Photography by Joanna Zylinska). Media Theory . ISSN 2557-826X

Coley, Rob (2018) Cultural Infrastructure (Review of List Cultures by Liam Cole Young). Cultural Politics, 14 (3). pp. 407-409. ISSN 1743-2197

Coley, Rob (2018) "Destabilized Perception": Infrastructural Aesthetics in the Films of Adam Curtis. Cultural Politics, 14 (3). pp. 304-326. ISSN 1743-2197

Coley, Rob (2019) Essays on the Essay Film, ed. N.M. Alter and T. Corrigan. Visual Studies . ISSN 1472-586X

Coley, Rob (2020) In Defence of ‘Noir Theory’: Laruelle, Deleuze, and Other Detectives. Theory, Culture & Society, 37 (3). pp. 123-144. ISSN 0263-2764

Coley, Rob (2013) Minutes of the Society for Ontofabulatory Research: report from the Committee for Aeronautical Psychogeography. In: Radical Space, 18-20 October, 2013, Centre for Cutural Studies Research, University of East London.

Coley, Rob (2021) Politics of Indeterminacy: Utopia and Crisis in the Essay Film. Screen, 61 (4). pp. 525-544. ISSN 0036-9543

Coley, Rob (2021) Street Smarts for Smart Streets. In: Surreal Entanglements: Essays on Jeff VanderMeer’s Fiction. Routledge Studies in World Literatures and the Environment . Routledge, pp. 147-168. ISBN 9780367360849

Coley, Rob (2018) Street smarts for smart streets. In: Visualizing the street: new practices of documenting, navigating and imagining the city. Amsterdam University Press. ISBN 9789462984356

Coley, Rob (2015) Vector portraits, or, photography for the Anthropocene. Philosophy of Photography, 6 (1-2). pp. 51-60. ISSN 2040-3682

Coley, Rob (2017) ‘A world where nothing is solved’: investigating the anthropocene in True Detective. Journal of Popular Television, 5 (2). ISSN 2046-9861

Coley, Rob and Lockwood, Dean (2015) As above, so below: triangulating drone culture. Culture Machine, 16 . pp. 1-19. ISSN 1465-4121

Coley, Rob, White, Joanna, McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

Crawford, Garry, MacCallum-Stewart, Esther and Ruffino, Paolo (2018) British Digital Game Studies. ToDiGRA Transactions of the Digital Games Research Association, 3 (3). pp. 1-11. ISSN 2328-9414

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Dickerson, Nikolas (2017) Popcorn patriotism: a journey through US cultural politics. In: British Sociological Association Sport Study Group Postgraduate Forum, 1 Sep 2017, School of Sport and Exercise Science at University of Lincoln.

Dickerson, Nikolas (2016) Sporting the unproductive body: challenging understandings of the marijuana user through sport. In: Qualitative Research in Sport and Exercise, 30 Aug - 1 Sep 2016, Chichester, England.

Dickerson, Nikolas (2018) Ricky and the sticky icky: marijuana, sport, and the legibility/illegibility of black masculinity. Sociology of Sport Journal, 35 (4). pp. 386-393. ISSN 0741-1235

Dickerson, Nikolas and Hodler, Matt (2020) "Real Men Stand for our Nation": Constructions of an American nation and anti-Colin Kaepernick memes. Journal of Sport and Social Issues . ISSN 0193-7235

Downing, Mike (2011) Desense: a photographic project. [Event, Show or Exhibition]

Dubois, Diane (2001) ‘Seeing the female body differently’: gender issues in The Silence of the Lambs. Journal of Gender Studies, 10 (3). pp. 297-310. ISSN 0958-9236

E

Elliott, Andrew (2018) Internet medievalism and the White Middle Ages. History Compass, 16 (3). pp. 1-10. ISSN 1478-0542

Elliott, Andrew (2013) Rewriting European history: national and transnational identities in Rome. Historical Journal of Film, Radio and Television, 33 (4). pp. 576-593. ISSN 0143-9685

Elliott, Andrew B. R. (2017) Medievalism, politics and mass media: appropriating the Middle Ages in the twenty-first century. Boydell and Brewer, Woodbridge. ISBN 9781843844631

Elliott, Andrew (2021) #Medieval: "First World" Medievalism and Participatory Culture. In: Middle Ages without Borders: A Conversation on Medievalism. Publications de l'Ecole francaise de Rome, Rome, pp. 87-106. ISBN 978-2-7283-1493-5

Elliott, Andrew (2017) Simulations and Simulacra: History in Video Games. Práticas da História Journal on Theory, Historiography and Uses of the Past, 2017 (5). pp. 11-41. ISSN 2183-590X

Elliott, Andrew B. R. (2013) "... And all is real": historical spaces and special f/x in HBO's Rome. Critical Studies in Television, 8 (3). pp. 65-77. ISSN 1749-6020

Elliott, Andrew B.R. (2016) Arthurian fragments, Arthurian mosaics. Arthuriana: The journal of Arthurian studies, 25 (4). pp. 14-24. ISSN 1078-6279

Elliott, Andrew B.R. (2020) Brexit, Medievalism, and the Myth of Nations. In: Studies in Medievalism XXIX: Politics and Medievalism. Studies in Medievalism (XXIX). Boydell and Brewer, pp. 31-38. ISBN 9781787448957

Elliott, Andrew B.R. (2019) "Charlemagne at the Battle of Gettysburg": Video Games and the Middle Ages. In: Historia Ludens: The Playing Historian. Routledge, London and New York, pp. 170-185. ISBN 9780367363864

Elliott, Andrew B.R. (2019) Imagining the Past through Film and Cultural Studies. In: Researching the Archaeological Past through imagined Narratives. Routledge, London and New York, pp. 263-272. ISBN 9781138303638

Elliott, Andrew B.R. (2020) Medievalism, Brexit, and the Myth of Nations. In: Studies in Medievalism. Boydell & Brewer, pp. 31-38. ISBN 978-1-84384-556-0

Elliott, Andrew B.R. and Horswell, Mike (2020) Crusading Icons: Medievalism and Authenticity in Historical Digital Games. In: History in Games: Contingencies of an Authentic Past. Transcript Verlag, Bielefeld, pp. 137-155. ISBN 9783839454206

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Flynn, Niall (2015) Media-ecological perspectives and the reimagination of method. In: MeCCSA PGN Conference, 2 - 3 July 2015, Coventry.

Flynn, Niall (2015) Contemporary ecological perspectives and media education. Cinema Journal Teaching Dossier: Critical Pedagogies in Neoliberal Times, 3 (2). ISSN 0009-7101

Flynn, Niall (2013) Ex-cinema: from a theory of experimental film and video [Akira Mizuta Lippit]. Alphaville: Journal of Film and Screen Media, 6 . ISSN 2009-4078

Flynn, Niall (2017) Finite media: environmental implications of digital media [by Sean Cubitt]. LSE Review of Books . ISSN .

Flynn, Niall (2015) The Lumière Galaxy: seven key words for the cinema to come [by Francesco Casetti]. Alphaville: Journal of Film and Screen Media, 10 . ISSN 2009-4078

Flynn, Niall (2016) Performativity and metaphor in new materialist media theory. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9 (1). ISSN 1755-9944

Flynn, Niall (2016) An intimate encounter: negotiating subtitled cinema. Open Library of Humanities, 2 (1). p. 1. ISSN 2056-6700

Forster, Marcella (2015) Andrea Arnold. In: Women screenwriters: an international guide. Palgrave Macmillan, London, pp. 591-685. ISBN 9781137312365, 9781137312372

Fuchs, Mathias, Fizek, Sonia, Ruffino, Paolo and Schrape, Niklas (2014) Rethinking gamification. Meson Press, Lueneburg, Germany. ISBN 3957960002, 9783957960009, 9783957960016, 9783957960023

G

Gilchrist, Kate R. (2023) ‘It’s not who I want to be!’: Negotiating the ‘illegible’ single woman in US–UK popular culture. European Journal of Cultural Studies . ISSN 1367-5494

Glaser, Elaine, Jacobson, Howard and Winston, Brian (2004) Paranoia of prejudice? New Humanist, 119 (2). pp. 24-27. ISSN 0306-512X

Glowka, Karolina (2016) Analiza historyczna sposobów obrazowania. Obrazy zakorzenione w technice. Kultura Popularna, 48 (2). ISSN 1644-8340

Glowka, Karolina (2023) The Rhetoric of Visual Representations: Visualizing the COVID-19 Pandemic in Polish Media. In: COVID Communication - Exploring Pandemic Discourse. Springer Nature Switzerland AG. ISBN UNSPECIFIED

Glowka, Karolina (2016) Współczesna retoryka wizualna w kontekście starożytnej retoryki epideiktycznej [Contemporary visual rhetoric in the context of ancient epideictic rhetoric]. Forum Artis Rhetoricae, 45 (2). ISSN 1733-1986

Grandy, Christine (2014) Heroes and happy endings: class, gender, and nation in popular film and fiction in interwar Britain. Studies in Popular Culture . Manchester University Press. ISBN 9780719090936

Grandy, Christine (2010) Paying for love: women’s work and love in popular film in interwar Britain. Journal of the History of Sexuality, 19 (3). pp. 483-507. ISSN 1043-4070

Grandy, Christine (2014) The empire and 'human interest': popular empire films, the colonial villain, and the British documentary movement 1926-1939. Twentieth Century British History, 25 (4). pp. 509-532. ISSN 0955-2359

Grandy, Christine (2020) 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show. Journal of British Studies, 59 (4). pp. 857-884. ISSN 0021-9371

Gray, Ann and Bell, Erin (2010) 'Rough crossings' and 'Congo: white King, red rubber, black death': documentary, drama and radical otherness in history programming. Journal of British Cinema and Television, 7 (3). pp. 459-478. ISSN 1743-4521

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Sutherland, Thomas (2014) Intensive mobilities: figurations of the nomad in contemporary theory. Environment and Planning D: Society and Space, 32 (5). pp. 935-950. ISSN 0263-7758

Sutherland, Thomas (2013) Liquid networks and the metaphysics of flux: ontologies of flow in an age of speed and mobility. Theory, Culture & Society, 30 (5). pp. 3-23. ISSN 0263-2764

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Sutherland, Thomas (2016) Mediation and metaxý: the interval between analog animality and digital humanity. Ctrl-Z: New Media Philosophy, 6 . ISSN 2200-8616

Sutherland, Thomas (2017) Ontological co-belonging in Peter Sloterdijk's spherological philosophy of mediation. Paragraph, 40 (2). pp. 133-152. ISSN 0264-8334

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Sutherland, Thomas (2020) Spectral archives, weird sciences, haunted data. Cultural Politics, 16 (3). pp. 415-417. ISSN 1743-2197

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Sutherland, Thomas (2021) A philosophy of transport: Michel Serres’ recursive epistemology in the Hermes pentalogy. Media Theory, 5 (1). pp. 201-218. ISSN 2557-826X

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Winston, Brian (2011) Para um documentário pós-griersoniano. In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 82-95. ISBN 9789896540623

Winston, Brian (1998) Parchment, printing, and hypermedia: communication in world order transformation (Ronald J. Deibert). European Journal of Communication, 13 (3). pp. 417-419. ISSN 0267-3231

Winston, Brian (2003) Paying the piper: the realist film in the service of the British state. In: Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich. Close Up: Schriften aus dem Haus des Dokumentarfilms . UVK Medien, Konstanz, Germany, pp. 144-154. ISBN 3896693824

Winston, Brian (2014) Peirce's better triad. In: A critique of judgement in film and television. Palgrave, London. ISBN 9781137014177

Winston, Brian (2009) Public issue television: World in Action 1963-98. Journalism Studies, 10 (1). pp. 130-136. ISSN 1461-670X

Winston, Brian (1994) Public service broadcasting. In: Behind the screen: structure of British television in the nineties. Lawrence and Wishart, London. ISBN 085315774X

Winston, Brian (1992) Re-regulating the USA. Television: The Journal of the Royal Television Society . ISSN 0308-454X

Winston, Brian (1990) Rejecting the Jehovah's Witness gambit. Intermedia, Oct/No . ISSN 0309-118X

Winston, Brian (2003) Reporting diversity: curriculum framework. Media Diversity Institute & Samizdat, London & Belgrade. ISBN 8679631728

Winston, Brian (2011) Richard Leacock. The Independent (supplement: Viewspaper) . p. 9. ISSN 0951-9467

Winston, Brian (2011) Richard Leacock: bearing witness. Sight and Sound, 21 (6). pp. 42-43. ISSN 0037-4806

Winston, Brian (2014) The Rushdie Fatwa and after: a lesson to the circumspect. Palgrave Macmillan, London. ISBN 9781137388599

Winston, Brian (2001) 'Smell the tulips': the internet, neo-liberalism and millenarian hype. In: Access denied in the information age. Palgrave Macmillan, London, pp. 161-178. ISBN 0333920198, 9780333920190

Winston, Brian (2015) Surveillance in the service of narrative. In: Blackwell companion to documentary. John Wiley, Oxford and Boston, pp. 611-628. ISBN 9780470671641, 9781118884553

Winston, Brian (1986) Survival of national networks in an age of abundance. Intermedia, 4 (6) (30). ISSN 0309-118X

Winston, Brian (2003) Technical history of television. In: The television history book. Television, Media & Cultural Studies . BFI, London. ISBN 0851709885

Winston, Brian (1996) Technologies of seeing: photography, cinematography and television. BFI, London. ISBN 0851706010 (hbk.), 0851706029 (pbk.)

Winston, Brian (1984) Television at a glance. Quarterly Review of Film Studies, 9 (3). pp. 256-261. ISSN 1050-9208

Winston, Brian (1998) Theatrical and television documentary: the sound of one hand clapping. In: Cinema futures: Cain, Abel or cable: the screen arts in the digital age. Film Cultures in Transition . University of Amsterdam, Amsterdam. ISBN 9053562826

Winston, Brian (2012) Theory for practice - ceci n'est pas l'épistémologie. In: Critical cinema: beyond the theory of practice. Wallflower/Columbia University Press, London, pp. 191-200. ISBN 9781906660376, 9781906660369

Winston, Brian (1996) There's no such thing as a cheap speech. The Communication Review, 1 (3). pp. 291-295. ISSN 1071-4421

Winston, Brian (1999) These isles are alive with the buzz of digits. Vertigo, 1 (9). ISSN 0968-7904

Winston, Brian (2015) To play a role that was in fact his [her] own. In: The Grierson effect: tracing documentary's international movement. British Film Institute / Palgrave, London. ISBN 9781844575398

Winston, Brian (1997) Tony Garnett. In: Encyclopaedia of Television. Fitzroy Dearborn, Chicago. ISBN 1884964265

Winston, Brian (2000) Triumph of the will. In: Behind the screen: history at the movies. Sutton Publishing, London. ISBN 9780750923316

Winston, Brian (1995) Tyrell's owl: the limits of the technological imagination in an epoch of hyperbolic discourse. In: Theorizing culture: critique. An Interdisciplinary Critique After Postmodernism . University College London Press, London. ISBN 1857283287

Winston, Brian (2003) What digital revolution? New Humanist, 118 (3). pp. 28-29. ISSN 0306-512X

Winston, Brian (1989) What information revolution? In: Perspectives on culture and society. The Provost's Lecture Series . Ball State University, Muncie. ISBN 093799412X

Winston, Brian (1993) What the BBC should know about PBS. Television: The Journal of the Royal Television Society . ISSN 0308-454X

Winston, Brian (1984) What took so long? Re-examining the technical history of television. Intermedia, Autumn . ISSN 0309-118X

Winston, Brian (2003) Why picture messaging won't take off. In: Media studies: the essential resource. Essentials . Routledge. ISBN 0415291739

Winston, Brian (1999) Witchhunt. DOX (23).

Winston, Brian (2018) Wofull newes from wales: local, national and transnational case studies. In: Researching newsreels: local, national and transnational case studies. Palgrave, pp. 15-33. ISBN 9783319919195

Winston, Brian (1998) Z for zoetrope. Sight & Sound, 8 (7). pp. 28-30. ISSN 0037-4806

Winston, Brian (2003) The art of evil. New Humanist, 118 (4). pp. 28-29. ISSN 0306-512X

Winston, Brian (1998) The camera never lies: the partiality of photographic evidence. In: Image based research: a sourcebook for qualitative researchers. Falmer. ISBN 9780750707060

Winston, Brian (2002) The coming of 16mm sync sound. In: Weltwunder der Kinematographie: Beitrage zu einer Kultureschichte der Filmtechnik = Contributions towards the cultural history of film technology. Polzer, Potsdam, Germany, pp. 287-299. ISBN 3934535208

Winston, Brian (2014) The conventions of the BBC. In: Is the BBC in crisis? Abramis Academic Publishing, Bury St. Edmunds, pp. 183-192. ISBN 9781845496210

Winston, Brian (1993) The documentary film as scientific inscription. In: Theorizing documentary. AFI Film Readers . Routledge/American Film Institute, New York, pp. 37-57. ISBN 0415903815, 0415903823

Winston, Brian (1973) The end of the book. In: Education without schools. Souvenir, London. ISBN 0285647210

Winston, Brian (1990) The fault in ourselves. In: Communications research: the challenge of the information age. Syracuse University Press, Syracuse, New York. ISBN 0815624328

Winston, Brian (1997) The journalist's perspective. In: Health scares : conflicting agendas : a report of the proceedings of a seminar organised by the West Wales Centre for Public Health at the Welsh Water Conference Centre, Enterprise Park, Swansea on 29th April, 1997. School of Postgraduate Studies in Medical and Health Care, University of Wales, Swansea, Swansea. ISBN UNSPECIFIED

Winston, Brian (1994) The licence fee, stupid!: The BBC's charter renewal. Media Information Australia (74). pp. 99-105. ISSN 0312-9616

Winston, Brian (2003) A little touch of Harry in the night: a note on British documentary in WWII. In: Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich. Close Up: Schriften aus dem Haus des Dokumentarfilms (16). UVK Medien, Konstanz, Germany, pp. 333-343. ISBN 3896693824

Winston, Brian (2005) A maldição do 'jornalístico' na era digital. In: O cinema do real. Cosac Naify, São Paulo, pp. 15-25. ISBN 8575034278

Winston, Brian (1983) 'The most perfect contrivance': interviewing as an unnatural act. The Independent, 6 (3).

Winston, Brian (1999) The primrose path: faking UK television documentary, "docuglitz" and docusoap (Lying in Public: British Television Regulators Invent a New Offence). Screening the Past (8).

Winston, Brian (1996) The quest for television quality: the documentary. Prix Italia/Edizioni RAI. ISBN UNSPECIFIED

Winston, Brian (2013) The revolutionary founding moments of a contra-Grierson tradition [Joshua Malitsky]. Jump Cut: A Review of Contemporary Media (55). ISSN 0146-5546

Winston, Brian (2012) A right to offend. Bloomsbury, London. ISBN 9781849660037, 9781849660150, 9781849664394

Winston, Brian (1998) A tangled web. Prospect (35). ISSN 1359-5024

Winston, Brian (1989) The tradition of the victim in Griersonian documentary. In: Image ethics: moral rights of subjects in photographs, film and television. Communication and Society . Oxford University Press, New York. ISBN 0195054334

Winston, Brian (1988) The tradition of the victim in Griersonian documentary. In: New challenges for documentary. University of California Press, Berkeley, pp. 269-287. ISBN 0520057252 (hbk.), 0520057244 (pbk.)

Winston, Brian (2011) A tradição da vítima no documentário griersoniano’? In: Tradição e reflexões: contributos para a teoria e estética do documentário/Tradición y reflexiones: contribuciones a la teoria y la estética del documental. Livros Labcom, Lisbon, pp. 58-81. ISBN 9789896540623

Winston, Brian (1984) The white man's burden: the example of Robert Flaherty. Sight and Sound, 54 (Winter). pp. 58-60. ISSN 0037-4806

Winston, Brian (1985) A whole technology of dyeing: a note on ideology and the apparatus of the chromatic moving image. Daedalus, 114 (4). pp. 105-123. ISSN 0011-5266

Winston, Brian, Beharrell, Peter, Davis, Howard, Eldridge, John, Hewitt, John, Oddie, Jean, Philo, Greg, Walton, Paul, Broadbent, Lucinda, Kimmett, Gordon, Spaven, Malcolm and Williams, Kevin (1995) Glasgow Media Group reader, volume 1. Routledge, London. ISBN 0415127297, 0415127300

Winston, Brian and Chi, Wang (2013) Contemporary Anglo-Saxon documentary practice: an historical examination: Part 2. World Cinema / 世界电影, 3 . pp. 180-188. ISSN 1002-9966

Winston, Brian and Chi, Wang (2013) Contemporary Anglo-Saxon documentary practice: an historical examination: Part 3. World Cinema / 世界电影, 4 . pp. 174-178. ISSN 1002-9966

Winston, Brian and Corneil, Marit (2008) Fra medieteknologiens kontra-revolusjonære fortid til dokumentarfilmens etiske fremtid - -et intervju med professor Brian Winston. Norsk medietidsskrift, 15 (2). pp. 237-247. ISSN 0805-8452

Winston, Brian and Keydel, Julia (1986) Working with video: a comprehensive guide to the world of video production. Amphoto, New York. ISBN 0817464336, 9780817464332

Winston, Brian and Keydel, Julia (1987) Working with video: a comprehensive guide to the world of video production. Pelham Books, London. ISBN 072071723X

Winston, Brian and Rebhandl, Bert (2009) "Ein Rätsel in einem Geheimnis mit sieben Siegeln" Frederick Wiseman und das öffentliche amerkanische Fernsehen in den siebziger Jahren. In: Frederick Wiseman: Kino des Sozialen. DFI, Berlin, pp. 43-68. ISBN 978-3-940384-14-0

Winston, Brian, Vanstone, Gail and Chi, Wang (2017) The act of documenting: documentary film in the 21st century. Bloomsbury Academic. ISBN 9781501309175

Winston, Brian and Walton, Paul (1996) New technology: virtually free. Vertigo Magazine, 1 (6).

Winston, Brian and Walton, Paul (1996) Virtually free (Myth of the Internet). Index on Censorship, 25 (1). pp. 78-83. ISSN 0306-4220

Winston, Brian and Williams, Kevin (2006) Messages: freedom, media and the west from Gutenberg to Google. European Journal of Communication, 21 (4). pp. 530-532. ISSN 0267-3231

Winston, Brian (2008) Claiming the real II: documentary: Grierson and beyond. BFI, London, pp. 1-336. ISBN 9781844572717 (pbk.), 9781844572724 (hbk.)

Winston, Brian (2010) Combatting ‘a message without a code’: writing the ‘history’ documentary. In: Televising History: mediating the past in postwar Europe. Palgrave Macmillan, Basingstoke, pp. 42-58. ISBN 9780230222083

Winston, Brian (1991) "Contested Culture", Jane Gaines. Journal of Media Law, 14 (2).

Winston, Brian (2014) Current debates: The Griersonian tradition post-war - decline or transition? Journal of British Cinema and Television, 11 (1). pp. 101-115. ISSN 1743-4521

Winston, Brian (1999) Documentary: how the myth was deconstructed. Wide Angle, 21 (2). pp. 71-86. ISSN 0160-6840

Winston, Brian (2018) Hell is for the inquisitive. In: Investigative journalism today: speaking truth to power! Bite Sized Books. ISBN UNSPECIFIED

Winston, Brian (2008) Hula Hoop or contraceptive pill? Misunderstanding the nature of the social impact of technology. Navigationen: Zeitschrift fur Medien- und Kulturwissenschafte, 8 (2). pp. 139-150. ISSN 1619-1641

Winston, Brian (2000) In praise of the media. Television: The Journal of the Royal Television Society, 37 (3). p. 15. ISSN 0308-454X

Winston, Brian (2014) Introducing Tony Hall's cunning plan: The BB(&A)C. OurBeeb: the future of the BBC .

Winston, Brian (2018) It’s the news, stupid! British Journalism Review . ISSN 0956-4748

Winston, Brian (2009) Leni Riefenstahl: a life. History Today, 59 (6). p. 62. ISSN 0018-2753

Winston, Brian (2007) Let them eat laptops: the limits of technicism. International Journal of Communication, 1 . pp. 170-176. ISSN 1932-8036

Winston, Brian (1985) On Marshall McLuhan's television picture. Sight and Sound, 54 (Autumn). pp. 258-263. ISSN 0037-4806

Winston, Brian (2008) Red planet guide. History Today, 58 (12). p. 75. ISSN 0018-2753

Winston, Brian (2009) Response to Roundtable. Media History, 15 (1). pp. 103-119. ISSN 1368-8004

Winston, Brian (1997) Triumph of the will. History Today, 47 (1). pp. 24-28. ISSN 0018-2753

Winston, Brian (1999) Truth on Screen 2: True lies. Television: The Journal of the Royal Television Society, 36 (2). p. 22. ISSN 0308-454X

Winston, Brian (2000) University challenge. Television: The Journal of the Royal Television Society, 37 (1). p. 22. ISSN 0308-454X

Winston, Brian (1981) Was Hitler there? Reconsidering 'Triumph of the will'. Sight and Sound (Spring). pp. 102-107.

Winston, Brian (2015) Writing the BBC: the perils of historiography. openDemocracy.net/Our Kingdom/Our Beeb .

Winston, Brian (2018) The conscience of cinema: the works of Joris Ivens 1912-1989 [Thomas Waugh. Amsterdam University Press. 2016]. Studies in Documentary Film . ISSN 1750-3280

Winston, Brian (2015) The documentary script as an oxymoron? Journal of Screenwriting, 6 (3). pp. 287-300. ISSN 1759-7137

Winston, Brian (2014) ‘‘A handshake or a kiss’’: the legacy of George Stoney (1916–2012). Film Quarterly, 67 (3). pp. 35-49. ISSN 0015-1386

Winston, Brian (1987) A mirror for Brunelleschi. Daedalus, 116 (3). pp. 187-202. ISSN 0011-5266

Winston, Brian (2009) ‘A riddle wrapped in a mystery inside an enigma’: Wiseman and public television’,. Studies in Documentary Film, 3 (2). pp. 95-111. ISSN 1750-3280

Winston, Brian (2013) Ça va de soi: the visual representation of violence in the Holocaust documentary. In: Killer images: documentary film, memory and the performance of violence. Wallflower Press/Columbia University Press, New York. ISBN 9780231163354, 9780231163347

Winston, Brian and Steiner, Tobias (2015) "Ça va de soi" Die Vie Visuelle Reprasentation von Gewalt im Holocaust-Dokumentarfilm. Avinus, Hamburg. ISBN 9783869380797

Winston, Brian and Tsang, Hing (2009) The subject and the indexicality of the photograph. Semiotica, 173 (1-4). pp. 453-469. ISSN 0037-1998

Winston, Brian Norman (2006) How does technological development and adoption occur In the media? A cultural determinist model. PhD thesis, University of Lincoln.

Wright, Radica (2012) 11 11 remembered. University of Lincoln.

Wright, Radica (2011) Storytelling snaps. [Artefact]