Items where Subject is "W Creative Arts and Design > W300 Music"

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Group by: Creators | Keywords | Item Type
8-bit 8-bit aesthetic Acting Animation Arrangement Art Beijing Olympics Bharatanatyam Blue Man Group Bob Dylan Brian Massumi Broadway C64 Cabaret Voltaire Chiptunes Choreography Community Composition Computer Games Concrete poetry Conducting Consumer Behaviour Context Critical impro Culture Dance Dance Your PhD Deconstruction Deleuze Deleuze and Guattari Derrida Digital Art Digital Media Digitised Dirty Dancing Dramaturgy Dreamgirls Drones Electronic Music Fan Art Fan-art Film Frequency Festival Gameboy Gilles Deleuze Hey Jude Identity Indian Music Industrial music Jacques Attali Jennifer Holliday Jennifer Hudson John Doyle Joni Mitchell Joy Division Judith Butler L'Orfeo LSDJ Last Choir Standing Lincolnshire London Olympics Lorenz Hart Machinima Maps Mark E Smith Meyer-Dinkgrafe Minstrel Mod Modding Monteverdi Mozart Music Consumption Music Piracy Music Theatre Music theatre Musical Theatre Musical theatre Musicals Nanoloop Oh Oklahoma! Opening Ceremony Opera Opera House Orchestration PARIP Peak experiences Performance Cartography Performativity Phase patterns Practice Practice as Research Putting it Together Recording Richard Rodgers Robert Russell Bennett Rodgers and Hart Showtune Signifying Practice Singing Sondheim Song Song and Dance Song and dance Songsheet Sonic subcultures Spirituality Sunday in the Park With George Sung Tamasha The 1960s The Fall The Song is You The Voice: UK Three Tenors Throbbing Gristle Tin Pan Alley Traditional Indian Theatre Transition Troubadour Typewriter art Typography Vedanta Video art Videogame Art Videogame music Videogames Virtual Environments Visual Art Wagner Writing affect theory appropriation audio production aviation bombing consciousness consciousness studies drama fabulation fine arts fire first dance frequency festival hauntology iftr imposture industrial music liminality literature looping media image mediapheme minoritarian minoritarian culture motion graphics music music theatre musical score noise online communities opera performance performative performativity poetry popular music post-punk post-punk music powers of the false promo promotional psychogeography remixing reworking rhetoric second-wave feminism signification societies of control song and dance spirituality subjectivity the Gothic the extreme the gothic theatre trailer transition untimely virality vowel wedding
Number of items at this level: 268.

8-bit

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

8-bit aesthetic

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Acting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Animation

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Arrangement

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Beijing Olympics

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Bharatanatyam

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Blue Man Group

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Bob Dylan

Coley, Rob (2014) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan. McFarland. ISBN UNSPECIFIED (In Press)

Brian Massumi

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

Broadway

Symonds, Dominic (2014) Broadway rhythm: imaging the city in song. Other. University of Michigan Press, Ann Arbor, MI. (In Press)

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2014) We'll have Manhattan: the early work of Rodgers and Hart, 1919-1931. Other. Oxford University Press. (In Press)

C64

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Cabaret Voltaire

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Chiptunes

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Choreography

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Community

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Composition

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Computer Games

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Concrete poetry

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Conducting

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Consumer Behaviour

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Context

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Critical impro

Symonds, Dominic (2014) Broadway rhythm: imaging the city in song. Other. University of Michigan Press, Ann Arbor, MI. (In Press)

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Culture

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Dance

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Dance Your PhD

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Deconstruction

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Deleuze

Coley, Rob (2014) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan. McFarland. ISBN UNSPECIFIED (In Press)

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

Deleuze and Guattari

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford. (Unpublished)

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham. (Unpublished)

Derrida

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Digital Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Digital Media

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

Digitised

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Dirty Dancing

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

Dramaturgy

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Dreamgirls

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Drones

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

Electronic Music

McSherry, David (2013) Frequency Festival 2013. [Composition]

McSherry, David (2010) SGT-400. [Composition]

McSherry, David (2011) White noise in the key of F. [Composition]

McSherry, David (2010) U∂+. [Composition]

McSherry, David and Cobby, Steve (2009) Nokia N97 TV ad campaign. [Composition]

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Fan Art

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Fan-art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Film

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Frequency Festival

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

Gameboy

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Gilles Deleuze

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

Hey Jude

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Identity

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Indian Music

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Industrial music

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Jacques Attali

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

Jennifer Holliday

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Jennifer Hudson

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

John Doyle

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Joni Mitchell

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

Joy Division

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Judith Butler

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

L'Orfeo

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

LSDJ

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Last Choir Standing

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Lincolnshire

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

London Olympics

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Singing the dance, dancing the song. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 1-8. ISBN 9780199997169

Lorenz Hart

Symonds, Dominic (2014) We'll have Manhattan: the early work of Rodgers and Hart, 1919-1931. Other. Oxford University Press. (In Press)

Machinima

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Maps

Symonds, Dominic (2014) Broadway rhythm: imaging the city in song. Other. University of Michigan Press, Ann Arbor, MI. (In Press)

Mark E Smith

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford. (Unpublished)

Meyer-Dinkgrafe

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Minstrel

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Mod

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Modding

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Monteverdi

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Mozart

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Music Consumption

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Music Piracy

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

Music Theatre

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Singing the dance, dancing the song. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 1-8. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Music theatre

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Musical Theatre

Symonds, Dominic (2014) Broadway rhythm: imaging the city in song. Other. University of Michigan Press, Ann Arbor, MI. (In Press)

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2014) We'll have Manhattan: the early work of Rodgers and Hart, 1919-1931. Other. Oxford University Press. (In Press)

Musical theatre

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Musicals

Symonds, Dominic (2014) We'll have Manhattan: the early work of Rodgers and Hart, 1919-1931. Other. Oxford University Press. (In Press)

Nanoloop

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Oh

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Oklahoma!

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Opening Ceremony

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Opera

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Opera House

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Orchestration

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

PARIP

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Peak experiences

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Performance Cartography

Symonds, Dominic (2014) Broadway rhythm: imaging the city in song. Other. University of Michigan Press, Ann Arbor, MI. (In Press)

Performativity

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Singing the dance, dancing the song. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 1-8. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Phase patterns

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Practice

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Practice as Research

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Putting it Together

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Recording

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Richard Rodgers

Symonds, Dominic (2014) We'll have Manhattan: the early work of Rodgers and Hart, 1919-1931. Other. Oxford University Press. (In Press)

Robert Russell Bennett

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Rodgers and Hart

Symonds, Dominic (2014) We'll have Manhattan: the early work of Rodgers and Hart, 1919-1931. Other. Oxford University Press. (In Press)

Showtune

Symonds, Dominic (2014) Broadway rhythm: imaging the city in song. Other. University of Michigan Press, Ann Arbor, MI. (In Press)

Signifying Practice

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Singing

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Sondheim

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Song

Symonds, Dominic (2014) Broadway rhythm: imaging the city in song. Other. University of Michigan Press, Ann Arbor, MI. (In Press)

Symonds, Dominic (2014) We'll have Manhattan: the early work of Rodgers and Hart, 1919-1931. Other. Oxford University Press. (In Press)

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Song and Dance

Symonds, Dominic and Taylor, Millie (2013) Performativity as community. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 259-262. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as context. In: Gestures of music theater: the perfomativity of song and dance. Oxford University Press, New York, pp. 161-164. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as identity. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 109-111. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Singing the dance, dancing the song. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 1-8. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as practice. In: Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York, pp. 209-212. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

Song and dance

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Songsheet

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Sonic subcultures

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Spirituality

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Sunday in the Park With George

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Sung

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Tamasha

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

The 1960s

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

The Fall

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford. (Unpublished)

The Song is You

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

The Voice: UK

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Three Tenors

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Throbbing Gristle

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

Tin Pan Alley

Symonds, Dominic (2014) Broadway rhythm: imaging the city in song. Other. University of Michigan Press, Ann Arbor, MI. (In Press)

Symonds, Dominic (2014) We'll have Manhattan: the early work of Rodgers and Hart, 1919-1931. Other. Oxford University Press. (In Press)

Traditional Indian Theatre

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Transition

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Troubadour

Symonds, Dominic (2013) '"The song's the thing": capturing the "sung" to make it "song"'. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 9-21. ISBN 9780199997169

Typewriter art

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Typography

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

Vedanta

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Video art

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

Videogame Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Videogame music

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Videogames

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Virtual Environments

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Visual Art

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Wagner

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Writing

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

Symonds, Dominic and Taylor , Millie (2013) Performativity as writing. In: Gestures of Music Theatre: the Performativity of Song and Dance. Oxford University Press, New York, pp. 293-297. ISBN 9780199997169

affect theory

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

appropriation

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

audio production

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

aviation

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

bombing

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

consciousness

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

consciousness studies

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

drama

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

fabulation

Coley, Rob (2014) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan. McFarland. ISBN UNSPECIFIED (In Press)

fine arts

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

fire

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

first dance

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

frequency festival

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

hauntology

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

iftr

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

imposture

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

industrial music

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

liminality

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

literature

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

looping

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

media image

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

mediapheme

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

minoritarian

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham. (Unpublished)

minoritarian culture

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

motion graphics

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

music

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

music theatre

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

musical score

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

noise

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

online communities

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

opera

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

performance

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

performative

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

performativity

Symonds, Dominic and Taylor, Millie (2013) Performativity as dramaturgy. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 37-40. ISBN 9780199997169

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

poetry

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

popular music

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

post-punk

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

post-punk music

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford. (Unpublished)

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham. (Unpublished)

powers of the false

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

promo

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

promotional

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video] (Unpublished)

psychogeography

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Show/Exhibition]

remixing

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

reworking

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

rhetoric

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

second-wave feminism

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

signification

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

societies of control

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University. (Unpublished)

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

song and dance

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

spirituality

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

subjectivity

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds. (Unpublished)

the Gothic

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

the extreme

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham. (Unpublished)

the gothic

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham. (Unpublished)

theatre

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

trailer

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

transition

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

untimely

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford. (Unpublished)

virality

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

vowel

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

wedding

Symonds, Dominic and Taylor, Millie (2013) Performativity as transition. In: Gestures of music theater: the performativity of song and dance. Oxford University Press, New York, pp. 71-74. ISBN 9780199997169

This list was generated on Sat Apr 19 00:33:06 2014 BST.