B

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

Baynton, Rachel (2012) Digital Image Management and Licensing in a Small-scale Museum and Gallery. Documentation. Live at LICA, Museum Development North West.

Bennett, Melissa and Warren, Kristy (2019) Looking back and facing forwards: ten years of the London, Sugar & Slavery gallery. Journal of Historical Geography, 63 . pp. 94-99. ISSN 0305-7488

C

Catalani, Anna (2016) ‘Like satires of creation, we move north, gazing at Europe and brazing the dazzling Sahara Sun’: diasporic imagination and heritage in the era of mass migration. In: 'What does heritage change?' Critical Heritage Studies Conference, 3-8 June 2016, Montreal.

Catalani, Anna (2008) Yoruba identity and western museums: ethnic pride and artistic representations. In: Heritage and identity: engagement and demission in the contemporary world. Museum Meanings . Routledge. ISBN 9780415453363

Catalani, Anna and Colomer, Laia (2020) ‘Cultural Identities, Migration and Heritage in Contemporary Europe: An Introduction’. In: Heritage Discourses in Europe: : Responding to Migration, Mobility, and Cultural Identities in the 21st Century. Collection Development, Cultural Heritage, and Digital Humanities . ARC Humanities Press, pp. 1-10. ISBN 978-1-64189-203-2

F

FISHER, kate and Rocha, Leon (2018) 19-20 shiji yingguo dui zhongguo xing shiwu de shoucang ji qi wenhua de jiedu (translation of: "The Obscure Object of Western Desires: Collecting Chinese Objects and Interpreting Chinese Sexuality"). In: Gan tong shen shou: Zhong xi wenhua jiaoliu beijing xia de ganguan yu ganjue (Empathies: Sense and Sensitivity in Sino-Western Cultural Exchange). Fudan University Press, Shanghai, pp. 295-311. ISBN 9787309138641

Fairhurts, Alison R. G. (2015) The materials, construction and conservation of eighteenth century women's shoes. PhD thesis, University of Lincoln.

H

Hill, Kate (2005) Culture and class in English public museums, 1850-1914. Historical urban studies . Ashgate, Aldershot. ISBN 0754604322

Hill, Kate (2012) Museums and biographies: stories, objects, identities. Heritage Matters, 9 . Boydell and Brewer, Woodbridge. ISBN 9781843837275

Hill, Kate (2001) Roughs of both sexes: the working class in Victorian museums and art galleries. In: Identities in space : contested terrains in the Western city since 1850. Historical urban studies . Ashgate, Aldershot, pp. 190-203. ISBN 075460280X

Hill, Kate (2020) Museums, Modernity and Conflict: Museums and Collections in and of War since the Nineteenth Century. Routledge Research in Museum Studies . Routledge. ISBN 9780367272500

Hill, Kate (2016) Women and museums 1850-1914: modernity and the gendering of knowledge. Gender in History . Manchester University Press, Manchester. ISBN 9780719081156

Hunt, Abigail (2018) Reconsidering Nostalgia in the creation, curation, and interpretation of public histories. International Leisure Review, 7 (1). pp. 91-107. ISSN 2222-775X

Hunt, Abigail (2019) A Review of Ayscoughfee Hall Museum and Gardens.

Hunt, Abigail (2013) Scholarly and public histories: a case study of Lincolnshire, agriculture and museums. PhD thesis, University of Lincoln.

Hunt, Abigail and Kitchen, Thomas (2022) Enabled Archaeology in the Field, in Museums, and the Visitor Experience. In: The Oxford Handbook of Museum Archaeology. Oxford University Press, Oxford. ISBN 9780198847526

J

Jeppesen, Chris and Longair, Sarah (2020) Domestic Museums of Decolonisation? Objects, Colonial Officials, and the Afterlives of Empire in Britain. In: Decolonising Europe? Popular Responses to the End of Empire. Routledge, pp. 220-237. ISBN 9780367139605

K

Kotoula, Eleni, Akoglu, Kiraz Goze, Frahm, Eckart and Simon, Stefan (2018) QR coded 3D prints of cuneiform tablets. International Journal of Art, Culture and Design Technologies, 6 (2). pp. 1-11. ISSN 2155-4196

L

Lanz, Francesca and Montanari, Elena (2022) Designing Interactions: On the Use of Digital Technologies in the Musealisation of Difficult Built Heritage. In: Emerging Technologies and Museums. Berghahn Books, pp. 175-196. ISBN 978-1-80073-374-9

Locker, Pam and Gittens, Douglas (2009) Pencils and pixels: a drawing learning resource for design students. [Learning Resource]

Longair, Sarah (2015) Cultures of curating: the limits of authority [introduction]. Museum History Journal, 8 (1). pp. 1-7. ISSN 1936-9816

M

Matthews, Geoff (2010) Challenging sustainability. Museums & Heritage . pp. 11-12. ISSN 2051-8463

Matthews, Geoff (2010) Conservation architecture and the narrative imperative: Birmingham back to backs. In: Narrative Space, 20-22 April 2010, University of Leicester.

Matthews, Geoff (1996) Museum.design.organization: an exploration of spatialities and a project in modelling museum design activity. PhD thesis, University of Hull.

Morgan, Frances (2023) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

O

Onol, Isil (2007) Genstanden må gerne berøres. Kultur og Erhverv Klubben (KEK) (Culture and Business Club).

Onol, Isil (2011) Haptic interaction with visual information: tactile exhibition as inclusive interface between museum visitors and the Bronze Bust of Sophocles. PhD thesis, University of Huddersfield.

Onol, Isil (2006) Haptic interactions with museum exhibits. In: ‘Engaging With Practice’ seminar, 19 Feb 2006, University of Huddersfield.

Onol, Isil (2006) Tactual Explorations [Exhibition & Presentation]. In: NODEM 06 - Digital interpretation in Art and Science Museums and Heritage Sites, 6-8 Nov 2006, University of Oslo, Norway.

Onol, Isil (2006) Tactual explorations. [Event, Show or Exhibition]

Onol, Isil (2006) Tactual explorations: a tactile interpretation of a museum exhibit through tactile artworks and Augmented Reality. In: Touch and the Value of Object Handling. Workshop 2. New technologies for enhancing object interpretation: interactives, haptics and interface technologies, 1 Dec 2006, University of Central England, Birmingham.

P

Panourgia, Eleni-Ira and Zhao, Jing (2018) SoundMapp: participatory design in museum space. International Journal of the Inclusive Museum, 18 (1). pp. 27-35. ISSN 1835-2014

R

Richards, Tony (2022) Limited Ink: Of Repressence, Inkorporation, and Marineation. In: Tattooed Bodies: Theorizing Body Inscription Across Disciplines and Cultures. Palgrave Studies in Fashion and the Body . Palgrave Macmillan. ISBN 978-3-030-86565-8

S

Skipper, Philip, Fry, Claire and Willett, Clara (2021) Disinfection of Contaminated Heritage Surfaces from SARS-CoV-2 Virus. Journal of Conservation and Museum Studies, 19 (1). pp. 1-6. ISSN 1364-0429

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

V

Voase, Richard (2010) Visualizing the past: Baudrillard, intensities of the hyper-real and the erosion of historicity. In: Culture, Heritage and Representation: Perspectives on Visuality and the Past. Heritage, Culture & Identity . Ashgate Publishing, Farnham, Surrey, UK, pp. 105-123. ISBN 9780754675983

W

Whelan, Deborah (2006) Midlands Freedom sites: research for Natal Museum display. Project Report. Natal Museum, Pietermaritzburg.

Whelan, Deborah (2012) Post-modern spaces: a possible way in which some museums can respond to the challenges of a changing world. In: South African Museums Association, 22 February, Pietermaritzburg.

Whelan, Deborah (2012) The challenges of planning, designing and constructing / renovating buildings for archives and special collections in South Africa. In: South African Preservation and Conservation Group, 22 January 2012, Durban.