Items where Subject is "W Creative Arts and Design > W460 Theatre Design"

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Group by: Creators | Keywords | Item Type
Number of items at this level: 99.

A Doll's House

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

American culture

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

Anempathetic Music

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Chekhov

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Chion

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Community theatre

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

Contemporary Theatre-Making

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

Devising

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán and McIvor, Charlotte (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

Diegetic

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Drama

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

Dramaturgy

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

Fashion

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

Ibsen

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Irish Studies

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

Irish culture

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

Irish studies

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán and McIvor, Charlotte (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

Irish theatre

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

John Gabriel Borkman

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Music

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Musical Dramaturgy

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Musical Motifs

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Non-diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

NotOAChecked

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

Performance

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Shaw

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Stage Design

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

Technology

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Theatre

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2016) “Hers and his”: Carolyn Swift, Alan Simpson, and collective creation at Dublin’s Pike Theatre. In: Women, Collective Creation, and Devised Performance. Palgrave MacMillan, pp. 121-138. ISBN 9781137550132

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and McIvor, Charlotte (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

Theatre History

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

Theatre Music

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Theatre history

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán and McIvor, Charlotte (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

When we dead awaken

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

bmjdoi

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

bmjtype

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

circus

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

contemporary drama

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

devising

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

digital-Foley

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

drama

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

liveness

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

melodrama

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

oaopen

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

performance

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

performativity

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

scenography

O'Gorman, Siobhan (2019) Stage Design Since 1950. In: Irish Drama and Theatre Since 1950. Methuen, London, pp. 227-239. ISBN UNSPECIFIED

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

sound

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

sound effects

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

theatre

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

theatre design

O'Gorman, Siobhán (2018) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

thunder

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

This list was generated on Wed Oct 16 16:10:53 2019 BST.