Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184
Full text not available from this repository.
| Item Type: | Book Section |
|---|---|
| Item Status: | Live Archive |
Abstract
The idea of a 'neutral presence' is one of the key concepts discussed in contemporary theatre, in training and performance, as a recognizable non-physical space and a psychophysical state, which exists beyond the imaginary and discursive world of theatrical presence. This essay investigates the link between breath and actor's presence.
| Additional Information: | The idea of a 'neutral presence' is one of the key concepts discussed in contemporary theatre, in training and performance, as a recognizable non-physical space and a psychophysical state, which exists beyond the imaginary and discursive world of theatrical presence. This essay investigates the link between breath and actor's presence. |
|---|---|
| Keywords: | Theatre studies, theatre anthropology, performance studies, intercultural actor-training, asian theatre, Indian theatre, breath studies, consciousness studies |
| Subjects: | T Eastern, Asiatic, African, American and Australasian Languages, Literature and related subjects > T300 South Asian studies W Creative Arts and Design > W310 Musicianship/Performance studies W Creative Arts and Design > W440 Theatre studies W Creative Arts and Design > W400 Drama |
| Divisions: | College of Arts > School of Fine & Performing Arts > School of Fine & Performing Arts (Performing Arts) |
| ID Code: | 3367 |
| Deposited On: | 20 Sep 2010 14:28 |
Repository Staff Only: item control page