Abstract

Nation-building is a process which is often contested, not just among different ethnicities within a nation-state, but also among the titular ethnic majority. This article explores the contested nature of the nation-building process in post-Soviet Kazakhstan through examining cinematic works. Utilizing a post-modern perspective which views nations and national identity as invented, imagined and ambivalent it identifies four discursive strands within recent post-Soviet Kazakh cinema pertaining to nationhood and national identity (ethno-centric, civic, religious and socio-economic). Rather than viewing government-sponsored efforts of identity formation in cinema as a top-down process in which the regime transmits its version of nationhood and identity, the discursive strands revealed in this article illustrate there are varying understandings of what constitutes the nation and national identity in Kazakh cinematic works. Furthermore, the strand which focuses on the socio-economic tensions of modern nation-building in Kazakhstan uncovers how film is used as a site for dissent and social critique of Kazakhstan's modern political condition. What the article illuminates is how discourses related to nation-building can be both competing and complementary and that nation-building is a fluid and transgressive process in which among the titular majority there is no fixed unambiguous understanding of nationhood and national identity.