Abstract

After defining the mechanical framework of the bag control of bagpipe, this paper presents a study of the bag pressure control in a musical context through the comparison of six players and two bag- pipes: one Galician (gaita) and one Majorcan (xeremies), the latter mainly differentiated organolog- ically by a much larger bag size. General observations first lead to the identification and interpretation of the range of control parameters observed. A more detailed analysis of the control parameters during the production of steady notes highlights the coordination between insufflations and the arm displacement necessary to produce a stable and continuous sound. Finally, the bag pressure variation is observed in a musical context and correlated with the musical task, thus, asso- ciating different control strategies to the different bagpipes played by the musicians.