A

Atkinson, Ben (2021) Country Music: Race, Gender and Transition in the year of COVID-19. In: Music in Crisis – Crisis in Music, 7th to 9th June 2021, University of Bergen.

B

Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

Balosso-Bardin, Cassandre (2018) Review: Castelo-Branco, Salwa El-Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press. Cuadernos de ETNOmusicología, 11 . pp. 10-12. ISSN 2014-4660

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

C

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

Charnock, Ruth and West, Mark (2016) Write in tune: contemporary music in fiction [Erich Hertz and Jeffrey Roessner (eds.), New York: Bloomsbury]. C21 Literature: Journal of 21st-century Writings, 4 (1). pp. 1-10. ISSN 2045-5216

D

Dean, Robert (2017) ‘We think you ought to go’: music hall recruitment during the First World War. In: Edinburgh companion to the First World War and the arts. Edinburgh Companions to Literature . Edinburgh University Press, pp. 185-199. ISBN 9781474401630

L

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

M

Macarthur, Ian and Morrad, Annie (2016) DesignHOP. In: Beijing Design Week, 23 September - 3 October 2016, Beijing, China.

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Morgan, Frances (2017) Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music. Dancecult: Journal of Electronic Dance Music Culture, 9 (1). ISSN 1947-5403

Morgan, Frances (2023) From obsolete technology to performance instrument: new live presentations of the EMS Synthi 100. The Science Museum Group Journal . ISSN 2054-5770

Morgan, Frances and Mooney, James (2021) “The Same Trade As Mozart”: Convincing The Sceptics Of Electronic Music’s Value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

R

Rask, Erik, Hariharan, Charu, Cissokho, Abdou, Möller, Anna, Aslund, Thea, Foley, David, Balosso-Bardin, Cassandre, Malmström, Anna, Gray, Dave, Jones, Matthew, Rask, Arvid, Grind, Mischa, Karlehag, Tobias, Grauman, Adam, Sedemark, Oskar, O'Malley, Larry, Utler, Knut, Grind, Olof and Alverman, Simon (2018) Dadjalo. [Audio]

S

Sicchio, Kate and McLean, Alex (2013) Sound choreography: body code. [Performance]

T

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary.

W

Whittaker, Jason (2017) Tactical electronic bodies: noise and mutation in Canadian industrial music. In: Canadian music and American culture: get away from me. Pop Music, Culture and Identity . Palgrave, pp. 169-184. ISBN 9783319500225