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Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Lawrence, Conan and Hunter, Mark (2009) A Hackney 4th of July. [Artefact]
Charnock, Ruth (2015) The erotic adventures of Anais Nin. [Video]
Lawrence, Conan (2009) LaTour de Geffrye. It Happened Here / Hoxton Hall.
Lawrence, Conan (2010) It happened here. [Video]
Lawrence, Conan (2009) It happened here: a template for process. Unpublished.
Lawrence, Conan (2009) It happened here. [Project]
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Walsh, Aylwyn M. (2012) Breaking frames: Mark Storor's "For the best"- a case study about an artist in residence. Journal of Applied Arts and Health, 3 (2). pp. 219-230. ISSN 2040-2457
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Walsh, Aylwyn and Ledgard, Anna (2013) Re-viewing an arts-in health process: For the Best. Research in Drama Education: The Journal of Applied Theatre and Performance., 18 (3). pp. 216-229. ISSN 1356-9783
Walsh, Aylwyn (2011) For the best [evaluation report]. Project Producer for Wellcome Trust, online.
Walsh, Aylwyn M. (2012) Breaking frames: Mark Storor's "For the best"- a case study about an artist in residence. Journal of Applied Arts and Health, 3 (2). pp. 219-230. ISSN 2040-2457
Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860
Walsh, Aylwyn (2016) The paradox of dis/appearance: hunger strike in Athens as a performance of survival. In: Performing (for) survival: theatre, crisis, extremity. Palgrave, Basingstoke, pp. 203-221. ISBN 9781137454263
Walsh, Aylwyn M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Riot Revolt Revolution, 5-7 Sept 2012, Brighton.
Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123
Lawrence, Conan and Westerside, Andrew (2014) Leaving home [concert]. [Performance]
Lawrence, Conan, Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]
Lawrence, Conan, Westerside, Andrew, Westerside, Andrew and Hortin, Michael (2014) Leaving home (live radio broadcast). [Artefact]
Charnock, Ruth (2015) The erotic adventures of Anais Nin. [Video]
Dean, Robert and Hand, Richard J. (2013) “Bashed be biff by all with ears”: Blue Jam and taboo radio. In: No Known Cure: The Comedy of Chris Morris. British Film Institute/Palgrave, pp. 126-140. ISBN 9781844574797, 9781844574803
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Lawrence, Conan (2010) Performing the archive: reflections from an archive-aware performance process. In: Archiving for the Future: using archives to enhance learning and teaching in drama and theatre studies, 19th May, 2010, Stratford Circus, University of East London.
Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Dean, Robert and Hand, Richard J. (2013) “Bashed be biff by all with ears”: Blue Jam and taboo radio. In: No Known Cure: The Comedy of Chris Morris. British Film Institute/Palgrave, pp. 126-140. ISBN 9781844574797, 9781844574803
Dean, Robert and Hand, Richard J. (2013) “Bashed be biff by all with ears”: Blue Jam and taboo radio. In: No Known Cure: The Comedy of Chris Morris. British Film Institute/Palgrave, pp. 126-140. ISBN 9781844574797, 9781844574803
Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]
Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]
Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]
Lawrence, Conan (2009) It Happened Here evaluation - Geffrye Museum. Project Report. Hoxton Hall / It Happened Here.
Lawrence, Conan (2009) It Happened Here evaluation - Geffrye Museum. Project Report. Hoxton Hall / It Happened Here.
Lawrence, Conan and Hunter, Mark (2009) A Hackney 4th of July. [Artefact]
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827
Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827
Warden, Claire (2013) The democratic stage?: the relationship between the actor and the audience in professional wrestling. Revue de Recherche en Civilisation Américaine .
Lawrence, Conan (2010) Performing the archive: reflections from an archive-aware performance process. In: Archiving for the Future: using archives to enhance learning and teaching in drama and theatre studies, 19th May, 2010, Stratford Circus, University of East London.
Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED
Lawrence, Conan (2010) Performing the archive: reflections from an archive-aware performance process. In: Archiving for the Future: using archives to enhance learning and teaching in drama and theatre studies, 19th May, 2010, Stratford Circus, University of East London.
Lawrence, Conan (2010) Performing the archive: reflections from an archive-aware performance process. In: Archiving for the Future: using archives to enhance learning and teaching in drama and theatre studies, 19th May, 2010, Stratford Circus, University of East London.
Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]
Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]
Talbot, Richard, King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Walsh, Aylwyn (2011) For the best [evaluation report]. Project Producer for Wellcome Trust, online.
Walsh, Aylwyn M. (2012) Breaking frames: Mark Storor's "For the best"- a case study about an artist in residence. Journal of Applied Arts and Health, 3 (2). pp. 219-230. ISSN 2040-2457
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860
Walsh, Aylwyn M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Riot Revolt Revolution, 5-7 Sept 2012, Brighton.
Walsh, Aylwyn (2011) For the best [evaluation report]. Project Producer for Wellcome Trust, online.
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Walsh, Aylwyn and Ledgard, Anna (2013) Re-viewing an arts-in health process: For the Best. Research in Drama Education: The Journal of Applied Theatre and Performance., 18 (3). pp. 216-229. ISSN 1356-9783
Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED
Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Lawrence, Conan and Hunter, Mark (2009) A Hackney 4th of July. [Artefact]
Lawrence, Conan (2009) LaTour de Geffrye. It Happened Here / Hoxton Hall.
Lawrence, Conan (2009) It happened here: a template for process. Unpublished.
Lawrence, Conan (2010) It happened here. [Video]
Lawrence, Conan (2009) LaTour de Geffrye. It Happened Here / Hoxton Hall.
Lawrence, Conan (2009) It Happened Here evaluation - Geffrye Museum. Project Report. Hoxton Hall / It Happened Here.
Lawrence, Conan (2009) It happened here: a template for process. Unpublished.
Lawrence, Conan and Hunter, Mark (2009) A Hackney 4th of July. [Artefact]
Chandler, Clare and Griffiths, Rachel (2018) ‘Learn To Do It’ – performer training across the pedagogies. In: TaPRA, September 2018, University of Aberystwyth.
Warden, Claire (2013) The democratic stage?: the relationship between the actor and the audience in professional wrestling. Revue de Recherche en Civilisation Américaine .
Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123
Lawrence, Conan (2010) It happened here. [Video]
Lawrence, Conan (2009) It happened here. [Project]
Lawrence, Conan (2010) Performing the archive: reflections from an archive-aware performance process. In: Archiving for the Future: using archives to enhance learning and teaching in drama and theatre studies, 19th May, 2010, Stratford Circus, University of East London.
Walsh, Aylwyn (2016) The paradox of dis/appearance: hunger strike in Athens as a performance of survival. In: Performing (for) survival: theatre, crisis, extremity. Palgrave, Basingstoke, pp. 203-221. ISBN 9781137454263
Lawrence, Conan (2009) It Happened Here evaluation - Geffrye Museum. Project Report. Hoxton Hall / It Happened Here.
Lawrence, Conan (2009) It happened here. [Project]
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Charnock, Ruth (2015) The erotic adventures of Anais Nin. [Video]
Charnock, Ruth (2015) The erotic adventures of Anais Nin. [Video]
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Lawrence, Conan (2010) It happened here. [Video]
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Walsh, Aylwyn and Ledgard, Anna (2013) Re-viewing an arts-in health process: For the Best. Research in Drama Education: The Journal of Applied Theatre and Performance., 18 (3). pp. 216-229. ISSN 1356-9783
Walsh, Aylwyn M. (2012) Breaking frames: Mark Storor's "For the best"- a case study about an artist in residence. Journal of Applied Arts and Health, 3 (2). pp. 219-230. ISSN 2040-2457
Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]
Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Chandler, Clare and Griffiths, Rachel (2018) ‘Learn To Do It’ – performer training across the pedagogies. In: TaPRA, September 2018, University of Aberystwyth.
Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827
Walsh, Aylwyn (2014) (En)gendering habitus: women, prison, resistance. Contemporary Theatre Review, 24 (1). pp. 40-52. ISSN 1048-6801
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]
Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]
Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]
Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]
Chandler, Clare and Griffiths, Rachel (2018) ‘Learn To Do It’ – performer training across the pedagogies. In: TaPRA, September 2018, University of Aberystwyth.
Lawrence, Conan (2010) It happened here. [Video]
Lawrence, Conan (2009) It happened here: a template for process. Unpublished.
Lawrence, Conan and Westerside, Andrew (2014) Leaving home [concert]. [Performance]
Lawrence, Conan, Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]
Lawrence, Conan, Westerside, Andrew, Westerside, Andrew and Hortin, Michael (2014) Leaving home (live radio broadcast). [Artefact]
Walsh, Aylwyn (2016) The paradox of dis/appearance: hunger strike in Athens as a performance of survival. In: Performing (for) survival: theatre, crisis, extremity. Palgrave, Basingstoke, pp. 203-221. ISBN 9781137454263
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Lawrence, Conan (2009) It happened here: a template for process. Unpublished.
Walsh, Aylwyn (2012) Space-making in women’s prisons: personal performance testimonies of ‘doing bird’. In: Personal and Political Symposium, Sept 14 2012, University of Northampton.
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]
Lawrence, Conan (2009) It Happened Here evaluation - Geffrye Museum. Project Report. Hoxton Hall / It Happened Here.
Lawrence, Conan and Hunter, Mark (2009) A Hackney 4th of July. [Artefact]
Dean, Robert and Hand, Richard J. (2013) “Bashed be biff by all with ears”: Blue Jam and taboo radio. In: No Known Cure: The Comedy of Chris Morris. British Film Institute/Palgrave, pp. 126-140. ISBN 9781844574797, 9781844574803
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Walsh, Aylwyn (2016) The paradox of dis/appearance: hunger strike in Athens as a performance of survival. In: Performing (for) survival: theatre, crisis, extremity. Palgrave, Basingstoke, pp. 203-221. ISBN 9781137454263
Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827
Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827
Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123
Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED
Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912
Lawrence, Conan and Westerside, Andrew (2014) Leaving home [concert]. [Performance]
Lawrence, Conan, Westerside, Andrew, Westerside, Andrew and Hortin, Michael (2014) Leaving home (live radio broadcast). [Artefact]
Lawrence, Conan, Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]
Lawrence, Conan (2009) It Happened Here evaluation - Geffrye Museum. Project Report. Hoxton Hall / It Happened Here.
Lawrence, Conan (2009) It happened here: a template for process. Unpublished.
Lawrence, Conan (2009) LaTour de Geffrye. It Happened Here / Hoxton Hall.
Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860
Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED
Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]
Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]
Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]
Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]
Lawrence, Conan (2009) LaTour de Geffrye. It Happened Here / Hoxton Hall.
Pinchbeck, Michael, Hobday, Nicki and Smith, Ollie (2012) The beginning. [Performance]
Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]
Pinchbeck, Michael and Smith, Ollie (2011) The end. [Performance]
Baynton, Rachel (2017) Everything We Are. [Event, Show or Exhibition]
Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]
Walsh, Aylwyn M. (2012) Performing prisons, performing punishment: the banality of the cell in contemporary theatre. Total Theatre Magazine, Summer . ISSN .
Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123
Chandler, Clare and Griffiths, Rachel (2018) ‘Learn To Do It’ – performer training across the pedagogies. In: TaPRA, September 2018, University of Aberystwyth.
Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827
Turner, Barry (2012) You ain't got the stare. In: Interrogating Trauma in the Humanities, 20 - 23 August 2012, University of Lincoln.
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Lawrence, Conan (2010) Performing the archive: reflections from an archive-aware performance process. In: Archiving for the Future: using archives to enhance learning and teaching in drama and theatre studies, 19th May, 2010, Stratford Circus, University of East London.
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Lawrence, Conan and Hunter, Mark (2009) A Hackney 4th of July. [Artefact]
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Walsh, Aylwyn (2012) Space-making in women’s prisons: personal performance testimonies of ‘doing bird’. In: Personal and Political Symposium, Sept 14 2012, University of Northampton.
Walsh, Aylwyn (2018) What works?: Prison, gender, and the affective labour of applied theatre in prison. In: Applied theatre: women and the criminal justice system. Methuen. ISBN 9781474262552
Walsh, Aylwyn (2014) (En)gendering habitus: women, prison, resistance. Contemporary Theatre Review, 24 (1). pp. 40-52. ISSN 1048-6801
Baynton, United Kingdom (2018) Women's One Hundred: Celebratory Procession and Performance - Raising Our Hands. [Event, Show or Exhibition]
Lawrence, Conan (2009) It happened here: a template for process. Unpublished.
Lawrence, Conan (2009) LaTour de Geffrye. It Happened Here / Hoxton Hall.
Walsh, Aylwyn (2014) Creating change, imagining futures: participatory arts and young people ‘at risk’. Discussion Paper. Creating Change Network/Centre Of Urban Community Research, Goldsmiths University.
Lawrence, Conan (2010) It happened here. [Video]
Savage, Karen (2015) Tourist in the (k)now: deliberate rapporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2015, Lincoln.
Walsh, Aylwyn (2018) What works?: Prison, gender, and the affective labour of applied theatre in prison. In: Applied theatre: women and the criminal justice system. Methuen. ISBN 9781474262552
Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912
Walsh, Aylwyn and Ledgard, Anna (2013) Re-viewing an arts-in health process: For the Best. Research in Drama Education: The Journal of Applied Theatre and Performance., 18 (3). pp. 216-229. ISSN 1356-9783
Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED
Lawrence, Conan and Westerside, Andrew (2014) Leaving home [concert]. [Performance]
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Talbot, Richard, King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Savage, Karen (2015) Tourist in the (k)now: deliberate rapporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2015, Lincoln.
Talbot, Richard, King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Walsh, Aylwyn (2018) What works?: Prison, gender, and the affective labour of applied theatre in prison. In: Applied theatre: women and the criminal justice system. Methuen. ISBN 9781474262552
Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940
Savage, Karen (2015) Tourist in the (k)now: deliberate rapporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2015, Lincoln.
Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912
Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860
Talbot, Richard, King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Savage, Karen (2015) Tourist in the (k)now: deliberate rapporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2015, Lincoln.
Charnock, Ruth (2015) The erotic adventures of Anais Nin. [Video]
Savage, Karen (2015) Tourist in the (k)now: deliberate rapporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2015, Lincoln.
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Talbot, Richard, King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Walsh, Aylwyn (2014) Creating change, imagining futures: participatory arts and young people ‘at risk’. Discussion Paper. Creating Change Network/Centre Of Urban Community Research, Goldsmiths University.
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Savage, Karen (2015) Tourist in the (k)now: deliberate rapporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2015, Lincoln.
Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED
Talbot, Richard, King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912
Warden, Claire (2013) The democratic stage?: the relationship between the actor and the audience in professional wrestling. Revue de Recherche en Civilisation Américaine .
Savage, Karen (2015) Tourist in the (k)now: deliberate rapporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2015, Lincoln.
Talbot, Richard, King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Warden, Claire (2013) The democratic stage: the relationship between the actor and the audience in professional wrestling. In: Le Cache Et.../Professional Wrestling and..., 31 Jan - 1 February 2013, University of Bordeaux.
Walsh, Aylwyn and Ledgard, Anna (2013) Re-viewing an arts-in health process: For the Best. Research in Drama Education: The Journal of Applied Theatre and Performance., 18 (3). pp. 216-229. ISSN 1356-9783
Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED
Lawrence, Conan (2009) It happened here. [Project]
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Virtues of violence: a testimonial performance or an affidavit of lies, excuses and justifications. Cultural Studies - Critical Methodologies, 15 (3). pp. 180-189. ISSN 1532-7086
Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162
Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940
Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912
Walsh, Aylwyn and Ledgard, Anna (2013) Re-viewing an arts-in health process: For the Best. Research in Drama Education: The Journal of Applied Theatre and Performance., 18 (3). pp. 216-229. ISSN 1356-9783
Talbot, Richard, King, Barnaby and Savage, Karen (2012) Ugly scenes. [Performance]
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED