Items where Subject is "W Creative Arts and Design > W400 Drama"

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Group by: Creators | Keywords | Item Type
Jump to: A | B | D | G | H | J | K | L | M | N | O | P | S | V | W | Y
Number of items at this level: 170.

A

Adiseshiah, Sian (2013) Caryl Churchill's ecological dystopias. In: Dystopia(n) matters: on the page, on screen, on stage. Cambridge Scholars Publishing, Newcastle. ISBN 9781443847438

Adiseshiah, Sian (2009) Churchill's socialism: political resistance in the plays of Caryl Churchill. Cambridge Scholars, Newcastle. ISBN 9781443813181

Adiseshiah, Sian (2012) I just die for some authority!: barriers to Utopia in Howard Brenton’s Greenland. Comparative Drama, 46 (1). pp. 41-55. ISSN 0010-4078

Adiseshiah, Sian (2012) Political returns on the twenty-first century stage: Caryl Churchill’s Far Away, Drunk Enough to Say I Love You? and Seven Jewish Children. C21 Literature: Journal of 21st-century Writings, 1 (1). pp. 99-117. ISSN 2045-5216

Adiseshiah, Sian (2006) Utopian gesture in the cold climate of Thatcherism: Caryl Churchill’s Top Girls and Fen. In: Utopia matters: theory, politics, literature, and the arts. Editora da Universidade do Porto, Porto, pp. 185-195. ISBN 9728025408

Adiseshiah, Sian (2011) “We Said We Wouldn’t Look Back”: Utopia and the backward glance in Dorothy Reynolds and Julian Slade’s Salad Days. Studies in Musical Theatre, 5 (2). pp. 149-161. ISSN 1750-3159

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s The Hospital at the Time of the Revolution and Light Shining in Buckinghamshire. In: Transactions and Connections: Memories of the Past in the European Context, 9-11 October 2013, University of Malaga, Spain.

Adiseshiah, Sian (2013) The revolution will not be dramatized: the problem of mediation in Caryl Churchill’s revolution plays. Hungarian Journal of English and American Studies, 19 (2). pp. 377-393. ISSN 1218-7364

Adiseshiah, Sian (2007) Still a socialist? Caryl Churchill’s The Skriker and Far Away. In: Drama and/after Postmodernism. Contemporary Drama in English, 14 . WVT Wissenschaftlicher Verlag Trier, pp. 277-291. ISBN 9783884769362

Adiseshiah, Sian (2005) Utopian space in Caryl Churchill’s history plays: "Light Shining in Buckinghamshire" and "Vinegar Tom". Utopian Studies, 16 (1). pp. 3-26. ISSN 1045-991x

Adiseshiah, Sian (2009) Revolution and the end of history: Caryl Churchill's Mad Forest. Modern Drama, 52 (3). pp. 283-299. ISSN 0026-7694

Ashenden, Andrew (2012) Basics of stage combat: single sword. Universal-Publishers, Boca Raton, Florida. ISBN 9781612331720

Aston, Elaine and O'Thomas, Mark (2013) Imagining with others: the transformative process of the Royal Court Theatre's international department. In: Performing transformations. Collaborative Media International, Denver, Amherst, Tangier, pp. 38-45. ISBN 9780982440964

B

Bolton, Jacqueline (2014) Changing the conversation: Sean Holmes, Sarah Frankcom, Marianne Eliot. In: Simon Stephens Symposium, 30 April 2014, University of Sussex.

Bolton, Jacqueline (2009) Demarcating dramaturgy: mapping theory onto practice. PhD thesis, University of Leeds.

Bolton, Jacqueline (2007) Fretting at textual fetters: performance and the playwright within 'new writing'. In: Performing Literatures, 29 June - 1 July 2007, University of Leeds. (Unpublished)

Bolton, Jacqueline (2010) Giving it up for performance: playwriting and the emancipation of spectatorship. In: Theatre and Performance Research Association, Annual Conference, 9-10 September 2010, Cardiff, Wales. (Unpublished)

Bolton, Jacqueline (2014) Introduction. In: Blindsided. Modern Plays . Methuen. ISBN 9781472568717

Bolton, Jacqueline (2012) ‘“I’m not mad, I’ve just read different books”: Ken Campbell and the Arts Council of Great Britain’. In: International Federation for Theatre Research, 22-28 July 2012, Santiago, Chile. (Unpublished)

Bolton, Jacqueline (2015) Joint stock. In: British theatre companies: from fringe to mainstream. Methuen, London. ISBN UNSPECIFIED (In Press)

Bolton, Jacqueline (2008) Looking back, looking forward: literary management at the Royal Court. Contemporary Theatre Review, 18 (1). pp. 137-140. ISSN 1048-6801

Bolton, Jacqueline (2012) Practices of reading: ‘theoretical method’ and ‘expressive realism’ as dramaturgical strategy. In: Between: Page / Stage, 17-19 May 2012, Sopot, Poland. (Unpublished)

Bolton, Jacqueline (2012) Preface. In: Three kingdoms. Modern Plays . Methuen, London. ISBN 9781408172957

Bolton, Jacqueline (2013) Simon Stephens. In: Modern British playwriting: voices, documents, new interpretations: 2000-2009. Methuen, London. ISBN 9781408129562

Bolton, Jacqueline (2012) 'Whether or not they are actors, they're not writers': carving up creative territories in the 'Joint Stock method'. In: American Society for Theatre Research, November 1-4, 2012, Nashville, Tennessee, . (Unpublished)

Bolton, Jacqueline (2013) The collectively spent and used up lifetime in the collectively breathed air of that space. In: Turning the Page: Creating New Writing 1945-2013, 13 - 14 September 2013, University of Reading.

Bolton, Jacqueline (2012) Capitalizing (on) new writing: new play development in the 1990s. Studies in Theatre and Performance, 32 (2). pp. 209-225. ISSN 1468-2761

Bowtell, Kayla (2010) Day and night. [Performance]

Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.

Bull, John (2011) Anthony Nielson. In: The Methuen Drama guide to contemporary British playwrights. Methuen Drama . Methuen, London, pp. 343-362. ISBN 9781408122785

Bull, John (2010) England People Very Nice: intercultural confusions at the National Theatre. In: Staging interculturality. Contemporary Drama in English (17). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868212327

Bull, John (2009) Galileo and his children: adaptation and contestation in British political theatre. In: Adaptations: performing across media and genres. Contemporary Drama in English (16). Wissenschaftlicher Verlag Trier, Trier. ISBN 9783868211481

Bull, John (2013) 'History repeating itself?': Text and image, theatre and performance: Howard Brenton and David Edgar’s appropriation of the historical drama. Studies in Theatre and Performance, 33 (2). pp. 169-185. ISSN 1468-2761

Bull, John (2011) “Nowadays the house would be called a stately home”: pastoral relocations in Tom Stoppard’s Arcadia. Sillages critiques, 13 . ISSN UNSPECIFIED

Bull, John (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Non-standard forms of contemporary drama and theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408

D

Dubois, Diane (2006) Northrop Frye: religious visionary and architect of the spiritual world by Robert D. Denham [review of]. English Studies in Canada, 32 (2-3). pp. 243-247. ISSN 0317-0802

Dubois, Diane (2011) The absurd imagination: Northrop Frye and Waiting for Godot. English Studies in Canada, 37 (2-3). pp. 111-130. ISSN 0317-0802

Dubois, Diane (2009) Bringing down the house: the crisis in Britain’s regional theatres [Review of Olivia Turnbull]. Times Higher Education . ISSN 0049-3929

Dubois, Diane (2008) Chronicles of freedom. [Performance]

Dubois, Diane (2008) Exeter College, Oxford lecture. In: Exeter College, Oxford Lecture, 4 August 2008, Exeter College, Oxford.

Dubois, Diane (2002) Northrop Frye and the poetics of process by Caterina Nella Cotrupi [Review of]. Canadian Review of Comparative Literature , 29 (4). pp. 629-633. ISSN 0319-051X

Dubois, Diane (2010) Out of the parlour and into the centre: studying women’s contribution to English modernist theatre and drama. In: Origins of English Dramatic Modernism 1870-1914. Academica Press LLC, Palo Alto, California, USA, pp. 31-54. ISBN 9781933146669

Dubois, Diane (2007) Oxford lecture. In: Oxford Lecture, 6 August 2007, Exeter College, Oxford.

Dubois, Diane (2000) Rereading Frye: the published and unpublished works. [Review]

Dubois, Diane (2010) Seen and not heard: women and English modern drama. In: International Federation for Theatre Research, Studying Women�s Contribution to English Modernist Theatre and Drama, 25 July - 1 August 2010, Munich, Germany.

G

Garrison, Laurie and Bratton, Jacky (2008) Electronic editions of the Lord Chamberlain’s Plays, 1852-1863. Lord Chamberlain's Plays Project.

Garrison, Laurie and Radcliffe, Caroline and Mattacks, Kate and Johnson, Kathryn (2008) Catalogue of the Lord Chamberlain’s Plays, 1852-1863. The Lord Chamberlain's Plays Project.

H

Hudson, James (2012) Absent friends: Edward Bond's corporeal ghosts. In: Bond @50: The Work of Edward Bond, Friday 2nd November 2012, University of Warwick. (Unpublished)

Hudson, James (2013) Absent friends: Edward Bond's corporeal ghosts. Platform, 7 (1). pp. 12-25. ISSN 1751-0171

Hudson, James (2013) Blasted at the Queens Hotel: coincidence of sign and site. Performance Research, 18 (3). pp. 32-37. ISSN 1352-8165

Hudson, James (2014) Edward Bond's 2077 'Chair' plays and the crisis of the present. In: What Happens Now: 21st Century Writing in English, Monday 14th July - Thursday 17th July 2014, University of Lincoln. (Unpublished)

Hudson, James (2012) A pathognomy of performance [book review]. Theatre Research International, 37 (3). pp. 296-297. ISSN 0307-8833

J

Jones, Kelly (2012) Authorized absence: theatrical representations of authorship in three contemporary ghost plays. Studies in Theatre and Performance, 32 (2). pp. 165-177. ISSN 1468-2761

Jones, Kelly (2007) Dis-playing history: the case of Shakespeare’s Globe. In: Divining thoughts: future directions in Shakespeare studies. Cambridge Scholars Press, Newcastle, pp. 88-97. ISBN 1847183794

Jones, Kelly (2015) "It’s all a bit Harry Potter”: the bard, the Doctor and the cultural TARDIS in Doctor Who: the Shakespeare Code. The Journal of Popular Culture . ISSN 1540-5931 (In Press)

Jones, Kelly (2011) Professing the paranormal: The corpus of the academy in Jeremy Dyson and Andy Nyman’s 'Ghost Stories'. Horror Studies, 2 (1). pp. 145-157. ISSN 2040-3275

Jones, Kelly (2009) "The quick and the dead": performing the poet Gower in 'Pericles'". In: Shakespeare and the middle ages: essays on the performance and adaptation of the plays with medieval sources or settings. McFarland, pp. 201-214. ISBN 9780786434053

Jones, Kelly (2006) Between nature and eternity: (present)ing absence in theatrical representations of Shakespeare as the ghost of Hamlet. Consciousness, Literature and the Arts, 8 (3). ISSN 1470-5648

Jordan, Andy (2002) Calculus. In: [Performance at ]Royal Institution of Great Britain, 30 Sep 2002, London, UK.

Jordan, Andy (2001) Oxygen. In: [Performance at ]Royal Institution of Great Britain, 27-29 Oct 2001, London, UK.

Jordan, Andy (2006) Taboos. In: [Performance at ]New End Theatre, 23 Feb - 1 Apr 2006, London, UK.

Jordan, Andy (2012) Carl Djerassi's science-in-theatre plays: the theatrical realization. In: The sci-artist: Carl Djerassi's science-in-literature in transatlantic and interdisciplinary contexts. Transnational and Transatlantic American Studies . LIT Verlag, Zurich, pp. 97-131. ISBN 9783643902313

Jordan, Andy (2009) Science-in-theatre: the theatrical realisation of scientific ideas in Carl Djerassi's plays. In: Science-in-Literature: Carl Djerassi's Literary Work in Transatlantic and Interdisciplinary Contexts, 23rd - 25th April, 2009, Dortmund University.

K

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

L

Lawrence, Conan and Rodgers, Emma and Leader, Howard (2013) Dambusters 70: after me, the flood. [Performance]

M

Madhavan, Arya (2014) Actor's imagination: Kutiyattam and Natyasastra. In: The Natyasastra and transcultural performance practice. McFarland, North Carolina. ISBN UNSPECIFIED (In Press)

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Madhavan, Arya (2014) The Cambridge world encyclopedia of stage actors and acting. In: Cambridge World Encyclopedia of Stage Actors and Acting. Cambridge University Press. ISBN UNSPECIFIED (Submitted)

Madhavan, Arya (2013) Embodied mirror: Guru and mirror in Indian performance training. In: Fifth International Conference on Consciousness, Theatre, Literature and the arts, June 15 - 17 2013, University of Lincoln. (Unpublished)

Madhavan, Arya (2012) Eye-scape: aesthetics of "seeing" in kudiyattam. Asian Theatre Journal, 29 (2). pp. 550-570. ISSN 0742-5457

Madhavan, Arya (2010) Eye-scape: inner space and consciousness. In: IFTR, July 26 - 31 2010, Munich.

Madhavan, Arya (2011) Post-dramatic/Sanskrit theatre. In: Postdramatic Theatre as/or Political Theatre, 21 - 23 September 2011, Institute of Germanic & Romance Studies, University of London.

Madhavan, Arya (2011) Redefining a performance tradition: institutionalisation, internationalisation and innovation in Kudiyattam. In: International CHIME Conference on Performing Arts in Contemporary Asia: Tradition and Travel, July 6 – 9, 2011, Royal Holloway University of London (RHUL), Egham, Surrey (UK).

Madhavan, Arya and Nair, Sreenath (2013) The kinetic body: foot, memory and dispositions of the body in performance. In: Body and performance. Ways of being a body . Triarchy Press, Devon. ISBN 9781909470163

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Marlow, Christopher (2005) Scholarly interiority in the Parnassus trilogy. Dalhousie Review, 85 (2). pp. 275-284. ISSN 0011-5827

Meyer-Dinkgrafe, Daniel (2013) Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809, 9789401210294

Meyer-Dinkgrafe, Daniel and Brask, Per and Youtt, Harry (2013) Appropriate forms of praise of acting in theatre criticism. In: Observing theatre: spirituality and subjectivity in the performing arts. Rodopi, Amsterdam. ISBN 9789042037809

Meyer-Dinkgräfe, Daniel (2005) Biographical plays about famous artists. Cambridge Scholars, UK. ISBN 9781904303473

Meyer-Dinkgräfe, Daniel (2013) Embodied consciousness, warm-up and cool-down. In: Embodied consciousness: performance technologies. Palgrave MacMillan, Houndmills, pp. 102-111. ISBN 9781137320049

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2005) Theatre and consciousness: explanatory scope and future potential. Intellect, Bristol, UK. ISBN 1841501301, 9781841501307

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel and Nair, Sreenath and Proctor, Deborah Claire (2012) Performance anxiety in actors: symptoms, explanations and an Indian approach to treatment. Canadian Journal of Practice-Based Research in Theatre, 4 (1). pp. 1-28. ISSN 1918-5049

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

N

Nair, Sreenath (2008) Anthropology of breathing: a methodology embodied. In: International and Interdisciplinary symposium on Embodied Research Methodologies, 22 May 2008, Helsinki College for Advanced Studies, University of Helsinki, Finland.

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2011) Breath and Rasa: the explicit and implicit in the Natyasastra. In: International Nātyaśāstra Conference, 8-10 March 2011, Banaras Hindu University, Varanasi.

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India . (Unpublished)

Nair, Sreenath (2007) Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA. ISBN 0313335303

Nair, Sreenath (2010) Intercultural Ibsen: tradition and modernity in Kerala theatre. In: Keynote, 23 March 2010, The Centre for Ibsen Studies, University of Oslo, Norway. (Unpublished)

Nair, Sreenath (2013) Less is more: interview with Ralph Yarrow. Studies in South Asian Film and Media, 4 (2). pp. 123-129. ISSN 1756-4921

Nair, Sreenath (2013) Manikin plays: two contemporary Indian plays. Cambridge Scholars , New Castle . ISBN 9781443849418

Nair, Sreenath (2013) Mudra: choreography in hands. Body, Space & Technology, 11 (2). ISSN 1756-4921

Nair, Sreenath (2014) The Natyasastra and the body in performance: essays on the ancient text. McFarland, North Carolina, USA. ISBN 9780786471782 (In Press)

Nair, Sreenath (2008) Poetics, plays, and performance: the politics of modern Indian theatre (review). Asian Theatre Journal , 25 (1). pp. 165-168. ISSN 0742-5457

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2011) Rasa and the implied meaning of Natyasastra. In: International Natyasastra Conference, 8-10 March 2011, Varanasi, India.

Nair, Sreenath (2012) Restoration of breath [workshop/presentation]. In: Invited workshop/lecture, Feb 24 & 25 2012, Tisch School of Arts, New York University. (Unpublished)

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Nair, Sreenath (2013) Synesthetics: Rasa and neural mechanism. In: Natyasastra: aesthetics, epistemology & performance practice. McFarland, North Carolina, USA. ISBN 9780786471782 (Submitted)

Nair, Sreenath (2014) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

Nair, Sreenath (2013) The body: introduction II. Studies in South Asian Film and Media, 5 (1). pp. 3-4. ISSN 1756-4921

Nair, Sreenath (2012) The body: introduction. Studies in South Asian Film and Media, 4 (2). pp. 121-122. ISSN 1756-4921

O

O'Thomas, Mark (2014) An American Psycho in London: merriment and mirth and the West End musical. In: PCA Conference, 16-19 April 2014, Chicago. (Unpublished)

O'Thomas, Mark (2013) Feast. [Performance]

O'Thomas, Mark (2008) Fight Club the musical: Bollywood, Hollywood and the rules of engagement. In: Literature on Screen Conference, September 2008, University of Amsterdam.

O'Thomas, Mark (2010) “Mrs Affleck wasn’t worth the risk”: the playwright, the critics, and the perils of adapting Ibsen for the London stage. In: Swansea Author-Translator Conference 2010, 28 June - 1st July 2010, University of Swansea.

O'Thomas, Mark (2012) Platform: Connections National Theatre 2012. In: Platform, 21st June 2012, Royal National Theatre, London. (Unpublished)

O'Thomas, Mark (2010) Rewriting "The book of disquiet". In: International Federation for Theatre Research (IFTR) 2010, July 2010, Munich, Germany.

O'Thomas, Mark (2012) Rewriting "The book of disquiet". Word and Text - A Journal of Literary Studies and Linguistics, 2 (2). pp. 173-179. ISSN 2069-9271

O'Thomas, Mark (2014) Stages of the loss: translation as contamination. Theatre Research International, 39 (2). pp. 121-133. ISSN 0307-8833

O'Thomas, Mark (2013) Translating austerity: PIIGS on stage at the Royal Court Theatre. In: Version, Subversion: Translation, the Canon and its Discontents , 12-14 December 2013, University of Porto. (Unpublished)

O'Thomas, Mark (2013) Translating ‘emerging’ playwrights: globalisation, innovation, praxis. In: Ways in, Ways out and "Ways through the Labyrinth" of Drama/Theatre/Performance Translation & Dramaturgy, 6th June 2013, University of South Wales. (Unpublished)

O'Thomas, Mark (2013) Translation, theatre practice and the jazz metaphor. Journal of Adaptation in Film and Performance, 6 (1). pp. 55-64. ISSN 1753-6421

O'Thomas, Mark (2008) What is this thing called 'jazz'? Translation, adaptation and the jazz form. In: Cultures of Translation Conference, 26-28 June 2008, University of Glamorgan.

O'Thomas, Mark and Aston, Elaine (2012) Imagining with others: the transformative process of the Royal Court Theatre’s international department. In: Performing Tangier: Performing Transformations, 1-4 June 2012, Tangiers, Morocco.

O'Thomas, Mark (2010) "Brokeback mountain" on the London Underground. In: Redefining Adaptation Studies. Scarecrow Press, Lanham, pp. 45-53. ISBN 0810872986

P

Pessoa, Fernado and O'Thomas, Mark and La Barrie, Nicolai (2011) The book of disquiet. [Performance]

Pinchbeck, MIchael D. (2010) The end [blog]. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. (2012) Mirror. Signal. Manoeuvre: Reflections on the role of the dramaturg in contemporary performance. In: 'You May!' Symposium, 9 July 2012, Trinity Laban Conservatoire of Music and Dance, London. (Unpublished)

Pinchbeck, Michael D. (2013) Thinking inside the box: an internal dramaturgy at work in Reckless Sleepers’ Schrödinger. Backpages 23.3, Contemporary Theatre Review, 23 (3). pp. 450-463. ISSN 1048-6801

Pinchbeck, Michael D. (2012) The beginning - Blog entitled 'Making The beginning'. Michael Pinchbeck. (Unpublished)

Pinchbeck, Michael D. (2013) The beginning. [Video] (Unpublished)

Pinchbeck, Michael D. and Hobday, Nicki and Smith, Ollie (2010) The Beginning - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The End - Programme. [Artefact]

Pinchbeck, Michael D. and Smith, Ollie (2010) The end - durational performance. [Video] (Unpublished)

Pinchbeck, Michael D. and Smith, Ollie (2011) The end. [Video] (Unpublished)

Poore, Ben and Jones, Kelly (2009) Introduction to 'Swing your razor wide ...': Sweeney Todd and other (Neo-)Victorian criminalities. Neo-Victorian Studies, 2 (1). pp. 1-16. ISSN UNSPECIFIED

Poore, Benjamin and Jones, Kelly (2010) "Every little movement has a meaning of its own": crises of category in English theatre cultures, 1890-1914. In: Origins of English Dramatic Modernism 1870-1914. Academica Press, pp. 7-30. ISBN 9781933146669

Pulford, Donald (2000) America and the Australian performing group. Antipodes, 14 (2). pp. 111-114. ISSN 0893-5580

Pulford, Donald (2001) Counter-imperialism in Louis Nowra's The Golden Age. Australian Studies in the 21st Century . pp. 204-209. ISSN UNSPECIFIED

Pulford, Donald (2002) Immigrant voices in recent Australian theatre. In: How Australia Reinvents Itself. Melbourne University Press, Australia, pp. 70-75. ISBN 0522849954

Pulford, Donald (2011) Shadow boxing. [Performance]

Pulford, Donald (2006) Staging past and present simultaneously: Andrew Bovell's Holy Day (The Red Sea). In: Mapping uncertain territories: space and place in contemporary theatre and drama. Contemporary Drama in English, 13 . Wissenschaftlicher Verlag Trier. ISBN 3884768263

Pulford, Donald (2002) Two plays, one nation. Meanjin, 61 (3). pp. 121-127. ISSN 0025-6293

Pulford, Donald (2006) The history wars. Antipodes, 20 . ISSN 0893-5580

Pulford, Donald and Goode, Chris and Brewer, Mark and Collis-Scurll, Jonny (2010) Weepie. [Performance]

S

Stephens, Simon and Bolton, Jacqueline (2014) Pornography. Methuen Student Edition . Methuen. ISBN 1408110563, 1408179857

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

V

Voase, Richard (2001) The future for live drama. In: Trends and strategies in the arts and cultural industries. Barjesteh van Waalwijk van Doorn, Rotterdam. ISBN 9056130617

Voase, Richard (2000) The imagination rediscovered? The long-term implications of popularism, marketing practice and 'packaging' in the cultural industries. In: The Long Run: long-term developments in the arts and cultural industries, 23-25 February 2000, Erasmus University of Rotterdam.

W

Walsh, Aylwyn and Tsilimpounidi, Myrto (2012) Asylum spaces: hunger strike and the disappearing immigrants. In: Asylum and Displacement in the Twenty-First Century: Performing Community, Crisis and Belonging , 19-20 April 2012, RHUL. (Unpublished)

Walsh, Aylwyn M. (2012) Theatre & Globalization, and: Theatre & Interculturalism, and: Theatre & Prison [review]. Theatre Topics, 22 (1). pp. 110-112. ISSN 1054-8378

Walsh, Aylwyn Mae (2006) Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20 . pp. 65-78. ISSN 1013-7548

Warden, Claire (2012) British avant-garde theatre. Palgrave MacMillan, Basingstoke. ISBN 9780230285781

Warden, Claire (2014) Dancing atoms and talking feet: British avant-garde theatre. In: Research Seminars on the Theory, Practice and History of Performance, 26/2/14, Goldsmiths.

Warden, Claire (2012) Dirty old town: the ambivalent city in the theatre of Ewan MacColl. In: The literary north. Palgrave MacMillan. ISBN 9780230367401

Warden, Claire (2012) 'Hassan': Iraq on the British stage. Theatre Notebook, 66 (3). pp. 160-180. ISSN 0040-5523

Warden, Claire (2014) “Let the good incendiaries with charred fingers come!”: Modernist performance and the destruction/construction of legacies. In: Modernism Now! British Association for Modernist Studies International Conference 2014, 26-28 June 2014, Senate House, University of London.

Warden, Claire (2013) May Day 1932: British workers' theatre on and off the stage. In: Modernist Studies Association 15th Annual Conference: Everydayness and the Event, 29 August-1 September 2013, University of Sussex, Brighton. (Unpublished)

Warden, Claire (2013) Modern life through the actor's distorting mirror: Basil Dean's impressions of Russia. In: British Comparative Literature Conference, 8-11 July, University of Essex.

Warden, Claire (2012) Obscure margins: re-imagining a British avant-garde. In: Performing Arts Department Research Series , 28th November 2012, Edge Hill University.

Warden, Claire (2012) Peripheries and margins: re-imagining a British avant-garde. In: English Department Visiting Speaker Programme, 31st October 2012, University of Dundee.

Warden, Claire (2010) Politics, war, and adaptation: Ewan Maccoll's Operation Olive Branch, 1947. Comparative Drama, 44-45 (4-1). pp. 536-538. ISSN 0010-4078

Warden, Claire (2010) Reappropriating the pace-egging tradition: Ewan MacColl's St George and the Dragon. Modern Drama, 53 (2). pp. 232-243. ISSN 0026-7694

Warden, Claire (2013) Ugliness and beauty: the politics of landscape in Walter Greenwood's 'Love on the Dole'. New Theatre Quarterly, 29 (1). pp. 35-47. ISSN 0266-464X

Warden, Claire (2012) Unperformable plays?: British avant-garde theatre. In: Lincoln Academy lecture series, 25 September 2012, LPAC, Lincoln.

Warden, Claire (2013) "We are here to Salute the Red Army": Basil Dean and his Russian adventures. Theatre Survey, 54 (3). pp. 347-366. ISSN 0040-5574

Warden, Claire (2013) The poetic materiality of fascism on the British stage. In: The aesthetics of matter: modernism, the avant-garde and material exchange. de Gruyter, Berlin, pp. 82-93. ISBN UNSPECIFIED

Y

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: National Theatre Connections: plays for young people. Methuen Drama . Methuen Drama, London. ISBN 9781408157244

Yazbeck, Samir and O'Thomas, Mark (2012) The ritual. In: Conexões. British Council/National Theatre/Celia Helena, São Paulo. ISBN UNSPECIFIED

Yazbek, Samir and O'Thomas, Mark (2012) The ritual. [Performance]

This list was generated on Thu Jul 24 12:28:16 2014 BST.