Abstract

This article attempts to rethink a notion of resistance for contemporary forms of dissent and opposition that are increasingly organised through digital media and networks. Applying a post-human compass on hacking, a processual reading of the hack is implied to propose a movement towards the idea of hacktions. Hacktions are networked media actions that involve an aesthetic register of de-subjective creativity, aiming towards systematic disruptions: the active resistances of a media ecological dysfunctionality.