Items where Subject is "W Creative Arts and Design > W310 Musicianship/Performance studies"

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Number of items at this level: 90.

A

Adiseshiah, Sian (2016) 'Chavs', 'Gyppos' and 'Scum?' class in twenty-first-century drama. In: Twenty-first century drama: what happens now? Palgave, London, pp. 149-171. ISBN 9781137484024

Adiseshiah, Siân and LePage, Louise (2016) Twenty-first century drama: what happens now? Palgrave Macmillan, London. ISBN 9781137484024

B

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

Balosso-bardin, Cassandre (2016) Oral transmission in French conservatoires: towards a hybrid learning strategy? Journal of the Vernacular Music Centre, 1 (2). ISSN .

Balosso-bardin, Cassandre (2016) A musician in the field: the productivity of performance as an intercultural research tool. In: The Routledge international handbook for international arts research. Routledge International Handbooks of Education . Routledge. ISBN UNSPECIFIED

Balosso-bardin, Cassandre and Ernoult, Augustin and de la Cuadra, Patricio and Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Bartram, Angela (2016) The Alternative Document exhibition, curated by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela (2016) The Alternative Document symposium, created and led by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries. [Artefact]

Bartram, Angela and O'Neill, Mary (2016) Here and there: two works, ten countries. In: The Body: Out of Time and Without a Place, 21-22 May 2015, Contemporary Art Centre, Vilnius.

Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries (displaced). In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2). ISSN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2014) Translating rage. [Performance]

Bartram, Angela and O'Neill, Mary (2014) Unspoken words. [Performance]

Bowtell, Kayla (2007) Movin' in. In: [Performance at ]Drill Hall, Spring 2007, Lincoln, UK.

Breed, Ananda (2013) Resistant acts in post-genocide Rwanda. Kritika Kultura (21/22). pp. 397-416. ISSN 1656-152x

Breed, Ananda (2015) Resistant acts in post-genocide Rwanda. In: Anthropology, theatre, and development: the transformative potential of performance. Anthropology, Change and Development . Macmillan, London, pp. 127-146. ISBN 9781137350602, 9781349468461

D

Dean, Robert (2018) Playing in the Dark: Possession and Performance. In: Contemporary gothic drama: attraction, consummation and consumption on the modern British stage. Palgrave Gothic . Palgrave, pp. 201-221. ISBN UNSPECIFIED

Dean, Robert and Challis, Benjamin (2013) Metropolis raised her voice: live digital-Foley & multimedia accompaniment. Inputs-Outputs '13 Proceedings of the 2013 Inputs-Outputs Conference: An Interdisciplinary Conference on Engagement in HCI and Performance (7). ISSN UNSPECIFIED

E

Ernoult, Augustin and Fabre, Benoit and Balosso-bardin, Cassandre and Franciosi, Ilya and de la Cuadra, Patricio (2017) Music in a bag? Controlling the bag of Majorcan and Galician bagpipes. Journal of the Acoustical Society of America (142). pp. 1454-1465. ISSN 0001-4966

H

Hadrych, Anna and Reichel, Anna and Scheer, Anna and Forrest, Tara (2011) Christoph Schlingensief: sztuka bez granic [translation of 'Christoph Schlingensief: Art without borders']. Korporacja Ha!art, Poznań : Maltafundacja: Cracow. ISBN 9788362574148 8362574143

Hunt, R. Justin (2011) Trashy records: what remains? Dance Theatre Journal, 24 (3). pp. 48-53. ISSN 0264-9160

K

King-Dorset, Rodreguez (2007) Black dance movement in London 1730-1850. University of Surrey, Surrey.

L

Lavery, Carl and Hassall, Lee (2015) A future for Hashima: pornography, representation and time. Performance Research: A Journal of the Performing Arts, 20 (3). pp. 112-125. ISSN 1352-8165

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

M

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Maycroft, Neil (2015) Peripherals, cables and connectors: the reminder and remainder of obsolescence. In: Digital Futures: Bodies of Planned Obsolescence. Digital performance and the global politics of electronic waste—Digital Programmes, Victoria and Albert Museum, July 2 2015, The White Building, Hackney Wick, London.

McCaffrey, Steve and Ferran, Bronac and MacCormack, Karen and Thomas, Greg and Kosick, Rebecca and Tullett, Barrie (2019) Birkbeck University – Contemporary Poetics Research Centre: Carnival. In: Steve McCaffrey's Carnival: A Reading & Discussion, 5th June 2019, Birckbeck University.

Meyer-Dinkgräfe, Daniel (2006) Cold dark soft matter research and atmosphere in the theatre. BST: Body, Space and Technology Journal . ISSN 1470-9120

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

N

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010, Munich, Germany.

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture, 24 July 2004, Sri Sankara University, Kerala, India.

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

O

O'Gorman, Siobhán (2016) Performance art in Ireland: a history [ London: Live Art Development Agency; Bristol: Intellect, 2015. 336 p., Áine Phillips, ed. 9781783204281]. New Theatre Quarterly, 32 (1). p. 336. ISSN 0266-464X

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

P

Ploeger, Daniel and Chan, Janet and Aitku, Jelili and Williams, Christopher and Cheang, Shu Lea and Maycroft, Neil and Papadimitriou, Irini and Olubanjo, Kehinde (2015) Bodies of planned obsolescence: digital performance and the global politics of electronic waste. [Event, Show or Exhibition]

R

Rask, Erik and Hariharan, Charu and Cissokho, Abdou and Möller, Anna and Aslund, Thea and Foley, David and Balosso-Bardin, Cassandre and Malmström, Anna and Gray, Dave and Jones, Matthew and Rask, Arvid and Grind, Mischa and Karlehag, Tobias and Grauman, Adam and Sedemark, Oskar and O'Malley, Larry and Utler, Knut and Grind, Olof and Alverman, Simon (2018) Dadjalo. [Audio]

Rask, Erik and Thyberg, Alexander and Möller, Anna and Rask, Arvid and Gray, Dave and Hariharan, Charu and Cissokho, Abdou and Balosso-Bardin, Cassandre and Aslund, Thea and Grauman, Adam and Jones, Matthew and Grind, Mischa and Elbaz, Navah and Karlehag, Tobias and Malmström, Anna and Foley, David (2015) Världens Band - Transglobal Roots Fusion. [Audio]

S

Savage, Karen (2011) Connecting process and language through the slime of the mollusc: Fading---Feminism---Practice---Process. In: Theatre and Performance Research Association (TaPRA) Conference 2011, 7-9 September 2011, University of Kingston.

Savage, Karen (2016) Tourist in the (K)Now: deliberate raporter. In: (Im)possible Constellations: Publishing in the Digital Age. The Academic Book of the Future conference, 31st October 2016, Lincoln.

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Savage, Karen and Bucknall, Joanna (2011) Revisiting mother. [Performance]

Savage, Karen and Smith, Justin (2016) Watching with Mother: ‘rejourning’ the wartime memories of a Wren, 1946-2016. In: Staging Loss: Performance as Commemoration, 16th June 2016, Lincoln.

Scheer, Anna (2011) Challenging theatre’s hidden hierarchies: Christoph Schlingensief and Augusto Boal. Australasian Drama Studies (58). pp. 228-244. ISSN 0810-4123

Scheer, Anna (2010) Don’t expect too much from the end of the world! Christoph Schlingensief’s "Church of Fear”. ANTITHESIS, 20 . pp. 92-111. ISSN 1030-3839

Scheer, Anna (2010) ‘Passion Impossible’ or man with a mission: a Goffmanesque intervention. In: Christoph Schlingensief: Art without Borders. Intellect, Bristol, pp. 71-89. ISBN 9781841503196

Scheer, Anna (2012) A campsite for the avant-garde and a church in cyberspace: Christoph Schlingensief’s dialogue with avant-gardism. In: Bastard or playmate? Adapting theatre, mutating media and contemporary performing arts. Theater Topics . Amsterdam University Press, Amsterdam, pp. 57-76. ISBN 9789089642585

Scheer, Anna (2013) The impossible fairytale or resistance to the real. In: We are people who do shows: Back to Back Theatre - performance, politics, visibility. Inside Performance Practice Series . Performance Research Books, Aberystwyth. ISBN 1906499039, 9781906499037

Scheer, Anna and Forrest, Tara (2010) Background, inspiration, contexts. In: Christoph Schlingensief: art without borders. Intellect, Bristol, pp. 5-23. ISBN 9781841503196

Scheer, Anna and Forrest, Tara (2010) Christoph Schlingensief: art without borders. Intellect, Bristol. ISBN 9781841503196, 9781841503912

Shepley, Alec (2014) A place of impossibility. [Event, Show or Exhibition]

Symonds, Dominic (2014) Boxing clever: the threat of the triple threat. In: Music Theatre working group, International Federation for Theatre Research, 27 July - 1 August 2014, University of Warwick.

Symonds, Dominic (2008) Broadway rhythm: the sound of the city. In: Music on Stage, 18 - 19 October 2008, Rose Bruford College, London.

Symonds, Dominic (2008) Castration on the stage: the integrated musicals of Rodgers and Hart. In: Stage and Screen III / Music in Gotham: American Musical Theater, 2 - 5 April 2008, City University of New York.

Symonds, Dominic (2013) “Empty chairs at empty tables”: the fundamental absence of performance. In: Song, Stage and Screen VIII: What We Do When We Do What We Do: Process and Performance in Musical Theatre, 2 - 4 July 2013, Royal Central School of Speech and Drama.

Symonds, Dominic (2009) Fascinating rhythm: syncopating New York’s streetplan. In: Song, Stage and Screen IV: Interdisciplinary Approaches to the Musical Stage, 3 - 5 December 2009, University of Maryland, USA.

Symonds, Dominic (2016) Laughter on Tenth Avenue: Rodgers and Hart, Dwight Deere Wiman, and On Your Toes (1936). In: Song, Stage and Screen XI, 27 - 30 June 2016, City College of New York.

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2015) Second wind: the musical theatre influence of cross-talk comedian Lew Fields. In: Song, Stage and Screen X: The Star System in Theatre and Film, 24 - 26 June 2015, Regent's University London.

Symonds, Dominic (2012) Sondheim’s Memory of Water: collaborating with the past. In: Music Theatre working group, International Federation for Theatre Research Conference 2012, 22-28 July 2012, Santiago, Chile.

Symonds, Dominic (2014) Sunday in the Park with George, Dot and Louis: collaboration, community and relational aesthetics. In: Song, Stage and Screen IX: The Art Of Collaboration In Musical Theatre, 24 - 26 June 2014, Sheridan College, Oakville, Canada.

Symonds, Dominic (2012) “Tol-de-ri-de-oh!” at every step. In: Song, Stage and Screen VII: The Musical's Global Conquest, 2 - 5 July 2012, Groningen, Netherlands.

Symonds, Dominic (2007) The corporeality of musical expression: “the grain of the voice” and the actor-musician. Studies in Musical Theatre, 1 (2). pp. 167-182. ISSN 1750-3159

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic (2007) The story of Oh: the aesthetics and rhetoric of a common vowel sound. In: Song, Stage & Screen II, 23 - 25 March 2007, University of Leeds.

Symonds, Dominic (2011) “A tiny flat near Soho Square”: Rodgers and Hart’s Lido Lady (1926). In: Song, Stage and Screen VI: Innovation and Creative Collaboration, 20 - 23 June 2011, University of Missouri-Kansas City.

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

T

Taylor, Robyn and Schofield, Guy and Shearer, John and Boulanger, Pierre and Wallace, Jayne and Olivier, Patrick (2010) humanaquarium: a participatory performance system. In: 2010 Conference on New Interfaces for Musical Expression (NIME 2010), 15-18 June 2010, Sydney, Australia.

W

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

Warden, Claire (2014) “You suck!” Literariness and textual presence in professional wrestling. In: Literature and Physical Culture, 10-11 April 2014, De Montfort University, Leicester.

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

This list was generated on Sun Dec 15 03:29:44 2019 GMT.