Items where Subject is "W Creative Arts and Design > W330 History of Music"

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Number of items at this level: 66.

1990s

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

20th century

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

American literature

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Barthes

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Bharatanatyam

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Broadway

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Childhood Studies

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

Contemporary musical

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Council Estates

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

Dana Spiotta

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Disney

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Disney musical

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Gender

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Get'cha Head in the Game

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Hedwig and the Angry Inch

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

High School Musical

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Identity

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

Indian Music

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Integration

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

John Cameron Mitchell

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

John Doyle

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Joni Mitchell

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Kristeva

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Les Miserables

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Lew Fields

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

Marginalisation

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

Memory

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

Music

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Music history

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford handbook of Sondheim studies. Oxford University Press. ISBN 9780195391374

Music technology

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Musical Theatre

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Musical film

Symonds, Dominic (2018) Coming in from the cold: Hedwig, marginalisation, and the twenty-first century re-emergence of the musical film. In: Twenty-first century musicals: journeys from stage to screen. Methuen. ISBN UNSPECIFIED (In Press)

Musical theatre

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford handbook of Sondheim studies. Oxford University Press. ISBN 9780195391374

Musicology

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford handbook of Sondheim studies. Oxford University Press. ISBN 9780195391374

Phantom of the Opera

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Popular culture

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Rodgers and Hart

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

SharpWire

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Stick to the Status Quo

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Tamasha

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

The 1970s

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Theatre producers

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

Traditional Indian Theatre

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Utopia

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Vanessa Hudgens

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Voice

Symonds, Dominic (2018) Starlight expression and Phantom operatics: technology, performance and the megamusical's aesthetic of the voice. In: Routledge companion to the American stage musical: 1970 and beyond. Routledge. ISBN UNSPECIFIED (In Press)

Weber and Fields

Symonds, Dominic (2016) “Coherency:” Lew Fields (1867-1941), the performer-producer and experiments in integration. In: Palgrave handbook of musical theatre producers. Palgrave. ISBN UNSPECIFIED (In Press)

When There Was Me and You

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

Zac Efron

Symonds, Dominic (2016) “We’re all in this Together”: constructing gender in the corridors of High School Musical. In: The Disney musical: stage, screen and beyond. Methuen. ISBN UNSPECIFIED (In Press)

actor-musician

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

aesthetics

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

affect

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

avant-garde

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

bmjholiday

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

genosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

grain of the voice

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

music

Symonds, Dominic (2014) “You’ve got to be carefully taught”: Oscar Hammerstein’s influence on Sondheim. In: The Oxford handbook of Sondheim studies. Oxford University Press. ISBN 9780195391374

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

phenosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

popular music

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Waites, Ian (2015) Something’s lost but something’s gained: the early songs of Joni Mitchell and their impact on a child living on a 1960s English council estate in Lincolnshire. In: Court and Spark: An International Symposium on Joni Mitchell, 3 July 2015, University of Lincoln.

radical politics

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

second-wave feminism

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

This list was generated on Fri May 6 09:36:18 2016 BST.