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'Ghost Stories' 21st-century drama 9/11 A Doll's House Aborigines Acting Actors and Acting Adaptation Adrian Heathfield African-American Studies Alan Ayckbourn Alex Buzo Algerian Revolution Alistair McDowall Amelia Jones American culture Anempathetic Music Anthony Nielson Antithesis Arcadia Architect of Spiritual World Archival Studies Archives Arrangement Artists Arts Council Arts Council England Arts Council of Great Britain Asian drama Asian theatre Audiences Australia Australian Aboriginal Australian Theatre Australian culture Australian politics Australian racism Australian theatre Australian youth culture B.B.C. Barthes Basil Dean Bertolt Brecht Bharatanatyam Biographical plays Biography Blasted Bmjconvert Body Body Art Bomber Command Book Reviews Bourdieu Bovell Brandon Thomas Brazil Brazilian playwriting British Avant-Garde Theatre British Council British Theatre British Theatre Consortium British Theatre History British drama British left Broadway Capitalism Carl Djerassi Caryl Churchill Caterina Nella Cotrupi Chair Chekhov Childhood Studies Children Chion Chris Thorpe Clarice Lispector Collaboration Comedy Community Community theatre Composition Conducting Conflict Consciousness Consciousness studies Contemporary British Playwriting Contemporary British theatre Contemporary Drama Contemporary Theatre-Making Contemporary musical Contemporary playwriting Context Corporeality Creative writing Creativity Critical impro Criticism Cultural diplomacy Cultural politics Culture Curious Incident of the Dog in the Night-Time Dambusters Dance David Edgar David Greig David Grieg David Hare Deconstruction Derrida Devising Diane Dubois Diegetic Diegetic Music Digitised Directing Direction Disney Disney musical Doctor Who Drama Dramaturgy Drunk Enough to Say I Love You? Durational Edward Bond Embodied methodologies Embodiment Emotional wellbeing English Civil War and Revolution English Modernist women English modern drama English women Modernist dramatists Ensemble Eva Peron Evita Ewan MacColl Experiment Far Away Fascism Fashion Feminism Fernando Pessoa Film and Video Fingerature First World War Forced Entertainment Frankenstein Frankenstein's Wedding Frantic Assembly Franz Fanon Fukuyama Game Studies Gay theatre Gender George Bernard Shaw German theatre Get'cha Head in the Game Ghost Gillian Slovo Gower Greece Greenland Group Theatre Harper Regan Hedwig and the Angry Inch Helene Cixous High School Musical History History plays Hospital at the time of the Revolution Howard Barker; New Writing; In-Yer-Face; Naturalism Howard Brenton Hunger Strike Ibsen Icon Iconicity Identity Image and words Imagination Immigrant Theatre Impact In-yer-face theatre Indian Drama Indian Music Indian Pedagogical Practice Indian Theatre Indian aesthetic theory Indian aesthetics Indian dance training Indian martial arts Indian theatre Innovations in Kudiyattam Inscription Integration Intercultural theatre Internationalisation Internationalism; Politics Intertextuality Irish culture Irish studies Jacques Ranciere James Elroy Flecker Jean-Luc Nancy Jerusalem Jez Butterworth John Cameron Mitchell John Doyle John Gabriel Borkman Joint Stock Ken Campbell Kinect Kinesthetics Kinetics Kristeva Kudiyattam Kutiyattam L'Orfeo Les Miserables Lew Fields Light Shining in Buckinghamshire Literary Management Literary criticism Live Art Live art Live-cast Liveness Mad Forest Manchester Mannequin Marginalisation Marianne Eliot Mark Haddon Marketing Mary Braddon Mediating revolution Meta-theatre Meyer-Dinkgrafe Michel Foucault Modern British Drama Modernism Monteverdi Motortown Movement Mozart Mudra Multiculturalism Multimodality theory Music Music Theatre Musical Dramaturgy Musical Motifs Musical Theatre Musical film Musical theatre Myth NT Live Narrative Nathaniel Hawthorne National Theatre Live Nationhood Naturalism Natyasastra Natyashastra Neoliberalism Neural mechanism Neuroscience New Brutalism New Sincerity New Writing New critical sincerity New writing Non-diegetic Music Normal Northrop Frye Oh Oklahoma! Olivia Turnbull One Minute Opera Opera House Orchestration Orientalism Otherness PARIP Pastoral Pathognomy Pauline Hanson Penetrator People with disabilities Performance Performance Studies Performance and Commemoration Performance anxiety Performance art Performance studies Performativity Pericles Phantom of the Opera Plays Playwriting Poetics of Process Political performance Political theory Politics of Indian theatre Pornography Port Postcolonial Postcolonialism Practice Practice as Research Practice as research Presence Processing Production Putting it Together Queen's Hotel Racism Radio drama Rasa theory Realism Reception Theory Reckless Sleepers Reenactment Religious Visionary Revolution Richard Bean Roald Hoffman Robert D Denham Robert Denham Robert Russell Bennett Robinsonade Rodgers and Hammerstein Rodgers and Hart Romanian Revolution Romanian revolution Royal Court Royal Court Theatre Royal National Theatre Russia Russian playwriting Salford Samuel Beckett Sanskrit studies Sarah Frankcom Sarah Kane Saved Science Scottish Referendum Sean Holmes Sebastian Nuebling Second World war Secret Theatre Seven Jewish Children Sexuality Shakespeare Shakespeare's Globe SharpWire Shaw Signifying Practice Simon Stephens Simulcast Singing Site specific performance Site specific theatre Social Class Social Media Sondheim Song and dance South Africa Spectatorship Spirituality St George and the Dragon Stage Fright Stanislavski Stick to the Status Quo Stoppard Sunday in the Park With George Sweeney Todd Tamasha Technology Television Text The Body The Book of Mormon The Censor The Events The Hard Problem The Life of Galileo The Natyasastra The Riots The Rocky Horror Show The Skriker The Walking Dead The Wonderful World of Dissocia Theatre Theatre Music Theatre and Globalization Theatre and Interculturalism Theatre and multiculturalism Theatre history Theatre producers Theatre studies Theatre translation Theatrical history Thesis Three Kingdoms Three Tenors Tim Crouch Tom Stoppard Tomorrow's Parties Tourism Traditional Indian Theatre Transition Translation Twentieth century Twentieth-century drama Unity Theatre Urban studies Urinetown the Musical Use of mirror in dance Utopia Utopian space Vanessa Hudgens Vedanta Verbatim Theatre Victorian Theatre Visual perception Voice Wagner Waiting for Godot Weber and Fields When There Was Me and You Wicked Wii Working class World War I Writers Writing Zac Efron acting actor training actor-musician actor-training adaptation aesthetics of Indian theatre affordance arts management asian theatre austerity authentic authority authorship autobiography avant-garde theatre bmjanomaly bmjcheck bmjconvert bmjdate bmjdoi bmjgoldcheck bmjpub bmjtitle bmjtype bodies body bollywood brazil breath studies children's culture children's games children's play children's play cultures chronicles of freedom clapping games computer game computer game design computer games consciousness consciousness studies contemporary drama cool-down counter-culture creative practice criminalities dance devising dialectics digital-Foley display drama dramaturg dramaturgy dystopian drama ecological dystopias embodied movement embodiment end of history english ethnographic research evolutionary biology experience eye training eyes in acting failure feminist theatre fire folk theatre folklore research folklore studies foucault genosong ghost plays gothic grain of the voice haunting hulme ibsen iftr indian theatre institution interactive design intercultural actor-training jazz kudiyattam and post-dramatic landscape theatre late twentieth-century cultural contexts literary management livecast liveness markerless markerless motion capture martial arts masculinity as performance metaphor modernism modernist mollusc motion capture motion tracking movement movement notation movement research music hall music theatre musical performance musical theatre musicianship narrative naturalism new writing nostalgia oaopen onsciousness studies opera paranormal perfomance performance performance and consciousness performance practice performance studies performative performativity phenomenology phenosong philosophy playground playground cultures playground games playwriting political theatre popular culture popular theatre post-apocalyptic narratives post-dramatic theatre postmodern problem published works rasa refnyp refpending regional theatre regional theatres representation research research methods rhetoric royal court theatre salad days sanskrit theatre scenography scriptwriting signification single sword stage combat situation ethics sound sports stage fencing stage fighting stage translation temporality and imagination text-based theatre the Body the gaze theatre theatre and consciousness theatre anthropology theatre studies theatre translation theatricality tolerance trace transduction translation translation studies translation theory troika trust twentieth-century politics twenty-first century cultural contexts twenty-first century drama unpublished works utilitarianism utopian drama utopian theatre videogame videogame design videogame hardware videogames visual research vowel warm-up women women writers writers writing writing for theatre zombies
Number of items at this level: 1125.

'Ghost Stories'

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

21st-century drama

Sian, Adiseshiah and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

9/11

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

A Doll's House

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Aborigines

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209. ISSN UNSPECIFIED

Acting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Actors and Acting

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Adaptation

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

O'Thomas, Mark (2006) Dona Flor and her two husbands. [Performance]

O'Thomas, Mark (2010) Rewriting "The book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

Adrian Heathfield

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

African-American Studies

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

Alan Ayckbourn

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Alex Buzo

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Algerian Revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Alistair McDowall

Holden, Nicholas (2016) 'There are times when naturalism just isn't enough': breaking open the kitchen sink in the theatre of Alistair McDowall. In: British Theatre in the 21st Century: new texts, new stages, new identities, new worlds, 13-15 October, 2016, Université Paris-Sorbonne.

Amelia Jones

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

American culture

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

Anempathetic Music

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Anthony Nielson

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Antithesis

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Arcadia

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN UNSPECIFIED

Architect of Spiritual World

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Archival Studies

Holden, Nicholas (2015) 'The jewel in the crown': the Young Peoples' Theatre Scheme at the Royal Court, 1966-1976. In: Theatre and Performance Research Association, Annual Conference, 8-10 September 2015, University of Worcester.

Archives

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Arrangement

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Artists

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Arts Council

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

Arts Council England

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

Arts Council of Great Britain

Bolton, Jacqueline (2012) ‘“I’m not mad, I’ve just read different books”: Ken Campbell and the Arts Council of Great Britain’. In: International Federation for Theatre Research, 22-28 July 2012, Santiago, Chile.

Asian drama

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED (In Press)

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Madhavan, Arya (2017) Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED (In Press)

Nair, Sreenath (2014) Special panel on Embodiment in/and Indian theatre. [Event, Show or Exhibition]

Nair, Sreenath (2014) The embodied knowledge in performance: some reflections on the Natyasastra. In: IFTR 2015, 6 - 10 July 2015, Hyderabad.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Asian theatre

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED (In Press)

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Introduction [to special issue] Women in Asian theatre: conceptual, political, and aesthetic paradigms. Asian Theatre Journal, 32 (2). pp. 345-355. ISSN 0742-5457

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Madhavan, Arya (2016) Women in Asian theatre [special issue of: Asian Theatre Journal]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED (In Press)

Madhavan, Arya (2016) Women in Indian Performance [special issue of: Samyukta, a Journal of Women's Studies]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED (In Press)

Nair, Sreenath (2007) Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA. ISBN 0313335303

Audiences

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Australia

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209. ISSN UNSPECIFIED

Australian Aboriginal

Pulford, Donald (2006) Staging past and present simultaneously: Andrew Bovell's Holy Day (The Red Sea). In: Mapping uncertain territories: space and place in contemporary theatre and drama. Contemporary Drama in English, 13 . Wissenschaftlicher Verlag Trier. ISBN 3884768263

Australian Theatre

Pulford, Donald (2000) America and the Australian performing group. Antipodes, 14 (2). pp. 111-114. ISSN 0893-5580

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Pulford, Donald (2006) The history wars. Antipodes, 20 . ISSN 0893-5580

Australian culture

Pulford, Donald (2006) Staging past and present simultaneously: Andrew Bovell's Holy Day (The Red Sea). In: Mapping uncertain territories: space and place in contemporary theatre and drama. Contemporary Drama in English, 13 . Wissenschaftlicher Verlag Trier. ISBN 3884768263

Australian politics

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Australian racism

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Australian theatre

Pulford, Donald (2006) Staging past and present simultaneously: Andrew Bovell's Holy Day (The Red Sea). In: Mapping uncertain territories: space and place in contemporary theatre and drama. Contemporary Drama in English, 13 . Wissenschaftlicher Verlag Trier. ISBN 3884768263

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Australian youth culture

Pulford, Donald (2000) America and the Australian performing group. Antipodes, 14 (2). pp. 111-114. ISSN 0893-5580

Pulford, Donald (2006) The history wars. Antipodes, 20 . ISSN 0893-5580

B.B.C.

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Barthes

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Basil Dean

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Bertolt Brecht

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Bharatanatyam

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Biographical plays

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Biography

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Blasted

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Bmjconvert

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

Body

Nair, Sreenath (2012) The body: introduction. Studies in South Asian Film and Media, 4 (2). pp. 121-122. ISSN 1756-4921

Body Art

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Bomber Command

Lawrence, Conan and Rodgers, Emma and Leader, Howard (2013) Dambusters 70: after me, the flood. [Performance]

Book Reviews

Rush, Adam (2015) Creating musical theatre: conversations with Broadway directors and choreographers by Lyn Cramer [London and New York: Bloomsbury Methuen Drama, 2013]. Platform: Postgraduate Journal of Theatre Arts, 9 (1). pp. 77-81. ISSN 1751-0171

Rush, Adam (2013) West End Broadway: the golden age of the American musical in London by Adrian Wright Woodbridge [London: The Boydell Press, 2012]. Platform: Postgraduate Journal of Theatre Arts, 7 (2). pp. 92-95. ISSN 1751-0171

Bourdieu

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

Bovell

Pulford, Donald (2006) Staging past and present simultaneously: Andrew Bovell's Holy Day (The Red Sea). In: Mapping uncertain territories: space and place in contemporary theatre and drama. Contemporary Drama in English, 13 . Wissenschaftlicher Verlag Trier. ISBN 3884768263

Brandon Thomas

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Brazil

Moreno, Newton and O'Thomas, Mark (2007) Agreste (Drylands). [Performance] (Unpublished)

O'Thomas, Mark (2006) Dona Flor and her two husbands. [Performance]

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244

Yazbek, Samir and O'Thomas, Mark (2012) The ritual. [Performance]

Brazilian playwriting

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

British Avant-Garde Theatre

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

British Council

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

British Theatre

Bolton, Jacqueline (2018) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED (Submitted)

British Theatre Consortium

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

British Theatre History

Holden, Nicholas (2015) 'The jewel in the crown': the Young Peoples' Theatre Scheme at the Royal Court, 1966-1976. In: Theatre and Performance Research Association, Annual Conference, 8-10 September 2015, University of Worcester.

British drama

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

British left

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Broadway

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Capitalism

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Carl Djerassi

Jordan, Andy (2002) Calculus. In: [Performance at ]Royal Institution of Great Britain, 30 Sep 2002, London, UK.

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Jordan, Andy (2006) Taboos. In: [Performance at ]New End Theatre, 23 Feb - 1 Apr 2006, London, UK.

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Caryl Churchill

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Sian, Adiseshiah and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Caterina Nella Cotrupi

Dubois, Diane (2002) Northrop Frye and the poetics of process by Caterina Nella Cotrupi. Canadian Review of Comparative Literature , 29 (4). pp. 629-633. ISSN 0319-051X

Chair

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Chekhov

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Childhood Studies

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Children

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Chion

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Chris Thorpe

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

Clarice Lispector

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Collaboration

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln. (Unpublished)

Comedy

Meyer-Dinkgräfe, Daniel (2015) Comedy, consciousness and the Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, pp. 89-98. ISBN 9780786471782

Community

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Community theatre

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Composition

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Conducting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Conflict

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Consciousness

Madhavan, Arya (2013) Politics of roar: towards a female Kathakali. In: ". International Federation for Theatre Research, 5 - 10 July 2015, University of Hyderabad, India.

Madhavan, Arya (2014) Reflections on Asian pedagogy at the University of Lincoln. In: Consortium Roundtable on Asian Performance: Pedagogy and Research in the UK HEIs, 17 May 2014, Centre for Creative Collaboration, 16 Acton Street, London.

Madhavan, Arya (2015) TaPRA (Theatre and Performance Research Association), Asian Performance and Diaspora. [Event, Show or Exhibition]

Madhavan, Arya (2013) Women in Asian Theatre Conference. [Event, Show or Exhibition]

Meyer-Dinkgrafe, Daniel (2013) Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809, 9789401210294

Meyer-Dinkgrafe, Daniel and Brask, Per and Youtt, Harry (2013) Appropriate forms of praise of acting in theatre criticism. In: Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809

Nair, Sreenath (2012) Breath and movement. In: Invited Workshop/Lecture, 9 Feb 2012, Bernard College, Columbia University, New York.

Nair, Sreenath (2015) Evocative body. In: Evocative Body, 28 October 2015, Centre for Psychophysical Performance Research, University of Huddersfield.

Nair, Sreenath (2013) Rasa trialogue: gestural reconstruction of seeing in Nangiyar Kuthu. In: Women in Asian Theatre Conference, 13 - 14 September 2013, University of Lincoln, UK.

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Nair, Sreenath (2015) Time and embodiment in the Natyasastra. In: 16 World Sanskrit Conference (WSC), 28 June-2 July 2015, Bangkok, Thailand..

Nair, Sreenath (2015) Understanding breath. In: Understanding Breath, Centre for Medical Humanities, University of Durham.

Nair, Sreenath (2014) The body as optical mechanism: Indian conceptualization of embodiment in performance. In: International Conference on Indian Society for Theatre Research (ISTR), 8-11 January 2014, Central University of Rajasthan, India.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Consciousness studies

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

Contemporary British Playwriting

Bolton, Jacqueline (2016) David Greig [special issue of Contemporary Theatre Review]. Taylor and Francis. ISBN UNSPECIFIED (In Press)

Contemporary British theatre

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN UNSPECIFIED

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Pulford, Donald and Goode, Chris and Brewer, Mark and Collis-Scurll, Jonny (2010) Weepie. [Performance]

Contemporary Drama

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Contemporary Theatre-Making

Bolton, Jacqueline (2016) "Changing the conversation": Simon Stephens and Sean Holmes. Contemporary Theatre Review . ISSN 1048-6801

Contemporary musical

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Contemporary playwriting

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

O'Thomas, Mark (2006) Dona Flor and her two husbands. [Performance]

Context

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Corporeality

Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Creative writing

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

Creativity

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

Critical impro

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Criticism

Jones, Kelly (2006) Between nature and eternity: (present)ing absence in theatrical representations of Shakespeare as the ghost of Hamlet. Consciousness, Literature and the Arts, 8 (3). ISSN 1470-5648

Meyer-Dinkgrafe, Daniel (2013) Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809, 9789401210294

Meyer-Dinkgrafe, Daniel and Brask, Per and Youtt, Harry (2013) Appropriate forms of praise of acting in theatre criticism. In: Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809

Cultural diplomacy

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Cultural politics

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Culture

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Curious Incident of the Dog in the Night-Time

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Edition. Methuen Drama GCSE Student Editions . Bloomsbury Methuen Drama. ISBN 9781474240338

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Guide. GCSE Student Guides . Bloomsbury Methuen Drama. ISBN 9781474240598

Dambusters

Lawrence, Conan and Rodgers, Emma and Leader, Howard (2013) Dambusters 70: after me, the flood. [Performance]

Dance

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED (In Press)

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

David Edgar

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

David Greig

Bolton, Jacqueline (2016) David Greig [special issue of Contemporary Theatre Review]. Taylor and Francis. ISBN UNSPECIFIED (In Press)

David Grieg

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

David Hare

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Deconstruction

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. and Hobday, Nicki and Smith, Ollie (2010) The Beginning - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The End - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video] (Unpublished)

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Derrida

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Devising

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). pp. 25-42. ISSN 0967-0882

O'Gorman, Siobhán and McIvor, Charlotte (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Pinchbeck, Michael D. (2013) The beginning. [Video] (Unpublished)

Diane Dubois

Dubois, Diane (2008) Chronicles of freedom. [Performance]

Diegetic

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Digitised

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244

Directing

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Direction

Jordan, Andy (2002) Calculus. In: [Performance at ]Royal Institution of Great Britain, 30 Sep 2002, London, UK.

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Jordan, Andy (2006) Taboos. In: [Performance at ]New End Theatre, 23 Feb - 1 Apr 2006, London, UK.

Disney

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Disney musical

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Doctor Who

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Drama

Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181

Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408

Adiseshiah, Sian (2007) Still a socialist? Caryl Churchill’s The Skriker and Far Away. In: Drama and/after Postmodernism. Contemporary Drama in English, 14 . WVT Wissenschaftlicher Verlag Trier, pp. 277-291. ISBN 9783884769362

Adiseshiah, Sian (2005) Utopian space in Caryl Churchill’s history plays: "Light Shining in Buckinghamshire" and "Vinegar Tom". Utopian Studies, 16 (1). pp. 3-26. ISSN 1045-991x

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Bowtell, Kayla (2010) Day and night. [Performance]

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Jones, Kelly (2006) Between nature and eternity: (present)ing absence in theatrical representations of Shakespeare as the ghost of Hamlet. Consciousness, Literature and the Arts, 8 (3). ISSN 1470-5648

Jordan, Andy (2002) Calculus. In: [Performance at ]Royal Institution of Great Britain, 30 Sep 2002, London, UK.

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Jordan, Andy (2006) Taboos. In: [Performance at ]New End Theatre, 23 Feb - 1 Apr 2006, London, UK.

Madhavan, Arya (2016) Introduction [to special issue] Women in Asian theatre: conceptual, political, and aesthetic paradigms. Asian Theatre Journal, 32 (2). pp. 345-355. ISSN 0742-5457

Madhavan, Arya (2013) Politics of roar: towards a female Kathakali. In: ". International Federation for Theatre Research, 5 - 10 July 2015, University of Hyderabad, India.

Madhavan, Arya (2014) Reflections on Asian pedagogy at the University of Lincoln. In: Consortium Roundtable on Asian Performance: Pedagogy and Research in the UK HEIs, 17 May 2014, Centre for Creative Collaboration, 16 Acton Street, London.

Madhavan, Arya (2015) TaPRA (Theatre and Performance Research Association), Asian Performance and Diaspora. [Event, Show or Exhibition]

Madhavan, Arya (2013) Women in Asian Theatre Conference. [Event, Show or Exhibition]

Madhavan, Arya (2016) Women in Asian theatre [special issue of: Asian Theatre Journal]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED (In Press)

Madhavan, Arya (2016) Women in Indian Performance [special issue of: Samyukta, a Journal of Women's Studies]. University of Hawaii Press for Association for Asian Performance (AAP) / Association for Theatre in Higher Education (ATHE). ISBN UNSPECIFIED (In Press)

Marlow, Christopher (2005) Scholarly interiority in the Parnassus trilogy. Dalhousie Review, 85 (2). pp. 275-284. ISSN 0011-5827

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Meyer-Dinkgräfe, Daniel (2015) Comedy, consciousness and the Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, pp. 89-98. ISBN 9780786471782

Nair, Sreenath (2012) Breath and movement. In: Invited Workshop/Lecture, 9 Feb 2012, Bernard College, Columbia University, New York.

Nair, Sreenath (2015) Evocative body. In: Evocative Body, 28 October 2015, Centre for Psychophysical Performance Research, University of Huddersfield.

Nair, Sreenath (2013) Less is more: interview with Ralph Yarrow. Studies in South Asian Film and Media, 4 (2). pp. 123-129. ISSN 1756-4921

Nair, Sreenath (2013) Rasa trialogue: gestural reconstruction of seeing in Nangiyar Kuthu. In: Women in Asian Theatre Conference, 13 - 14 September 2013, University of Lincoln, UK.

Nair, Sreenath (2015) Time and embodiment in the Natyasastra. In: 16 World Sanskrit Conference (WSC), 28 June-2 July 2015, Bangkok, Thailand..

Nair, Sreenath (2015) Understanding breath. In: Understanding Breath, Centre for Medical Humanities, University of Durham.

Nair, Sreenath (2014) The body as optical mechanism: Indian conceptualization of embodiment in performance. In: International Conference on Indian Society for Theatre Research (ISTR), 8-11 January 2014, Central University of Rajasthan, India.

Nair, Sreenath (2013) The body: introduction II. Studies in South Asian Film and Media, 5 (1). pp. 3-4. ISSN 1756-4921

Nair, Sreenath (2012) The body: introduction. Studies in South Asian Film and Media, 4 (2). pp. 121-122. ISSN 1756-4921

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance] (Unpublished)

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

Voase, Richard (2001) The future for live drama. In: Trends and strategies in the arts and cultural industries. Barjesteh van Waalwijk van Doorn, Rotterdam. ISBN 9056130617

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078

Warden, Claire (2010) Politics, war, and adaptation: Ewan Maccoll's Operation Olive Branch, 1947. Comparative Drama, 44-45 (4-1). pp. 536-538. ISSN 0010-4078

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Dramaturgy

Bolton, Jacqueline (2009) Demarcating dramaturgy: mapping theory onto practice. PhD thesis, University of Leeds.

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. (2012) Mirror. Signal. Manoeuvre: Reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London.

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. (2013) The beginning. [Video] (Unpublished)

Pinchbeck, Michael D. and Hobday, Nicki and Smith, Ollie (2010) The Beginning - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The End - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video] (Unpublished)

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video] (Unpublished)

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Drunk Enough to Say I Love You?

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Durational

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video] (Unpublished)

Edward Bond

Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Embodied methodologies

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India .

Embodiment

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Emotional wellbeing

Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

English Civil War and Revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

English Modernist women

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

English modern drama

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

English women Modernist dramatists

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

Ensemble

Bolton, Jacqueline (2016) "Changing the conversation": Simon Stephens and Sean Holmes. Contemporary Theatre Review . ISSN 1048-6801

Eva Peron

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Evita

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Ewan MacColl

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

Experiment

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Far Away

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Fascism

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

Fashion

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

Feminism

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

Fernando Pessoa

O'Thomas, Mark (2010) Rewriting "The book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

Pessoa, Fernado and O'Thomas, Mark and La Barrie, Nicolai (2011) The book of disquiet. [Performance]

Film and Video

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Fingerature

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

First World War

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Forced Entertainment

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Frankenstein

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Frankenstein's Wedding

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Frantic Assembly

Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Franz Fanon

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Fukuyama

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Game Studies

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Gay theatre

Pulford, Donald (2011) Shadow boxing. [Performance]

Gender

Pulford, Donald (2011) Shadow boxing. [Performance]

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

George Bernard Shaw

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

German theatre

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Get'cha Head in the Game

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Ghost

Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick.

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Gillian Slovo

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Gower

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Greece

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Greenland

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Group Theatre

Warden, Claire (2013) The poetic materiality of fascism on the British stage. In: The aesthetics of matter: modernism, the avant-garde and material exchange. de Gruyter, Berlin, pp. 82-93. ISBN UNSPECIFIED

Harper Regan

Bolton, Jacqueline (2015) Introduction to Harper Regan by Simon Stephens. In: Harper Regan. Modern Classics . Bloomsbury Methuen Drama, pp. 3-24. ISBN 9781472574671

Hedwig and the Angry Inch

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

Helene Cixous

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

High School Musical

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

History

Jones, Kelly (2006) Between nature and eternity: (present)ing absence in theatrical representations of Shakespeare as the ghost of Hamlet. Consciousness, Literature and the Arts, 8 (3). ISSN 1470-5648

History plays

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Hospital at the time of the Revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Howard Barker; New Writing; In-Yer-Face; Naturalism

Hudson, James (2015) Vintage Barker: new writing in old bottles. In: Howard Barker's theatre: wrestling with catastrophe. Methuen Drama Engage . Bloomsbury Methuen, London, pp. 113-130. ISBN 9781408185995

Howard Brenton

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Hunger Strike

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging , 19-20 April 2012, RHUL.

Ibsen

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Icon

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Iconicity

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Identity

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Image and words

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Imagination

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Immigrant Theatre

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Impact

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln. (Unpublished)

In-yer-face theatre

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Indian Drama

Nair, Sreenath (2013) Manikin plays: two contemporary Indian plays. Cambridge Scholars , New Castle . ISBN 9781443849418

Indian Music

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Indian Pedagogical Practice

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Indian Theatre

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Indian aesthetic theory

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Indian aesthetics

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Indian dance training

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Indian martial arts

Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Indian theatre

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal , 25 (1). pp. 165-168. ISSN 0742-5457

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Innovations in Kudiyattam

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Inscription

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Integration

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

Intercultural theatre

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Internationalisation

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Internationalism; Politics

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Intertextuality

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester. (Unpublished)

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln. (Unpublished)

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester. (Unpublished)

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield. (Unpublished)

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle. (Unpublished)

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Irish culture

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). pp. 25-42. ISSN 0967-0882

Irish studies

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán and McIvor, Charlotte (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Jacques Ranciere

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales.

James Elroy Flecker

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Jean-Luc Nancy

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Jerusalem

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Jez Butterworth

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Sian, Adiseshiah and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

John Cameron Mitchell

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

John Doyle

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

John Gabriel Borkman

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Joint Stock

Bolton, Jacqueline (2015) Joint Stock Theatre Company. In: British theatre companies 1980-1994. British theatre companies: from fringe to mainstream (2). Bloomsbury Methuen Drama, London, pp. 115-139. ISBN 9781408175491

Bolton, Jacqueline (2012) 'Whether or not they are actors, they're not writers': carving up creative territories in the 'Joint Stock method'. In: American Society for Theatre Research, November 1-4, 2012, Nashville, Tennessee, .

Ken Campbell

Bolton, Jacqueline (2012) ‘“I’m not mad, I’ve just read different books”: Ken Campbell and the Arts Council of Great Britain’. In: International Federation for Theatre Research, 22-28 July 2012, Santiago, Chile.

Kinect

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Kinesthetics

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Kinetics

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Kristeva

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Kudiyattam

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Kutiyattam

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

L'Orfeo

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Les Miserables

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Lew Fields

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

Light Shining in Buckinghamshire

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Literary Management

Bolton, Jacqueline (2008) Looking back, looking forward: literary management at the Royal Court. Contemporary Theatre Review, 18 (1). pp. 137-140. ISSN 1048-6801

Literary criticism

Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181

Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408

Adiseshiah, Sian (2007) Still a socialist? Caryl Churchill’s The Skriker and Far Away. In: Drama and/after Postmodernism. Contemporary Drama in English, 14 . WVT Wissenschaftlicher Verlag Trier, pp. 277-291. ISBN 9783884769362

Live Art

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video] (Unpublished)

Live art

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Live-cast

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Liveness

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Mad Forest

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Manchester

Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

Mannequin

Nair, Sreenath (2013) Manikin plays: two contemporary Indian plays. Cambridge Scholars , New Castle . ISBN 9781443849418

Marginalisation

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

Marianne Eliot

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Mark Haddon

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Edition. Methuen Drama GCSE Student Editions . Bloomsbury Methuen Drama. ISBN 9781474240338

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Guide. GCSE Student Guides . Bloomsbury Methuen Drama. ISBN 9781474240598

Marketing

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Mary Braddon

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Mediating revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Meta-theatre

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Michel Foucault

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Modern British Drama

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Modernism

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078

Monteverdi

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Motortown

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Movement

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Mozart

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Mudra

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Multiculturalism

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

Multimodality theory

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Music

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED (In Press)

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Music Theatre

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Musical Dramaturgy

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Musical Motifs

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Musical Theatre

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago.

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester. (Unpublished)

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln. (Unpublished)

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester. (Unpublished)

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield. (Unpublished)

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle. (Unpublished)

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln. (Unpublished)

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Musical film

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

Musical theatre

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Myth

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield. (Unpublished)

NT Live

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Narrative

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. (2012) Mirror. Signal. Manoeuvre: Reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London.

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. (2013) The beginning. [Video] (Unpublished)

Pinchbeck, Michael D. and Hobday, Nicki and Smith, Ollie (2010) The Beginning - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The End - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video] (Unpublished)

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video] (Unpublished)

Nathaniel Hawthorne

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

National Theatre Live

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

Nationhood

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield. (Unpublished)

Naturalism

Holden, Nicholas (2016) 'There are times when naturalism just isn't enough': breaking open the kitchen sink in the theatre of Alistair McDowall. In: British Theatre in the 21st Century: new texts, new stages, new identities, new worlds, 13-15 October, 2016, Université Paris-Sorbonne.

Natyasastra

Nair, Sreenath (2015) The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA. ISBN 9780786471782

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Natyashastra

Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Neoliberalism

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Neural mechanism

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Neuroscience

Nair, Sreenath (2015) The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA. ISBN 9780786471782

New Brutalism

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

New Sincerity

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

New Writing

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Holden, Nicholas (2016) ‘Think kitchen-sink with a wormhole where the plug should be’: exploring new approaches to new writing in the work of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, 27 - 30 June 2016, University of Lincoln.

New critical sincerity

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

New writing

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Holden, Nicholas (2016) 'There are times when naturalism just isn't enough': breaking open the kitchen sink in the theatre of Alistair McDowall. In: British Theatre in the 21st Century: new texts, new stages, new identities, new worlds, 13-15 October, 2016, Université Paris-Sorbonne.

Non-diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Normal

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Northrop Frye

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Dubois, Diane (2002) Northrop Frye and the poetics of process by Caterina Nella Cotrupi. Canadian Review of Comparative Literature , 29 (4). pp. 629-633. ISSN 0319-051X

Dubois, Diane (2000) Rereading Frye: the published and unpublished works. Canadian Review of Comparative Literature, 27 (1-2). pp. 313-316. ISSN 0319-051X

Oh

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Oklahoma!

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Olivia Turnbull

Dubois, Diane (2009) Bringing down the house: the crisis in Britain’s regional theatres [Olivia Turnbull]. Times Higher Education . ISSN 0049-3929

One Minute

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Opera

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Opera House

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Orchestration

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Orientalism

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Otherness

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

PARIP

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Pastoral

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN UNSPECIFIED

Pathognomy

Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833

Pauline Hanson

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Penetrator

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

People with disabilities

Bowtell, Kayla (2010) Day and night. [Performance]

Performance

Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833

Jordan, Andy (2002) Calculus. In: [Performance at ]Royal Institution of Great Britain, 30 Sep 2002, London, UK.

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Nair, Sreenath (2014) Special panel on Embodiment in/and Indian theatre. [Event, Show or Exhibition]

Nair, Sreenath (2014) The embodied knowledge in performance: some reflections on the Natyasastra. In: IFTR 2015, 6 - 10 July 2015, Hyderabad.

Nair, Sreenath and Madhavan, Arya (2014) Consortium Roundtable on Asian performance: pedagogy and research in the UK HEIs. [Event, Show or Exhibition]

Pinchbeck, Michael D. (2012) Mirror. Signal. Manoeuvre: Reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London.

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078

Performance Studies

Nair, Sreenath (2015) The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA. ISBN 9780786471782

Performance and Commemoration

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Performance anxiety

Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Performance art

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Performance studies

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India .

Performativity

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Pericles

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Phantom of the Opera

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Plays

Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181

Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408

Adiseshiah, Sian (2007) Still a socialist? Caryl Churchill’s The Skriker and Far Away. In: Drama and/after Postmodernism. Contemporary Drama in English, 14 . WVT Wissenschaftlicher Verlag Trier, pp. 277-291. ISBN 9783884769362

Marlow, Christopher (2005) Scholarly interiority in the Parnassus trilogy. Dalhousie Review, 85 (2). pp. 275-284. ISSN 0011-5827

Playwriting

Bolton, Jacqueline (2018) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED (Submitted)

Poetics of Process

Dubois, Diane (2002) Northrop Frye and the poetics of process by Caterina Nella Cotrupi. Canadian Review of Comparative Literature , 29 (4). pp. 629-633. ISSN 0319-051X

Political performance

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging , 19-20 April 2012, RHUL.

Political theory

Warden, Claire (2013) May Day 1932: British workers' theatre on and off the stage. In: Modernist Studies Association 15th Annual Conference: Everydayness and the Event, 29 August-1 September 2013, University of Sussex, Brighton.

Politics of Indian theatre

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal , 25 (1). pp. 165-168. ISSN 0742-5457

Pornography

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Port

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Postcolonial

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209. ISSN UNSPECIFIED

Postcolonialism

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Practice

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Practice as Research

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Practice as research

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Presence

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Processing

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Production

Jordan, Andy (2006) Taboos. In: [Performance at ]New End Theatre, 23 Feb - 1 Apr 2006, London, UK.

Putting it Together

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Queen's Hotel

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Racism

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

Radio drama

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Rasa theory

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Realism

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

Reception Theory

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Reckless Sleepers

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 1468-2761

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Reenactment

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Religious Visionary

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Richard Bean

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Roald Hoffman

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Robert D Denham

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Robert Denham

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world [by Robert D. Denham]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Robert Russell Bennett

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Robinsonade

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED

Rodgers and Hammerstein

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle. (Unpublished)

Rodgers and Hart

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

Romanian Revolution

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Romanian revolution

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Royal Court

Bolton, Jacqueline (2008) Looking back, looking forward: literary management at the Royal Court. Contemporary Theatre Review, 18 (1). pp. 137-140. ISSN 1048-6801

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

Royal Court Theatre

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Holden, Nicholas (2015) 'The jewel in the crown': the Young Peoples' Theatre Scheme at the Royal Court, 1966-1976. In: Theatre and Performance Research Association, Annual Conference, 8-10 September 2015, University of Worcester.

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents , 12-14 December 2013, University of Porto.

Royal National Theatre

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN UNSPECIFIED

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

Russia

Warden, Claire (2015) Moscow, Saint Petersburg, London: Hubert Griffith and the search for a Russian truth. Comparative Drama, 49 (1). pp. 1-21. ISSN 0010-4078

Russian playwriting

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Salford

Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

Samuel Beckett

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Sanskrit studies

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

Sarah Frankcom

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Sarah Kane

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Saved

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln.

Science

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Scottish Referendum

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

Sean Holmes

Bolton, Jacqueline (2016) "Changing the conversation": Simon Stephens and Sean Holmes. Contemporary Theatre Review . ISSN 1048-6801

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Sebastian Nuebling

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Second World war

Warden, Claire (2013) Modern life through the actor's distorting mirror: Basil Dean's impressions of Russia. In: British Comparative Literature Conference, 8-11 July, University of Essex.

Warden, Claire (2010) Politics, war, and adaptation: Ewan Maccoll's Operation Olive Branch, 1947. Comparative Drama, 44-45 (4-1). pp. 536-538. ISSN 0010-4078

Warden, Claire (2013) "We are here to Salute the Red Army": Basil Dean and his Russian adventures. Theatre Survey, 54 (3). pp. 347-366. ISSN 0040-5574

Secret Theatre

Bolton, Jacqueline (2016) "Changing the conversation": Simon Stephens and Sean Holmes. Contemporary Theatre Review . ISSN 1048-6801

Seven Jewish Children

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Sexuality

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Shakespeare

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN UNSPECIFIED

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. (2013) The beginning. [Video] (Unpublished)

Pinchbeck, Michael D. and Hobday, Nicki and Smith, Ollie (2010) The Beginning - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The End - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video] (Unpublished)

Shakespeare's Globe

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

SharpWire

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Shaw

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Signifying Practice

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Simon Stephens

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Bolton, Jacqueline (2016) "Changing the conversation": Simon Stephens and Sean Holmes. Contemporary Theatre Review . ISSN 1048-6801

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales.

Bolton, Jacqueline (2014) Introduction. In: Blindsided. Modern Plays . Methuen. ISBN 9781472568717

Bolton, Jacqueline (2015) Introduction to Harper Regan by Simon Stephens. In: Harper Regan. Modern Classics . Bloomsbury Methuen Drama, pp. 3-24. ISBN 9781472574671

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Edition. Methuen Drama GCSE Student Editions . Bloomsbury Methuen Drama. ISBN 9781474240338

Bolton, Jacqueline (2016) The curious incident of the dog in the night-time. GCSE Student Guide. GCSE Student Guides . Bloomsbury Methuen Drama. ISBN 9781474240598

Bolton, Jacqueline (2018) The theatre of Simon Stephens. Methuen. ISBN UNSPECIFIED (Submitted)

Sian, Adiseshiah and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Stephens, Simon and Bolton, Jacqueline (2014) Pornography. Methuen Student Edition . Methuen. ISBN 1408110563, 1408179857

Simulcast

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

Singing

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Site specific performance

Lawrence, Conan and Westerside, Andrew and Westerside, Andrew (2014) Leaving home. [Performance]

Site specific theatre

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Social Class

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Social Media

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester. (Unpublished)

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln. (Unpublished)

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester. (Unpublished)

Sondheim

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Song and dance

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

South Africa

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Spectatorship

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Spirituality

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

St George and the Dragon

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

Stage Fright

Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Stanislavski

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Stick to the Status Quo

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Stoppard

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

Sunday in the Park With George

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Sweeney Todd

Poore, Ben and Jones, Kelly (2009) Introduction to 'Swing your razor wide ...': Sweeney Todd and other (Neo-)Victorian criminalities. Neo-Victorian Studies, 2 (1). pp. 1-16. ISSN UNSPECIFIED

Tamasha

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Technology

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Television

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED

Text

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. and Hobday, Nicki and Smith, Ollie (2010) The Beginning - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The End - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video] (Unpublished)

The Body

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India .

The Book of Mormon

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester. (Unpublished)

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln. (Unpublished)

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle. (Unpublished)

The Censor

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

The Events

Bolton, Jacqueline and Hudson, James (2016) Introduction to special issue: 'David Greig: dramaturgies of encounter and engagement'. Contemporary Theatre Review, 26 (1). pp. 3-8. ISSN 1048-6801

The Hard Problem

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

The Life of Galileo

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

The Natyasastra

Madhavan, Arya (2015) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, North Carolina. ISBN 9780786471782

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Meyer-Dinkgräfe, Daniel (2015) Comedy, consciousness and the Natyasastra. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, pp. 89-98. ISBN 9780786471782

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University.

Trinapathi, K. D. and Nair, Sreenath (2011) First International Conference on the Natyasastra. [Event, Show or Exhibition]

The Riots

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

The Rocky Horror Show

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

The Skriker

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

The Walking Dead

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED

The Wonderful World of Dissocia

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Theatre

Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Holden, Nicholas (2016) ‘Think kitchen-sink with a wormhole where the plug should be’: exploring new approaches to new writing in the work of Alistair McDowall. In: What Happens Now: 21st Century Writing in English, 27 - 30 June 2016, University of Lincoln.

Holden, Nicholas and Rush, Adam (2015) 'Epic, easy, for everyone': public engagement and the National Theatre. In: University of Lincoln Postgraduate Conference, 26th March, 2015, University of Lincoln.

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

O'Gorman, Siobhán (2009) Unconventional femininity in the Works of Suzan-Lori Parks and Marina Carr. Platform, 4 (1). pp. 79-94. ISSN 1751- 0171

O'Gorman, Siobhán and McIvor, Charlotte (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209. ISSN UNSPECIFIED

Warden, Claire (2014) Dancing atoms and talking feet: British avant-garde theatre. In: Research Seminars on the Theory, Practice and History of Performance, 26/2/14, Goldsmiths.

Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401

Warden, Claire (2013) May Day 1932: British workers' theatre on and off the stage. In: Modernist Studies Association 15th Annual Conference: Everydayness and the Event, 29 August-1 September 2013, University of Sussex, Brighton.

Warden, Claire (2013) Modern life through the actor's distorting mirror: Basil Dean's impressions of Russia. In: British Comparative Literature Conference, 8-11 July, University of Essex.

Warden, Claire (2012) Obscure margins: re-imagining a British avant-garde. In: Performing Arts Department Research Series , 28th November 2012, Edge Hill University.

Warden, Claire (2012) Peripheries and margins: re-imagining a British avant-garde. In: English Department Visiting Speaker Programme, 31st October 2012, University of Dundee.

Warden, Claire (2013) "We are here to Salute the Red Army": Basil Dean and his Russian adventures. Theatre Survey, 54 (3). pp. 347-366. ISSN 0040-5574

Theatre Music

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Theatre and Globalization

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Walsh, Aylwyn M. (2012) Theatre & Globalization, and: Theatre & Interculturalism, and: Theatre & Prison. Theatre Topics, 22 (1). pp. 110-112. ISSN 1054-8378

Theatre and Interculturalism

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Walsh, Aylwyn M. (2012) Theatre & Globalization, and: Theatre & Interculturalism, and: Theatre & Prison. Theatre Topics, 22 (1). pp. 110-112. ISSN 1054-8378

Theatre and multiculturalism

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Theatre history

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

O'Gorman, Siobhán and McIvor, Charlotte (2015) Devised performance in Irish theatre: histories and contemporary practice. Carysfort Press, Dublin. ISBN 9781909325784

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

Theatre producers

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

Theatre studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Theatre translation

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

Moreno, Newton and O'Thomas, Mark (2007) Agreste (Drylands). [Performance] (Unpublished)

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

O'Thomas, Mark (2010) Rewriting "The book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2008) What is this thing called 'jazz'? Translation, adaptation and the jazz form. In: Cultures of Translation Conference, 26-28 June 2008, University of Glamorgan.

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: Conexões. British Council/National Theatre/Celia Helena, São Paulo. ISBN UNSPECIFIED

Yazbek, Samir and O'Thomas, Mark (2012) The ritual. [Performance]

Theatrical history

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Thesis

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

Three Kingdoms

Bolton, Jacqueline (2012) Preface. In: Three kingdoms. Modern Plays . Methuen, London. ISBN 9781408172957

Three Tenors

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Tim Crouch

Sian, Adiseshiah and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Tom Stoppard

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN UNSPECIFIED

Tomorrow's Parties

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Tourism

Voase, Richard (2001) The future for live drama. In: Trends and strategies in the arts and cultural industries. Barjesteh van Waalwijk van Doorn, Rotterdam. ISBN 9056130617

Traditional Indian Theatre

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Transition

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Translation

Aston, Elaine and O'Thomas, Mark (2015) Royal Court: International. Studies in International Performance . Palgrave Macmillan, London. ISBN 9781137461827

Twentieth century

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Twentieth-century drama

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2010) Politics, war, and adaptation: Ewan Maccoll's Operation Olive Branch, 1947. Comparative Drama, 44-45 (4-1). pp. 536-538. ISSN 0010-4078

Unity Theatre

Warden, Claire (2013) The poetic materiality of fascism on the British stage. In: The aesthetics of matter: modernism, the avant-garde and material exchange. de Gruyter, Berlin, pp. 82-93. ISBN UNSPECIFIED

Urban studies

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging , 19-20 April 2012, RHUL.

Urinetown the Musical

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Use of mirror in dance

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln.

Madhavan, Arya (2013) Tradition vs modernity: the 21st century pedagogical practice of Kudiyattam. In: International Academic Seminar on Drama, 29 – 30 November 2013, National Taiwan College of Performing Arts, Taiwan.

Utopia

Adiseshiah, Sian (2005) Utopian space in Caryl Churchill’s history plays: "Light Shining in Buckinghamshire" and "Vinegar Tom". Utopian Studies, 16 (1). pp. 3-26. ISSN 1045-991x

Utopian space

Adiseshiah, Sian (2005) Utopian space in Caryl Churchill’s history plays: "Light Shining in Buckinghamshire" and "Vinegar Tom". Utopian Studies, 16 (1). pp. 3-26. ISSN 1045-991x

Vanessa Hudgens

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Vedanta

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Verbatim Theatre

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Sian, Adiseshiah and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Victorian Theatre

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie and Radcliffe, Caroline and Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.

Visual perception

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

Voice

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Wagner

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Waiting for Godot

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Weber and Fields

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

When There Was Me and You

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Wicked

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield. (Unpublished)

Wii

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Working class

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

World War I

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Writers

Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.

Writing

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Zac Efron

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

acting

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

actor training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

actor-musician

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

actor-training

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

adaptation

Bolton, Jacqueline (2012) Practices of reading: ‘theoretical method’ and ‘expressive realism’ as dramaturgical strategy. In: Between: Page / Stage, 17-19 May 2012, Sopot, Poland.

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

O'Thomas, Mark (2008) Fight Club the musical: Bollywood, Hollywood and the rules of engagement. In: Literature on Screen Conference, September 2008, University of Amsterdam.

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

O'Thomas, Mark (2008) What is this thing called 'jazz'? Translation, adaptation and the jazz form. In: Cultures of Translation Conference, 26-28 June 2008, University of Glamorgan.

Pessoa, Fernado and O'Thomas, Mark and La Barrie, Nicolai (2011) The book of disquiet. [Performance]

aesthetics of Indian theatre

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre. Asian Theatre Journal , 25 (1). pp. 165-168. ISSN 0742-5457

affordance

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

arts management

Dubois, Diane (2009) Bringing down the house: the crisis in Britain’s regional theatres [Olivia Turnbull]. Times Higher Education . ISSN 0049-3929

asian theatre

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

austerity

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents , 12-14 December 2013, University of Porto.

authentic

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

authority

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

authorship

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

autobiography

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

avant-garde theatre

Pulford, Donald (2000) America and the Australian performing group. Antipodes, 14 (2). pp. 111-114. ISSN 0893-5580

Pulford, Donald (2006) The history wars. Antipodes, 20 . ISSN 0893-5580

bmjanomaly

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

bmjcheck

Bolton, Jacqueline (2008) Looking back, looking forward: literary management at the Royal Court. Contemporary Theatre Review, 18 (1). pp. 137-140. ISSN 1048-6801

bmjconvert

Bolton, Jacqueline (2014) ‘Britain’s Ambassadors’: The British Council 1939-1989: Findings: structure of the archive. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Holden, Nicholas (2016) 'Don't you think that's interesting ... about time?': Playing with time in Lovesong. Director's Cut - Digital Theatre Blog . ISSN .

Hudson, James (2014) “Ambassador, with these manifestations you are really spoiling us”: British Council support for touring drama 1946- 1966. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

Lawrence, Conan (2014) Leaving home [radio drama]. [Performance]

Woolley, Agnes (2014) The British Council in the (post)colonial context: some examples from literature and film. In: ‘Britain’s Ambassadors’: The British Council 1939-1989, 11th September 2014, Institute for Contemporary Arts, London.

bmjdate

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie and Radcliffe, Caroline and Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.

bmjdoi

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

bmjgoldcheck

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Meyer-Dinkgräfe, Daniel (2015) Liveness: Phelan, Auslander, and after. Journal of Dramatic Theory and Criticism, 29 (2). pp. 69-79. ISSN 0888-3203

bmjpub

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Dubois, Diane (2009) Bringing down the house: the crisis in Britain’s regional theatres [Olivia Turnbull]. Times Higher Education . ISSN 0049-3929

bmjtitle

Madhavan, Arya (2015) The Cambridge encyclopedia of stage actors and acting [various entries]. In: Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN 9780521769549

bmjtype

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209. ISSN UNSPECIFIED

bodies

Poore, Ben and Jones, Kelly (2009) Introduction to 'Swing your razor wide ...': Sweeney Todd and other (Neo-)Victorian criminalities. Neo-Victorian Studies, 2 (1). pp. 1-16. ISSN UNSPECIFIED

body

Nair, Sreenath (2013) The body: introduction II. Studies in South Asian Film and Media, 5 (1). pp. 3-4. ISSN 1756-4921

bollywood

O'Thomas, Mark (2008) Fight Club the musical: Bollywood, Hollywood and the rules of engagement. In: Literature on Screen Conference, September 2008, University of Amsterdam.

brazil

O'Thomas, Mark (2013) Feast. [Performance]

breath studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

children's culture

Mitchell, Grethe (2011) The game catcher. AHRC.

children's games

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

children's play

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

children's play cultures

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

chronicles of freedom

Dubois, Diane (2008) Chronicles of freedom. [Performance]

clapping games

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

computer game

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

computer game design

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

computer games

Mitchell, Grethe (2011) The game catcher. AHRC.

consciousness

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

consciousness studies

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

contemporary drama

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2015) Reorienting Scarlet Letters: Suzan-Lori Parks’ and Marina Carr’s Hester plays. Journal of Adaptation in Film and Performance, 8 (1). pp. 39-60. ISSN 1755-0637

Sian, Adiseshiah and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

cool-down

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

counter-culture

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

creative practice

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

criminalities

Poore, Ben and Jones, Kelly (2009) Introduction to 'Swing your razor wide ...': Sweeney Todd and other (Neo-)Victorian criminalities. Neo-Victorian Studies, 2 (1). pp. 1-16. ISSN UNSPECIFIED

dance

Mitchell, Grethe (2011) The game catcher. AHRC.

devising

Bolton, Jacqueline (2007) Fretting at textual fetters: performance and the playwright within 'new writing'. In: Performing Literatures, 29 June - 1 July 2007, University of Leeds.

dialectics

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

digital-Foley

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

display

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

drama

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Mitchell, Grethe (2011) The game catcher. AHRC.

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

dramaturg

Bolton, Jacqueline (2007) Fretting at textual fetters: performance and the playwright within 'new writing'. In: Performing Literatures, 29 June - 1 July 2007, University of Leeds.

Bolton, Jacqueline (2012) Practices of reading: ‘theoretical method’ and ‘expressive realism’ as dramaturgical strategy. In: Between: Page / Stage, 17-19 May 2012, Sopot, Poland.

dramaturgy

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 1468-2761

dystopian drama

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

ecological dystopias

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

embodied movement

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

embodiment

Mitchell, Grethe (2011) The game catcher. AHRC.

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

end of history

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

english

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

ethnographic research

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

evolutionary biology

Meyer-Dinkgräfe, Daniel and Tague, Gregory F. (2015) Consciousness studies and evolutionary biology in Stoppard’s The Hard Problem. Etum--e-journal for Theatre and Media, 2 (2). pp. 47-58. ISSN 2366-5548

experience

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

eye training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

eyes in acting

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

failure

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 1468-2761

feminist theatre

O'Gorman, Siobhán (2014) Writing from the margins: Marina Carr’s early theatre. Irish Studies Review, 22 (4). pp. 25-42. ISSN 0967-0882

fire

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

folk theatre

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

folklore research

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

folklore studies

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

foucault

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

genosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

ghost plays

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

gothic

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

grain of the voice

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

haunting

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

hulme

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED

ibsen

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

iftr

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

indian theatre

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

institution

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

interactive design

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

intercultural actor-training

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

jazz

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance] (Unpublished)

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2008) What is this thing called 'jazz'? Translation, adaptation and the jazz form. In: Cultures of Translation Conference, 26-28 June 2008, University of Glamorgan.

kudiyattam and post-dramatic

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

landscape theatre

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

late twentieth-century cultural contexts

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

literary management

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

livecast

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

liveness

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Jones, Kelly (2016) Adaptations of 'liveness' in theatrical representations of Mary Shelley's Frankenstein. In: Adapting Frankenstein: the monster's eternal lives in popular culture. Manchester University Press. ISBN UNSPECIFIED

markerless

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

markerless motion capture

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

martial arts

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

masculinity as performance

Pulford, Donald (2011) Shadow boxing. [Performance]

metaphor

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

modernism

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Warden, Claire (2014) “Let the good incendiaries with charred fingers come!”: Modernist performance and the destruction/construction of legacies. In: Modernism Now! British Association for Modernist Studies International Conference 2014, 26-28 June 2014, Senate House, University of London.

Warden, Claire (2012) Obscure margins: re-imagining a British avant-garde. In: Performing Arts Department Research Series , 28th November 2012, Edge Hill University.

Warden, Claire (2012) Peripheries and margins: re-imagining a British avant-garde. In: English Department Visiting Speaker Programme, 31st October 2012, University of Dundee.

Warden, Claire (2012) Unperformable plays?: British avant-garde theatre. In: Lincoln Academy lecture series, 25 September 2012, LPAC, Lincoln.

Warden, Claire (2013) The poetic materiality of fascism on the British stage. In: The aesthetics of matter: modernism, the avant-garde and material exchange. de Gruyter, Berlin, pp. 82-93. ISBN UNSPECIFIED

modernist

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

mollusc

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

motion capture

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

motion tracking

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

movement

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

movement notation

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

movement research

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

music hall

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

music theatre

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

musical performance

Mitchell, Grethe (2011) The game catcher. AHRC.

musical theatre

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

musicianship

Mitchell, Grethe (2011) The game catcher. AHRC.

narrative

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 1468-2761

naturalism

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

new writing

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

nostalgia

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

oaopen

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

onsciousness studies

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

opera

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

paranormal

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

perfomance

Mitchell, Grethe (2011) The game catcher. AHRC.

performance

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Warden, Claire (2014) “Let the good incendiaries with charred fingers come!”: Modernist performance and the destruction/construction of legacies. In: Modernism Now! British Association for Modernist Studies International Conference 2014, 26-28 June 2014, Senate House, University of London.

performance and consciousness

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

performance practice

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

performance studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

performative

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

performativity

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

phenomenology

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

phenosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

philosophy

Hudson, James (2012) A pathognomy of performance. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833

playground

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

playground cultures

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

playground games

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

playwriting

Bolton, Jacqueline (2007) Fretting at textual fetters: performance and the playwright within 'new writing'. In: Performing Literatures, 29 June - 1 July 2007, University of Leeds.

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales.

Bolton, Jacqueline (2012) 'Whether or not they are actors, they're not writers': carving up creative territories in the 'Joint Stock method'. In: American Society for Theatre Research, November 1-4, 2012, Nashville, Tennessee, .

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents , 12-14 December 2013, University of Porto.

political theatre

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

popular culture

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture, 48 (2). pp. 240-251. ISSN 0022-3840

Poore, Ben and Jones, Kelly (2009) Introduction to 'Swing your razor wide ...': Sweeney Todd and other (Neo-)Victorian criminalities. Neo-Victorian Studies, 2 (1). pp. 1-16. ISSN UNSPECIFIED

popular theatre

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

post-apocalyptic narratives

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED

post-dramatic theatre

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

postmodern

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

problem

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 1468-2761

published works

Dubois, Diane (2000) Rereading Frye: the published and unpublished works. Canadian Review of Comparative Literature, 27 (1-2). pp. 313-316. ISSN 0319-051X

rasa

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2015) Synesthetics: Rasa as metaphors in performance. In: The Natyasastra and the body in performance: essays on Indian theories of dance and drama. McFarland, Jefferson, North Carolina, USA, pp. 135-156. ISBN 9780786471782

refnyp

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

refpending

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Meyer-Dinkgrafe, Daniel (2013) Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809, 9789401210294

regional theatre

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

regional theatres

Dubois, Diane (2009) Bringing down the house: the crisis in Britain’s regional theatres [Olivia Turnbull]. Times Higher Education . ISSN 0049-3929

representation

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

research

Mitchell, Grethe (2011) The game catcher. AHRC.

research methods

Mitchell, Grethe (2011) The game catcher. AHRC.

rhetoric

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

royal court theatre

O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.

salad days

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

sanskrit theatre

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

scenography

O'Gorman, Siobhán (2014) (Di)visible layers: bodies, genders and costumes in the works of Suzan-Lori Parks. Scene, 2 (1-2). pp. 155-167. ISSN 2044-3714

O'Gorman, Siobhán (2014) Scenographic Interactions: 1950s’ Ireland and Dublin’s Pike Theatre. Irish Theatre International, 3 (1). pp. 25-42. ISSN .

scriptwriting

Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.

Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.

signification

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

single sword stage combat

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

situation ethics

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED

sound

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

sports

Mitchell, Grethe (2011) The game catcher. AHRC.

stage fencing

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

stage fighting

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

stage translation

O'Thomas, Mark (2006) Dona Flor and her two husbands. [Performance]

Pessoa, Fernado and O'Thomas, Mark and La Barrie, Nicolai (2011) The book of disquiet. [Performance]

temporality and imagination

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

text-based theatre

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

the Body

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

the gaze

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

theatre

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

O'Thomas, Mark (2013) Feast. [Performance]

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents , 12-14 December 2013, University of Porto.

O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

theatre and consciousness

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

theatre anthropology

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

theatre studies

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

theatre translation

O'Thomas, Mark (2012) Platform: Connections National Theatre 2012. In: Platform, 21st June 2012, Royal National Theatre, London.

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

Pessoa, Fernado and O'Thomas, Mark and La Barrie, Nicolai (2011) The book of disquiet. [Performance]

theatricality

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

tolerance

Hudson, James (2016) The reactionary mind and the limits of liberal tolerance in Chris Thorpe’s Confirmation and David Grieg’s The Events. In: the International Federation for Theatre Research 2016 annual conference: ‘Presenting the Theatrical Past’, 12-17 June 2016, Stockholm University.

trace

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

transduction

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

translation

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

O'Thomas, Mark (2013) Feast. [Performance]

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents , 12-14 December 2013, University of Porto.

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.

translation studies

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales.

translation theory

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

troika

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents , 12-14 December 2013, University of Porto.

trust

Adiseshiah, Siân (2016) Spectatorship and the new (critical) sincerity: the case of Forced Entertainment’s Tomorrow’s Parties. Journal of Contemporary Drama in English, 4 (1). pp. 180-195. ISSN 2195-0156

twentieth-century politics

Warden, Claire (2013) The poetic materiality of fascism on the British stage. In: The aesthetics of matter: modernism, the avant-garde and material exchange. de Gruyter, Berlin, pp. 82-93. ISBN UNSPECIFIED

twenty-first century cultural contexts

Adiseshiah, Siân (2014) The 'Times' of Caryl Churchill's theatre. In: The theatre of Caryl Churchill. Bloomsbury Methuen Drama. ISBN 9781408154540

twenty-first century drama

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Sian, Adiseshiah and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

unpublished works

Dubois, Diane (2000) Rereading Frye: the published and unpublished works. Canadian Review of Comparative Literature, 27 (1-2). pp. 313-316. ISSN 0319-051X

utilitarianism

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED

utopian drama

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

utopian theatre

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

videogame

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

videogame design

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

videogame hardware

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

videogames

Mitchell, Grethe (2011) The game catcher. AHRC.

visual research

Mitchell, Grethe (2011) The game catcher. AHRC.

vowel

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

warm-up

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

women

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

women writers

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

writers

Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.

writing

Pinchbeck, Michael (2010) Ten characters in search of a narrative. Studies in Theatre and Performance, 30 (1). pp. 51-58. ISSN 1468-2761

writing for theatre

Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.

Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.

zombies

Dean, Robert (2012) Re-writing the social contract: ethical catechism and ‘The Walking Dead’. Ekphrasis, 7 (2). pp. 87-95. ISSN UNSPECIFIED

This list was generated on Thu Aug 25 13:34:01 2016 BST.