Meyer-Dinkgräfe, Daniel (2003) The relevance of consciousness studies for theatre history and practice in the context of globalisation. The European Legacy: Toward New Paradigms, 8 (6). pp. 769-776. ISSN 1084-8770
Full content URL: http://dx.doi.org/10.1080/1084877032000166322
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Item Type: | Article |
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Item Status: | Live Archive |
Abstract
The study of human consciousness has become sufficiently mainstream over the last 10-15 years to make two journals (Consciousness and Cognition and Journal of Consciousness Studies), and numerous books by leading publishers such as OUP and MIT Press, commercially successful. The Center for Consciousness Studies at the University of Arizona in Tucson, USA, has led the .eld, with its large bi-annual conferences (since 1994), and the British Psychological Association has approved new sections in Transpersonal Psychology" and "Consciousness and Experiential Psychology" (each with annual conferences and their own peer-reviewed, though smaller scale journals) as late as 1997
Additional Information: | The study of human consciousness has become sufficiently mainstream over the last 10-15 years to make two journals (Consciousness and Cognition and Journal of Consciousness Studies), and numerous books by leading publishers such as OUP and MIT Press, commercially successful. The Center for Consciousness Studies at the University of Arizona in Tucson, USA, has led the .eld, with its large bi-annual conferences (since 1994), and the British Psychological Association has approved new sections in Transpersonal Psychology" and "Consciousness and Experiential Psychology" (each with annual conferences and their own peer-reviewed, though smaller scale journals) as late as 1997 |
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Keywords: | Consciousness, Theatre, Meyer-Dinkgrafe |
Subjects: | W Creative Arts and Design > W440 Theatre studies |
Divisions: | College of Arts > School of Fine & Performing Arts > School of Fine & Performing Arts (Performing Arts) |
ID Code: | 1169 |
Deposited On: | 14 Sep 2007 |
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