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Items where Subject is "W Creative Arts and Design > W440 Theatre studies"

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Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Adiseshiah, Siân and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964


Baynton, Rachel and Lees, Gillian and Petralia, Peter and Westerside, Andrew and Gregory, Adam York (2011) Fortnight. Proto-type Theater / Blurb. ISBN UNSPECIFIED

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Bull, John (2012) Arnold Wesker: The trilogy. In: Modern British playwriting: the 1950s: voices, documents, new interpretations. Decades of modern British playwriting . Methuen, London, pp. 171-197. ISBN 9781408181973, 9781408129272, 9781408129296

Bull, John (2012) Chinese whispers. Studies in Theatre and Performance, 32 (2). pp. 227-232. ISSN 1468-2761

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN UNSPECIFIED

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Bull, John (2015) Trumpets and drums in the night: the 1956 Berliner Ensemble season in London and its aftermath. In: Anglo-German theatrical exchange: "a sea-change into something rich and strange?". Brill / Rodopi, Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, pp. 43-66. ISBN 9789004292314

Bull, John (2017) ‘We cannot all be masters, nor all masters/Cannot truly be follow’d’: Joe Orton’s Holiday Camp Bacchae – matters of class, genre and medium in The Erpingham Camp. Studies in Theatre and Performance . ISSN 1468-2761

Bull, John and Saunders, Graham (2016) British theatre companies: from fringe to mainstream [three book series]. Bloomsbury. ISBN 9781408175439, 9781408175484, 9781408177273

Butler, Linford (2017) “Meanwhile use”: pop-ups, temporary spaces and the politics of scarcity in ‘do-it-yourself’ theatre-making. In: Theatre and Performance Research Association Postgraduate Symposium, 3 February 2017, University of Leeds.


Campbell, Lee (2017) Anticipation, action and analysis: A new methodology for practice as research. PARtake: e Journal of Performance as Research: Vol. 1 : Iss. 2 , Article 7., 1 (2). ISSN 2472-0860

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Campbell, Lee and McCall, Carali and Lee, Adrian (2017) Sight (un)specific: performance as research predicated upon deploying acts of visual negation. Body, Space, Technology . ISSN 1470-9120


Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Dunne, Joseph (2015) Regenerating the live: the archive as the genesis of a performance practice. PhD thesis, University of Lincoln.


Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie and Radcliffe, Caroline and Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.


Hadrych, Anna and Reichel, Anna and Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Hildebrandt, Antje (2013) The intimated spectator: one to one encounters in BADco.’s Memories Are Made of This…. Activate, 2 (2). ISSN .

Holden, Nicholas (2017) 'Making new theatre together': Developing writers and creating community in the first Writers' Group at the Royal Court Theatre and its legacy in the Young Writers' Programme. Theatre History Studies, 36 . ISSN 0733-2033

Holden, Nicholas (2015) Royal Court: international [Aston, Elaine and Mark O’Thomas, Basingstoke: Palgrave, 2015]. Platform: Journal of Theatre and Performing Arts . ISSN 1751-0171

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Hudson, James (2009) Barker, Bond and the practice of theatre theory. In: Howard Barker’s Art of Theatre: International Conference, 10-12 July 2009 , University of Aberystwyth, Department of Film, Television and Theatre Studies.

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Hudson, James (2008) From bread and circuses to the rational theatre: desubliming repressive desublimation’. In: Art and Power, 27 September 2008, University of Leeds.

Hudson, James (2007) Path of most resistance: the ideology of imprisonment in Harold Pinter’s “political” plays. In: Artist and Citizen: 50 Years of Performing Pinter, 12-14 April 2007, University of Leeds, Workshop Theatre.

Hudson, James (2017) The extreme right and the limits of liberal tolerance in David Greig’s The Events and Chris Thorpe’s Confirmation. Comparative Drama . ISSN 0010-4078

Hudson, James (2010) The politics of phenomenology: Jean-Paul Sartre’s theatre theory. In: ‘The Politics of Phenomenology: Jean-Paul Sartre’s Theatre Theory’, 15 October 2010, Centre for Theatre, Performance and Philosophy (CTPP), Aberystwyth University.


Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.


Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2016) Corporeality of taste: Kudiyattam, and the facial expression of taste. In: IFTR 2016, 13-17 June 2016, Stockholm, Sweden.

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2017) Introduction. In: Women in Asian performance: aesthetics and politics. Routledge, London and New York, pp. 1-11. ISBN 9781138917828

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Madhavan, Arya (2015) The politics of roar: towards a female kathakali. In: IFTR Conference 2015 - Hyderabad, India, 6-10 July 2015, India.

Madhavan, Arya and Nair, Sreenath (2016) Embodied knowledge: training & performance practice [Asian Performance Conference, Lincoln, UK, 2016]. [Event, Show or Exhibition]

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Marlow, Christopher (2013) Performing masculinity in English university drama, 1598-1636. Studies in performance and early modern drama . Ashgate, Aldershot. ISBN 9781409410201, 9781409410195

Marlow, Christopher (2009) A crisis of friendship?: representation and experience in two late university plays. Shakespeare Studies (37). pp. 54-66. ISSN 0582-9399

Marlow, Christopher (2008) The performance of learning: university drama at Oxford in 1566. Cahiers Elisabethains: A Biannual Journal of English Renaissance Studies, 73 . pp. 1-7. ISSN 0184-7678

McIvor, Charlotte and O'Gorman, Siobhán (2015) Devising Ireland: genealogies and contestations. In: Devised Performance in Irish Theatre: Histories and Contemporary Practice. Carysfort, Dublin, pp. 1-29. ISBN 9781909325784

Meyer-Dinkgräfe, Daniel (2005) Boulevard comedy theatre in Germany. Cambridge Scholars Press, Newcastle. ISBN 190430348X

Meyer-Dinkgräfe, Daniel (2007) Brechtian theatre of contradictions: providing moral strength under conditions of dictatorship: a festschrift for Heinz Uwe Haus. Cambridge Scholars Publishing, Newcastle. ISBN 1847184251

Meyer-Dinkgräfe, Daniel (2006) Consciousness, theatre, literature and the arts 2006. Cambridge Scholars Publishing, Newcastle. ISBN 1904303633

Meyer-Dinkgräfe, Daniel (2007) Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle. ISBN 1847184189

Meyer-Dinkgräfe, Daniel (2010) Consciousness, theatre, literature and the arts 2009. Cambridge Scholars Publishing, Newcastle. ISBN 1443816493

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2007) Ein Kabinettstück der Schauspielkunst: Ursula Dinkgräfes Bühnenlaufbahn = A showpiece of the art of acting: Ursula Dinkgräfe’s stage career. Cambridge Scholars Publishing, Newcastle. ISBN 1847181775

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel (2010) English biographical plays about artists: the 21st century. In: What Happens Now, 9-12 July 2010, Lincoln.

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Meyer-Dinkgräfe, Daniel (2010) Opera and consciousness. In: World Congress of IFTR, 25-31 July 2010, Munich.

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2009) Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2010) Performing consciousness. Cambridge Scholars Publishing, Newcastle. ISBN 1443816345

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2015) Theatre without conflict. In: 6th International Conference on Consciousness, Theatre, Literature and the Arts, 10-12 June, 2015, New York.

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2007) Theatres of thought: theatre, performance and philosophy. Cambridge Scholars Press, Newcastle. ISBN 1847184243

Meyer-Dinkgräfe, Daniel (2007) Views, positions, legacies: interviews with German and British theatre artists, 1985-2007. Cambridge Scholars Publishing, Newcastle. ISBN 1847182941

Meyer-Dinkgräfe, Daniel (2005) The future of beauty in theatre, literature and the arts. Cambridge Scholars Press, Newcastle. ISBN 1904303595

Meyer-Dinkgräfe, Daniel (2009) The origins of English dramatic modernism in the context of consciousness studies. In: Origins of English dramatic modernism 1870-1914. Academica Press, Palo Alto. ISBN 9781933146669

Meyer-Dinkgräfe, Daniel (2010) The philosophy and vocabulary of praise. In: Annual TaPRA conference, 9-11 September 2010, Cardiff.

Meyer-Dinkgräfe, Daniel (2003) The relevance of consciousness studies for theatre history and practice in the context of globalisation. The European Legacy: Toward New Paradigms, 8 (6). pp. 769-776. ISSN 1084-8770

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Meyer-Dinkgräfe, Daniel and Watt, Daniel (2010) Ethical encounters: boundaries of theatre, performance and philosophy. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 1443816957, 9781443816953


Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2013) Complimenting traditions: interview with Anuradha Kapur. Studies in South Asian Film and Media, 5 (1). pp. 5-9. ISSN 1756-4921

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India .

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal , 25 (1). pp. 165-168. ISSN 0742-5457

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.


O'Gorman, Siobhan (2017) Adaptation, devising and collective creation: tracing histories of Pat McCabe’s The Butcher Boy on stage. In: Adaptation as a collaborative art: process and practice. Adaptation in Theatre and Performance . Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Beckett out of Focus: Happy Days and Waiting for Godot at Dublin's Focus Theatre. In: Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London and New York, pp. 67-87. ISBN 9781474240574

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2016) “Hers and his”: Carolyn Swift, Alan Simpson, and collective creation at Dublin’s Pike Theatre. In: Women, Collective Creation, and Devised Performance. Palgrave MacMillan, pp. 121-138. ISBN 9781137550132

O'Gorman, Siobhán (2017) Ireland: a designer’s theatre. In: Palgrave handbook of contemporary Irish theatre. Palgrave Macmillan. ISBN UNSPECIFIED

O'Gorman, Siobhán (2016) Irish theatrescapes: new Irish plays, adapted European plays and Irish classics. Theatre and Performance Design, 2 (1-2). pp. 179-181. ISSN 2332-2551

O'Gorman, Siobhán (2016) Ming Cho Lee: a life in design. Theatre and Performance Design, 1 (3). pp. 273-274. ISSN 2332-2551

O'Gorman, Siobhán (2013) Patriarchal motherhood in the plays of Marina Carr and Suzan-Lori Parks. In: Precarious parenthood: doing family in literature and film. Kulturwissenschaft / Cultural Studies / Estudios Culturales / Etudes Culturelles . LIT Verlag, Zürich and Berlin, pp. 117-132. ISBN 9783643902627

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2015) Repeating, revising and devising: communities in contemporary Galway theatre. In: Devised performance in Irish theatre: histories and contemporary practices. Carysfort, Dublin, pp. 189-210. ISBN 9781909325784

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán (2014) “That was us”: contemporary Irish theatre and performance. Modern Drama, 57 (4). pp. 551-553. ISSN 0026-7694

O'Gorman, Siobhán (2019) Theatre, performance and design: scenographies in a modernizing Ireland. Palgrave Studies in Theatre and Performance History . Palgrave Macmillan, Houndmills, Basingstoke and Hampshire. ISBN UNSPECIFIED

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). pp. 25-42. ISSN 0967-0882

O'Gorman, Siobhán (2015) An interview with Will Chamberlain, Director of Belfast Community Circus School. In: Devised performance in Irish theatre: histories and contemporary practice. Carysfort, Dublin, pp. 261-278. ISBN 9781909325784

O'Gorman, Siobhán and Dargent, Sabine (2015) Sculpting the spaces of Enda Walsh’s work: an interview with Sabine Dargent. In: The theatre of Enda Walsh. Carysfort, Dublin, pp. 215-226. ISBN 9781909325777

O'Gorman, Siobhán and McIvor, Charlotte (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

O'Gorman, Siobhán and Noelia, Ruis (2015) Performing scenographic sense memories. [Video]

O'Thomas, Mark (2010) Analysing the screenplay: a comparative approach. In: Analysing the screenplay. Routledge, Abindgon, pp. 237-250. ISBN 9780415556347

O'Thomas, Mark (2012) Platform: Connections National Theatre 2012. In: Platform, 21st June 2012, Royal National Theatre, London.

O'Thomas, Mark (2014) Sadness and joy in the life of giraffes. [Performance]

O'Thomas, Mark (2012) Stages of the loss: translation as dramaturgical mediator at the Royal National Theatre, London. In: IFTR Conference 2012, 22/07/12 - 28/07/12, Chile.

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2013) Traversing the cut: from The Soldier’s Tale to Feast: translation and the right to fail in London’s Waterloo. In: International Federation for Theatre Research, 22-26th July 2013, Barcelona.

O'Thomas, Mark (2010) Turning Japanese: translation, adaptation, and the ethics of trans-national exchange. In: Adaptation studies: new approaches. Fairleigh Dickinson University Press, New Jersey, pp. 46-60. ISBN 9780838642627

O'Thomas, Mark (2013) The big idea: PIIGS new short plays [Portugal]. [Performance]


Petralia, Peter and Lees, Gillian and Baynton, Rachel and Westerside, Andrew and McBride, David and Yedigaroff, Kate and Kindberg, Tim (2012) Fortnight: Watershed documentary on Proto-type Theater's Fortnight (2011). [Video]

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2011) Fortnight. [Project]

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Bristol]. [Event, Show or Exhibition]

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2011) Fortnight [Lancaster]. [Event, Show or Exhibition]

Petralia, Peter and Lees, Gillian and Westerside, Andrew and Baynton, Rachel (2012) Fortnight [Manchester]. [Event, Show or Exhibition]

Petralia, Peter Salvatore and Westerside, Andrew and Lees, Gillian (2010) Third person: Bonnie and Clyde (redux). [Event, Show or Exhibition]

Pinchbeck, Michael (2014) Bolero. [Performance]

Pinchbeck, Michael (2016) Concerto. [Performance]

Pinchbeck, Michael (2014) The DIY aesthetic: somewhere between a hobby and a job. In: DIY (do. it. yourself). University of Chichester, Chichester, pp. 95-96. ISBN 1907852247, 9781907852244

Pinchbeck, Michael (2016) Making Bolero: dramaturgies of conflict. In: TaPRA, 5-7 September 2016, University of Bristol.

Pinchbeck, Michael (2017) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 19 (27). pp. 59-68. ISSN 2175-8131

Pinchbeck, Michael (2016) No rehearsal is necessary: the politics of the guest performer in The man who flew into space from his apartment. In: Expanded Practice and Curation as Creative Process, 26-27 February 2016, Manchester Metropolitan University.

Pinchbeck, Michael (2018) Open your eyes: Working on Sit with me for a moment and remember. Performance Research, 23 (1). ISSN 1352-8165

Pinchbeck, Michael (2014) Or in the future: Utopian and dystopian dramaturgy in Forced Entertainment’s Tomorrow’s Parties. In: What Happens Now: 21st Century Writing in English, 14 - 17 July 2014, University of Lincoln.

Pinchbeck, Michael (2007) Performance and Place [edited by Leslie Hill and Helen Paris ]. Platform: Theatres of Resistance, 2 (1). pp. 104-107. ISSN 1751- 0171

Pinchbeck, Michael (2017) Rear view mirror: blogging as a reflective tool for practice as research. In: TaPRA Postgraduate Conference, 3 February 2017, University of Leeds.

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Pinchbeck, Michael (2016) Sit with me for a moment and remember: a provocation. In: Owning Your Walrus: A cross-disciplinary symposium on Loneliness & Performance, 23 November 2016, UCLAN, Preston, Lancashire.

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 2040-0616

Pinchbeck, Michael (2014) This is a love story. In: Pour les: Podium Nr. 171/172. Podium Literature, Vienna, pp. 6-9. ISBN 9783902886118

Pinchbeck, Michael (2017) This is a love story. In: Twenty-First Century Performance Reader. Routledge. ISBN UNSPECIFIED

Pinchbeck, Michael (2017) This is a love story. In: You, The Audience Symposium, 20 February 2017, The Royal Exchange, Manchester.

Pinchbeck, Michael (2013) Training grounds: training and... Travel. Theatre Dance and Performance Training, 4 (3). pp. 420-421. ISSN 1944-3927

Pinchbeck, Michael (2016) The man who flew into space from his apartment. [Performance]

Pinchbeck, Michael (2016) The trilogy. [Performance]

Pinchbeck, Michael and Butler, Linford (2016) Building the room: remembering Third Angel's Presumption. In: Where From Here: 21 Years of Third Angel, 17 November 2016, Leeds Beckett University.

Pinchbeck, Michael and Westerside, Andrew (2017) Acts of communion: encountering taste in Reckless Sleepers' The Last Supper. Performance Research, 22 (1). ISSN 1352-8165

Pinchbeck, Michael D. and Pinchbeck, Anthony D. (2013) The middle. [Performance]

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Pulford, Donald (2013) 1971, a year in The Pram. In: Telling stories: Australian life and literature, 1935-2010. Monash University Publishing, Melbourne. ISBN 1921867469, 9781921867460


Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

Savage, Karen (2014) I want to see the world: stratifying wanders. In: Theatre and Stratification: FIRT-IFRT World Congress 2014, 27 July- 01 August 2014, University of Warwick.

Savage, Karen (2014) fading---feminism---practice---process: an evolving performance archive. [Performance]

Savage, Karen (2017) The slippery trail: exploring practice-as-research as a methodology for archiving intermediality and performance. [Project]

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: Contemporary German politics as theatrical farce. In: Schlingensief, Wagner, Africa. Verlag für moderne Kunst, Vienna. ISBN UNSPECIFIED

Scheer, Anna (2015) Christoph Schlingensief’s Hamlet in Switzerland: a theatrical resocialization. In: Transcultural: transnational: Transformation: reading performance across cultures. Monash University Press, Melbourne, pp. 69-84. ISBN 9781922235893, 9781922235886, 192223589X

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

Symonds, Dominic (2017) The American invasion: the impact of Oklahoma! and Annie Get Your Gun. In: The Oxford handbook of the British musical. Oxford University Press, New York. ISBN 9780199988747

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481


Taylor, Millie and Symonds, Dominic (2014) Studying musical theatre: theory and practice. Palgrave Macmillan, Basingstoke. ISBN 9781137270948, 9781137270955

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Tsilimpounidi, Myrto and Walsh, Aylwyn (2013) Virtues of violence: a testimonial performance or, an affidavit of lies, excuses and justifications. In: CAPPE 7th International Interdisciplinary Conference: Representation, Politics and Violence , 11-13 Sept 2013, Brighton.


Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.


Walsh, Ally and Tsilimpounidi, Myrto (2011) The disappearing immigrants: hunger strike as invisible struggle. Theory in Action, 5 (2). p. 82. ISSN 1937-0229

Walsh, Aylwyn (2015) Staging the others: appearance, visibility and radical border crossing in Athens. In: Performances of capitalism, crises and resistance: inside/outside Europe. Palgrave Macmillan, Basingstoke, pp. 134-152. ISBN 9781137379368

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging , 19-20 April 2012, RHUL.

Walsh, Aylwyn and Tsilimpounidi, Myrto (2015) Imag(in)ing containers as social landscapes. In: IVSA 2015 annual conference ‘What you see is what you get: Old and new ways of seeing society’, 25 - 27 June 2015, Tinos, Greece.

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’. In: Protests as events: politics, activism and leisure. Rowman & Littlefield. ISBN 9781783480760, 9781783480777

Walsh, Aylwyn and Tsilimpounidi, Myrto (2014) ‘It’s a beautiful thing, the destruction of wor(l)ds’: the script. In: Protests as Events: Politics, Activism and Leisure. Rowman and Littlefield. ISBN 9781783480777, 9781783480760

Walsh, Aylwyn M and Tsilimpounidi, Myrto (2013) It's a beautiful thing, the destruction of wor(l)ds. In: International Visual Sociological Association 2013 Annual Conference ‘The Public Image’ , 8-10 July 2013, London.

Walsh, Aylwyn M. (2012) Awaiting justice in South African prisons: performing human rights in a state of exception. In: The arts of imprisonment: essays on control, resistance and empowerment. Ashgate. ISBN 9780754675860

Walsh, Aylwyn M. (2012) Performing prisons, performing punishment: the banality of the cell in contemporary theatre. Total Theatre Magazine, Summer . ISSN .

Walsh, Aylwyn Mae (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture, 12 (3). pp. 309-326. ISSN 1741-6604

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 14th Mediterranean research Meeting: ‘Social Media, Urban Movements and Grass-Roots Creativity in the Mediterranean during the Crisis’ , 20-23 March 2013, Mersin, Turkey.

Walsh, Aylwyn, M and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: 20th International Conference for Europeanists: Crisis and Contingency: States of (In)stability Workshop: ‘Europe in Crisis: Urban Performances of Capitalism and Resistance’ , 25-27 June 2013, Amsterdam.

Walsh, Aylwyn, M. and Tsilimpounidi, Myrto (2012) It's a beautiful thing, the destruction of wor(l)ds. In: Berlin Biennale: PREOCCUPIED: The Words, Wounds and Works of Occupations Past and Present, 28-29 June 2012, Berlin.

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2011) Escape, romance and politics: the dialogue between the country and the city in British 1930’s theatre. In: ASTR/CORD conference 'Embodying Power: Work Over Time', November 2011, Seattle, Washington.

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. International Journal of Scottish Theatre and Screen, 4 (1). ISSN 2046-5602

Warden, Claire (2011) Ewan MacColl, “the brilliant young Scots dramatist”: regional myth-making and Theatre Workshop. In: Regional Spaces, National Stages: Performances beyond London, 1945-2010, 17 September 2011, University of Reading.

Warden, Claire (2010) “Not a minute’s silence but a lifetime of struggle”: Edinburgh Theatre Workshop’s political carnivalesque. In: What Happens Now? 21st Century Writing in English, July 2010, University of Lincoln.

Warden, Claire (2012) Poetic drama?: Stephen Spender's 'Trial of a judge'. In: Modernism and Spectacle: Modernism Studies Association Conference, 18-21 October, Las Vegas.

Warden, Claire (2013) Salute to the Red Army: Basil Dean and British wartime pageantry. In: Alternative Modernisms, 18 - 21 May 2013, University of Cardiff.

Warden, Claire (2013) Saluting the Red Army: Basil Dean's Russian adventures. In: Northern Modernism Seminar, 15 Mar 2013, University of Birmingham.

Warden, Claire (2012) 'Smash the bars': incarceration and emancipation in the theatrical cages of the modernist avant-garde. In: Material Modernisms: European Network for Avant-Garde and Modernism Studies (EAM), 7-9 September 2012, University of Kent.

Warden, Claire (2012) The caged and the free: the working body in the modernist avant-garde. In: Performance Studies international #18, 27 June - 1 July, University of Leeds.

Warden, Claire (2007) The divided self: fragmentation of the psyche in Ewan MacColl’s 'The Other Animals'. In: Second International Conference on Consciousness, Theatre, Literature and the Arts, May 2007, University of Aberystwyth.

Warden, Claire (2008) “The human body which we shape and mould like a potter his clay”: Rudolf Laban’s influence on the aesthetic project of Theatre Workshop. In: Europa! Europa? First bi-annual conference of the European Network for Avant-Garde and Modernism Studies, May 2008, University of Ghent, Belgium.

Warden, Claire (2007) ‘The shadows fly before the rush of light’: expressionist experimentation and political efficacy in Ewan MacColl’s ‘The Other Animals’. New Theatre Quarterly, 23 (4). pp. 317-325. ISSN 0266-464X

Westerside, Andrew (2016) Collaborative noises: theatre and music technology in practice. [Project]

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Westerside, Andrew and Hobday, Nicki and Lees, Gillian and Petralia, Peter S. (2007) Whisper. [Event, Show or Exhibition]

Westerside, Andrew (2010) Taste, beauty, sublime: Kantian aesthetics and the experience of performance. PhD thesis, Lancaster University.

This list was generated on Wed Oct 18 15:42:50 2017 BST.