Items where Subject is "W Creative Arts and Design > W300 Music"

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1990s 20th century 8-bit 8-bit aesthetic A Doll's House Acoustic Ecology Acting Advertising Africa American literature American studies Anempathetic Music Animation Arrangement Art Asian drama Asian theatre Audiences Audio-visuals Berlin Bharatanatyam Biography Bob Dylan Book Reviews Brevity Brian Massumi British Music British literature Broadway C64 Cabaret Voltaire Chekhov Chion Chiptunes Choreography Cinema Collaboration Collaborative working Collage Community Composition Composition of music Computer Games Concrete poetry Conducting Consumer Behaviour Contemporary Music Contemporary culture Context Control Society Crime Prevention through Environmental Design Critical impro Cultural studies Culture Dana Spiotta Dance Deconstruction Deleuze Deleuze and Guattari Derrida Diamanda Galas Diegetic Diegetic Music Digital Art Digital Media Digital Performance Digitised Drama Dramaturgy Drones Electronic Music Electronic music Ethics Eva Peron Evita Exhibition Experimental music Fan Art Fan-art Femininity Festival promotion Film Fine Arts Foucault Fragmentation Fragments Frequency Festival Gameboy Gender Gilles Deleuze György Kurtág Haraway Hungarian Music Ibsen Icon Iconicity Identity Impact Indian Music Industrial music International Opera Theater Intertextuality JCNotOpen Jacques Attali Joan LaBarbara John Doyle John Gabriel Borkman Joni Mitchell Joy Division Kurtág L'Orfeo LSDJ Lincolnshire Lorenz Hart Machinima Mallorca Mallorcan bagpipes Manhattan Mark E Smith Marketing Memory Meyer-Dinkgrafe Michel Serres Miniatures Mod Modding Modernism Monteverdi Movement Mozart Music Music Consumption Music Piracy Music Theatre Music technology Musical Analysis Musical Composition Musical Dramaturgy Musical Motifs Musical Theatre Musical analysis Musical theatre Musicals Musicians Myth Nanoloop Nationhood New York Noise Non-diegetic Music Nonlinear NotOAChecked Oh Oklahoma! Opera Opera House Orchestration Otherness PARIP Peak experiences Performativity Phase patterns Politics Popular culture Practice Practice as Research Putting it Together Reception Theory Regieoper Richard Rodgers Richard Wagner Robert Russell Bennett Rodgers and Hammerstein Rodgers and Hart Runhild Gammelsaeter Schlingensief Schröder Sexuality Shaw Signifying Practice Silence Singing Skype Social Media Solo piano Sondheim Song Song and dance Sonic subcultures Sound Sound art Spinoza Spirituality Sunday in the Park With George Tamasha Technology Temporality The 1960s The 1970s The Book of Mormon The Fall The Rocky Horror Show Theatre Theatre Music Three Tenors Throbbing Gristle Time Tin Pan Alley Traditional Indian Theatre Transition Twentieth Century Music Typewriter art Typography Urinetown the Musical Utopia Vedanta Video art Videogame Art Videogame music Videogames Virtual Environments Visual Art Volksbühne Wagner Werktreue Wicked Writing Xeremies acoustic ecology aesthetic moralism aesthetics affect affect theory appropriation art audio production audio visual avant-garde aviation bagpipes bmjconvert bmjgoldcheck bmjholiday bmjtype bombing brevity broadside ballads cartography classical music composition consciousness consciousness studies contemporary fiction creativity criticism cyberfeminism cybernetics cyborg deterrent digital-Foley drama ethnomusicology experimental music extended vocal technique fabulation farce femininity feminism field recording film fine arts fire folk music folk revival fragmentation fragments frequency festival gender gentrification gothic materialism harp hauntology identity and music iftr imposture improvisation industrial music information theory instrument making jazz literature liveness looping lydia lunch madness marimba materialism media image mediapheme minoritarian minoritarian culture motion graphics music music and gender music education music theatre music venues musical score muzak neon hunk noise noise music non-representational theory oaopen online communities ontology opera opera conductors opera directors opera singers paraontology performance performative poetry popular music post-punk post-punk music powers of the false promo promoting promotional psychogeography radical politics reflection remixing research residency reworking rhetoric rhythmanalysis second-wave feminism seventeenth-century signification sirens societies of control songlines sonic anthropocentrism sonic arts sonic culture sonic warfare sonic weapons sound sound art sound design sound studies soundtrack space spirituality subjectivity the Gothic the extreme the gothic theatre traditional music trailer transgression untimely urban regeneration urban space urban theory virality vocal fry vowel whiteness women xeremies
Number of items at this level: 633.

1990s

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

20th century

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Charnock, Ruth (2018) Joni Mitchell: New critical readings. Music and Sound Studies . Bloomsbury Publishing. ISBN UNSPECIFIED

8-bit

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

8-bit aesthetic

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

A Doll's House

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Acoustic Ecology

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Acting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Advertising

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Africa

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: Contemporary German politics as theatrical farce. In: Schlingensief, Wagner, Africa. Verlag für moderne Kunst, Vienna. ISBN UNSPECIFIED

American literature

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

American studies

Charnock, Ruth (2015) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira''. In: Court and Spark: An International Symposium on the Work of Joni Mitchell, 3 July 2015, University of Lincoln.

Anempathetic Music

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Animation

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Arrangement

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Asian drama

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Asian theatre

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Audiences

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Audio-visuals

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Berlin

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: Contemporary German politics as theatrical farce. In: Schlingensief, Wagner, Africa. Verlag für moderne Kunst, Vienna. ISBN UNSPECIFIED

Bharatanatyam

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Biography

Charnock, Ruth and Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Bob Dylan

Coley, Rob (2015) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan: cultural appropriations of an American icon. Manchester University Press. ISBN 9780719097164

Book Reviews

Rush, Adam (2015) Creating musical theatre: conversations with Broadway directors and choreographers by Lyn Cramer [London and New York: Bloomsbury Methuen Drama, 2013]. Platform: Postgraduate Journal of Theatre Arts, 9 (1). pp. 77-81. ISSN 1751-0171

Rush, Adam (2013) West End Broadway: the golden age of the American musical in London by Adrian Wright Woodbridge [London: The Boydell Press, 2012]. Platform: Postgraduate Journal of Theatre Arts, 7 (2). pp. 92-95. ISSN 1751-0171

Brevity

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Brian Massumi

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

British Music

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

British literature

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

Broadway

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

C64

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Cabaret Voltaire

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Chekhov

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Chion

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Chiptunes

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Choreography

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Cinema

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Collaboration

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Collaborative working

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

Collage

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Community

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Composition

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Composition of music

Scheuregger, Martin (2013) In that solitude. [Video]

Computer Games

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Concrete poetry

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Conducting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Consumer Behaviour

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Contemporary Music

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2015) Inventing fragments, manipulating time. In: The Making of Musical Time: Temporality in Musical Composition and Performance (Orpheus Institute), 25-26 Feb 2015, Ghent, Belgium.

Contemporary culture

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

Context

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Control Society

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

Crime Prevention through Environmental Design

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Critical impro

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Cultural studies

Charnock, Ruth and Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Culture

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Dana Spiotta

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Dance

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Deconstruction

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Deleuze

Coley, Rob (2015) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan: cultural appropriations of an American icon. Manchester University Press. ISBN 9780719097164

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

Thompson, Marie (2017) Experimental music and the question of what a body can do. In: Musical encounters with Deleuze and Guattari. Bloomsbury, pp. 149-167. ISBN 9781501316746

Deleuze and Guattari

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford.

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

Derrida

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Diamanda Galas

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Diegetic

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Digital Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Digital Media

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

Digital Performance

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Digitised

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Drama

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance]

Dramaturgy

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Drones

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

Electronic Music

McSherry, David (2013) Frequency Festival 2013. [Composition]

McSherry, David (2016) Geom - multichannel performance. [Performance]

McSherry, David (2015) Liberator [Frequency 2015]. [Composition]

McSherry, David (2010) SGT-400. [Composition]

McSherry, David (2011) White noise in the key of F. [Composition]

McSherry, David (2010) U∂+. [Composition]

McSherry, David and Cobby, Steve (2009) Nokia N97 TV ad campaign. [Composition]

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Electronic music

McSherry, David (2015) Lighting up Lincolnshire. [Composition]

Ethics

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Eva Peron

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Evita

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Exhibition

Morrad, Annie and McArthur, Ian and Oliver, Ross (2016) Itinerant mind. [Event, Show or Exhibition]

Experimental music

Thompson, Marie (2017) Experimental music and the question of what a body can do. In: Musical encounters with Deleuze and Guattari. Bloomsbury, pp. 149-167. ISBN 9781501316746

Fan Art

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Fan-art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Femininity

Thompson, Marie (2016) Low quality sonic snapshots: the smartphone as a feminized recording device. Sound::Gender::Feminism::Activism Zine . ISSN .

Festival promotion

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Film

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Fine Arts

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Foucault

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Fragmentation

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Fragments

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Frequency Festival

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Gameboy

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Gender

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Gilles Deleuze

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

György Kurtág

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2015) Inventing fragments, manipulating time. In: The Making of Musical Time: Temporality in Musical Composition and Performance (Orpheus Institute), 25-26 Feb 2015, Ghent, Belgium.

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Haraway

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.

Hungarian Music

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Ibsen

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Icon

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Iconicity

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Identity

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Impact

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Indian Music

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Industrial music

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

International Opera Theater

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

Intertextuality

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

JCNotOpen

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Jacques Attali

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Joan LaBarbara

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

John Doyle

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

John Gabriel Borkman

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Joni Mitchell

Charnock, Ruth (2015) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira''. In: Court and Spark: An International Symposium on the Work of Joni Mitchell, 3 July 2015, University of Lincoln.

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Charnock, Ruth (2018) Joni Mitchell: New critical readings. Music and Sound Studies . Bloomsbury Publishing. ISBN UNSPECIFIED

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

Charnock, Ruth and David, Andrew (2015) Interview with Andrew David on Joni Mitchell [Siren FM]. [Audio]

Charnock, Ruth and Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Joy Division

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Kurtág

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

L'Orfeo

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

LSDJ

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Lincolnshire

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

Lorenz Hart

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Machinima

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mallorca

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

Mallorcan bagpipes

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

Manhattan

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Mark E Smith

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford.

Marketing

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Memory

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Michel Serres

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Miniatures

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2013) In that solitude. [Video]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Mod

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Modding

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Modernism

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

Monteverdi

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Movement

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Mozart

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Music

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2013) In that solitude. [Video]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Music Consumption

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Music Piracy

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Music Theatre

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Music technology

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Musical Analysis

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Musical Composition

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Musical Dramaturgy

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Musical Motifs

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Musical Theatre

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Musical analysis

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Musical theatre

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Musicals

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Musicians

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Myth

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Nanoloop

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Nationhood

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

New York

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Noise

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Non-diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Nonlinear

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

NotOAChecked

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2016) Low quality sonic snapshots: the smartphone as a feminized recording device. Sound::Gender::Feminism::Activism Zine . ISSN .

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

Oh

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Oklahoma!

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Opera

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Opera House

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Orchestration

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Otherness

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

PARIP

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Peak experiences

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Performativity

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Phase patterns

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Politics

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: Contemporary German politics as theatrical farce. In: Schlingensief, Wagner, Africa. Verlag für moderne Kunst, Vienna. ISBN UNSPECIFIED

Popular culture

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Practice

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Practice as Research

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Putting it Together

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Reception Theory

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

Regieoper

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Richard Rodgers

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Richard Wagner

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Robert Russell Bennett

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Rodgers and Hammerstein

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rodgers and Hart

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Runhild Gammelsaeter

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

Schlingensief

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: Contemporary German politics as theatrical farce. In: Schlingensief, Wagner, Africa. Verlag für moderne Kunst, Vienna. ISBN UNSPECIFIED

Schröder

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: Contemporary German politics as theatrical farce. In: Schlingensief, Wagner, Africa. Verlag für moderne Kunst, Vienna. ISBN UNSPECIFIED

Sexuality

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Shaw

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Signifying Practice

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Silence

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Singing

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Skype

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Social Media

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Solo piano

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Sondheim

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Song

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Song and dance

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Sonic subcultures

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Sound

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Sound art

Thompson, Marie (2016) Low quality sonic snapshots: the smartphone as a feminized recording device. Sound::Gender::Feminism::Activism Zine . ISSN .

Spinoza

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Thompson, Marie (2017) Experimental music and the question of what a body can do. In: Musical encounters with Deleuze and Guattari. Bloomsbury, pp. 149-167. ISBN 9781501316746

Spirituality

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Sunday in the Park With George

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Tamasha

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Technology

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Temporality

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2015) Inventing fragments, manipulating time. In: The Making of Musical Time: Temporality in Musical Composition and Performance (Orpheus Institute), 25-26 Feb 2015, Ghent, Belgium.

The 1960s

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

The 1970s

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

The Book of Mormon

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

The Fall

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford.

The Rocky Horror Show

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Theatre

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Theatre Music

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Three Tenors

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Throbbing Gristle

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

Time

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2015) Inventing fragments, manipulating time. In: The Making of Musical Time: Temporality in Musical Composition and Performance (Orpheus Institute), 25-26 Feb 2015, Ghent, Belgium.

Tin Pan Alley

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Traditional Indian Theatre

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Transition

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Twentieth Century Music

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2015) Inventing fragments, manipulating time. In: The Making of Musical Time: Temporality in Musical Composition and Performance (Orpheus Institute), 25-26 Feb 2015, Ghent, Belgium.

Typewriter art

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Typography

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Urinetown the Musical

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Utopia

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Vedanta

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Video art

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

Videogame Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Videogame music

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Videogames

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Virtual Environments

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Visual Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Volksbühne

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: Contemporary German politics as theatrical farce. In: Schlingensief, Wagner, Africa. Verlag für moderne Kunst, Vienna. ISBN UNSPECIFIED

Wagner

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: Contemporary German politics as theatrical farce. In: Schlingensief, Wagner, Africa. Verlag für moderne Kunst, Vienna. ISBN UNSPECIFIED

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Werktreue

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Wicked

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Writing

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Xeremies

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

acoustic ecology

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

aesthetic moralism

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

aesthetics

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

affect

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

affect theory

Charnock, Ruth (2015) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira''. In: Court and Spark: An International Symposium on the Work of Joni Mitchell, 3 July 2015, University of Lincoln.

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

appropriation

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

art

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2015) Summer lodge residency. soundcloud.

audio production

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

audio visual

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

avant-garde

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

aviation

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

bagpipes

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

bmjconvert

Morrad, Annie (2015) Summer lodge residency. soundcloud.

bmjgoldcheck

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

bmjholiday

McSherry, David (2015) Lighting up Lincolnshire. [Composition]

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary.

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

bmjtype

Charnock, Ruth and Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

bombing

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

brevity

Scheuregger, Martin (2013) In that solitude. [Video]

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

broadside ballads

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

cartography

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

classical music

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary.

composition

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

consciousness

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

consciousness studies

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

contemporary fiction

Charnock, Ruth and West, Mark (2016) Write in tune: contemporary music in fiction [Erich Hertz and Jeffrey Roessner (eds.), New York: Bloomsbury]. C21 Literature: Journal of 21st-century Writings, 4 (1). pp. 1-10. ISSN 2045-5216

creativity

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

criticism

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

cyberfeminism

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

cybernetics

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

cyborg

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.

deterrent

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

digital-Foley

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

drama

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

ethnomusicology

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

experimental music

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

extended vocal technique

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

fabulation

Coley, Rob (2015) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan: cultural appropriations of an American icon. Manchester University Press. ISBN 9780719097164

farce

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: Contemporary German politics as theatrical farce. In: Schlingensief, Wagner, Africa. Verlag für moderne Kunst, Vienna. ISBN UNSPECIFIED

femininity

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

feminism

Charnock, Ruth (2017) Creepy / sexy: father figures and pop music. In: Under my thumb: the songs that hate women and the women that love them. Repeater Books. ISBN UNSPECIFIED

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

field recording

Thompson, Marie (2016) Low quality sonic snapshots: the smartphone as a feminized recording device. Sound::Gender::Feminism::Activism Zine . ISSN .

film

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

fine arts

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

fire

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

folk music

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

folk revival

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

fragmentation

Scheuregger, Martin (2013) In that solitude. [Video]

fragments

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

frequency festival

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

gender

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

gentrification

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

gothic materialism

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

harp

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

hauntology

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

identity and music

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

iftr

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

imposture

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

improvisation

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

industrial music

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

information theory

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

instrument making

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

jazz

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance]

literature

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

liveness

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

looping

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

lydia lunch

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.

madness

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

marimba

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

materialism

Thompson, Marie (2017) Experimental music and the question of what a body can do. In: Musical encounters with Deleuze and Guattari. Bloomsbury, pp. 149-167. ISBN 9781501316746

media image

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

mediapheme

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

minoritarian

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

minoritarian culture

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

motion graphics

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

music

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

music and gender

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

music education

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

music theatre

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

music venues

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

musical score

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

muzak

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary.

neon hunk

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.

noise

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

noise music

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

non-representational theory

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

oaopen

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

online communities

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

ontology

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

opera

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

opera conductors

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

opera directors

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

opera singers

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

paraontology

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

performance

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

Scheuregger, Martin (2013) In that solitude. [Video]

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

performative

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

poetry

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

popular music

Charnock, Ruth (2015) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira''. In: Court and Spark: An International Symposium on the Work of Joni Mitchell, 3 July 2015, University of Lincoln.

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Charnock, Ruth (2017) Creepy / sexy: father figures and pop music. In: Under my thumb: the songs that hate women and the women that love them. Repeater Books. ISBN UNSPECIFIED

Charnock, Ruth (2018) Joni Mitchell: New critical readings. Music and Sound Studies . Bloomsbury Publishing. ISBN UNSPECIFIED

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

Charnock, Ruth and David, Andrew (2015) Interview with Andrew David on Joni Mitchell [Siren FM]. [Audio]

Charnock, Ruth and Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Charnock, Ruth and West, Mark (2016) Write in tune: contemporary music in fiction [Erich Hertz and Jeffrey Roessner (eds.), New York: Bloomsbury]. C21 Literature: Journal of 21st-century Writings, 4 (1). pp. 1-10. ISSN 2045-5216

post-punk

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

post-punk music

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford.

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

powers of the false

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

promo

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

promoting

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

promotional

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

psychogeography

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

radical politics

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

reflection

Morrad, Annie (2015) Summer lodge residency. soundcloud.

remixing

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

research

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

residency

Morrad, Annie (2015) Summer lodge residency. soundcloud.

reworking

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

rhetoric

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

rhythmanalysis

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

second-wave feminism

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

seventeenth-century

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

signification

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

sirens

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

societies of control

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

songlines

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

sonic anthropocentrism

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

sonic arts

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

sonic culture

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

sonic warfare

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary.

sonic weapons

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary.

sound

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2015) Summer lodge residency. soundcloud.

Morrad, Annie (2016) Tactics of interruption. [Performance]

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

sound art

McSherry, David (2016) The Russell Chantry: Lothar Götz/ Duncan Grant. [Event, Show or Exhibition]

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

sound design

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

sound studies

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

soundtrack

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

space

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

spirituality

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

subjectivity

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

the Gothic

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

the extreme

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

the gothic

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

theatre

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

traditional music

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

trailer

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

transgression

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

untimely

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford.

urban regeneration

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

urban space

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

urban theory

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

virality

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

vocal fry

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

vowel

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

whiteness

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

women

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

xeremies

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

This list was generated on Tue Sep 26 00:42:48 2017 BST.