Actors and Acting

Madhavan , Arya (2014) The Cambridge world encyclopedia of stage actors and acting. In: Cambridge World Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN UNSPECIFIED (Submitted)

Adaptation

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance . ISSN 1753-6421 (In Press)

Aesthetics

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Arts in prison

Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860

Athens

Walsh, Ally and Tsilimpounidi, Myrto (2011) The disappearing immigrants: hunger strike as invisible struggle. Theory in Action, 5 (2). p. 82. ISSN 1937-0229

Australian Theatre

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Pulford, Donald (2013) 1971, a year in The Pram. In: Telling stories: Australian life and literature, 1935-2010. Monash University Publishing, Melbourne. ISBN 1921867469, 9781921867460

Australian youth culture

Pulford, Donald (2013) 1971, a year in The Pram. In: Telling stories: Australian life and literature, 1935-2010. Monash University Publishing, Melbourne. ISBN 1921867469, 9781921867460

Bourdieu

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

Brandon Thomas

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

British Avant-Garde Theatre

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

British drama

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Carl Djerassi

Jordan, Andy (2012) Carl Djerassi's Science-in-Theatre plays: the theatrical realization. In: The Sci-Artist: Carl Djerassi's Science-in-Literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-Theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Caryl Churchill

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Composition

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Consciousness

Meyer-Dinkgräfe, Daniel (2003) The relevance of consciousness studies for theatre history and practice in the context of globalisation. The European Legacy: Toward New Paradigms, 8 (6). pp. 769-776. ISSN 1084-8770

Dramaturgy

O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile. (Unpublished)

Drunk Enough to Say I Love You?

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Early Modern Drama

Marlow, Christopher (2008) The performance of learning: university drama at Oxford in 1566. Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies, 73 . pp. 1-7. ISSN 0184-7678

Edward Bond

Hudson, James (2009) Barker, Bond and the practice of theatre theory. In: Howard Barker’s Art of Theatre: International Conference, 10-12 July 2009 , University of Aberystwyth, Department of Film, Television and Theatre Studies. (Unpublished)

Hudson, James (2008) From bread and circuses to the rational theatre: desubliming repressive desublimation’. In: Art and Power, 27 September 2008, University of Leeds. (Unpublished)

Embodied methodologies

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India . (Unpublished)

Ewan MacColl

Warden, Claire (2011) Escape, romance and politics: the dialogue between the country and the city in British 1930’s theatre. In: ASTR/CORD conference 'Embodying Power: Work Over Time', November 2011, Seattle, Washington.

Expressionism

Warden, Claire (2007) The divided self: fragmentation of the psyche in Ewan MacColl’s 'The Other Animals'. In: Second International Conference on Consciousness, Theatre, Literature and the Arts, May 2007, University of Aberystwyth.

Far Away

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

G8 summit

Warden, Claire (2010) “Not a minute’s silence but a lifetime of struggle”: Edinburgh Theatre Workshop’s political carnivalesque. In: What Happens Now? 21st Century Writing in English, July 2010, University of Lincoln.

Gender

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

George Bernard Shaw

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Gower

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Greek theatre

Warden, Claire (2011) Politics, war and adaptation: Ewan MacColl’s 'Operation Olive Branch'. Comparative Drama, 44/45 (4/1). pp. 536-538. ISSN 0010-4078

Greenland

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Hamish Henderson

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. In: Regional Spaces, National Stages: Performances beyond London, 1945-2010, 17 September 2011, University of Reading.

Herbert Marcuse

Hudson, James (2008) From bread and circuses to the rational theatre: desubliming repressive desublimation’. In: Art and Power, 27 September 2008, University of Leeds. (Unpublished)

Howard Barker

Hudson, James (2009) Barker, Bond and the practice of theatre theory. In: Howard Barker’s Art of Theatre: International Conference, 10-12 July 2009 , University of Aberystwyth, Department of Film, Television and Theatre Studies. (Unpublished)

Howard Brenton

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Hugh MacDiarmid

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. In: Regional Spaces, National Stages: Performances beyond London, 1945-2010, 17 September 2011, University of Reading.

Hunger Strike

Walsh, Ally and Tsilimpounidi, Myrto (2011) The disappearing immigrants: hunger strike as invisible struggle. Theory in Action, 5 (2). p. 82. ISSN 1937-0229

Imagination

Madhavan, Arya (2013) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and transcultural performance practice. McFarland, North Carolina. ISBN UNSPECIFIED (In Press)

Immigrant Theatre

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Indian Theatre

Madhavan, Arya (2013) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and transcultural performance practice. McFarland, North Carolina. ISBN UNSPECIFIED (In Press)

Indian aesthetic theory

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University. (Unpublished)

Indian theatre

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre (review). Asian Theatre Journal , 25 (1). pp. 165-168. ISSN 0742-5457

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2011) Rasa and the implied meaning of Natyasastra. In: International Natyasastra Conference, 8-10 March 2011, Varanasi, India.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University. (Unpublished)

Nair, Sreenath (2013) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

Innovations in Kudiyattam

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Intercultural theatre

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University. (Unpublished)

Nair, Sreenath (2013) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

Internationalisation

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Jacques Ranciere

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Joan Littlewood

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602

Warden, Claire (2007) ‘The shadows fly before the rush of light’: expressionist experimentation and political efficacy in Ewan MacColl’s ‘The Other Animals’. New Theatre Quarterly, 23 (4). pp. 317-325. ISSN 0266-464X

Kudiyattam

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Madhavan , Arya (2014) The Cambridge world encyclopedia of stage actors and acting. In: Cambridge World Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN UNSPECIFIED (Submitted)

Kutiyattam

Madhavan, Arya (2013) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and transcultural performance practice. McFarland, North Carolina. ISBN UNSPECIFIED (In Press)

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Madhavan , Arya (2014) The Cambridge world encyclopedia of stage actors and acting. In: Cambridge World Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN UNSPECIFIED (Submitted)

Lysistrata

Warden, Claire (2011) Politics, war and adaptation: Ewan MacColl’s 'Operation Olive Branch'. Comparative Drama, 44/45 (4/1). pp. 536-538. ISSN 0010-4078

Mary Braddon

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Masculinities

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2005) Boulevard comedy theatre in Germany. Cambridge Scholars Press, Newcastle. ISBN 190430348X

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2007) Ein Kabinettstück der Schauspielkunst: Ursula Dinkgräfes Bühnenlaufbahn = A showpiece of the art of acting: Ursula Dinkgräfe’s stage career. Cambridge Scholars Publishing, Newcastle. ISBN 1847181775

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2009) Origins of English Dramatic Modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Meyer-Dinkgräfe, Daniel (2007) Views, positions, legacies: interviews with German and British theatre artists, 1985-2007. Cambridge Scholars Publishing, Newcastle. ISBN 1847182941

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

Meyer-Dinkgräfe, Daniel (2003) The relevance of consciousness studies for theatre history and practice in the context of globalisation. The European Legacy: Toward New Paradigms, 8 (6). pp. 769-776. ISSN 1084-8770

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

Multimedia

Westerside, Andrew and Hobday, Nicki and Lees, Gillian and Petralia, Peter S. (2007) Whisper. [Show/Exhibition]

Natyasastra

Nair, Sreenath (2011) Rasa and the implied meaning of Natyasastra. In: International Natyasastra Conference, 8-10 March 2011, Varanasi, India.

New writing for the stage

O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile. (Unpublished)

Peformance

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Performance

Jordan, Andy (2012) Carl Djerassi's Science-in-Theatre plays: the theatrical realization. In: The Sci-Artist: Carl Djerassi's Science-in-Literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-Theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Meyer-Dinkgräfe, Daniel (2005) Boulevard comedy theatre in Germany. Cambridge Scholars Press, Newcastle. ISBN 190430348X

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Petralia, Peter Salvatore and Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Show/Exhibition]

Westerside, Andrew and Hobday, Nicki and Lees, Gillian and Petralia, Peter S. (2007) Whisper. [Show/Exhibition]

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Performance studies

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India . (Unpublished)

Nair, Sreenath (2013) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

Pericles

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Pervasive Media

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Pinter

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

Politics of Indian theatre

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre (review). Asian Theatre Journal , 25 (1). pp. 165-168. ISSN 0742-5457

Practice as research

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University. (Unpublished)

Psychology

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN UNSPECIFIED

RFID

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Rasa theory

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University. (Unpublished)

Renaissance Drama

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

Repressive Desublimation

Hudson, James (2008) From bread and circuses to the rational theatre: desubliming repressive desublimation’. In: Art and Power, 27 September 2008, University of Leeds. (Unpublished)

Resistance

Walsh, Ally and Tsilimpounidi, Myrto (2011) The disappearing immigrants: hunger strike as invisible struggle. Theory in Action, 5 (2). p. 82. ISSN 1937-0229

Sanskrit studies

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University. (Unpublished)

Sartre

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University. (Unpublished)

Science

Jordan, Andy (2012) Carl Djerassi's Science-in-Theatre plays: the theatrical realization. In: The Sci-Artist: Carl Djerassi's Science-in-Literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-Theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Seven Jewish Children

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Shakespeare

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Site-Specific

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

South African Prison

Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860

South Asian Studies

Nair, Sreenath (2011) Rasa and the implied meaning of Natyasastra. In: International Natyasastra Conference, 8-10 March 2011, Varanasi, India.

Nair, Sreenath (2013) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

Stanislavski

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Technology

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Petralia, Peter Salvatore and Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Show/Exhibition]

The Body

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India . (Unpublished)

The Natyasastra

Madhavan, Arya (2013) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and transcultural performance practice. McFarland, North Carolina. ISBN UNSPECIFIED (In Press)

Madhavan , Arya (2014) The Cambridge world encyclopedia of stage actors and acting. In: Cambridge World Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN UNSPECIFIED (Submitted)

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN UNSPECIFIED

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University. (Unpublished)

Theatre

Jordan, Andy (2012) Carl Djerassi's Science-in-Theatre plays: the theatrical realization. In: The Sci-Artist: Carl Djerassi's Science-in-Literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-Theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Meyer-Dinkgräfe, Daniel (2005) Boulevard comedy theatre in Germany. Cambridge Scholars Press, Newcastle. ISBN 190430348X

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2003) The relevance of consciousness studies for theatre history and practice in the context of globalisation. The European Legacy: Toward New Paradigms, 8 (6). pp. 769-776. ISSN 1084-8770

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance . ISSN 1753-6421 (In Press)

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

Petralia, Peter Salvatore and Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Show/Exhibition]

Warden, Claire (2012) Poetic drama?: Stephen Spender's 'Trial of a judge'. In: Modernism and Spectacle: Modernism Studies Association Conference, 18-21 October, Las Vegas.

Warden, Claire (2012) 'Smash the bars': incarceration and emancipation in the theatrical cages of the modernist avant-garde. In: Material Modernisms: European Network for Avant-Garde and Modernism Studies (EAM), 7-9 September 2012, University of Kent.

Warden, Claire (2012) The caged and the free: the working body in the modernist avant-garde. In: Performance Studies international #18, 27 June - 1 July, University of Leeds.

Westerside, Andrew and Hobday, Nicki and Lees, Gillian and Petralia, Peter S. (2007) Whisper. [Show/Exhibition]

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

Theatre Theory

Hudson, James (2009) Barker, Bond and the practice of theatre theory. In: Howard Barker’s Art of Theatre: International Conference, 10-12 July 2009 , University of Aberystwyth, Department of Film, Television and Theatre Studies. (Unpublished)

Theatre Workshop

Warden, Claire (2007) The divided self: fragmentation of the psyche in Ewan MacColl’s 'The Other Animals'. In: Second International Conference on Consciousness, Theatre, Literature and the Arts, May 2007, University of Aberystwyth.

Warden, Claire (2007) ‘The shadows fly before the rush of light’: expressionist experimentation and political efficacy in Ewan MacColl’s ‘The Other Animals’. New Theatre Quarterly, 23 (4). pp. 317-325. ISSN 0266-464X

Theatre and prison

Walsh, Aylwyn M. (2012) Performing prisons, performing punishment: the banality of the cell in contemporary theatre. Total Theatre Magazine, Summer . ISSN UNSPECIFIED

Theatre studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2013) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

Theatre theory

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University. (Unpublished)

Theatre translation

O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile. (Unpublished)

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance . ISSN 1753-6421 (In Press)

Traditional Indian Theatre

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan , Arya (2014) The Cambridge world encyclopedia of stage actors and acting. In: Cambridge World Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN UNSPECIFIED (Submitted)

Twentieth-century drama

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

University Drama

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

Marlow, Christopher (2009) A crisis of friendship?: representation and experience in two late university plays. Shakespeare Studies (37). pp. 54-66. ISSN 0582-9399

Marlow, Christopher (2008) The performance of learning: university drama at Oxford in 1566. Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies, 73 . pp. 1-7. ISSN 0184-7678

Victorian Theatre

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie and Radcliffe, Caroline and Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.

Visual Arts

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2010) Fortnight. [Show/Exhibition]

Walter Greenwood

Warden, Claire (2011) Escape, romance and politics: the dialogue between the country and the city in British 1930’s theatre. In: ASTR/CORD conference 'Embodying Power: Work Over Time', November 2011, Seattle, Washington.

actor training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

actor-training

Nair, Sreenath (2013) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

adaptation

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

aesthetics of Indian theatre

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre (review). Asian Theatre Journal , 25 (1). pp. 165-168. ISSN 0742-5457

asian theatre

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

authentic

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

authority

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

authorship

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

avant-garde theatre

Warden, Claire (2008) “The human body which we shape and mould like a potter his clay”: Rudolf Laban’s influence on the aesthetic project of Theatre Workshop. In: Europa! Europa? First bi-annual conference of the European Network for Avant-Garde and Modernism Studies, May 2008, University of Ghent, Belgium.

beauty

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

biography

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

Meyer-Dinkgräfe, Daniel (2007) Ein Kabinettstück der Schauspielkunst: Ursula Dinkgräfes Bühnenlaufbahn = A showpiece of the art of acting: Ursula Dinkgräfe’s stage career. Cambridge Scholars Publishing, Newcastle. ISBN 1847181775

bmjanomaly

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

bmjdate

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie and Radcliffe, Caroline and Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.

bmjfind

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

bmjtitle

Madhavan , Arya (2014) The Cambridge world encyclopedia of stage actors and acting. In: Cambridge World Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN UNSPECIFIED (Submitted)

breath studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

consciousness

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

consciousness studies

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2009) Origins of English Dramatic Modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

criticism

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

drama

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

ethics

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

experience

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

eye training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

eyes in acting

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

film

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

film analysis

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

fine arts

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

ghost plays

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

haunting

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

human rights

Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860

ideology

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

imprisonment

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

indian theatre

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN UNSPECIFIED

intercultural

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

intercultural actor-training

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

interviews

Meyer-Dinkgräfe, Daniel (2007) Views, positions, legacies: interviews with German and British theatre artists, 1985-2007. Cambridge Scholars Publishing, Newcastle. ISBN 1847182941

jazz

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance . ISSN 1753-6421 (In Press)

kudiyattam and post-dramatic

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

literature

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

modernism

Meyer-Dinkgräfe, Daniel (2009) Origins of English Dramatic Modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Warden, Claire (2012) Poetic drama?: Stephen Spender's 'Trial of a judge'. In: Modernism and Spectacle: Modernism Studies Association Conference, 18-21 October, Las Vegas.

Warden, Claire (2012) 'Smash the bars': incarceration and emancipation in the theatrical cages of the modernist avant-garde. In: Material Modernisms: European Network for Avant-Garde and Modernism Studies (EAM), 7-9 September 2012, University of Kent.

Warden, Claire (2012) The caged and the free: the working body in the modernist avant-garde. In: Performance Studies international #18, 27 June - 1 July, University of Leeds.

music

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

music hall

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

opera

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

performance and consciousness

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

performance studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2011) Rasa and the implied meaning of Natyasastra. In: International Natyasastra Conference, 8-10 March 2011, Varanasi, India.

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN UNSPECIFIED

phenomenology

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University. (Unpublished)

philosophy

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

playwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

political theatre

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

popular theatre

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

post-dramatic theatre

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

postmodern

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

rasa

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

ref29

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

refbook

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

refoaj

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

refsubscription

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

representation

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

sanskrit theatre

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

screenwriting

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

semiotics

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

spirituality

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

temporality and imagination

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

the Body

Nair, Sreenath (2013) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

theatre

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2007) Ein Kabinettstück der Schauspielkunst: Ursula Dinkgräfes Bühnenlaufbahn = A showpiece of the art of acting: Ursula Dinkgräfe’s stage career. Cambridge Scholars Publishing, Newcastle. ISBN 1847181775

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2009) Origins of English Dramatic Modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Meyer-Dinkgräfe, Daniel (2007) Views, positions, legacies: interviews with German and British theatre artists, 1985-2007. Cambridge Scholars Publishing, Newcastle. ISBN 1847182941

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

theatre anthropology

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

theatre studies

Nair, Sreenath (2011) Rasa and the implied meaning of Natyasastra. In: International Natyasastra Conference, 8-10 March 2011, Varanasi, India.

theatricality

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Poore, Benjamin and Jones, Kelly (2010) '"Every little movement has a meaning of its own": Crises of category in English theatre cultures, 1890-1914'. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

translation

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance . ISSN 1753-6421 (In Press)

translation theory

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance . ISSN 1753-6421 (In Press)

utopian drama

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

utopian theatre

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078