Items where Subject is "W Creative Arts and Design > W300 Music"

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Number of items at this level: 173.

B

Balosso-Bardin, Cassandre (2018) Castelo Branco, Salwa El Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press, 137pp., CD and a companion website. Cuadernos de ETNOmusicología, 11 (1). pp. 13-15. ISSN 2014-4660

Balosso-Bardin, Cassandre (2028) Review: Castelo-Branco, Salwa El-Shawan y Moreno Fernández, Susana. 2018. Music in Portugal and Spain: Experiencing Music, Expressing Culture. Oxford: Oxford University Press. Cuadernos de ETNOmusicología, 11 . pp. 10-12. ISSN 2014-4660

Balosso-Bardin, Cassandre (2016) Xeremiers de Sa Calatrava, from heyday to unemployment: a life dedicated to the xeremies, the Mallorcan bagpipes. Yearbook for Traditional Music, 48 . pp. 48-70. ISSN 0740-1558

Balosso-bardin, Cassandre (2018) #NoBordersTour. Världens Band: creating and performing music across borders. The World of Music, 7 (2). ISSN 0043-8774

Balosso-bardin, Cassandre (2016) Oral transmission in French conservatoires: towards a hybrid learning strategy? Journal of the Vernacular Music Centre, 1 (2). ISSN .

Balosso-bardin, Cassandre (2018) Unidos por la diversidad: un viaje gastronómico y musical por Baleares. In: Unidos por la diversidad: un viaje gastronómico y musical por Baleares, 21 March 2018, Brussels.

Balosso-bardin, Cassandre (2016) A musician in the field: the productivity of performance as an intercultural research tool. In: The Routledge international handbook for international arts research. Routledge International Handbooks of Education . Routledge. ISBN 9781138909939

Balosso-bardin, Cassandre (2013) The xeremies in Mallorca: an introduction. Piping Today Magazine, 66 . pp. 42-45. ISSN 1479-7143

Balosso-bardin, Cassandre and Ernoult, Augustin and de la Cuadra, Patricio and Fabre, Benoit and Franciosi, Ilya (2018) The secret of the bagpipes: controlling the bag. Techniques, skill and musicality. The Galpin Society Journal, 71 . ISSN 0072-0127

Balosso-bardin, Cassandre and Landes, Roger and Faulker, David and Moreno, Susana and Trujillo, Candid and Torrens, Toni (2018) Fourth International Bagpipe Conference. [Event, Show or Exhibition]

Balosso-bardin, Cassandre and de la Cuadra, Patricio (2017) Autour des instruments de musique, une recherche pluridisciplinaire. Culture et Recherche - Scenes de Recherche, 135 . p. 47. ISSN 0765-5991

C

Charnock, Ruth (2015) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira''. In: Court and Spark: An International Symposium on the Work of Joni Mitchell, 3 July 2015, University of Lincoln.

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Charnock, Ruth (2017) Creepy / sexy: father figures and pop music. In: Under my thumb: the songs that hate women and the women that love them. Repeater Books. ISBN UNSPECIFIED

Charnock, Ruth (2018) Joni Mitchell: New Critical Readings. Music and Sound Studies . Bloomsbury Publishing. ISBN 9781501332098

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences, 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences, 2 (13). pp. 88-100. ISSN UNSPECIFIED

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216

Charnock, Ruth and David, Andrew (2015) Interview with Andrew David on Joni Mitchell [Siren FM]. [Audio]

Charnock, Ruth and Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Charnock, Ruth and West, Mark (2016) Write in tune: contemporary music in fiction [Erich Hertz and Jeffrey Roessner (eds.), New York: Bloomsbury]. C21 Literature: Journal of 21st-century Writings, 4 (1). pp. 1-10. ISSN 2045-5216

Coley, Rob (2015) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan: cultural appropriations of an American icon. Manchester University Press. ISBN 9780719097164

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

D

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

E

Efthymiou, L. (2016) Devising an opera: Myisi. Contemporary Music Review, 35 (6). pp. 599-611. ISSN 0749-4467

Efthymiou, Litha (2013) Bustling. [Composition]

Efthymiou, Litha (2017) Devising music. [Project]

Efthymiou, Litha (2012) Egg soldiers. [Composition]

Efthymiou, Litha (2017) Iberian refractions. [Composition]

Efthymiou, Litha (2014) Kalyani. [Composition]

Efthymiou, Litha (2016) Let him kiss me with the kiss of his mouth. [Composition]

Efthymiou, Litha (2017) Moments held. [Composition]

Efthymiou, Litha (2015) Myisi [flute and electronics]. [Composition]

Efthymiou, Litha (2017) Present shadows [flute, clarinet, piano, cello, double bass]. [Composition]

Efthymiou, Litha (2017) Reimagining old Hispanic melisma. [Project]

Efthymiou, Litha (2018) Reimagining the Old Hispanic Liturgy. In: Music, Medievalism and Modernism: Between Old and New, 27-28 June 2018, University of Huddersfield.

Efthymiou, Litha (2016) Rituals to mould her with. [Composition]

Efthymiou, Litha (2017) Riversong. [Composition]

Efthymiou, Litha (2013) States of ice: diamond dust. [Composition]

Efthymiou, Litha (2015) Tread softly [string quartet]. [Composition]

Ernoult, Augustin and Fabre, Benoit and Balosso-bardin, Cassandre and Franciosi, Ilya and de la Cuadra, Patricio (2017) Music in a bag? Controlling the bag of Majorcan and Galician bagpipes. Journal of the Acoustical Society of America (142). pp. 1454-1465. ISSN 0001-4966

F

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

K

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford.

L

Lockwood, Dean (2017) Blackened puppets: Chris Cunningham's weird anatomies. In: Music/video: histories, aesthetics, media. Bloomsbury, London, UK, pp. 195-207. ISBN 9781501313905

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

M

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

McSherry, David (2018) Bummock: The Lace Archive [Soundtrack composition]. [Event, Show or Exhibition]

McSherry, David (2013) Frequency Festival 2013. [Composition]

McSherry, David (2016) Geom - multichannel performance. [Performance]

McSherry, David (2015) Liberator [Frequency 2015]. [Composition]

McSherry, David (2015) Lighting up Lincolnshire. [Composition]

McSherry, David (2016) The Russell Chantry: Lothar Götz/ Duncan Grant. [Event, Show or Exhibition]

McSherry, David (2010) SGT-400. [Composition]

McSherry, David (2010) U∂+. [Composition]

McSherry, David (2011) White noise in the key of F. [Composition]

McSherry, David and Cobby, Steve (2009) Nokia N97 TV ad campaign. [Composition]

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2016) Holistic experience of opera and the International Opera Theater (IOT). Studies in Spirituality, 26 . pp. 373-392. ISSN 0926-6453

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2018) Laced. [Audio]

Morrad, Annie (2015) Summer lodge residency. soundcloud.

Morrad, Annie (2016) Tactics of interruption. [Performance]

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2018) Documents, alternatives #2. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2017) Lack of chairs. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

Morrad, Annie and McArthur, Ian (2018) Wave Farm Radio. [Performance]

Morrad, Annie and McArthur, Ian (2018) The grid. [Project]

Morrad, Annie and McArthur, Ian and Oliver, Ross (2016) Itinerant mind. [Event, Show or Exhibition]

O

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance]

R

Rekret, Paul and Thompson, Marie (2017) Beholder halfway #25: beyond unwanted sound with Marie Thompson. [Audio]

Rush, Adam (2015) Creating musical theatre: conversations with Broadway directors and choreographers by Lyn Cramer [London and New York: Bloomsbury Methuen Drama, 2013]. Platform: Postgraduate Journal of Theatre Arts, 9 (1). pp. 77-81. ISSN 1751-0171

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College.

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln.

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester.

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield.

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle.

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln.

Rush, Adam (2013) West End Broadway: the golden age of the American musical in London by Adrian Wright Woodbridge [London: The Boydell Press, 2012]. Platform: Postgraduate Journal of Theatre Arts, 7 (2). pp. 92-95. ISSN 1751-0171

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

S

Scheer, Anna (2017) 'The Berlin Republic – or the Ring in Africa’: contemporary German politics as theatrical farce. In: Art of Wagnis: Christoph Schlingensief's crossing of Wagner and Africa. Verlag für moderne Kunst, Vienna, pp. 62-76. ISBN 9783903131484

Scheuregger, Martin (2012) Be silent. [Performance]

Scheuregger, Martin (2015) Be silent [solo piano]. [Composition]

Scheuregger, Martin (2015) Be still. [Performance]

Scheuregger, Martin (2015) Be still [marimba and harp]. [Composition]

Scheuregger, Martin (2015) Creating and understanding musical fragments. [Project]

Scheuregger, Martin (2015) Creating continuity and fragments. In: Centre for Research in New Music (CeReNeM) Colloquia Series, 10 March 2015, Huddersfield, UK.

Scheuregger, Martin (2014) Fragment, time and memory: unity in Kurtág's Kafka Fragments. Contemporary Music Review, 33 (4). pp. 408-427. ISSN 0749-4467

Scheuregger, Martin (2014) Fragmentation in the music of György Kurtág. In: Poetics of Collage, 16 may 2014, London, UK.

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2013) In that solitude. [Video]

Scheuregger, Martin (2013) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude. [Performance]

Scheuregger, Martin (2015) In that solitude [violin and piano]. [Composition]

Scheuregger, Martin (2015) Inventing fragments, manipulating time. In: The Making of Musical Time: Temporality in Musical Composition and Performance (Orpheus Institute), 25-26 Feb 2015, Ghent, Belgium.

Scheuregger, Martin (2015) Responding to the modernist fragment. Textual Practice, 30 (1). pp. 3-10. ISSN 0950-236X

Scheuregger, Martin (2016) The fragment and the fragmentary in the music of György Kurtág. In: Musicological Conference on the 90th Birthday of György Kurtág, 2-3 June 2016, Budapest, Hungary.

Scheuregger, Martin Daniel (2015) Conceptions of time and form in twentieth and twenty-first-century music. PhD thesis, University of York.

Smith, Neil Thomas and Thwaites, Rachel (2018) Narratives of originality in competitive composition opportunities for 'emerging composers'. Tempo, 72 (283). pp. 45-55. ISSN 0040-2982

Smith, Neil Thomas and Thwaites, Rachel (2018) The composition of precarity: ‘emerging’ composers’ experiences of opportunity culture in contemporary classical music. British Journal of Sociology . ISSN 0007-1315

Symonds, Dominic (2017) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN 9780472130597, 9780472123339

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

T

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Academic. ISBN 9781501313301, 9781501313318

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

Thompson, Marie (2016) Damnable practises: Witches, dangerous women, and music in the seventeenth-century English broadside ballads [Sarah F. Williams: Farnham: Ashgate, 2015]. Women & Music: A Journal of Gender and Culture, 20 . pp. 118-122. ISSN 1090-7505

Thompson, Marie (2017) Experimental music and the question of what a body can do. In: Musical encounters with Deleuze and Guattari. Bloomsbury, pp. 149-167. ISBN 9781501316746

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Thompson, Marie (2016) Low quality sonic snapshots: the smartphone as a feminized recording device. Sound::Gender::Feminism::Activism Zine . pp. 29-30. ISSN .

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

Thompson, Marie (2016) Power over, power to: affect, music and contestations of social space. In: Popular Music and Power: Sonic Materiality between Cultural Studies and Music Analysis, 24-25 June 2016, Humboldt University, Berlin.

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary.

Thompson, Marie (2017) Sounding the revanchist city. In: Conversations in Sound and Power, 31 March 3017, Utrecht University.

Thompson, Marie (2017) Spinoza and musical power. In: Spinoza's Artes, 11 August 2017, University of Sydney.

Thompson, Marie (2017) To soothe or remove? Affect, revanchism and the weaponized use of classical music. Communication and the Public, 2 (4). pp. 272-283. ISSN 2057-0473

Thompson, Marie (2016) UK music venues and the auditory politics of gentrification. Dancehall, 12 . pp. 3-8. ISSN .

Thompson, Marie (2017) Uterine audiophilia: feminized mediation, pre-natal speakers and sonic reproduction. In: Research Colloquium, 7 November 2017, Oxford University.

Thompson, Marie (2017) Uterine soundsystems, feotal 'listening' and the auditory politics of the future. In: The Future Sound of Pop Music, 30 November - 2 December 2017, University of the Arts, Bern.

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

Thompson, Marie (2017) Whiteness and the ontological turn in sound studies. Parallax, 23 (3). pp. 266-282. ISSN 1353-4645

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

W

Westerside, Andrew and Blain, Martin and Turner, Jane (2016) Through collaboration to sharawadji: immediacy, mediation and the voice. Theatre and Performance Design, 2 (3-4). pp. 293-311. ISSN 2332-2578

Westerside, Andrew and Lawrence, Conan and Wilde, Mark and Baynton, Rachel (2016) Fallen. [Audio]

Whittaker, Jason (2018) Blake and Music. Blake, An Illustrated Quarterly, 52 (1). ISSN 0160-628X

Whittaker, Jason (2019) Blake and the new Jerusalem: a very English form of modernism. Visual Culture in Britain . ISSN 1471-4787

Whittaker, Jason (2012) Mental fight, corporeal war and righteous dub: the struggle for 'Jerusalem', 1979-2009. In: Blake 2.0: William Blake in twentieth-century art, music and culture. Palgrave, pp. 263-273. ISBN 9780230280335

Whittaker, Jason (2016) The pornography of science: Curtis, Ballard and Burroughs. In: Joy devotion: the importance of Ian Curtis and fan culture. Headpress, pp. 34-40. ISBN UNSPECIFIED

This list was generated on Wed Oct 17 11:40:13 2018 BST.