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Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2). ISSN UNSPECIFIED
Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7). ISSN UNSPECIFIED
Hunt, R. Justin (2011) Trashy records: what remains? Dance Theatre Journal, 24 (3). pp. 48-53. ISSN 0264-9160
Lavery, Carl and Hassall, Lee (2015) A future for Hashima: pornography, representation and time. Performance Research: A Journal of the Performing Arts, 20 (3). pp. 112-125. ISSN 1352-8165
Meyer-Dinkgräfe, Daniel (2006) Cold dark soft matter research and atmosphere in the theatre. BST: Body, Space and Technology Journal . ISSN 1470-9120
Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049
Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998
Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225
Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159
Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159
Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953
Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578
O'Gorman, Siobhán (2016) Performance art in Ireland: a history [ London: Live Art Development Agency; Bristol: Intellect, 2015. 336 p., Áine Phillips, ed. 9781783204281]. New Theatre Quarterly, 32 (1). p. 336. ISSN 0266-464X
Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024
Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED
Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209
Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263
Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252
Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED
Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193
Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184
Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942
Bartram, Angela and O'Neill, Mary (2016) Here and there: two works, ten countries. In: The Body: Out of Time and Without a Place, 21-22 May 2015, Contemporary Art Centre, Vilnius.
Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries (displaced). In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.
Bowtell, Kayla (2007) Movin' in. In: [Performance at ]Drill Hall, Spring 2007, Lincoln, UK.
Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.
Maycroft, Neil (2015) Peripherals, cables and connectors: the reminder and remainder of obsolescence. In: Digital Futures: Bodies of Planned Obsolescence. Digital performance and the global politics of electronic waste—Digital Programmes, Victoria and Albert Museum, July 2 2015, The White Building, Hackney Wick, London.
Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .
Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India .
O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference , 15th September 2010, Brighton University.
O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics , 9th June 2010, Toronto.
Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.
Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln. (Submitted)
Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.
Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick. (Unpublished)
Symonds, Dominic (2008) Broadway rhythm: the sound of the city. In: Music on Stage, 18 - 19 October 2008, Rose Bruford College, London. (Unpublished)
Symonds, Dominic (2008) Castration on the stage: the integrated musicals of Rodgers and Hart. In: Stage and Screen III / Music in Gotham: American Musical Theater, 2 - 5 April 2008, City University of New York. (Unpublished)
Symonds, Dominic (2013) “Empty chairs at empty tables”: the fundamental absence of performance. In: Song, Stage and Screen VIII: What We Do When We Do What We Do: Process and Performance in Musical Theatre, 2 - 4 July 2013, Royal Central School of Speech and Drama. (Unpublished)
Symonds, Dominic (2009) Fascinating rhythm: syncopating New York’s streetplan. In: Song, Stage and Screen IV: Interdisciplinary Approaches to the Musical Stage, 3 - 5 December 2009, University of Maryland, USA. (Unpublished)
Symonds, Dominic (2016) Laughter on Tenth Avenue: Rodgers and Hart, Dwight Deere Wiman, and On Your Toes (1936). In: Song, Stage and Screen XI, 27 - 30 June 2016, City College of New York. (Unpublished)
Symonds, Dominic (2015) Second wind: the musical theatre influence of cross-talk comedian Lew Fields. In: Song, Stage and Screen X: The Star System in Theatre and Film, 24 - 26 June 2015, Regent's University London. (Unpublished)
Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile. (Unpublished)
Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada. (Unpublished)
Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands. (Unpublished)
Symonds, Dominic (2007) The story of Oh: the aesthetics and rhetoric of a common vowel sound. In: Song, Stage & Screen II, 23 - 25 March 2007, University of Leeds. (Unpublished)
Symonds, Dominic (2011) “A tiny flat near Soho Square”: Rodgers and Hart’s Lido Lady (1926). In: Song, Stage and Screen VI: Innovation and Creative Collaboration, 20 - 23 June 2011, University of Missouri-Kansas City. (Unpublished)
Taylor, Robyn and Schofield, Guy and Shearer, John and Boulanger, Pierre and Wallace, Jayne and Olivier, Patrick (2010) humanaquarium: a participatory performance system. In: 2010 Conference on New Interfaces for Musical Expression (NIME 2010), 15-18 June 2010, Sydney, Australia.
Warden, Claire (2014) “You suck!” Literariness and textual presence in professional wrestling. In: Literature and Physical Culture, 10-11 April 2014, De Montfort University, Leicester.
Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835
Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985
Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298
Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062
Sian, Adiseshiah and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024
Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918
Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169
Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]
Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries. [Artefact]
O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]
Bartram, Angela (2016) The Alternative Document exhibition, curated by Angela Bartram. [Event, Show or Exhibition]
Bartram, Angela (2016) The Alternative Document symposium, created and led by Angela Bartram. [Event, Show or Exhibition]
Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]
Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]
Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]
Ploeger, Daniel and Chan, Janet and Aitku, Jelili and Williams, Christopher and Cheang, Shu Lea and Maycroft, Neil and Papadimitriou, Irini and Olubanjo, Kehinde (2015) Bodies of planned obsolescence: digital performance and the global politics of electronic waste. [Event, Show or Exhibition]
Shepley, Alec (2014) A place of impossibility. [Event, Show or Exhibition]
Bartram, Angela and O'Neill, Mary (2014) Translating rage. [Performance] (Unpublished)
Bartram, Angela and O'Neill, Mary (2014) Unspoken words. [Performance]
Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]
King-Dorset, Rodreguez (2007) Black dance movement in London 1730-1850. University of Surrey, Surrey.
Mitchell, Grethe (2011) The game catcher. AHRC.