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Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720
Jordan, Andy (2012) Carl Djerassi's Science-in-Theatre plays: the theatrical realization. In: The Sci-Artist: Carl Djerassi's Science-in-Literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313
Jordan, Andy (2009) Science-in-Theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.
Madhavan, Arya (2013) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and transcultural performance practice. McFarland, North Carolina. ISBN UNSPECIFIED (In Press)
Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303
Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal . ISSN 0742-5457 (In Press)
Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.
Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.
Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).
Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985
Madhavan , Arya (2014) The Cambridge world encyclopedia of stage actors and acting. In: Cambridge World Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN UNSPECIFIED (Submitted)
Meyer-Dinkgräfe, Daniel (2001) Approaches to acting: past and present. Continuum studies in drama . Continuum, London, UK. ISBN 0826478794
Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298
Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049
Meyer-Dinkgräfe, Daniel and Valentine, Elizabeth and Acs, Veronica and Wasley, David (2006) Exploratory investigation of South Indian techniques and Neurolinguistic Programming as methods of reducing stage fright in actors. Medical Problems of Performing Artists, 21 (3). pp. 126-136. ISSN 0885-1158
Mitchell, Grethe (2011) The game catcher. AHRC.
Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921 (In Press)
Nair, Sreenath (2013) The Natyasastra & Indian performance studies. McFarland, North Carolina, USA. ISBN UNSPECIFIED (In Press)
Nair, Sreenath (2011) Rasa and the implied meaning of Natyasastra. In: International Natyasastra Conference, 8-10 March 2011, Varanasi, India.
Nair, Sreenath (2013) Synesthetics: Rasa and neural mechanism. In: Natyasastra: aesthetics, epistemology & performance practice. McFarland, North Carolina, USA. ISBN UNSPECIFIED (Submitted)
Nair, Sreenath and Madhavan, Arya (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Nine ways of seeing a body. Triarchy Press, Devon. ISBN UNSPECIFIED (In Press)