Items where Subject is "W310 Musicianship/Performance studies"

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'impotent horror' (K)Now 21st-century drama 3D visualisation Absence Acting Action Art Now Al Jolson Alexander Kluge Angela Bartram Antenna Applied Performance Archives Arnolfini Arrangement Art Art Activism Aruba Augusto Boal Australia BLOP Back to Back Theatre Bagpipes Barthes Bartram Bartram O'Neill BartramO'Neill Benemin Beyond Borders Biography Black history Bourriaud Brian Massumi Broadway Broadway Rhythm Cabaret Caryl Churchill Chee Chee (1928) Childhood Studies Children China Christoph Schlingensief Clarice Lispector Coco Fusco Collaboration Columbia Community Computer Games Concrete Poetry Conducting Consciousness Conservatoire Contemporary Drama Context Counterpublic Creativity Cultural Forms Culture Dance Deleuze and Guattari Digital Art Digital Performance Digitised Disability Dramaturgy Dwight Deere Wiman E-waste Embodied methodologies Empty Chairs at Empty Tables Encounter Erving Goffman Ethics Fan-art Fear Fieldwork Film and Video Folk Music Follies France Freud’s ‘double’ Game Studies German studies Ghosting Gilles Deleuze Gillian Slovo Goffman’s ‘frames’ Grace Exhibition Space Guillermo Gomez-Pena Helene Cixous Here Homelessness Hugo Ball Identity Immigration In Dialogue Indian theatre Infrastructure Intercultural Composition Intercultural Music Intercultural Music Making Intercultural Performance Intercultural music Intercultural performance Intercultural theatre Interdisciplinarity Intervention Irish culture Irish studies JCNotOpen JCOpen Japan Jean-Luc Nancy Jerusalem Jez Butterworth John Doyle Jorge Rojas Joseph Beuys KeepHouse Performance Kinect Klaus Florian Vogt Kristeva Kudiyattam Kutiyattam Lew Fields Lido Lady (1926) Liminality Live Art Live art Live streamed art event Liveness Lorenz Hart Low lives 4 Machinima Mallorca Marvin Carlson Mary O'Neill Memory Metropolis Meyer-Dinkgrafe Mike and Meyer Mod Modding Multimodality theory Music Music Theatre Music education Music technology Musical Acoustics Musical Instrument Musical Theatre Musical instrument control Musical theatre Musicians Networked art festival New York New york Norway NotOAChecked Now O'Neill OUI Obsolescence Oh Oklahoma! On Your Toes (1936) Opera Oral Oral / Response Orchestration Palimpsest Participatory performance Performance Performance Cartography Performance and Ruins Performance art Performance art and ethics Performance studies Performativity Peripherals Phonetics Political theatre Politics Port Post-Soviet Central Asia Practice Practice as research Presence Processing Producing Psychology Reading Relational Aesthetics Reporter Response Richard Rodgers Robert Russell Bennett Rodgers and Hart Schenchner’s ‘dark play’ Schlingensief Scotland SharpWire Signifying Practice Simon Stephens Singing Social Class Social Sculpture Socialist Multiculturalism Song Song and dance Sound Effects Spirituality Stephen Sondheim Sunday in the Park with George Syncopation The Body The Natyasastra The Riots The birds who wouldn't sing Theatre Theatre of the Oppressed Theatre studies Tim Crouch Tin Pan Alley Tourist Transition Trinidad and Tobago Triple-threat USA Vedanta Venice Biennale Verbatim Theatre Videogame Art Videogame music Videogames Virtual Environments Visibility Visual Art Voice Volksbühne WREN WWII Wii Wiimotes Winnicott’s ‘transitional object’ Wizard of Oz World Music World music Writing Zygmunt Bauman acoustics action drawing activism actor training actor-musician actor-training affordance alternative document and Ireland architecture arnolfini art art and war art history asian theatre audience alienation audience reception audience response autobiographical autobiography avant-garde bagpipes bartram bartram O'neill bartram o'neill bartramoneill bartramoneill.com bmjgoldcheck borders breath studies busking children's culture children's games children's play children's play cultures clapping games collaboration collaborative interface commemoration computer game computer game design computer games consciousness consciousness studies contemporary drama creative practice criticism cultural studies culture and Covid-19 dance derelict space digital-Foley discussion documentation documenting performance documenting processes drama drawing embodied movement embodiment ethnicity ethnographic research ethnomusicology experience centered design eye training fear film film studies folk music folklore research folklore studies formal education found footage frustrated total internal reflection gacaca gender and sexuality genocide genosong gesture gittens gothic grain of the voice homelessness human rights identity and music iftr imposture indian theatre ingando instrument control instrument making interactive design intercultural actor-training intercultural collaboration intercultural music internet justice live art live art and ethics live art documentation live stream lost space low lives markerless markerless motion capture metaphor mollusc motherhood motion capture motion tracking movement movement analysis movement archiving movement notation movement research multi-touch screen multimedia music music education music theatre musical performance musicianship new york nineteenth-century nottingham contemporary o'neill opera opera conductors opera directors opera singers oral oral testimony oral/ response organology orthographic perfomance performance performance by gender performance documentation performance studies performance trace performative performativity performer performer as researcher performing arts phenosong place playground playground cultures playground games political activism politics poltergeist possession post-colonialism powers of the false practical processes practice-as-research pro-wrestling public art queer race radical performance raport rasa reconciliation rejourn religion research research methods researcher as performer resistance response rhetoric sanskrit theatre signification social dramaturgy social sculpture space sports subjectivity séances terror theatre theatre and consciousness theatre anthropology theatre studies trace transduction trash twenty-first century drama university of Lincoln videogame videogame design videogame hardware videogames visual research visualisation vowel washing xeremies
Number of items at this level: 665.

'impotent horror'

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

(K)Now

Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln.

21st-century drama

Adiseshiah, Siân and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

3D visualisation

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

Absence

Symonds, Dominic (2013) “Empty chairs at empty tables”: the fundamental absence of performance. In: Song, Stage and Screen VIII: What We Do When We Do What We Do: Process and Performance in Musical Theatre, 2 - 4 July 2013, Royal Central School of Speech and Drama.

Acting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Action Art Now

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Al Jolson

Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.

Alexander Kluge

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Angela Bartram

Bartram, Angela (2016) The Alternative Document exhibition, curated by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

Antenna

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Applied Performance

Prentki, Tim and Breed, Ananda (2020) The Routledge Companion to Applied Performance: Volume One - Mainland Europe, North and Latin America, Southern Africa, and Australia and New Zealand. Routledge, London. ISBN 9780815359654

Prentki, Tim and Breed, Ananda (2020) The Routledge Companion to Applied Performance: Volume Two - Brazil, West Africa, South and South East Asia, United Kingdom, and the Arab World. Routledge, London. ISBN 9780367134433

Archives

Hunt, R. Justin (2011) Trashy records: what remains? Dance Theatre Journal, 24 (3). pp. 48-53. ISSN 0264-9160

Arnolfini

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

Arrangement

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Art

Lavery, Carl and Hassall, Lee (2015) A future for Hashima: pornography, representation and time. Performance Research: A Journal of the Performing Arts, 20 (3). pp. 112-125. ISSN 1352-8165

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Shepley, Alec (2014) A place of impossibility. [Event, Show or Exhibition]

Art Activism

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Aruba

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Augusto Boal

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Australia

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

BLOP

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

Back to Back Theatre

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Bagpipes

Ernoult, Augustin, Fabre, Benoit, Balosso-bardin, Cassandre, Franciosi, Ilya and de la Cuadra, Patricio (2017) Music in a bag? Controlling the bag of Majorcan and Galician bagpipes. Journal of the Acoustical Society of America (142). pp. 1454-1465. ISSN 0001-4966

Barthes

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Bartram

Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries. [Artefact]

Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries (displaced). In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Bartram, Angela (2016) The Alternative Document exhibition, curated by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2016) Here and there: two works, ten countries. In: The Body: Out of Time and Without a Place, 21-22 May 2015, Contemporary Art Centre, Vilnius.

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2).

Bartram, Angela and O'Neill, Mary (2014) Translating rage. [Performance]

Bartram O'Neill

Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries. [Artefact]

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2).

Bartram, Angela and O'Neill, Mary (2014) Translating rage. [Performance]

BartramO'Neill

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

Benemin

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).

Beyond Borders

Rask, Erik, Thyberg, Alexander, Möller, Anna, Rask, Arvid, Gray, Dave, Hariharan, Charu, Cissokho, Abdou, Balosso-Bardin, Cassandre, Aslund, Thea, Grauman, Adam, Jones, Matthew, Grind, Mischa, Elbaz, Navah, Karlehag, Tobias, Malmström, Anna and Foley, David (2015) Världens Band - Transglobal Roots Fusion. [Audio]

Biography

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Black history

King-Dorset, Rodreguez (2007) Black dance movement in London 1730-1850. University of Surrey, Surrey.

Bourriaud

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada.

Brian Massumi

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

Broadway

Symonds, Dominic (2008) Broadway rhythm: the sound of the city. In: Music on Stage, 18 - 19 October 2008, Rose Bruford College, London.

Symonds, Dominic (2009) Fascinating rhythm: syncopating New York’s streetplan. In: Song, Stage and Screen IV: Interdisciplinary Approaches to the Musical Stage, 3 - 5 December 2009, University of Maryland, USA.

Symonds, Dominic (2015) Second wind: the musical theatre influence of cross-talk comedian Lew Fields. In: Song, Stage and Screen X: The Star System in Theatre and Film, 24 - 26 June 2015, Regent's University London.

Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.

Symonds, Dominic (2011) “A tiny flat near Soho Square”: Rodgers and Hart’s Lido Lady (1926). In: Song, Stage and Screen VI: Innovation and Creative Collaboration, 20 - 23 June 2011, University of Missouri-Kansas City.

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Broadway Rhythm

Symonds, Dominic (2008) Broadway rhythm: the sound of the city. In: Music on Stage, 18 - 19 October 2008, Rose Bruford College, London.

Cabaret

Hunt, R. Justin (2011) Trashy records: what remains? Dance Theatre Journal, 24 (3). pp. 48-53. ISSN 0264-9160

Caryl Churchill

Adiseshiah, Siân and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Chee Chee (1928)

Symonds, Dominic (2008) Castration on the stage: the integrated musicals of Rodgers and Hart. In: Stage and Screen III / Music in Gotham: American Musical Theater, 2 - 5 April 2008, City University of New York.

Childhood Studies

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Children

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

China

Breed, Ananda, Dubuisson, Eva-Marie and Igmen, Ali, eds. (2020) Creating Culture in (Post) Socialist Central Asia. Palgrave Pivot, London. ISBN 9783030586843

Christoph Schlingensief

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Clarice Lispector

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Coco Fusco

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

Collaboration

Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick.

Symonds, Dominic (2013) “Empty chairs at empty tables”: the fundamental absence of performance. In: Song, Stage and Screen VIII: What We Do When We Do What We Do: Process and Performance in Musical Theatre, 2 - 4 July 2013, Royal Central School of Speech and Drama.

Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada.

Columbia

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Community

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Computer Games

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Concrete Poetry

McCaffrey, Steve, Ferran, Bronac, MacCormack, Karen, Thomas, Greg, Kosick, Rebecca and Tullett, Barrie (2019) Birkbeck University – Contemporary Poetics Research Centre: Carnival. In: Steve McCaffrey's Carnival: A Reading & Discussion, 5th June 2019, Birckbeck University.

Conducting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Consciousness

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Conservatoire

Balosso-bardin, Cassandre (2016) Oral transmission in French conservatoires: towards a hybrid learning strategy? Journal of the Vernacular Music Centre, 1 (2). ISSN .

Contemporary Drama

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Context

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Counterpublic

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Creativity

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

Cultural Forms

Breed, Ananda, Dubuisson, Eva-Marie and Igmen, Ali, eds. (2020) Creating Culture in (Post) Socialist Central Asia. Palgrave Pivot, London. ISBN 9783030586843

Culture

Shepley, Alec (2014) A place of impossibility. [Event, Show or Exhibition]

Dance

Bowtell, Kayla (2007) Movin' in. In: [Performance at ]Drill Hall, Spring 2007, Lincoln, UK.

King-Dorset, Rodreguez (2007) Black dance movement in London 1730-1850. University of Surrey, Surrey.

Deleuze and Guattari

Symonds, Dominic (2009) Fascinating rhythm: syncopating New York’s streetplan. In: Song, Stage and Screen IV: Interdisciplinary Approaches to the Musical Stage, 3 - 5 December 2009, University of Maryland, USA.

Digital Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Digital Performance

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Digitised

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Disability

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Dramaturgy

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Dwight Deere Wiman

Symonds, Dominic (2016) Laughter on Tenth Avenue: Rodgers and Hart, Dwight Deere Wiman, and On Your Toes (1936). In: Song, Stage and Screen XI, 27 - 30 June 2016, City College of New York.

E-waste

Maycroft, Neil (2015) Peripherals, cables and connectors: the reminder and remainder of obsolescence. In: Digital Futures: Bodies of Planned Obsolescence. Digital performance and the global politics of electronic waste—Digital Programmes, Victoria and Albert Museum, July 2 2015, The White Building, Hackney Wick, London.

Ploeger, Daniel, Chan, Janet, Aitku, Jelili, Williams, Christopher, Cheang, Shu Lea, Maycroft, Neil, Papadimitriou, Irini and Olubanjo, Kehinde (2015) Bodies of planned obsolescence: digital performance and the global politics of electronic waste. [Event, Show or Exhibition]

Embodied methodologies

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

Empty Chairs at Empty Tables

Symonds, Dominic (2013) “Empty chairs at empty tables”: the fundamental absence of performance. In: Song, Stage and Screen VIII: What We Do When We Do What We Do: Process and Performance in Musical Theatre, 2 - 4 July 2013, Royal Central School of Speech and Drama.

Encounter

Shepley, Alec (2014) A place of impossibility. [Event, Show or Exhibition]

Erving Goffman

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

Ethics

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

Fan-art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Fear

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Fieldwork

Balosso-bardin, Cassandre (2016) A musician in the field: the productivity of performance as an intercultural research tool. In: The Routledge international handbook for international arts research. Routledge International Handbooks of Education . Routledge. ISBN UNSPECIFIED

Film and Video

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Folk Music

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2017) Symi. [Composition]

Follies

Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.

France

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Freud’s ‘double’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Game Studies

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

German studies

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

Ghosting

Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.

Gilles Deleuze

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

Gillian Slovo

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Goffman’s ‘frames’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Grace Exhibition Space

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Guillermo Gomez-Pena

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

Helene Cixous

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Here

Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln.

Homelessness

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Hugo Ball

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

Identity

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Immigration

Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.

In Dialogue

Bartram, Angela and O'Neill, Mary (2014) Unspoken words. [Performance]

Indian theatre

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Infrastructure

Shepley, Alec (2014) A place of impossibility. [Event, Show or Exhibition]

Intercultural Composition

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

Rask, Erik, Hariharan, Charu, Cissokho, Abdou, Möller, Anna, Aslund, Thea, Foley, David, Balosso-Bardin, Cassandre, Malmström, Anna, Gray, Dave, Jones, Matthew, Rask, Arvid, Grind, Mischa, Karlehag, Tobias, Grauman, Adam, Sedemark, Oskar, O'Malley, Larry, Utler, Knut, Grind, Olof and Alverman, Simon (2018) Dadjalo. [Audio]

Intercultural Music

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 Sweden Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 UK Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2015 European Tour (31 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2017) Symi. [Composition]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2018) Världens Band 2018 Scandinavian Tour (14 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2019) Världens Band 2019 Mini UK Tour (3 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2016) Världens Band Transglobal Roots Fusion 2016 European Tour (16 performances). [Performance]

Intercultural Music Making

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

Rask, Erik, Thyberg, Alexander, Möller, Anna, Rask, Arvid, Gray, Dave, Hariharan, Charu, Cissokho, Abdou, Balosso-Bardin, Cassandre, Aslund, Thea, Grauman, Adam, Jones, Matthew, Grind, Mischa, Elbaz, Navah, Karlehag, Tobias, Malmström, Anna and Foley, David (2015) Världens Band - Transglobal Roots Fusion. [Audio]

Intercultural Performance

Prentki, Tim and Breed, Ananda (2020) The Routledge Companion to Applied Performance: Volume One - Mainland Europe, North and Latin America, Southern Africa, and Australia and New Zealand. Routledge, London. ISBN 9780815359654

Prentki, Tim and Breed, Ananda (2020) The Routledge Companion to Applied Performance: Volume Two - Brazil, West Africa, South and South East Asia, United Kingdom, and the Arab World. Routledge, London. ISBN 9780367134433

Intercultural music

Rask, Erik, Hariharan, Charu, Cissokho, Abdou, Möller, Anna, Aslund, Thea, Foley, David, Balosso-Bardin, Cassandre, Malmström, Anna, Gray, Dave, Jones, Matthew, Rask, Arvid, Grind, Mischa, Karlehag, Tobias, Grauman, Adam, Sedemark, Oskar, O'Malley, Larry, Utler, Knut, Grind, Olof and Alverman, Simon (2018) Dadjalo. [Audio]

Intercultural performance

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

Intercultural theatre

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

Interdisciplinarity

Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick.

Intervention

Shepley, Alec (2014) A place of impossibility. [Event, Show or Exhibition]

Irish culture

O'Gorman, Siobhán (2016) Performance art in Ireland: a history [ London: Live Art Development Agency; Bristol: Intellect, 2015. 336 p., Áine Phillips, ed. 9781783204281]. New Theatre Quarterly, 32 (1). p. 336. ISSN 0266-464X

Irish studies

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

JCNotOpen

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

JCOpen

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

Japan

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Jean-Luc Nancy

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Jerusalem

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Jez Butterworth

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Adiseshiah, Siân and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

John Doyle

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Jorge Rojas

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Joseph Beuys

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

KeepHouse Performance

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

Kinect

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

Klaus Florian Vogt

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Kristeva

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Kudiyattam

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Kutiyattam

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Lew Fields

Symonds, Dominic (2015) Second wind: the musical theatre influence of cross-talk comedian Lew Fields. In: Song, Stage and Screen X: The Star System in Theatre and Film, 24 - 26 June 2015, Regent's University London.

Lido Lady (1926)

Symonds, Dominic (2011) “A tiny flat near Soho Square”: Rodgers and Hart’s Lido Lady (1926). In: Song, Stage and Screen VI: Innovation and Creative Collaboration, 20 - 23 June 2011, University of Missouri-Kansas City.

Liminality

Breed, Ananda, Dubuisson, Eva-Marie and Igmen, Ali, eds. (2020) Creating Culture in (Post) Socialist Central Asia. Palgrave Pivot, London. ISBN 9783030586843

Live Art

Hunt, R. Justin (2011) Trashy records: what remains? Dance Theatre Journal, 24 (3). pp. 48-53. ISSN 0264-9160

O'Gorman, Siobhán (2016) Performance art in Ireland: a history [ London: Live Art Development Agency; Bristol: Intellect, 2015. 336 p., Áine Phillips, ed. 9781783204281]. New Theatre Quarterly, 32 (1). p. 336. ISSN 0266-464X

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

Live art

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

Live streamed art event

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Liveness

Symonds, Dominic (2013) “Empty chairs at empty tables”: the fundamental absence of performance. In: Song, Stage and Screen VIII: What We Do When We Do What We Do: Process and Performance in Musical Theatre, 2 - 4 July 2013, Royal Central School of Speech and Drama.

Lorenz Hart

Symonds, Dominic (2008) Castration on the stage: the integrated musicals of Rodgers and Hart. In: Stage and Screen III / Music in Gotham: American Musical Theater, 2 - 5 April 2008, City University of New York.

Symonds, Dominic (2016) Laughter on Tenth Avenue: Rodgers and Hart, Dwight Deere Wiman, and On Your Toes (1936). In: Song, Stage and Screen XI, 27 - 30 June 2016, City College of New York.

Symonds, Dominic (2011) “A tiny flat near Soho Square”: Rodgers and Hart’s Lido Lady (1926). In: Song, Stage and Screen VI: Innovation and Creative Collaboration, 20 - 23 June 2011, University of Missouri-Kansas City.

Low lives 4

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Machinima

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mallorca

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Marvin Carlson

Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.

Mary O'Neill

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

Memory

Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.

Metropolis

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2006) Cold dark soft matter research and atmosphere in the theatre. BST: Body, Space and Technology Journal . ISSN 1470-9120

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Mike and Meyer

Symonds, Dominic (2015) Second wind: the musical theatre influence of cross-talk comedian Lew Fields. In: Song, Stage and Screen X: The Star System in Theatre and Film, 24 - 26 June 2015, Regent's University London.

Mod

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Modding

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Multimodality theory

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Music

Balosso-bardin, Cassandre, Ernoult, Augustin, de la Cuadra, Patricio, Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Rask, Erik, Hariharan, Charu, Cissokho, Abdou, Möller, Anna, Aslund, Thea, Foley, David, Balosso-Bardin, Cassandre, Malmström, Anna, Gray, Dave, Jones, Matthew, Rask, Arvid, Grind, Mischa, Karlehag, Tobias, Grauman, Adam, Sedemark, Oskar, O'Malley, Larry, Utler, Knut, Grind, Olof and Alverman, Simon (2018) Dadjalo. [Audio]

Rask, Erik, Thyberg, Alexander, Möller, Anna, Rask, Arvid, Gray, Dave, Hariharan, Charu, Cissokho, Abdou, Balosso-Bardin, Cassandre, Aslund, Thea, Grauman, Adam, Jones, Matthew, Grind, Mischa, Elbaz, Navah, Karlehag, Tobias, Malmström, Anna and Foley, David (2015) Världens Band - Transglobal Roots Fusion. [Audio]

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Music Theatre

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Music education

Balosso-bardin, Cassandre (2016) Oral transmission in French conservatoires: towards a hybrid learning strategy? Journal of the Vernacular Music Centre, 1 (2). ISSN .

Music technology

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Musical Acoustics

Balosso-bardin, Cassandre, Ernoult, Augustin, de la Cuadra, Patricio, Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Musical Instrument

Balosso-bardin, Cassandre, Ernoult, Augustin, de la Cuadra, Patricio, Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Musical Theatre

Symonds, Dominic (2008) Broadway rhythm: the sound of the city. In: Music on Stage, 18 - 19 October 2008, Rose Bruford College, London.

Symonds, Dominic (2016) Laughter on Tenth Avenue: Rodgers and Hart, Dwight Deere Wiman, and On Your Toes (1936). In: Song, Stage and Screen XI, 27 - 30 June 2016, City College of New York.

Symonds, Dominic (2015) Second wind: the musical theatre influence of cross-talk comedian Lew Fields. In: Song, Stage and Screen X: The Star System in Theatre and Film, 24 - 26 June 2015, Regent's University London.

Symonds, Dominic (2011) “A tiny flat near Soho Square”: Rodgers and Hart’s Lido Lady (1926). In: Song, Stage and Screen VI: Innovation and Creative Collaboration, 20 - 23 June 2011, University of Missouri-Kansas City.

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Musical instrument control

Balosso-bardin, Cassandre, Ernoult, Augustin, de la Cuadra, Patricio, Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Musical theatre

Symonds, Dominic (2008) Castration on the stage: the integrated musicals of Rodgers and Hart. In: Stage and Screen III / Music in Gotham: American Musical Theater, 2 - 5 April 2008, City University of New York.

Musicians

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Networked art festival

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

New York

Hunt, R. Justin (2011) Trashy records: what remains? Dance Theatre Journal, 24 (3). pp. 48-53. ISSN 0264-9160

Symonds, Dominic (2008) Broadway rhythm: the sound of the city. In: Music on Stage, 18 - 19 October 2008, Rose Bruford College, London.

Symonds, Dominic (2009) Fascinating rhythm: syncopating New York’s streetplan. In: Song, Stage and Screen IV: Interdisciplinary Approaches to the Musical Stage, 3 - 5 December 2009, University of Maryland, USA.

Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.

New york

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

Norway

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

NotOAChecked

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Lavery, Carl and Hassall, Lee (2015) A future for Hashima: pornography, representation and time. Performance Research: A Journal of the Performing Arts, 20 (3). pp. 112-125. ISSN 1352-8165

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Now

Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln.

O'Neill

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2).

OUI

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Obsolescence

Maycroft, Neil (2015) Peripherals, cables and connectors: the reminder and remainder of obsolescence. In: Digital Futures: Bodies of Planned Obsolescence. Digital performance and the global politics of electronic waste—Digital Programmes, Victoria and Albert Museum, July 2 2015, The White Building, Hackney Wick, London.

Ploeger, Daniel, Chan, Janet, Aitku, Jelili, Williams, Christopher, Cheang, Shu Lea, Maycroft, Neil, Papadimitriou, Irini and Olubanjo, Kehinde (2015) Bodies of planned obsolescence: digital performance and the global politics of electronic waste. [Event, Show or Exhibition]

Oh

Symonds, Dominic (2007) The story of Oh: the aesthetics and rhetoric of a common vowel sound. In: Song, Stage & Screen II, 23 - 25 March 2007, University of Leeds.

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Oklahoma!

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

On Your Toes (1936)

Symonds, Dominic (2016) Laughter on Tenth Avenue: Rodgers and Hart, Dwight Deere Wiman, and On Your Toes (1936). In: Song, Stage and Screen XI, 27 - 30 June 2016, City College of New York.

Opera

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Oral

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2).

Oral / Response

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Orchestration

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Palimpsest

Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.

Participatory performance

Taylor, Robyn, Schofield, Guy, Shearer, John, Boulanger, Pierre, Wallace, Jayne and Olivier, Patrick (2010) humanaquarium: a participatory performance system. In: 2010 Conference on New Interfaces for Musical Expression (NIME 2010), 15-18 June 2010, Sydney, Australia.

Performance

Breed, Ananda, Dubuisson, Eva-Marie and Igmen, Ali, eds. (2020) Creating Culture in (Post) Socialist Central Asia. Palgrave Pivot, London. ISBN 9783030586843

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 Sweden Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 UK Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2015 European Tour (31 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2017) Symi. [Composition]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2018) Världens Band 2018 Scandinavian Tour (14 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2019) Världens Band 2019 Mini UK Tour (3 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2016) Världens Band Transglobal Roots Fusion 2016 European Tour (16 performances). [Performance]

Bowtell, Kayla (2007) Movin' in. In: [Performance at ]Drill Hall, Spring 2007, Lincoln, UK.

King-Dorset, Rodreguez (2007) Black dance movement in London 1730-1850. University of Surrey, Surrey.

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Ploeger, Daniel, Chan, Janet, Aitku, Jelili, Williams, Christopher, Cheang, Shu Lea, Maycroft, Neil, Papadimitriou, Irini and Olubanjo, Kehinde (2015) Bodies of planned obsolescence: digital performance and the global politics of electronic waste. [Event, Show or Exhibition]

Rask, Erik, Hariharan, Charu, Cissokho, Abdou, Möller, Anna, Aslund, Thea, Foley, David, Balosso-Bardin, Cassandre, Malmström, Anna, Gray, Dave, Jones, Matthew, Rask, Arvid, Grind, Mischa, Karlehag, Tobias, Grauman, Adam, Sedemark, Oskar, O'Malley, Larry, Utler, Knut, Grind, Olof and Alverman, Simon (2018) Dadjalo. [Audio]

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick.

Symonds, Dominic (2013) “Empty chairs at empty tables”: the fundamental absence of performance. In: Song, Stage and Screen VIII: What We Do When We Do What We Do: Process and Performance in Musical Theatre, 2 - 4 July 2013, Royal Central School of Speech and Drama.

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada.

Performance Cartography

Symonds, Dominic (2008) Broadway rhythm: the sound of the city. In: Music on Stage, 18 - 19 October 2008, Rose Bruford College, London.

Symonds, Dominic (2009) Fascinating rhythm: syncopating New York’s streetplan. In: Song, Stage and Screen IV: Interdisciplinary Approaches to the Musical Stage, 3 - 5 December 2009, University of Maryland, USA.

Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.

Performance and Ruins

Lavery, Carl and Hassall, Lee (2015) A future for Hashima: pornography, representation and time. Performance Research: A Journal of the Performing Arts, 20 (3). pp. 112-125. ISSN 1352-8165

Performance art

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Meyer-Dinkgräfe, Daniel (2006) Cold dark soft matter research and atmosphere in the theatre. BST: Body, Space and Technology Journal . ISSN 1470-9120

Performance art and ethics

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

Performance studies

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

Performativity

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Peripherals

Maycroft, Neil (2015) Peripherals, cables and connectors: the reminder and remainder of obsolescence. In: Digital Futures: Bodies of Planned Obsolescence. Digital performance and the global politics of electronic waste—Digital Programmes, Victoria and Albert Museum, July 2 2015, The White Building, Hackney Wick, London.

Phonetics

Symonds, Dominic (2007) The story of Oh: the aesthetics and rhetoric of a common vowel sound. In: Song, Stage & Screen II, 23 - 25 March 2007, University of Leeds.

Political theatre

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Politics

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Port

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Post-Soviet Central Asia

Breed, Ananda, Dubuisson, Eva-Marie and Igmen, Ali, eds. (2020) Creating Culture in (Post) Socialist Central Asia. Palgrave Pivot, London. ISBN 9783030586843

Practice

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Practice as research

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Presence

Symonds, Dominic (2013) “Empty chairs at empty tables”: the fundamental absence of performance. In: Song, Stage and Screen VIII: What We Do When We Do What We Do: Process and Performance in Musical Theatre, 2 - 4 July 2013, Royal Central School of Speech and Drama.

Processing

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

Producing

Symonds, Dominic (2016) Laughter on Tenth Avenue: Rodgers and Hart, Dwight Deere Wiman, and On Your Toes (1936). In: Song, Stage and Screen XI, 27 - 30 June 2016, City College of New York.

Psychology

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Reading

McCaffrey, Steve, Ferran, Bronac, MacCormack, Karen, Thomas, Greg, Kosick, Rebecca and Tullett, Barrie (2019) Birkbeck University – Contemporary Poetics Research Centre: Carnival. In: Steve McCaffrey's Carnival: A Reading & Discussion, 5th June 2019, Birckbeck University.

Relational Aesthetics

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada.

Reporter

Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln.

Response

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2).

Richard Rodgers

Symonds, Dominic (2008) Castration on the stage: the integrated musicals of Rodgers and Hart. In: Stage and Screen III / Music in Gotham: American Musical Theater, 2 - 5 April 2008, City University of New York.

Symonds, Dominic (2016) Laughter on Tenth Avenue: Rodgers and Hart, Dwight Deere Wiman, and On Your Toes (1936). In: Song, Stage and Screen XI, 27 - 30 June 2016, City College of New York.

Symonds, Dominic (2011) “A tiny flat near Soho Square”: Rodgers and Hart’s Lido Lady (1926). In: Song, Stage and Screen VI: Innovation and Creative Collaboration, 20 - 23 June 2011, University of Missouri-Kansas City.

Robert Russell Bennett

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Rodgers and Hart

Symonds, Dominic (2008) Castration on the stage: the integrated musicals of Rodgers and Hart. In: Stage and Screen III / Music in Gotham: American Musical Theater, 2 - 5 April 2008, City University of New York.

Symonds, Dominic (2016) Laughter on Tenth Avenue: Rodgers and Hart, Dwight Deere Wiman, and On Your Toes (1936). In: Song, Stage and Screen XI, 27 - 30 June 2016, City College of New York.

Symonds, Dominic (2015) Second wind: the musical theatre influence of cross-talk comedian Lew Fields. In: Song, Stage and Screen X: The Star System in Theatre and Film, 24 - 26 June 2015, Regent's University London.

Symonds, Dominic (2011) “A tiny flat near Soho Square”: Rodgers and Hart’s Lido Lady (1926). In: Song, Stage and Screen VI: Innovation and Creative Collaboration, 20 - 23 June 2011, University of Missouri-Kansas City.

Schenchner’s ‘dark play’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Schlingensief

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Scheer, Anna (2010) Don’t expect too much from the end of the world! Christoph Schlingensief’s "Church of Fear”. ANTITHESIS, 20 . pp. 92-111. ISSN 1030-3839

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

Scotland

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

SharpWire

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Signifying Practice

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Simon Stephens

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Adiseshiah, Siân and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Singing

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Social Class

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Social Sculpture

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Socialist Multiculturalism

Breed, Ananda, Dubuisson, Eva-Marie and Igmen, Ali, eds. (2020) Creating Culture in (Post) Socialist Central Asia. Palgrave Pivot, London. ISBN 9783030586843

Song

Symonds, Dominic (2008) Broadway rhythm: the sound of the city. In: Music on Stage, 18 - 19 October 2008, Rose Bruford College, London.

Symonds, Dominic (2009) Fascinating rhythm: syncopating New York’s streetplan. In: Song, Stage and Screen IV: Interdisciplinary Approaches to the Musical Stage, 3 - 5 December 2009, University of Maryland, USA.

Symonds, Dominic (2007) The story of Oh: the aesthetics and rhetoric of a common vowel sound. In: Song, Stage & Screen II, 23 - 25 March 2007, University of Leeds.

Song and dance

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Sound Effects

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).

Spirituality

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Stephen Sondheim

Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada.

Sunday in the Park with George

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada.

Syncopation

Symonds, Dominic (2009) Fascinating rhythm: syncopating New York’s streetplan. In: Song, Stage and Screen IV: Interdisciplinary Approaches to the Musical Stage, 3 - 5 December 2009, University of Maryland, USA.

The Body

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

The Natyasastra

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

The Riots

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

The birds who wouldn't sing

Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.

Theatre

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Theatre of the Oppressed

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Theatre studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Tim Crouch

Adiseshiah, Siân and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Tin Pan Alley

Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.

Tourist

Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln.

Transition

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Trinidad and Tobago

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Triple-threat

Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick.

USA

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Vedanta

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Venice Biennale

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Verbatim Theatre

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Adiseshiah, Siân and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

Videogame Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Videogame music

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Videogames

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Virtual Environments

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Visibility

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Visual Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Voice

Symonds, Dominic (2007) The story of Oh: the aesthetics and rhetoric of a common vowel sound. In: Song, Stage & Screen II, 23 - 25 March 2007, University of Leeds.

Volksbühne

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

WREN

Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.

WWII

Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.

Wii

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

Wiimotes

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

Winnicott’s ‘transitional object’

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Wizard of Oz

Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.

World Music

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 Sweden Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2014 UK Tour (8 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea, Elbaz, Navah, Tyberg, Alexander and UNSPECIFIED (2015) Världens Band 2015 European Tour (31 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2017) Symi. [Composition]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2018) Världens Band 2018 Scandinavian Tour (14 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2019) Världens Band 2019 Mini UK Tour (3 performances). [Performance]

Balosso-Bardin, Cassandre, Rask, Arvid, Rask, Erik, Hariharan, Charu, Foley, David, Gray, David, Jones, Matthew, Malmström, Anna, Cissokho, Abdou, Möller, Anna, Grind, Mischa, Karlehag, Tobias, Åslund, Thea and Tyberg, Alexander (2016) Världens Band Transglobal Roots Fusion 2016 European Tour (16 performances). [Performance]

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

World music

Rask, Erik, Thyberg, Alexander, Möller, Anna, Rask, Arvid, Gray, Dave, Hariharan, Charu, Cissokho, Abdou, Balosso-Bardin, Cassandre, Aslund, Thea, Grauman, Adam, Jones, Matthew, Grind, Mischa, Elbaz, Navah, Karlehag, Tobias, Malmström, Anna and Foley, David (2015) Världens Band - Transglobal Roots Fusion. [Audio]

Writing

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Zygmunt Bauman

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

acoustics

Ernoult, Augustin, Fabre, Benoit, Balosso-bardin, Cassandre, Franciosi, Ilya and de la Cuadra, Patricio (2017) Music in a bag? Controlling the bag of Majorcan and Galician bagpipes. Journal of the Acoustical Society of America (142). pp. 1454-1465. ISSN 0001-4966

action drawing

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

activism

Scheer, Anna (2010) Don’t expect too much from the end of the world! Christoph Schlingensief’s "Church of Fear”. ANTITHESIS, 20 . pp. 92-111. ISSN 1030-3839

actor training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

actor-musician

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

actor-training

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

affordance

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

alternative document

Bartram, Angela (2016) The Alternative Document exhibition, curated by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela (2016) The Alternative Document symposium, created and led by Angela Bartram. [Event, Show or Exhibition]

and Ireland

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

architecture

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

arnolfini

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

art

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

Scheer, Anna (2010) Don’t expect too much from the end of the world! Christoph Schlingensief’s "Church of Fear”. ANTITHESIS, 20 . pp. 92-111. ISSN 1030-3839

art and war

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

art history

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

asian theatre

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

audience alienation

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

audience reception

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

audience response

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

autobiographical

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

autobiography

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

avant-garde

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

bagpipes

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

bartram

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

Bartram, Angela (2016) The Alternative Document symposium, created and led by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

bartram O'neill

Bartram, Angela and O'Neill, Mary (2016) Here and there: two works, ten countries. In: The Body: Out of Time and Without a Place, 21-22 May 2015, Contemporary Art Centre, Vilnius.

bartram o'neill

Bartram, Angela and O'Neill, Mary (2014) Unspoken words. [Performance]

bartramoneill

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2).

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

bartramoneill.com

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

bmjgoldcheck

Lavery, Carl and Hassall, Lee (2015) A future for Hashima: pornography, representation and time. Performance Research: A Journal of the Performing Arts, 20 (3). pp. 112-125. ISSN 1352-8165

borders

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

breath studies

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

busking

Taylor, Robyn, Schofield, Guy, Shearer, John, Boulanger, Pierre, Wallace, Jayne and Olivier, Patrick (2010) humanaquarium: a participatory performance system. In: 2010 Conference on New Interfaces for Musical Expression (NIME 2010), 15-18 June 2010, Sydney, Australia.

children's culture

Mitchell, Grethe (2011) The game catcher. AHRC.

children's games

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

children's play

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

children's play cultures

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

clapping games

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

collaboration

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

collaborative interface

Taylor, Robyn, Schofield, Guy, Shearer, John, Boulanger, Pierre, Wallace, Jayne and Olivier, Patrick (2010) humanaquarium: a participatory performance system. In: 2010 Conference on New Interfaces for Musical Expression (NIME 2010), 15-18 June 2010, Sydney, Australia.

commemoration

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

computer game

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

computer game design

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

computer games

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

consciousness

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

consciousness studies

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

contemporary drama

Adiseshiah, Siân and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

creative practice

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Taylor, Robyn, Schofield, Guy, Shearer, John, Boulanger, Pierre, Wallace, Jayne and Olivier, Patrick (2010) humanaquarium: a participatory performance system. In: 2010 Conference on New Interfaces for Musical Expression (NIME 2010), 15-18 June 2010, Sydney, Australia.

criticism

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

cultural studies

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

culture and Covid-19

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

dance

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

derelict space

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

digital-Foley

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7).

discussion

McCaffrey, Steve, Ferran, Bronac, MacCormack, Karen, Thomas, Greg, Kosick, Rebecca and Tullett, Barrie (2019) Birkbeck University – Contemporary Poetics Research Centre: Carnival. In: Steve McCaffrey's Carnival: A Reading & Discussion, 5th June 2019, Birckbeck University.

documentation

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

documenting performance

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

documenting processes

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

drama

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Mitchell, Grethe (2011) The game catcher. AHRC.

drawing

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

embodied movement

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

embodiment

Mitchell, Grethe (2011) The game catcher. AHRC.

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

ethnicity

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

ethnographic research

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

ethnomusicology

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

experience centered design

Taylor, Robyn, Schofield, Guy, Shearer, John, Boulanger, Pierre, Wallace, Jayne and Olivier, Patrick (2010) humanaquarium: a participatory performance system. In: 2010 Conference on New Interfaces for Musical Expression (NIME 2010), 15-18 June 2010, Sydney, Australia.

eye training

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

fear

Scheer, Anna (2010) Don’t expect too much from the end of the world! Christoph Schlingensief’s "Church of Fear”. ANTITHESIS, 20 . pp. 92-111. ISSN 1030-3839

film

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

film studies

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

folk music

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Rask, Erik, Thyberg, Alexander, Möller, Anna, Rask, Arvid, Gray, Dave, Hariharan, Charu, Cissokho, Abdou, Balosso-Bardin, Cassandre, Aslund, Thea, Grauman, Adam, Jones, Matthew, Grind, Mischa, Elbaz, Navah, Karlehag, Tobias, Malmström, Anna and Foley, David (2015) Världens Band - Transglobal Roots Fusion. [Audio]

folklore research

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

folklore studies

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

formal education

Balosso-bardin, Cassandre (2016) Oral transmission in French conservatoires: towards a hybrid learning strategy? Journal of the Vernacular Music Centre, 1 (2). ISSN .

found footage

Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.

frustrated total internal reflection

Taylor, Robyn, Schofield, Guy, Shearer, John, Boulanger, Pierre, Wallace, Jayne and Olivier, Patrick (2010) humanaquarium: a participatory performance system. In: 2010 Conference on New Interfaces for Musical Expression (NIME 2010), 15-18 June 2010, Sydney, Australia.

gacaca

Breed, Ananda (2015) Resistant acts in post-genocide Rwanda. In: Anthropology, theatre, and development: the transformative potential of performance. Anthropology, Change and Development . Macmillan, London, pp. 127-146. ISBN 9781137350602, 9781349468461

Breed, Ananda (2013) Resistant acts in post-genocide Rwanda. Kritika Kultura (21/22). pp. 397-416. ISSN 1656-152x

gender and sexuality

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

genocide

Breed, Ananda (2015) Resistant acts in post-genocide Rwanda. In: Anthropology, theatre, and development: the transformative potential of performance. Anthropology, Change and Development . Macmillan, London, pp. 127-146. ISBN 9781137350602, 9781349468461

Breed, Ananda (2013) Resistant acts in post-genocide Rwanda. Kritika Kultura (21/22). pp. 397-416. ISSN 1656-152x

genosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

gesture

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

gittens

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

gothic

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

grain of the voice

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

homelessness

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

human rights

Breed, Ananda (2015) Resistant acts in post-genocide Rwanda. In: Anthropology, theatre, and development: the transformative potential of performance. Anthropology, Change and Development . Macmillan, London, pp. 127-146. ISBN 9781137350602, 9781349468461

Breed, Ananda (2013) Resistant acts in post-genocide Rwanda. Kritika Kultura (21/22). pp. 397-416. ISSN 1656-152x

identity and music

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

iftr

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

imposture

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

indian theatre

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

ingando

Breed, Ananda (2015) Resistant acts in post-genocide Rwanda. In: Anthropology, theatre, and development: the transformative potential of performance. Anthropology, Change and Development . Macmillan, London, pp. 127-146. ISBN 9781137350602, 9781349468461

Breed, Ananda (2013) Resistant acts in post-genocide Rwanda. Kritika Kultura (21/22). pp. 397-416. ISSN 1656-152x

instrument control

Ernoult, Augustin, Fabre, Benoit, Balosso-bardin, Cassandre, Franciosi, Ilya and de la Cuadra, Patricio (2017) Music in a bag? Controlling the bag of Majorcan and Galician bagpipes. Journal of the Acoustical Society of America (142). pp. 1454-1465. ISSN 0001-4966

instrument making

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

interactive design

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

intercultural actor-training

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

intercultural collaboration

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

intercultural music

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

internet

Scheer, Anna (2010) Don’t expect too much from the end of the world! Christoph Schlingensief’s "Church of Fear”. ANTITHESIS, 20 . pp. 92-111. ISSN 1030-3839

justice

Breed, Ananda (2015) Resistant acts in post-genocide Rwanda. In: Anthropology, theatre, and development: the transformative potential of performance. Anthropology, Change and Development . Macmillan, London, pp. 127-146. ISBN 9781137350602, 9781349468461

Breed, Ananda (2013) Resistant acts in post-genocide Rwanda. Kritika Kultura (21/22). pp. 397-416. ISSN 1656-152x

live art

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2).

Bartram, Angela and O'Neill, Mary (2014) Unspoken words. [Performance]

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

live art and ethics

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

live art documentation

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2).

live stream

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

lost space

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

low lives

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

markerless

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

markerless motion capture

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

metaphor

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

mollusc

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

motherhood

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

motion capture

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

motion tracking

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

movement

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

movement analysis

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

movement archiving

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

movement notation

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

movement research

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

multi-touch screen

Taylor, Robyn, Schofield, Guy, Shearer, John, Boulanger, Pierre, Wallace, Jayne and Olivier, Patrick (2010) humanaquarium: a participatory performance system. In: 2010 Conference on New Interfaces for Musical Expression (NIME 2010), 15-18 June 2010, Sydney, Australia.

multimedia

Taylor, Robyn, Schofield, Guy, Shearer, John, Boulanger, Pierre, Wallace, Jayne and Olivier, Patrick (2010) humanaquarium: a participatory performance system. In: 2010 Conference on New Interfaces for Musical Expression (NIME 2010), 15-18 June 2010, Sydney, Australia.

music

Balosso-Bardin, Cassandre (2018) #NoBorders. Världens Band: Creating and Performing Music Across Borders. [Project]

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

music education

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

music theatre

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

musical performance

Mitchell, Grethe (2011) The game catcher. AHRC.

musicianship

Mitchell, Grethe (2011) The game catcher. AHRC.

new york

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

nineteenth-century

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

nottingham contemporary

Bartram, Angela and O'Neill, Mary (2014) Unspoken words. [Performance]

o'neill

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

opera

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

opera conductors

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

opera directors

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

opera singers

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

oral

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

oral testimony

Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.

oral/ response

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

organology

Ernoult, Augustin, Fabre, Benoit, Balosso-bardin, Cassandre, Franciosi, Ilya and de la Cuadra, Patricio (2017) Music in a bag? Controlling the bag of Majorcan and Galician bagpipes. Journal of the Acoustical Society of America (142). pp. 1454-1465. ISSN 0001-4966

orthographic

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

perfomance

Mitchell, Grethe (2011) The game catcher. AHRC.

performance

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2).

Bartram, Angela and O'Neill, Mary (2014) Unspoken words. [Performance]

Breed, Ananda (2015) Resistant acts in post-genocide Rwanda. In: Anthropology, theatre, and development: the transformative potential of performance. Anthropology, Change and Development . Macmillan, London, pp. 127-146. ISBN 9781137350602, 9781349468461

Breed, Ananda (2013) Resistant acts in post-genocide Rwanda. Kritika Kultura (21/22). pp. 397-416. ISSN 1656-152x

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

O'Gorman, Siobhán (2016) Performance art in Ireland: a history [ London: Live Art Development Agency; Bristol: Intellect, 2015. 336 p., Áine Phillips, ed. 9781783204281]. New Theatre Quarterly, 32 (1). p. 336. ISSN 0266-464X

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

Warden, Claire (2014) “You suck!” Literariness and textual presence in professional wrestling. In: Literature and Physical Culture, 10-11 April 2014, De Montfort University, Leicester.

Westerside, Andrew, Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

performance by gender

Bartram, Angela and O'Neill, Mary (2014) Unspoken words. [Performance]

performance documentation

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2).

performance studies

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

performance trace

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

performative

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

performativity

Breed, Ananda (2015) Resistant acts in post-genocide Rwanda. In: Anthropology, theatre, and development: the transformative potential of performance. Anthropology, Change and Development . Macmillan, London, pp. 127-146. ISBN 9781137350602, 9781349468461

Breed, Ananda (2013) Resistant acts in post-genocide Rwanda. Kritika Kultura (21/22). pp. 397-416. ISSN 1656-152x

performer

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

performer as researcher

Balosso-bardin, Cassandre (2016) A musician in the field: the productivity of performance as an intercultural research tool. In: The Routledge international handbook for international arts research. Routledge International Handbooks of Education . Routledge. ISBN UNSPECIFIED

performing arts

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

phenosong

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

place

Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln.

playground

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

playground cultures

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

playground games

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

political activism

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

politics

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

poltergeist

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

possession

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

post-colonialism

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

powers of the false

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

practical processes

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

practice-as-research

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

pro-wrestling

Warden, Claire (2014) “You suck!” Literariness and textual presence in professional wrestling. In: Literature and Physical Culture, 10-11 April 2014, De Montfort University, Leicester.

public art

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

queer

Hunt, R. Justin (2011) Trashy records: what remains? Dance Theatre Journal, 24 (3). pp. 48-53. ISSN 0264-9160

race

Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene . ISSN 2044-3714

radical performance

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

raport

Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln.

rasa

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

reconciliation

Breed, Ananda (2015) Resistant acts in post-genocide Rwanda. In: Anthropology, theatre, and development: the transformative potential of performance. Anthropology, Change and Development . Macmillan, London, pp. 127-146. ISBN 9781137350602, 9781349468461

Breed, Ananda (2013) Resistant acts in post-genocide Rwanda. Kritika Kultura (21/22). pp. 397-416. ISSN 1656-152x

rejourn

Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.

religion

Scheer, Anna (2010) Don’t expect too much from the end of the world! Christoph Schlingensief’s "Church of Fear”. ANTITHESIS, 20 . pp. 92-111. ISSN 1030-3839

research

Mitchell, Grethe (2011) The game catcher. AHRC.

research methods

Mitchell, Grethe (2011) The game catcher. AHRC.

researcher as performer

Balosso-bardin, Cassandre (2016) A musician in the field: the productivity of performance as an intercultural research tool. In: The Routledge international handbook for international arts research. Routledge International Handbooks of Education . Routledge. ISBN UNSPECIFIED

resistance

Breed, Ananda (2015) Resistant acts in post-genocide Rwanda. In: Anthropology, theatre, and development: the transformative potential of performance. Anthropology, Change and Development . Macmillan, London, pp. 127-146. ISBN 9781137350602, 9781349468461

Breed, Ananda (2013) Resistant acts in post-genocide Rwanda. Kritika Kultura (21/22). pp. 397-416. ISSN 1656-152x

response

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

rhetoric

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

sanskrit theatre

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

signification

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

social dramaturgy

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

social sculpture

Scheer, Anna (2010) Don’t expect too much from the end of the world! Christoph Schlingensief’s "Church of Fear”. ANTITHESIS, 20 . pp. 92-111. ISSN 1030-3839

space

Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln.

sports

Mitchell, Grethe (2011) The game catcher. AHRC.

subjectivity

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

séances

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN 9781349953592

terror

Scheer, Anna (2010) Don’t expect too much from the end of the world! Christoph Schlingensief’s "Church of Fear”. ANTITHESIS, 20 . pp. 92-111. ISSN 1030-3839

theatre

Hadrych, Anna, Reichel, Anna, Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

theatre and consciousness

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

theatre anthropology

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

theatre studies

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

trace

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

transduction

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

trash

Hunt, R. Justin (2011) Trashy records: what remains? Dance Theatre Journal, 24 (3). pp. 48-53. ISSN 0264-9160

twenty-first century drama

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Adiseshiah, Siân and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

university of Lincoln

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

videogame

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

videogame design

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

videogame hardware

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

videogames

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

visual research

Mitchell, Grethe (2011) The game catcher. AHRC.

visualisation

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

vowel

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

washing

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

xeremies

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

This list was generated on Sat Nov 28 03:56:16 2020 GMT.