Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford.
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Item Type: | Conference or Workshop contribution (Paper) |
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Item Status: | Live Archive |
Abstract
Discussing his experience of being interviewed, Mark E. Smith of the post-punk band, The Fall, admits to being ‘purposefully arsey’ and unwilling to ‘give my secrets away to these idiots’. This paper explores the failure of broadsheet media attempts to define and neuter Smith by reducing him to a ‘mediapheme’. We contend that Smith is an untimely figure, never a sign of the times but rather a critic of the present, out of step, a site of indeterminacy. Smith’s writing constitutes a critique of contemporary class ‘hexes’ (what Deleuze and Guattari call ‘order-words’, the bourgeois stoppages and arrests of culture and langage).
Additional Information: | Discussing his experience of being interviewed, Mark E. Smith of the post-punk band, The Fall, admits to being ‘purposefully arsey’ and unwilling to ‘give my secrets away to these idiots’. This paper explores the failure of broadsheet media attempts to define and neuter Smith by reducing him to a ‘mediapheme’. We contend that Smith is an untimely figure, never a sign of the times but rather a critic of the present, out of step, a site of indeterminacy. Smith’s writing constitutes a critique of contemporary class ‘hexes’ (what Deleuze and Guattari call ‘order-words’, the bourgeois stoppages and arrests of culture and langage). |
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Keywords: | Mark E Smith, The Fall, untimely, post-punk music, Deleuze and Guattari |
Subjects: | W Creative Arts and Design > W300 Music |
Divisions: | College of Arts > Lincoln School of Film & Media > Lincoln School of Film & Media (Media) |
Related URLs: | |
ID Code: | 7890 |
Deposited On: | 08 Mar 2013 12:52 |
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