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Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558
Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660
Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .
Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774
Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143
Balosso-bardin, Cassandre and de la Cuadra, Patricio (2017) Autour des instruments de musique, une recherche pluridisciplinaire. Culture et Recherche - Scenes de Recherche, 135 . p. 47. ISSN 0765-5991
Bruel, Stephen (2023) Remastering Music and Cultural Heritage. Perspectives on Music Production . Routledge, London, Uk. ISBN 9781032012292
Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216
Charnock, Ruth and West, Mark (2016) Write in tune: contemporary music in fiction [Erich Hertz and Jeffrey Roessner (eds.), New York: Bloomsbury]. C21 Literature: Journal of 21st-century Writings, 4 (1). pp. 1-10. ISSN 2045-5216
Dean, Robert (2016) Ibsen: le designer sonore du théâtre du XIXème siècle / Ibsen: The 19th century theatre sound designer. In: Le son du théâtre (XIXe-XXIe siècle) Histoire intermédiale d’un lieu d’écoute moderne. CNRS Éditions, pp. 163-180. ISBN 9782271093561.
Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).
Ernoult, Augustin, Fabre, Benoit, Balosso-bardin, Cassandre, Franciosi, Ilya and de la Cuadra, Patricio (2017) Music in a bag? Controlling the bag of Majorcan and Galician bagpipes. Journal of the Acoustical Society of America (142). pp. 1454-1465. ISSN 0001-4966
Mankowski, Guy and Beth, J (2014) 'This Crisis Has Given Us Power; It's Time to Use It': An Interview with Jehnny Beth of Savages. Pop Matters .
Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED
Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861
Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.
Morrad, Annie (2014) PH1 - artists in place. [Event, Show or Exhibition]
Morrad, Annie (2014) Peroration. [Video]
Morrad, Annie (2023) SAXOPHONE LIVE EXCHANGES. AN EXAMINATION OF INTERCONNECTIVITY IN ART PRACTICE THAT DEVELOPS NEW WAYS OF WORKING THROUGH DIALOGUE BETWEEN ART, MUSIC, SOUND, RHYTHM & TONALITY. PhD thesis, University of Lincoln.
Mugglestone, Hilda (2006) Peer assisted learning in the acquisition of musical composition skills. PhD thesis, University of Lincoln.
Odile, G. K. (2023) 'Ingoma Nshya' Girls Drumming Festival, Kigali (6 May 2023). [Video]
Pantano, Daniele (2020) Errata Vol. 1. [Composition]
Pantano, Daniele (2021) Errata Vol. 2. [Composition]
Pantano, Daniele (2022) Errata Vol. 3. [Composition]
Pantano, Daniele (2022) Errata Vol. 4. [Composition]
Sauve, Sarah A. (2019) Investigating Melodic Annotation Disagreements in String Quartets. Musicologica Olomucensia . ISSN 2787-9186
Sauvé, Sarah A, Phillips, Elizabeth, Schiefelbein, Wyatt, Daikoku, Hideo, Hegde, Shantala and Moore, Sylvia (2023) Anti-Colonial Strategies in Cross-cultural Music Science Research. Music Perception, 40 (4). pp. 277-292. ISSN 0730-7829
Savage, Karen and Symonds, Dominic (2018) Economies of Collaboration in Performance: More than the Sum of the Parts. Palgrave Macmillan. ISBN 9783319952093, 978-3-319-95210-9
Sicchio, Kate (2012) Hacking choreography beta v.02 (2012). In: On turtles and dragons and the dangerous quest for a media art notation system. Times Up Press, Linz. ISBN 9781300943600, 5800086962958
Smith, Neil Thomas and Thwaites, Rachel (2018) Narratives of originality in competitive composition opportunities for 'emerging composers'. Tempo, 72 (283). pp. 45-55. ISSN 0040-2982
Tang, Yee Woon, Teoh, Siew Li, Yeo, Julia Hsiao Hui, Ngim, Chin Fang, Lai, Nai Ming, Durrant, Simon James and Lee, Shaun Wen Huey (2021) Music-based Intervention for Improving Sleep Quality of Adults without Sleep Disorder: A Systematic Review and Meta-analysis. Behavioral Sleep Medicine . ISSN 1540-2002
Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.
Zendel, Benjamin Rich and Sauvé, Sarah (2020) Toward music-based auditory rehabilitation for older adults. In: Music and the Aging Brain. Elsevier, pp. 293-313. ISBN 9780128174227