Article

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Marlow, Christopher (2009) A crisis of friendship?: representation and experience in two late university plays. Shakespeare Studies (37). pp. 54-66. ISSN 0582-9399

Marlow, Christopher (2008) The performance of learning: university drama at Oxford in 1566. Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies, 73 . pp. 1-7. ISSN 0184-7678

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2003) The relevance of consciousness studies for theatre history and practice in the context of globalisation. The European Legacy: Toward New Paradigms, 8 (6). pp. 769-776. ISSN 1084-8770

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre (review). Asian Theatre Journal , 25 (1). pp. 165-168. ISSN 0742-5457

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN UNSPECIFIED

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance . ISSN 1753-6421 (In Press)

Walsh, Ally and Tsilimpounidi, Myrto (2011) The disappearing immigrants: hunger strike as invisible struggle. Theory in Action, 5 (2). p. 82. ISSN 1937-0229

Walsh, Aylwyn M. (2012) Performing prisons, performing punishment: the banality of the cell in contemporary theatre. Total Theatre Magazine, Summer . ISSN UNSPECIFIED

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602

Warden, Claire (2011) Politics, war and adaptation: Ewan MacColl’s 'Operation Olive Branch'. Comparative Drama, 44/45 (4/1). pp. 536-538. ISSN 0010-4078

Warden, Claire (2007) ‘The shadows fly before the rush of light’: expressionist experimentation and political efficacy in Ewan MacColl’s ‘The Other Animals’. New Theatre Quarterly, 23 (4). pp. 317-325. ISSN 0266-464X

Book Section

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Jordan, Andy (2012) Carl Djerassi's Science-in-Theatre plays: the theatrical realization. In: The Sci-Artist: Carl Djerassi's Science-in-Literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Madhavan, Arya (2013) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and transcultural performance practice. McFarland, North Carolina. ISBN UNSPECIFIED (In Press)

Madhavan , Arya (2014) The Cambridge world encyclopedia of stage actors and acting. In: Cambridge World Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN UNSPECIFIED (Submitted)

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Pulford, Donald (2013) 1971, a year in The Pram. In: Telling stories: Australian life and literature, 1935-2010. Monash University Publishing, Melbourne. ISBN 1921867469, 9781921867460

Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860

Conference or Workshop Item

Hudson, James (2009) Barker, Bond and the practice of theatre theory. In: Howard Barker’s Art of Theatre: International Conference, 10-12 July 2009 , University of Aberystwyth, Department of Film, Television and Theatre Studies. (Unpublished)

Hudson, James (2008) From bread and circuses to the rational theatre: desubliming repressive desublimation’. In: Art and Power, 27 September 2008, University of Leeds. (Unpublished)

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University. (Unpublished)

Jordan, Andy (2009) Science-in-Theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India . (Unpublished)

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Nair, Sreenath (2011) Rasa and the implied meaning of Natyasastra. In: International Natyasastra Conference, 8-10 March 2011, Varanasi, India.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University. (Unpublished)

O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile. (Unpublished)

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

Warden, Claire (2011) Escape, romance and politics: the dialogue between the country and the city in British 1930’s theatre. In: ASTR/CORD conference 'Embodying Power: Work Over Time', November 2011, Seattle, Washington.

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. In: Regional Spaces, National Stages: Performances beyond London, 1945-2010, 17 September 2011, University of Reading.

Warden, Claire (2010) “Not a minute’s silence but a lifetime of struggle”: Edinburgh Theatre Workshop’s political carnivalesque. In: What Happens Now? 21st Century Writing in English, July 2010, University of Lincoln.

Warden, Claire (2012) Poetic drama?: Stephen Spender's 'Trial of a judge'. In: Modernism and Spectacle: Modernism Studies Association Conference, 18-21 October, Las Vegas.

Warden, Claire (2012) 'Smash the bars': incarceration and emancipation in the theatrical cages of the modernist avant-garde. In: Material Modernisms: European Network for Avant-Garde and Modernism Studies (EAM), 7-9 September 2012, University of Kent.

Warden, Claire (2012) The caged and the free: the working body in the modernist avant-garde. In: Performance Studies international #18, 27 June - 1 July, University of Leeds.

Warden, Claire (2007) The divided self: fragmentation of the psyche in Ewan MacColl’s 'The Other Animals'. In: Second International Conference on Consciousness, Theatre, Literature and the Arts, May 2007, University of Aberystwyth.

Warden, Claire (2008) “The human body which we shape and mould like a potter his clay”: Rudolf Laban’s influence on the aesthetic project of Theatre Workshop. In: Europa! Europa? First bi-annual conference of the European Network for Avant-Garde and Modernism Studies, May 2008, University of Ghent, Belgium.

Book

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

Meyer-Dinkgräfe, Daniel (2005) Boulevard comedy theatre in Germany. Cambridge Scholars Press, Newcastle. ISBN 190430348X

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2007) Ein Kabinettstück der Schauspielkunst: Ursula Dinkgräfes Bühnenlaufbahn = A showpiece of the art of acting: Ursula Dinkgräfe’s stage career. Cambridge Scholars Publishing, Newcastle. ISBN 1847181775

Meyer-Dinkgräfe, Daniel (2009) Origins of English Dramatic Modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Meyer-Dinkgräfe, Daniel (2007) Views, positions, legacies: interviews with German and British theatre artists, 1985-2007. Cambridge Scholars Publishing, Newcastle. ISBN 1847182941

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

Nair, Sreenath (2013) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Thesis

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Show/Exhibition

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Petralia, Peter Salvatore and Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Show/Exhibition]

Westerside, Andrew and Hobday, Nicki and Lees, Gillian and Petralia, Peter S. (2007) Whisper. [Show/Exhibition]

Other

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie and Radcliffe, Caroline and Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.