Abstract

A new exhibition of contemporary jewellery by 12 up-and-coming international jewellery artists opens at Manchester Art Gallery this July. Curated by Manchester-based jewellery artist Jo Bloxham, the exhibition features new conceptual works of jewellery by artists from as far afield as the USA and Mexico. All the works on display have been inspired by Pre-Raphaelite paintings from Manchester Art Gallery’s prestigious collections.

The paintings have all been selected by the exhibition curator, Jo Bloxham and include Pre-Raphaelite favourites such as Arthur Hughes’ Ophelia and Rossetti’s The Bower Meadow and Astarte Syriaca. The works portray women as a femme fatale, a seductress, and in some cases, purely as an object of beauty. Bloxham comments that each of the jewellers has responded individually, the works have provoked some strong reactions, and astonishing results:

“The jewellers have created an exciting body of work using a diverse selection of materials, from gold and garnets to concrete and broken glass. The Sting of Passion is an opportunity to explore an area of jewellery design rarely seen in the UK.”

Polish jeweller, Arek Wolski has added modern irony to his work for Eve Tempted by John Stanhope. Playing on words, Wolski has created a t-shirt brooch, changing the phrase ‘Last Forever’ to a more cynical ‘Lust Forever’.

French jeweller, Benjamin Lignel found The Bower Meadow by Dante Gabriel Rossetti deeply unsettling. Lignel says “Here are the real desperate housewives: typecast for maximum excitement. Rossetti’s dancing beauties live the test-tube lives of neutered she-monsters in a tree-lined water-tank.”

Nanna Melland from Germany has created a fine, gold chain, to sit around the waist of Rossetti’s Astarte Syriaca in the form of a new girdle.