Narratives of originality in competitive composition opportunities for 'emerging composers'

Smith, Neil Thomas and Thwaites, Rachel (2018) Narratives of originality in competitive composition opportunities for 'emerging composers'. Tempo, 72 (283). pp. 45-55. ISSN 0040-2982

Narrative of Originality in Competitive Composition Opportunities for 'Emerging Composers'
[img] PDF
narratives_of_originality_in_competitive_composition_opportunities_for_emerging_composers.pdf - Whole Document
Restricted to Repository staff only

Item Type:Article
Item Status:Live Archive


This article investigates the tension between originality and success for ‘emerging composers’ involved in composition opportunities in the British contemporary classical music scene. It utilises survey responses from 47 new music composers to better understand their experiences of these very public signs of compositional success. Though the narrative of the original artist is still significant, conflicts arise between ‘uniqueness’ and the realities of the composition opportunity. Composers aspire to be original, but are aware that a number of other, more instrumental, factors play a crucial role in being chosen. Despite the continuing importance of opportunities to many composers’ development, there are areas that could be made more transparent to ensure they are benefitting an aesthetically diverse range of artists.

Keywords:Originality, Composition of music, contemporary music, Work in the arts
Subjects:W Creative Arts and Design > W300 Music
L Social studies > L900 Others in Social studies
W Creative Arts and Design > W390 Music not elsewhere classified
L Social studies > L300 Sociology
Divisions:College of Social Science > School of Social & Political Sciences
Related URLs:
ID Code:31727
Deposited On:20 Apr 2018 13:43

Repository Staff Only: item control page