Items where Subject is "W Creative Arts and Design > W310 Musicianship/Performance studies"

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Number of items at this level: 46.

B

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Show/Exhibition]

Bartram, Angela and O'Neill, Mary (2012) O/R. [Show/Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Show/Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2). ISSN UNSPECIFIED

Bowtell, Kayla (2007) Movin' in. In: [Performance at ]Drill Hall, Spring 2007, Lincoln, UK.

K

King-Dorset, Rodreguez (2007) Black dance movement in London 1730-1850. University of Surrey, Surrey.

L

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

M

Madhavan, Arya (2010) Kudiyattam theatre and the actor's consciousness. Consciousness literature and the arts (25). Rodopi ltd, Amsterdam and New York. ISBN 9789042027985

Meyer-Dinkgräfe, Daniel (2006) Cold dark soft matter research and atmosphere in the theatre. BST: Body, Space and Technology Journal . ISSN 1470-9120

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2012) Spiritual aspects of operatic singing: Klaus Florian Vogt. Performance and Spirituality, 3 (1). pp. 71-94. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2006) The spaces of consciousness: new possibilities for contemporary theatre. In: Mapping uncertain territories : space and place in contemporary theatre and drama. CDE Contemporary Drama in English, 13 . WVT Wissenschaftlicher Verlag Trier. ISBN 3884768263

Mitchell, Grethe (2011) The game catcher. AHRC.

Mitchell, Grethe (2014) The game catcher: a computer game and research tool for embodied movement. In: Children's games in the new media age: childlore, media and the playground. Ashgate Studies in Childhood, 1700 to the Present Series . Ashgate Books, Farnham, Surrey, UK. ISBN 9781409450252

Mitchell, Grethe and Clarke, Andy (2013) Game catcher: visualising and preserving ephemeral movement for research and analysis. In: Electronic visualisation in art and culture. Springer Series on Cultural Computing . Springer-Verlag London Ltd, London. ISBN UNSPECIFIED

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

N

Nair, Sreenath (2010) Anthropology of breathing: towards actor’s presence. In: IFTR Conference 2010, 25-31 July 2010 , Munich, Germany .

Nair, Sreenath (2004) Embodied methodologies: the body in performance research. In: Invited Lecture , 24 July 2004, Sri Sankara University, Kerala, India . (Unpublished)

Nair, Sreenath (2007) Presence of neutrality in actor's consciousness: breath in performance. In: Consciousness, theatre, literature and the arts 2007. Cambridge Scholars Press, Newcastle, pp. 67-74. ISBN 9781847184184

Nair, Sreenath (2011) Rasa and the implied meaning of Natyasastra. In: International Natyasastra Conference, 8-10 March 2011, Varanasi, India.

Nair, Sreenath (2013) Rasa theory and neural mechanism. New Zealand Online Journal of Interdisciplinary Studies, 1 (2). pp. 1-27. ISSN 2253-1998

Nair, Sreenath (2007) Restoration of breath: consciousness and performance. Consciousness, literature and the arts, 9 . Rodopi, Amsterdam. ISBN 9789042023062

Nair, Sreenath (2014) Trance-formations: intercorporeality in performance studies. Cambridge Scholars Press, Newcastle . ISBN UNSPECIFIED (In Press)

O

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference , 15th September 2010, Brighton University. (Unpublished)

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics , 9th June 2010, Toronto. (Unpublished)

S

Shepley, Alec (2014) A place of impossibility. [Show/Exhibition]

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Singing the dance, dancing the song. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 1-8. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

W

Warden, Claire (2014) Home: the celebratory opening of the Kelpies at Helix Park, Falkirk. Scottish Journal of Performance, 1 (2). ISSN 2054-1953

Warden, Claire (2014) “You suck!” Literariness and textual presence in professional wrestling. In: Literature and Physical Culture, 10-11 April 2014, De Montfort University, Leicester. (Submitted)

This list was generated on Tue Jul 22 19:32:13 2014 BST.