Abstract

Electric Moving Shadow Garden is a multi-directional exploration of the links between artists and cinema, with multiple reference and contextual points. it accompanied the exhibition, UnSpooling: Artists & Cinema, curated by Bracey and Dave Griffiths at Corernhouse, Manchester, who also edited the publication.
Published to accompany the Cornerhouse exhibition, UnSpooling: Artists & Cinema, curated by artists Andrew Bracey and Dave Griffiths. This illustrated catalogue explores how international contemporary artists are deploying text, image, sound, chemistry, light, personal archives, gesture and spoken word to prompt reflection on past, present and potential forms of cinema. A wide range of media is showcased including innovative painting, drawing, film and video from the last decade, plus newly commissioned performance, installation, and architectural and street interventions. Together the work
explores a field where cinema - as experience, language, history, theory and artefact – is unraveled as potent material and strategy for artistic production.
These reinvented visual technologies and forensic dissections of iconic scenes indicate the continuing project by contemporary artists to critically recycle cinema history, to reveal the fundamental illusory nature of celluloid, and question the dominant digital model..