Items where Subject is "W Creative Arts and Design > W300 Music"

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8-bit 8-bit aesthetic A Doll's House Acoustic Ecology Acting Advertising Anempathetic Music Animation Arrangement Art Audio-visuals Beijing Olympics Bharatanatyam Blue Man Group Bob Dylan Brian Massumi Broadway C64 Cabaret Voltaire Chekhov Chion Chiptunes Choreography Cinema Collaborative working Community Composition Computer Games Concrete poetry Conducting Consumer Behaviour Context Crime Prevention through Environmental Design Critical impro Culture Dance Dance Your PhD Deconstruction Deleuze Deleuze and Guattari Derrida Diamanda Galas Diegetic Diegetic Music Digital Art Digital Media Digitised Dirty Dancing Drama Dramaturgy Dreamgirls Drones Electronic Music Ethics Fan Art Fan-art Film Fine Arts Foucault Frequency Festival Gameboy Gilles Deleuze Haraway Hey Jude Ibsen Identity Indian Music Industrial music Jacques Attali Jennifer Holliday Jennifer Hudson John Doyle John Gabriel Borkman Joni Mitchell Joy Division Judith Butler L'Orfeo LSDJ Last Choir Standing Lincolnshire London Olympics Lorenz Hart Machinima Maps Mark E Smith Marketing Meyer-Dinkgrafe Michel Serres Minstrel Mod Modding Monteverdi Movement Mozart Music Consumption Music Piracy Music Theatre Music theatre Musical Dramaturgy Musical Motifs Musical Theatre Musical theatre Musicals Nanoloop Noise Non-diegetic Music Oh Oklahoma! Opening Ceremony Opera Opera House Orchestration PARIP Peak experiences Performance Cartography Performativity Phase patterns Practice Practice as Research Putting it Together Recording Richard Rodgers Robert Russell Bennett Rodgers and Hart Shaw Showtune Signifying Practice Silence Singing Sondheim Song Song and Dance Song and dance Songsheet Sonic subcultures Sound Spinoza Spirituality Sunday in the Park With George Sung Tamasha The 1960s The Fall The Song is You The Voice: UK Theatre Music Three Tenors Throbbing Gristle Tin Pan Alley Traditional Indian Theatre Transition Troubadour Typewriter art Typography Vedanta Video art Videogame Art Videogame music Videogames Virtual Environments Visual Art Wagner Writing aesthetic moralism aesthetics affect affect theory appropriation audio production avant-garde aviation bmjdoi bmjholiday bombing classical music consciousness consciousness studies criticism cyborg deterrent drama fabulation femininity feminism fine arts fire first dance frequency festival gender hauntology iftr imposture improvisation industrial music jazz liminality literature looping lydia lunch madness media image mediapheme minoritarian minoritarian culture motion graphics music music theatre musical score muzak neon hunk noise noise music oaopen online communities opera opera conductors opera directors opera singers performance performative performativity poetry popular music post-punk post-punk music powers of the false promo promoting promotional psychogeography remixing reworking rhetoric second-wave feminism signification sirens societies of control song and dance sonic warfare sonic weapons sound sound design space spirituality subjectivity the Gothic the extreme the gothic theatre trailer transgression transition untimely virality vowel wedding women
Number of items at this level: 367.

8-bit

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

8-bit aesthetic

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

A Doll's House

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Acoustic Ecology

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Acting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Advertising

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Anempathetic Music

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Animation

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Arrangement

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Audio-visuals

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Beijing Olympics

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Bharatanatyam

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Blue Man Group

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Bob Dylan

Coley, Rob (2015) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan: cultural appropriations of an American icon. Manchester University Press. ISBN 9780719097164

Brian Massumi

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

Broadway

Symonds, Dominic (2015) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. Oxford University Press, Oxford. ISBN 9780199929481 (In Press)

C64

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Cabaret Voltaire

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Chekhov

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Chion

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Chiptunes

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Choreography

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Cinema

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Collaborative working

Morrad, Annie (2014) Triadic disturbances. [Show/Exhibition]

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

Community

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Composition

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Computer Games

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Concrete poetry

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Conducting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Consumer Behaviour

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Context

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Crime Prevention through Environmental Design

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Critical impro

Symonds, Dominic (2015) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Culture

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Dance

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Dance Your PhD

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Deconstruction

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Deleuze

Coley, Rob (2015) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan: cultural appropriations of an American icon. Manchester University Press. ISBN 9780719097164

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

Deleuze and Guattari

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford. (Unpublished)

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham. (Unpublished)

Derrida

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Diamanda Galas

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Diegetic

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Digital Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Digital Media

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

Digitised

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Dirty Dancing

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

Drama

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance] (Unpublished)

Dramaturgy

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Dreamgirls

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Drones

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

Electronic Music

McSherry, David (2013) Frequency Festival 2013. [Composition]

McSherry, David (2010) SGT-400. [Composition]

McSherry, David (2011) White noise in the key of F. [Composition]

McSherry, David (2010) U∂+. [Composition]

McSherry, David and Cobby, Steve (2009) Nokia N97 TV ad campaign. [Composition]

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Ethics

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Fan Art

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Fan-art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Film

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Fine Arts

Morrad, Annie (2014) Triadic disturbances. [Show/Exhibition]

Foucault

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Frequency Festival

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

Gameboy

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Gilles Deleuze

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

Haraway

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool. (Unpublished)

Hey Jude

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Ibsen

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Identity

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Indian Music

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Industrial music

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Jacques Attali

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Jennifer Holliday

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Jennifer Hudson

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

John Doyle

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

John Gabriel Borkman

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Joni Mitchell

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle. (Unpublished)

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

Joy Division

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Judith Butler

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

L'Orfeo

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

LSDJ

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Last Choir Standing

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Lincolnshire

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

London Olympics

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Singing the dance, dancing the song. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 1-8. ISBN 9780199997169

Lorenz Hart

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. Oxford University Press, Oxford. ISBN 9780199929481 (In Press)

Machinima

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Maps

Symonds, Dominic (2015) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN UNSPECIFIED (In Press)

Mark E Smith

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford. (Unpublished)

Marketing

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Michel Serres

Thompson, Marie (2016) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury. ISBN UNSPECIFIED (Submitted)

Minstrel

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Mod

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Modding

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Monteverdi

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Movement

Morrad, Annie (2014) Triadic disturbances. [Show/Exhibition]

Mozart

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Music Consumption

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Music Piracy

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Music Theatre

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Singing the dance, dancing the song. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 1-8. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Music theatre

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Musical Dramaturgy

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Musical Motifs

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Musical Theatre

Symonds, Dominic (2015) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. Oxford University Press, Oxford. ISBN 9780199929481 (In Press)

Musical theatre

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Musicals

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. Oxford University Press, Oxford. ISBN 9780199929481 (In Press)

Nanoloop

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Noise

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2016) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury. ISBN UNSPECIFIED (Submitted)

Non-diegetic Music

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Oh

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Oklahoma!

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Opening Ceremony

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Opera

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Opera House

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Orchestration

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

PARIP

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Peak experiences

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Performance Cartography

Symonds, Dominic (2015) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN UNSPECIFIED (In Press)

Performativity

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Singing the dance, dancing the song. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 1-8. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Phase patterns

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Practice

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Practice as Research

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Putting it Together

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Recording

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Richard Rodgers

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. Oxford University Press, Oxford. ISBN 9780199929481 (In Press)

Robert Russell Bennett

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Rodgers and Hart

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. Oxford University Press, Oxford. ISBN 9780199929481 (In Press)

Shaw

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Showtune

Symonds, Dominic (2015) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN UNSPECIFIED (In Press)

Signifying Practice

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Silence

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Singing

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Sondheim

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Song

Symonds, Dominic (2015) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. Oxford University Press, Oxford. ISBN 9780199929481 (In Press)

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Song and Dance

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Singing the dance, dancing the song. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 1-8. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Song and dance

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Songsheet

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Sonic subcultures

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Sound

Morrad, Annie (2014) Triadic disturbances. [Show/Exhibition]

Spinoza

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2016) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury. ISBN UNSPECIFIED (Submitted)

Spirituality

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Sunday in the Park With George

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Sung

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Tamasha

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

The 1960s

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

The Fall

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford. (Unpublished)

The Song is You

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

The Voice: UK

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Theatre Music

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Three Tenors

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Throbbing Gristle

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

Tin Pan Alley

Symonds, Dominic (2015) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. Oxford University Press, Oxford. ISBN 9780199929481 (In Press)

Traditional Indian Theatre

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Transition

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Troubadour

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Typewriter art

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Typography

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Vedanta

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Video art

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

Videogame Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Videogame music

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Videogames

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Virtual Environments

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Visual Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Wagner

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Writing

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

aesthetic moralism

Thompson, Marie (2016) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury. ISBN UNSPECIFIED (Submitted)

aesthetics

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

affect

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle. (Unpublished)

Thompson, Marie (2016) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury. ISBN UNSPECIFIED (Submitted)

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin. (Unpublished)

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie and Fitzpatrick, Susan (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 . ISSN 0740-770X

affect theory

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

appropriation

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

audio production

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

avant-garde

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

aviation

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

bmjdoi

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

bmjholiday

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary. (Unpublished)

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool. (Unpublished)

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

bombing

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

classical music

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary. (Unpublished)

consciousness

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

consciousness studies

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

criticism

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

cyborg

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool. (Unpublished)

deterrent

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

drama

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

fabulation

Coley, Rob (2015) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan: cultural appropriations of an American icon. Manchester University Press. ISBN 9780719097164

femininity

Thompson, Marie and Fitzpatrick, Susan (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 . ISSN 0740-770X

feminism

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

fine arts

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

fire

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

first dance

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

frequency festival

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

gender

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Thompson, Marie and Fitzpatrick, Susan (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 . ISSN 0740-770X

hauntology

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

iftr

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

imposture

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

improvisation

Morrad, Annie (2014) Triadic disturbances. [Show/Exhibition]

industrial music

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

jazz

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance] (Unpublished)

liminality

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

literature

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

looping

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

lydia lunch

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool. (Unpublished)

madness

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

media image

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

mediapheme

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

minoritarian

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham. (Unpublished)

minoritarian culture

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

motion graphics

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

music

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

music theatre

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

musical score

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

muzak

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary. (Unpublished)

neon hunk

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool. (Unpublished)

noise

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin. (Unpublished)

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool. (Unpublished)

Thompson, Marie and Fitzpatrick, Susan (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 . ISSN 0740-770X

noise music

Thompson, Marie (2016) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury. ISBN UNSPECIFIED (Submitted)

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin. (Unpublished)

oaopen

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

online communities

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

opera

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

opera conductors

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

opera directors

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

opera singers

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

performance

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Thompson, Marie and Fitzpatrick, Susan (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 . ISSN 0740-770X

performative

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

performativity

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

poetry

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

popular music

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle. (Unpublished)

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

post-punk

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

post-punk music

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford. (Unpublished)

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham. (Unpublished)

powers of the false

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

promo

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

promoting

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

promotional

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

psychogeography

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

remixing

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

reworking

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

rhetoric

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

second-wave feminism

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle. (Unpublished)

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

signification

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

sirens

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

societies of control

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

song and dance

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

sonic warfare

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary. (Unpublished)

sonic weapons

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary. (Unpublished)

sound

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

sound design

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

space

Thompson, Marie and Fitzpatrick, Susan (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 . ISSN 0740-770X

spirituality

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

subjectivity

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

the Gothic

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

the extreme

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham. (Unpublished)

the gothic

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham. (Unpublished)

theatre

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

trailer

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

transgression

Thompson, Marie (2016) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury. ISBN UNSPECIFIED (Submitted)

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin. (Unpublished)

transition

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

untimely

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford. (Unpublished)

virality

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

vowel

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

wedding

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

women

Thompson, Marie and Fitzpatrick, Susan (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 . ISSN 0740-770X

This list was generated on Fri Mar 27 15:37:12 2015 GMT.