Abstract

"Sound Choreography <> Body Code", which
creates a feedback loop through code, music, choreography, dance and
back through code:
- Diagrammatic choreography reacts and reconfigures in response to music;
- The dancer interprets the live choreography as an embodied computer;
- Both the edits of the live coder and the movements of the dancer
modifies the code which creates the music.

The result is a resonance through sound, movement, perception and
language, a live flow of influence forming a whole system. As
complexity increases, the limits of language and the body are reached
beyond, where the character of the whole system is exposed. The live
choreography and code is projected for the audience, so cycles of
linguistic and diagrammatic construction and destruction can be
observed, alongside the analogue development in music and dance.