Items where Subject is "W Creative Arts and Design > W310 Musicianship/Performance studies"

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Number of items at this level: 46.

Article

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2). ISSN UNSPECIFIED

Meyer-Dinkgräfe, Daniel (2006) Cold dark soft matter research and atmosphere in the theatre. BST: Body, Space and Technology Journal . ISSN 1470-9120

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

Book Section

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Singing the dance, dancing the song. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 1-8. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Conference or Workshop Item

Bowtell, Kayla (2007) Movin' in. In: [Performance at ]Drill Hall, Spring 2007, Lincoln, UK.

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India . (Unpublished)

Nair, Sreenath (2011) Rasa and the implied meaning of Natyasastra. In: International Natyasastra Conference, 8-10 March 2011, Varanasi, India.

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference , 15th September 2010, Brighton University. (Unpublished)

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics , 9th June 2010, Toronto. (Unpublished)

Warden, Claire (2014) “You suck!” Literariness and textual presence in professional wrestling. In: Literature and Physical Culture, 10-11 April 2014, De Montfort University, Leicester. (Submitted)

Book or Monograph

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Nair, Sreenath (2014) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Artefact

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

Show/Exhibition

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Show/Exhibition]

Bartram, Angela and O'Neill, Mary (2012) O/R. [Show/Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Show/Exhibition]

Shepley, Alec (2014) A place of impossibility. [Show/Exhibition]

Other

King-Dorset, Rodreguez (2007) Black dance movement in London 1730-1850. University of Surrey, Surrey.

Mitchell, Grethe (2011) The game catcher. AHRC.

This list was generated on Fri Aug 1 06:32:14 2014 BST.