Article

Hudson, James (2021) Right from the centre: The dramaturgy of right-wing politics in Chris Hannan’s What Shadows (2016), Chris Bush’s The Assassination of Katie Hopkins (2018), and Rob Drummond’s The Majority (2017). Studies in Theatre and Performance . ISSN 1468-2761

Hudson, James (2017) Confirmation: Chris Thorpe in conversation with James Hudson. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 7 (1). pp. 3-12. ISSN 1757-1979

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama, 51 (3). pp. 306-337. ISSN 0010-4078

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Review

Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833

Book Section

Hudson, James (2021) The Elite Pinter and the Pinter Elite. In: Harold Pinter: Stages, Networks, Collaborations. Bloomsbury Methuen, pp. 53-70. ISBN 9781350133624

Hudson, James (2021) Precursive Texts in the Work of Simon Stephens: Motortown, Birdland, Punk Rock. In: The Theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED

Hudson, James (2020) Bear Necessity: The Means to The End. In: The Trilogy: Acts of Dramaturgy. Playtext Series . Intellect, Bristol. ISBN UNSPECIFIED

Hudson, James (2015) Vintage Barker: new writing in old bottles. In: Howard Barker's theatre: wrestling with catastrophe. Methuen Drama Engage . Bloomsbury Methuen, London, pp. 113-130. ISBN 9781408185995

Conference or Workshop contribution

Hudson, James (2019) The Dramaturgy of Reactionary Politics on the Recent UK Stage. In: International Federation for Theatre Research 2019 Conference, 8th - 13th July 2019, Shanghai Theatre Academy.

Hudson, James (2018) The Pinter elite and the elite Pinter. In: Staging Pinter: Networks, Collaborators, Legacies, 6-7 April 2018, University of Birmingham.

Hudson, James (2017) Harold Pinter's Betrayal and the benefit of hindsight. In: Pinter Unwrapped, 23 March 2017, Derby Theatre.

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University.

Hudson, James (2009) Barker, Bond and the practice of theatre theory. In: Howard Barker’s Art of Theatre: International Conference, 10-12 July 2009, University of Aberystwyth, Department of Film, Television and Theatre Studies.

Hudson, James (2008) From bread and circuses to the rational theatre: desubliming repressive desublimation’. In: Art and Power, 27 September 2008, University of Leeds.

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

Book or Monograph

Hudson, James (2022) Contemporary British Theatre and Reactionary Ideology. Routledge. ISBN UNSPECIFIED

Hudson, James and de Senna, Pedro, eds. (2021) Performance and the Right: Strategies and Subterfuges [Special Issue of Studies in Theatre and Performance]. Taylor and Francis. ISBN UNSPECIFIED

Thesis

Holden, Nicholas Oliver (2018) Building the engine room: a study of the Royal Court Young Peoples’ Theatre and its development into the Young Writers’ Programme. PhD thesis, University of Lincoln.