![]() | Up a level |
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Kotoula, Eleni, Akoglu, Kiraz Goze, Frahm, Eckart and Simon, Stefan (2018) QR coded 3D prints of cuneiform tablets. International Journal of Art, Culture and Design Technologies, 6 (2). pp. 1-11. ISSN 2155-4196
Kotoula, Eleni, Akoglu, Kiraz Goze, Frahm, Eckart and Simon, Stefan (2018) QR coded 3D prints of cuneiform tablets. International Journal of Art, Culture and Design Technologies, 6 (2). pp. 1-11. ISSN 2155-4196
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Baynton, Rachel (2012) Digital Image Management and Licensing in a Small-scale Museum and Gallery. Documentation. Live at LICA, Museum Development North West.
Bennett, Melissa and Warren, Kristy (2019) Looking back and facing forwards: ten years of the London, Sugar & Slavery gallery. Journal of Historical Geography, 63 . pp. 94-99. ISSN 0305-7488
Hunt, Abigail (2013) Scholarly and public histories: a case study of Lincolnshire, agriculture and museums. PhD thesis, University of Lincoln.
Kotoula, Eleni, Akoglu, Kiraz Goze, Frahm, Eckart and Simon, Stefan (2018) QR coded 3D prints of cuneiform tablets. International Journal of Art, Culture and Design Technologies, 6 (2). pp. 1-11. ISSN 2155-4196
Matthews, Geoff (2010) Conservation architecture and the narrative imperative: Birmingham back to backs. In: Narrative Space, 20-22 April 2010, University of Leicester.
Hunt, Abigail (2013) Scholarly and public histories: a case study of Lincolnshire, agriculture and museums. PhD thesis, University of Lincoln.
Locker, Pam and Gittens, Douglas (2009) Pencils and pixels: a drawing learning resource for design students. [Learning Resource]
Baynton, Rachel (2012) Digital Image Management and Licensing in a Small-scale Museum and Gallery. Documentation. Live at LICA, Museum Development North West.
Bennett, Melissa and Warren, Kristy (2019) Looking back and facing forwards: ten years of the London, Sugar & Slavery gallery. Journal of Historical Geography, 63 . pp. 94-99. ISSN 0305-7488
Hunt, Abigail (2019) A Review of Ayscoughfee Hall Museum and Gardens.
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Hill, Kate (2012) Museums and biographies: stories, objects, identities. Heritage Matters, 9 . Boydell and Brewer, Woodbridge. ISBN 9781843837275
Skipper, Philip, Fry, Claire and Willett, Clara (2021) Disinfection of Contaminated Heritage Surfaces from SARS-CoV-2 Virus. Journal of Conservation and Museum Studies, 19 (1). pp. 1-6. ISSN 1364-0429
Hill, Kate (2001) Roughs of both sexes: the working class in Victorian museums and art galleries. In: Identities in space : contested terrains in the Western city since 1850. Historical urban studies . Ashgate, Aldershot, pp. 190-203. ISBN 075460280X
Kotoula, Eleni, Akoglu, Kiraz Goze, Frahm, Eckart and Simon, Stefan (2018) QR coded 3D prints of cuneiform tablets. International Journal of Art, Culture and Design Technologies, 6 (2). pp. 1-11. ISSN 2155-4196
Bennett, Melissa and Warren, Kristy (2019) Looking back and facing forwards: ten years of the London, Sugar & Slavery gallery. Journal of Historical Geography, 63 . pp. 94-99. ISSN 0305-7488
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Bennett, Melissa and Warren, Kristy (2019) Looking back and facing forwards: ten years of the London, Sugar & Slavery gallery. Journal of Historical Geography, 63 . pp. 94-99. ISSN 0305-7488
Fairhurts, Alison R. G. (2015) The materials, construction and conservation of eighteenth century women's shoes. PhD thesis, University of Lincoln.
Hunt, Abigail and Kitchen, Thomas (2022) Enabled Archaeology in the Field, in Museums, and the Visitor Experience. In: The Oxford Handbook of Museum Archaeology. Oxford University Press, Oxford. ISBN 9780198847526
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Hill, Kate (2005) Culture and class in English public museums, 1850-1914. Historical urban studies . Ashgate, Aldershot. ISBN 0754604322
Hill, Kate (2001) Roughs of both sexes: the working class in Victorian museums and art galleries. In: Identities in space : contested terrains in the Western city since 1850. Historical urban studies . Ashgate, Aldershot, pp. 190-203. ISBN 075460280X
Matthews, Geoff (2010) Challenging sustainability. Museums & Heritage . pp. 11-12. ISSN 2051-8463
Matthews, Geoff (2010) Conservation architecture and the narrative imperative: Birmingham back to backs. In: Narrative Space, 20-22 April 2010, University of Leicester.
Kotoula, Eleni, Akoglu, Kiraz Goze, Frahm, Eckart and Simon, Stefan (2018) QR coded 3D prints of cuneiform tablets. International Journal of Art, Culture and Design Technologies, 6 (2). pp. 1-11. ISSN 2155-4196
Bennett, Melissa and Warren, Kristy (2019) Looking back and facing forwards: ten years of the London, Sugar & Slavery gallery. Journal of Historical Geography, 63 . pp. 94-99. ISSN 0305-7488
Jeppesen, Chris and Longair, Sarah (2020) Domestic Museums of Decolonisation? Objects, Colonial Officials, and the Afterlives of Empire in Britain. In: Decolonising Europe? Popular Responses to the End of Empire. Routledge, pp. 220-237. ISBN 9780367139605
Whelan, Deborah (2006) Midlands Freedom sites: research for Natal Museum display. Project Report. Natal Museum, Pietermaritzburg.
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Matthews, Geoff (1996) Museum.design.organization: an exploration of spatialities and a project in modelling museum design activity. PhD thesis, University of Hull.
Lanz, Francesca and Montanari, Elena (2022) Designing Interactions: On the Use of Digital Technologies in the Musealisation of Difficult Built Heritage. In: Emerging Technologies and Museums. Berghahn Books, pp. 175-196. ISBN 978-1-80073-374-9
Baynton, Rachel (2012) Digital Image Management and Licensing in a Small-scale Museum and Gallery. Documentation. Live at LICA, Museum Development North West.
Catalani, Anna (2008) Yoruba identity and western museums: ethnic pride and artistic representations. In: Heritage and identity: engagement and demission in the contemporary world. Museum Meanings . Routledge. ISBN 9780415453363
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Hunt, Abigail and Kitchen, Thomas (2022) Enabled Archaeology in the Field, in Museums, and the Visitor Experience. In: The Oxford Handbook of Museum Archaeology. Oxford University Press, Oxford. ISBN 9780198847526
Locker, Pam and Gittens, Douglas (2009) Pencils and pixels: a drawing learning resource for design students. [Learning Resource]
Morgan, Frances (2023) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770
Hunt, Abigail and Kitchen, Thomas (2022) Enabled Archaeology in the Field, in Museums, and the Visitor Experience. In: The Oxford Handbook of Museum Archaeology. Oxford University Press, Oxford. ISBN 9780198847526
Onol, Isil (2006) Tactual explorations: a tactile interpretation of a museum exhibit through tactile artworks and Augmented Reality. In: Touch and the Value of Object Handling. Workshop 2. New technologies for enhancing object interpretation: interactives, haptics and interface technologies, 1 Dec 2006, University of Central England, Birmingham.
Lanz, Francesca and Montanari, Elena (2022) Designing Interactions: On the Use of Digital Technologies in the Musealisation of Difficult Built Heritage. In: Emerging Technologies and Museums. Berghahn Books, pp. 175-196. ISBN 978-1-80073-374-9
Matthews, Geoff (2010) Conservation architecture and the narrative imperative: Birmingham back to backs. In: Narrative Space, 20-22 April 2010, University of Leicester.
Whelan, Deborah (2006) Midlands Freedom sites: research for Natal Museum display. Project Report. Natal Museum, Pietermaritzburg.
Onol, Isil (2011) Haptic interaction with visual information: tactile exhibition as inclusive interface between museum visitors and the Bronze Bust of Sophocles. PhD thesis, University of Huddersfield.
Hunt, Abigail (2013) Scholarly and public histories: a case study of Lincolnshire, agriculture and museums. PhD thesis, University of Lincoln.
FISHER, kate and Rocha, Leon (2018) 19-20 shiji yingguo dui zhongguo xing shiwu de shoucang ji qi wenhua de jiedu (translation of: "The Obscure Object of Western Desires: Collecting Chinese Objects and Interpreting Chinese Sexuality"). In: Gan tong shen shou: Zhong xi wenhua jiaoliu beijing xia de ganguan yu ganjue (Empathies: Sense and Sensitivity in Sino-Western Cultural Exchange). Fudan University Press, Shanghai, pp. 295-311. ISBN 9787309138641
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Catalani, Anna (2016) ‘Like satires of creation, we move north, gazing at Europe and brazing the dazzling Sahara Sun’: diasporic imagination and heritage in the era of mass migration. In: 'What does heritage change?' Critical Heritage Studies Conference, 3-8 June 2016, Montreal.
Jeppesen, Chris and Longair, Sarah (2020) Domestic Museums of Decolonisation? Objects, Colonial Officials, and the Afterlives of Empire in Britain. In: Decolonising Europe? Popular Responses to the End of Empire. Routledge, pp. 220-237. ISBN 9780367139605
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
FISHER, kate and Rocha, Leon (2018) 19-20 shiji yingguo dui zhongguo xing shiwu de shoucang ji qi wenhua de jiedu (translation of: "The Obscure Object of Western Desires: Collecting Chinese Objects and Interpreting Chinese Sexuality"). In: Gan tong shen shou: Zhong xi wenhua jiaoliu beijing xia de ganguan yu ganjue (Empathies: Sense and Sensitivity in Sino-Western Cultural Exchange). Fudan University Press, Shanghai, pp. 295-311. ISBN 9787309138641
Hunt, Abigail (2018) Reconsidering Nostalgia in the creation, curation, and interpretation of public histories. International Leisure Review, 7 (1). pp. 91-107. ISSN 2222-775X
Longair, Sarah (2015) Cultures of curating: the limits of authority [introduction]. Museum History Journal, 8 (1). pp. 1-7. ISSN 1936-9816
Fairhurts, Alison R. G. (2015) The materials, construction and conservation of eighteenth century women's shoes. PhD thesis, University of Lincoln.
Baynton, Rachel (2012) Digital Image Management and Licensing in a Small-scale Museum and Gallery. Documentation. Live at LICA, Museum Development North West.
Hunt, Abigail (2013) Scholarly and public histories: a case study of Lincolnshire, agriculture and museums. PhD thesis, University of Lincoln.
Bennett, Melissa and Warren, Kristy (2019) Looking back and facing forwards: ten years of the London, Sugar & Slavery gallery. Journal of Historical Geography, 63 . pp. 94-99. ISSN 0305-7488
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Jeppesen, Chris and Longair, Sarah (2020) Domestic Museums of Decolonisation? Objects, Colonial Officials, and the Afterlives of Empire in Britain. In: Decolonising Europe? Popular Responses to the End of Empire. Routledge, pp. 220-237. ISBN 9780367139605
Jeppesen, Chris and Longair, Sarah (2020) Domestic Museums of Decolonisation? Objects, Colonial Officials, and the Afterlives of Empire in Britain. In: Decolonising Europe? Popular Responses to the End of Empire. Routledge, pp. 220-237. ISBN 9780367139605
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
FISHER, kate and Rocha, Leon (2018) 19-20 shiji yingguo dui zhongguo xing shiwu de shoucang ji qi wenhua de jiedu (translation of: "The Obscure Object of Western Desires: Collecting Chinese Objects and Interpreting Chinese Sexuality"). In: Gan tong shen shou: Zhong xi wenhua jiaoliu beijing xia de ganguan yu ganjue (Empathies: Sense and Sensitivity in Sino-Western Cultural Exchange). Fudan University Press, Shanghai, pp. 295-311. ISBN 9787309138641
Matthews, Geoff (1996) Museum.design.organization: an exploration of spatialities and a project in modelling museum design activity. PhD thesis, University of Hull.
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Baynton, Rachel (2012) Digital Image Management and Licensing in a Small-scale Museum and Gallery. Documentation. Live at LICA, Museum Development North West.
Hunt, Abigail (2019) A Review of Ayscoughfee Hall Museum and Gardens.
Baynton, Rachel (2012) Digital Image Management and Licensing in a Small-scale Museum and Gallery. Documentation. Live at LICA, Museum Development North West.
Bennett, Melissa and Warren, Kristy (2019) Looking back and facing forwards: ten years of the London, Sugar & Slavery gallery. Journal of Historical Geography, 63 . pp. 94-99. ISSN 0305-7488
Catalani, Anna (2008) Yoruba identity and western museums: ethnic pride and artistic representations. In: Heritage and identity: engagement and demission in the contemporary world. Museum Meanings . Routledge. ISBN 9780415453363
Hill, Kate (2005) Culture and class in English public museums, 1850-1914. Historical urban studies . Ashgate, Aldershot. ISBN 0754604322
Hill, Kate (2012) Museums and biographies: stories, objects, identities. Heritage Matters, 9 . Boydell and Brewer, Woodbridge. ISBN 9781843837275
Hill, Kate (2001) Roughs of both sexes: the working class in Victorian museums and art galleries. In: Identities in space : contested terrains in the Western city since 1850. Historical urban studies . Ashgate, Aldershot, pp. 190-203. ISBN 075460280X
Hunt, Abigail (2018) Reconsidering Nostalgia in the creation, curation, and interpretation of public histories. International Leisure Review, 7 (1). pp. 91-107. ISSN 2222-775X
Longair, Sarah (2015) Cultures of curating: the limits of authority [introduction]. Museum History Journal, 8 (1). pp. 1-7. ISSN 1936-9816
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Hill, Kate (2020) Museums, Modernity and Conflict: Museums and Collections in and of War since the Nineteenth Century. Routledge Research in Museum Studies . Routledge. ISBN 9780367272500
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Matthews, Geoff (2010) Conservation architecture and the narrative imperative: Birmingham back to backs. In: Narrative Space, 20-22 April 2010, University of Leicester.
Hunt, Abigail (2018) Reconsidering Nostalgia in the creation, curation, and interpretation of public histories. International Leisure Review, 7 (1). pp. 91-107. ISSN 2222-775X
Jeppesen, Chris and Longair, Sarah (2020) Domestic Museums of Decolonisation? Objects, Colonial Officials, and the Afterlives of Empire in Britain. In: Decolonising Europe? Popular Responses to the End of Empire. Routledge, pp. 220-237. ISBN 9780367139605
Matthews, Geoff (1996) Museum.design.organization: an exploration of spatialities and a project in modelling museum design activity. PhD thesis, University of Hull.
FISHER, kate and Rocha, Leon (2018) 19-20 shiji yingguo dui zhongguo xing shiwu de shoucang ji qi wenhua de jiedu (translation of: "The Obscure Object of Western Desires: Collecting Chinese Objects and Interpreting Chinese Sexuality"). In: Gan tong shen shou: Zhong xi wenhua jiaoliu beijing xia de ganguan yu ganjue (Empathies: Sense and Sensitivity in Sino-Western Cultural Exchange). Fudan University Press, Shanghai, pp. 295-311. ISBN 9787309138641
Baynton, Rachel (2012) Digital Image Management and Licensing in a Small-scale Museum and Gallery. Documentation. Live at LICA, Museum Development North West.
Kotoula, Eleni, Akoglu, Kiraz Goze, Frahm, Eckart and Simon, Stefan (2018) QR coded 3D prints of cuneiform tablets. International Journal of Art, Culture and Design Technologies, 6 (2). pp. 1-11. ISSN 2155-4196
Kotoula, Eleni, Akoglu, Kiraz Goze, Frahm, Eckart and Simon, Stefan (2018) QR coded 3D prints of cuneiform tablets. International Journal of Art, Culture and Design Technologies, 6 (2). pp. 1-11. ISSN 2155-4196
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Hunt, Abigail (2018) Reconsidering Nostalgia in the creation, curation, and interpretation of public histories. International Leisure Review, 7 (1). pp. 91-107. ISSN 2222-775X
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Hunt, Abigail (2019) A Review of Ayscoughfee Hall Museum and Gardens.
Fairhurts, Alison R. G. (2015) The materials, construction and conservation of eighteenth century women's shoes. PhD thesis, University of Lincoln.
Locker, Pam and Gittens, Douglas (2009) Pencils and pixels: a drawing learning resource for design students. [Learning Resource]
Bennett, Melissa and Warren, Kristy (2019) Looking back and facing forwards: ten years of the London, Sugar & Slavery gallery. Journal of Historical Geography, 63 . pp. 94-99. ISSN 0305-7488
Hunt, Abigail and Kitchen, Thomas (2022) Enabled Archaeology in the Field, in Museums, and the Visitor Experience. In: The Oxford Handbook of Museum Archaeology. Oxford University Press, Oxford. ISBN 9780198847526
Hill, Kate (2005) Culture and class in English public museums, 1850-1914. Historical urban studies . Ashgate, Aldershot. ISBN 0754604322
Whelan, Deborah (2012) The challenges of planning, designing and constructing / renovating buildings for archives and special collections in South Africa. In: South African Preservation and Conservation Group, 22 January 2012, Durban.
Hunt, Abigail (2019) A Review of Ayscoughfee Hall Museum and Gardens.
Matthews, Geoff (1996) Museum.design.organization: an exploration of spatialities and a project in modelling museum design activity. PhD thesis, University of Hull.
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Onol, Isil (2007) Genstanden må gerne berøres. Kultur og Erhverv Klubben (KEK) (Culture and Business Club).
Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8
Fairhurts, Alison R. G. (2015) The materials, construction and conservation of eighteenth century women's shoes. PhD thesis, University of Lincoln.
Hill, Kate (2020) Museums, Modernity and Conflict: Museums and Collections in and of War since the Nineteenth Century. Routledge Research in Museum Studies . Routledge. ISBN 9780367272500
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Whelan, Deborah (2012) The challenges of planning, designing and constructing / renovating buildings for archives and special collections in South Africa. In: South African Preservation and Conservation Group, 22 January 2012, Durban.
Onol, Isil (2007) Genstanden må gerne berøres. Kultur og Erhverv Klubben (KEK) (Culture and Business Club).
Panourgia, Eleni-Ira and Zhao, Jing (2018) SoundMapp: participatory design in museum space. International Journal of the Inclusive Museum, 18 (1). pp. 27-35. ISSN 1835-2014
Onol, Isil (2007) Genstanden må gerne berøres. Kultur og Erhverv Klubben (KEK) (Culture and Business Club).
Onol, Isil (2006) Tactual explorations: a tactile interpretation of a museum exhibit through tactile artworks and Augmented Reality. In: Touch and the Value of Object Handling. Workshop 2. New technologies for enhancing object interpretation: interactives, haptics and interface technologies, 1 Dec 2006, University of Central England, Birmingham.
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Locker, Pam and Gittens, Douglas (2009) Pencils and pixels: a drawing learning resource for design students. [Learning Resource]
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Longair, Sarah (2015) Cultures of curating: the limits of authority [introduction]. Museum History Journal, 8 (1). pp. 1-7. ISSN 1936-9816
Longair, Sarah (2015) Cultures of curating: the limits of authority [introduction]. Museum History Journal, 8 (1). pp. 1-7. ISSN 1936-9816
Onol, Isil (2011) Haptic interaction with visual information: tactile exhibition as inclusive interface between museum visitors and the Bronze Bust of Sophocles. PhD thesis, University of Huddersfield.
Onol, Isil (2006) Tactual explorations. [Event, Show or Exhibition]
Catalani, Anna and Colomer, Laia (2020) ‘Cultural Identities, Migration and Heritage in Contemporary Europe: An Introduction’. In: Heritage Discourses in Europe: : Responding to Migration, Mobility, and Cultural Identities in the 21st Century. Collection Development, Cultural Heritage, and Digital Humanities . ARC Humanities Press, pp. 1-10. ISBN 978-1-64189-203-2
Morgan, Frances (2023) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770
Longair, Sarah (2015) Cultures of curating: the limits of authority [introduction]. Museum History Journal, 8 (1). pp. 1-7. ISSN 1936-9816
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Catalani, Anna (2016) ‘Like satires of creation, we move north, gazing at Europe and brazing the dazzling Sahara Sun’: diasporic imagination and heritage in the era of mass migration. In: 'What does heritage change?' Critical Heritage Studies Conference, 3-8 June 2016, Montreal.
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Morgan, Frances (2023) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Onol, Isil (2011) Haptic interaction with visual information: tactile exhibition as inclusive interface between museum visitors and the Bronze Bust of Sophocles. PhD thesis, University of Huddersfield.
Onol, Isil (2007) Genstanden må gerne berøres. Kultur og Erhverv Klubben (KEK) (Culture and Business Club).
Matthews, Geoff (2010) Challenging sustainability. Museums & Heritage . pp. 11-12. ISSN 2051-8463
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Onol, Isil (2006) Tactual Explorations [Exhibition & Presentation]. In: NODEM 06 - Digital interpretation in Art and Science Museums and Heritage Sites, 6-8 Nov 2006, University of Oslo, Norway.
Onol, Isil (2011) Haptic interaction with visual information: tactile exhibition as inclusive interface between museum visitors and the Bronze Bust of Sophocles. PhD thesis, University of Huddersfield.
Onol, Isil (2007) Genstanden må gerne berøres. Kultur og Erhverv Klubben (KEK) (Culture and Business Club).
Onol, Isil (2006) Haptic interactions with museum exhibits. In: ‘Engaging With Practice’ seminar, 19 Feb 2006, University of Huddersfield.
Onol, Isil (2006) Tactual explorations. [Event, Show or Exhibition]
Onol, Isil (2006) Tactual explorations: a tactile interpretation of a museum exhibit through tactile artworks and Augmented Reality. In: Touch and the Value of Object Handling. Workshop 2. New technologies for enhancing object interpretation: interactives, haptics and interface technologies, 1 Dec 2006, University of Central England, Birmingham.
Catalani, Anna (2016) ‘Like satires of creation, we move north, gazing at Europe and brazing the dazzling Sahara Sun’: diasporic imagination and heritage in the era of mass migration. In: 'What does heritage change?' Critical Heritage Studies Conference, 3-8 June 2016, Montreal.
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Skipper, Philip, Fry, Claire and Willett, Clara (2021) Disinfection of Contaminated Heritage Surfaces from SARS-CoV-2 Virus. Journal of Conservation and Museum Studies, 19 (1). pp. 1-6. ISSN 1364-0429
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Hill, Kate (2012) Museums and biographies: stories, objects, identities. Heritage Matters, 9 . Boydell and Brewer, Woodbridge. ISBN 9781843837275
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983
Morgan, Frances (2023) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770
Catalani, Anna (2016) ‘Like satires of creation, we move north, gazing at Europe and brazing the dazzling Sahara Sun’: diasporic imagination and heritage in the era of mass migration. In: 'What does heritage change?' Critical Heritage Studies Conference, 3-8 June 2016, Montreal.
Hunt, Abigail and Kitchen, Thomas (2022) Enabled Archaeology in the Field, in Museums, and the Visitor Experience. In: The Oxford Handbook of Museum Archaeology. Oxford University Press, Oxford. ISBN 9780198847526
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Catalani, Anna (2016) ‘Like satires of creation, we move north, gazing at Europe and brazing the dazzling Sahara Sun’: diasporic imagination and heritage in the era of mass migration. In: 'What does heritage change?' Critical Heritage Studies Conference, 3-8 June 2016, Montreal.
Catalani, Anna and Colomer, Laia (2020) ‘Cultural Identities, Migration and Heritage in Contemporary Europe: An Introduction’. In: Heritage Discourses in Europe: : Responding to Migration, Mobility, and Cultural Identities in the 21st Century. Collection Development, Cultural Heritage, and Digital Humanities . ARC Humanities Press, pp. 1-10. ISBN 978-1-64189-203-2
Whelan, Deborah (2012) Post-modern spaces: a possible way in which some museums can respond to the challenges of a changing world. In: South African Museums Association, 22 February, Pietermaritzburg.
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Lanz, Francesca and Montanari, Elena (2022) Designing Interactions: On the Use of Digital Technologies in the Musealisation of Difficult Built Heritage. In: Emerging Technologies and Museums. Berghahn Books, pp. 175-196. ISBN 978-1-80073-374-9
Whelan, Deborah (2012) Post-modern spaces: a possible way in which some museums can respond to the challenges of a changing world. In: South African Museums Association, 22 February, Pietermaritzburg.
Whelan, Deborah (2012) The challenges of planning, designing and constructing / renovating buildings for archives and special collections in South Africa. In: South African Preservation and Conservation Group, 22 January 2012, Durban.
Lanz, Francesca and Montanari, Elena (2022) Designing Interactions: On the Use of Digital Technologies in the Musealisation of Difficult Built Heritage. In: Emerging Technologies and Museums. Berghahn Books, pp. 175-196. ISBN 978-1-80073-374-9
Hill, Kate (2016) Women and museums 1850-1914: modernity and the gendering of knowledge. Gender in History . Manchester University Press, Manchester. ISBN 9780719081156
Longair, Sarah (2015) Cultures of curating: the limits of authority [introduction]. Museum History Journal, 8 (1). pp. 1-7. ISSN 1936-9816
Matthews, Geoff (2010) Conservation architecture and the narrative imperative: Birmingham back to backs. In: Narrative Space, 20-22 April 2010, University of Leicester.
Morgan, Frances (2023) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770
Matthews, Geoff (2010) Challenging sustainability. Museums & Heritage . pp. 11-12. ISSN 2051-8463
Onol, Isil (2011) Haptic interaction with visual information: tactile exhibition as inclusive interface between museum visitors and the Bronze Bust of Sophocles. PhD thesis, University of Huddersfield.
Onol, Isil (2006) Haptic interactions with museum exhibits. In: ‘Engaging With Practice’ seminar, 19 Feb 2006, University of Huddersfield.
Onol, Isil (2006) Tactual Explorations [Exhibition & Presentation]. In: NODEM 06 - Digital interpretation in Art and Science Museums and Heritage Sites, 6-8 Nov 2006, University of Oslo, Norway.
Onol, Isil (2006) Tactual explorations: a tactile interpretation of a museum exhibit through tactile artworks and Augmented Reality. In: Touch and the Value of Object Handling. Workshop 2. New technologies for enhancing object interpretation: interactives, haptics and interface technologies, 1 Dec 2006, University of Central England, Birmingham.
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Hill, Kate (2020) Museums, Modernity and Conflict: Museums and Collections in and of War since the Nineteenth Century. Routledge Research in Museum Studies . Routledge. ISBN 9780367272500
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Panourgia, Eleni-Ira and Zhao, Jing (2018) SoundMapp: participatory design in museum space. International Journal of the Inclusive Museum, 18 (1). pp. 27-35. ISSN 1835-2014
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Whelan, Deborah (2012) Post-modern spaces: a possible way in which some museums can respond to the challenges of a changing world. In: South African Museums Association, 22 February, Pietermaritzburg.
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Morgan, Frances (2023) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Panourgia, Eleni-Ira and Zhao, Jing (2018) SoundMapp: participatory design in museum space. International Journal of the Inclusive Museum, 18 (1). pp. 27-35. ISSN 1835-2014
Whelan, Deborah (2012) Post-modern spaces: a possible way in which some museums can respond to the challenges of a changing world. In: South African Museums Association, 22 February, Pietermaritzburg.
Clayton, Owen, ed. (2021) Representing Homelessness. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267240
Morgan, Frances (2023) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770
Onol, Isil (2011) Haptic interaction with visual information: tactile exhibition as inclusive interface between museum visitors and the Bronze Bust of Sophocles. PhD thesis, University of Huddersfield.
Onol, Isil (2006) Tactual Explorations [Exhibition & Presentation]. In: NODEM 06 - Digital interpretation in Art and Science Museums and Heritage Sites, 6-8 Nov 2006, University of Oslo, Norway.
Onol, Isil (2006) Tactual explorations. [Event, Show or Exhibition]
Hunt, Abigail and Kitchen, Thomas (2022) Enabled Archaeology in the Field, in Museums, and the Visitor Experience. In: The Oxford Handbook of Museum Archaeology. Oxford University Press, Oxford. ISBN 9780198847526
Hill, Kate (2020) Museums, Modernity and Conflict: Museums and Collections in and of War since the Nineteenth Century. Routledge Research in Museum Studies . Routledge. ISBN 9780367272500
Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1
Hill, Kate (2016) Women and museums 1850-1914: modernity and the gendering of knowledge. Gender in History . Manchester University Press, Manchester. ISBN 9780719081156