Items where Subject is "W Creative Arts and Design > W300 Music"

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Number of items at this level: 94.

C

Charnock, Ruth (2015) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira''. In: Court and Spark: An International Symposium on the Work of Joni Mitchell, 3 July 2015, University of Lincoln. (Unpublished)

Charnock, Ruth (2014) '"As the road leads cursed and charmed": the disappointed traveller in Joni Mitchell's 'Hejira.''. In: EMP Pop Music Conference, 2014, 24-27 April 2014, EMP Museum, Seattle.

Charnock, Ruth (2014) By heart: caring about music in Dana Spiotta's Eat the Document. In: 21st century research seminar series, 3rd December, 2014, University of Lincoln.

Charnock, Ruth (2017) Creepy / sexy: father figures and pop music. In: Under my thumb: the songs that hate women and the women that love them. Repeater Books. ISBN UNSPECIFIED

Charnock, Ruth (2012) Joni Mitchell: music and feminism. United Academics: Journal of Social Sciences , 2 (12). pp. 90-107. ISSN UNSPECIFIED

Charnock, Ruth (2012) 'Things ain’t what they used to be’: Marvin Gaye and the making of “What’s Going On”. United Academics: Journal of Social Sciences , 2 (13). pp. 88-100. ISSN UNSPECIFIED

Charnock, Ruth (2015) Write in tune: contemporary music in fiction [ed. Erich Hertz and Jeffrey Roessner]. C21, 4 (1). ISSN 2045-5216 (In Press)

Charnock, Ruth and David, Andrew (2015) Interview with Andrew David on Joni Mitchell [Siren FM]. [Audio]

Charnock, Ruth and Marom, Malka and OMeara, Adam (2015) Malka Marom in conversation with Dr Ruth Charnock [Court and Spark: An International Symposium on the Work of Joni Mitchell]. [Video]

Charnock, Ruth and West, Mark (2016) Write in tune: contemporary music in fiction [Erich Hertz and Jeffrey Roessner (eds.), New York: Bloomsbury]. C21 Literature: Journal of 21st-century Writings, 4 (1). pp. 1-10. ISSN 2045-5216

Coley, Rob (2015) 'I don’t believe you...you’re a liar': the fabulatory function of Bob Dylan. In: Refractions of Dylan: cultural appropriations of an American icon. Manchester University Press. ISBN 9780719097164

Coley, Rob and White, Joanna and McSherry, David and Cooper, Graham (2013) Airminded. [Event, Show or Exhibition]

Cooper, Graham and McSherry, David (2011) Frequency Festival [promotional trailer 2011]. [Video]

Cooper, Graham and McSherry, David (2013) Frequency Festival [promotional trailer 2013]. [Video]

Cooper, Graham and McSherry, David (2015) Frequency Festival [promotional trailer 2015]. [Video]

Cooper, Graham and McSherry, David (2014) University of Lincoln cinema ad 2014. [Video]

D

Dean, Robert (2012) Anempathetic music in Chekhov’s The Cherry Orchard. UPSTAGE: A journal of turn-of-the-century theatre (4). ISSN 2045-1024

Dean, Robert (2011) Diegetic musical motifs in Ibsen’s A Doll’s House and John Gabriel Borkman. Ibsen Studies, 11 (1). pp. 51-70. ISSN 1502-1866

Dean, Robert (2012) Naturalising the artifice: the integration of diegetic theatre music. Studies in Musical Theatre, 5 (3). pp. 257-270. ISSN 1750-3159

Dean, Robert and Challis, Ben (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Dilmperi, Athina and King, Tamira and Dennis, Charles (2011) Pirates of the web: the curse of illegal downloading. Journal of Retailing and Consumer Services, 18 (2). pp. 132-140. ISSN 0969-6989

F

Fitzpatrick, Susan and Thompson, Marie (2015) Making space: a conversation about women and the performance of free noise. Women and Performance: A Journal of Feminist Theory, 25 (2). pp. 237-248. ISSN 0740-770X

K

Kearns, Janice and Lockwood, Dean (2010) As if we didn't know who he was: Mark E. Smith's untimeliness. In: Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music . Ashgate. ISBN 9780754668626

Kearns, Janice and Lockwood, Dean (2008) As if we didn’t know who he was: The untimely power of Mark E Smith and The Fall. In: Messing Up The Paintwork: The aesthetics and politics of Mark E Smith and The Fall, 9 May 2008, University of Salford.

L

Lockwood, Dean (2010) Dead souls: post-punk music as hauntological trigger. In: Twenty-first century gothic. Cambridge Scholars Publishing, pp. 99-112. ISBN 9781443823890

Lockwood, Dean (2015) Ghosts of the gristleized. In: Monstrous media/spectral subjects: imaging gothic from the nineteenth century to the present. International Gothic . Manchester University Press, Manchester. ISBN 9780719089770

Lockwood, Dean (2009) Ghosts of the gristleized: Throbbing Gristle, hauntology and control. In: Monstrous Media/Spectral Subjects, the Ninth Biennial Conference of the International Gothic Association, 21-24 July 2009, Lancaster University.

Lockwood, Dean (2009) Just step sideways: The pragmatics of post-punk as resistance. In: Post-punk performance: the alternative 80s in Britain, 9 September 2009, School of Performance and Cultural Industries, University of Leeds.

Lockwood, Dean (2009) Post-punk gothic and the turn to the extreme. In: Twenty-First Century Gothic symposium, 17 January 2009, St. Mary’s University College, Strawberry Hill, Twickenham.

Lockwood, Dean (2013) Spread the virus: affective prophecy in industrial music. In: Sound, music, affect: theorizing sonic experience. Bloomsbury. ISBN 9781441126344

M

Madhavan, Arya (2007) Actors and acting: India. In: Encyclopedia of Asian theatre. Greenwood Press, Westport CT, USA, pp. 10-11. ISBN 0313335303

Madhavan, Arya (2017) Between roars and tears: towards a female Kathakali. In: Women in Asian performance: aesthetics and politics. Routledge. ISBN UNSPECIFIED (In Press)

Madhavan, Arya (2016) Dance in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 97-100. ISBN 9780415821551

Madhavan, Arya (2016) Music in traditional Indian theatre: India. In: Routledge handbook of Asian theatre. Routledge, pp. 131-133. ISBN 9780415821551

Madhavan, Arya (2016) Traditional Asian performance in modern and contemporary times: India. In: Routledge handbook of Asian theatre. Routledge, pp. 480-484. ISBN 9780415821551

McSherry, David (2013) Frequency Festival 2013. [Composition]

McSherry, David (2015) Liberator [Frequency 2015]. [Composition]

McSherry, David (2015) Lighting up Lincolnshire. [Composition]

McSherry, David (2016) The Russell Chantry: Lothar Götz/ Duncan Grant. [Event, Show or Exhibition]

McSherry, David (2010) SGT-400. [Composition]

McSherry, David (2011) White noise in the key of F. [Composition]

McSherry, David (2010) U∂+. [Composition]

McSherry, David and Cobby, Steve (2009) Nokia N97 TV ad campaign. [Composition]

McSherry, David and Walsh, Michelle and Korwin-Sleprowonski, Adam and Mcluskey, Nikki (2011) The silence. [Composition]

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580 , 9781443834582

Meyer-Dinkgräfe, Daniel (2013) Fire and the development from unmanifest to manifest creation. Performance Research, 18 (1). pp. 136-138. ISSN 1352-8156

Meyer-Dinkgräfe, Daniel (2011) Opera and spirituality. Performance and Spirituality, 2 (1). pp. 38-59. ISSN 2157-4049

Meyer-Dinkgräfe, Daniel (2014) Opera criticism: state of the art and beyond. In: Opera in the media age: essays on art, technology and popular culture. McFarland, Jefferson, pp. 43-64. ISBN 9780786473298, 9781476616209

Meyer-Dinkgräfe, Daniel (2013) Theatre, opera and consciousness: history and current debates. Consciousness, Literature and the Arts, 33 . Rodopi, Amsterdam. ISBN 9789042036635, 9789401209298

Meyer-Dinkgräfe, Daniel (2015) Werktreue and Regieoper. In: Music on stage. Cambridge Scholars Publishing, Newcastle, pp. 8-27. ISBN 1443876038, 9781443876032

Mitchell, Grethe and Clarke, Andy (2013) Introduction. In: Videogames and Art [Second Edition]. University of Chicago Press and Intellect Books, Chicago, USA and Bristol, UK. ISBN 9781841504193

Mitchell, Grethe and Clarke, Andy (2007) Videogame Music: chiptunes byte back? In: Situated Play: DiGRA 2007 Conference Proceedings. Interfaculty Initiative in Information Studies, University of Tokyo., Tokyo, pp. 393-399. ISBN UNSPECIFIED

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2015) Summer lodge residency. soundcloud.

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2014) UmWeltenplus. [Performance]

O

O'Thomas, Mark (2007) Chet Baker: speedball. [Performance] (Unpublished)

R

Rush, Adam (2015) Creating musical theatre: conversations with Broadway directors and choreographers by Lyn Cramer [London and New York: Bloomsbury Methuen Drama, 2013]. Platform: Postgraduate Journal of Theatre Arts, 9 (1). pp. 77-81. ISSN 1751-0171

Rush, Adam (2016) Everything’s coming Up Twitter: social media as research tool and ‘Text’. In: 'Putting it Together': Investigating Sources for Musical Theatre Research, 10-12 May 2016, University of Sheffield.

Rush, Adam (2014) 'It’s just a jump to the past': subverting intertextual otherness in The Rocky Horror Show. In: 5th International “Music on Stage” Conference, 18th-19th October 2014, Rose Bruford College. (Unpublished)

Rush, Adam (2015) Lavatories, loo roll and love ballads: risking the traditional model in Urinetown. In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Rush, Adam (2014) The Mormon guide to Twitter: musicals, marketing and fan culture madness. In: EMUA Student Conference 2014, 18th September 2014, University of Leicester. (Unpublished)

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: University of Lincoln Postgraduate Conference, 26th March 2015, University of Lincoln. (Unpublished)

Rush, Adam (2015) Mormonism in 140 characters: marketing liveness in cyberspace (and back again). In: TaPRA Postgraduate Symposium 2015, 7th February 2015, University of Manchester. (Unpublished)

Rush, Adam (2016) No place like home: intertextual thresholds and the national mythmaking qualities of The Wizard of Oz. In: TaPRA Postgraduate Symposium 2016, 6th February 2016, University of Sheffield. (Unpublished)

Rush, Adam (2015) Oh, what a beautiful Mormon: tracing Rodgers and Hammerstein within The book of Mormon. In: BAAS Annual Conference 2015, 9th-12th April 2015, University of Newcastle. (Unpublished)

Rush, Adam (2015) So Lauren Bacall me: musical theatre and the fluidity of iconicity. In: Song, Stage and Screen X, 24th-26th June 2015, Regent's University London.

Rush, Adam (2015) Theatrical cannibalism (3MT - May 2015). [Event, Show or Exhibition]

Rush, Adam (2015) We go together: considering collaboration in musical theatre research. In: EMUA Student Conference 2015, 3rd September 2015, University of Lincoln. (Unpublished)

Rush, Adam (2013) West End Broadway: the golden age of the American musical in London by Adrian Wright Woodbridge [London: The Boydell Press, 2012]. Platform: Postgraduate Journal of Theatre Arts, 7 (2). pp. 92-95. ISSN 1751-0171

Rush, Adam (2016) “…that you might find in a musical”: reclaiming intertextual traditions in Urinetown. In: Song, Stage and Screen XI, 27-30th June 2016, City College of New York.

S

Symonds, Dominic (2016) Broadway rhythm: imaging the city in song. University of Michigan Press, Ann Arbor, MI. ISBN UNSPECIFIED (In Press)

Symonds, Dominic (2011) Orchestration and arrangement: creating the Broadway sound. In: Oxford handbook of the American musical. Oxford University Press, New York, pp. 266-280. ISBN 0195385942

Symonds, Dominic (2013) "Powerful spirit": notes on some practice as research. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 209-228. ISBN 9789042036918

Symonds, Dominic (2009) Putting it together and finishing the hat? Deconstructing the art of making art. Contemporary Theatre Review, 19 (1). pp. 101-112. ISSN 1048-6801

Symonds, Dominic (2015) We'll have Manhattan: the early work of Rodgers and Hart. The Broadway Legacies Series, 8 . Oxford University Press, Oxford. ISBN 9780199929481

Symonds, Dominic (2008) The story of Oh: the aesthetics and rhetoric of a common vowel sound. Studies in Musical Theatre, 2 (3). pp. 245-259. ISSN 1750-3159

Symonds, Dominic and Karantonis, Pamela (2013) Empty houses, booming voices. In: The legacy of opera: reading music theatre as experience and performance. Themes in Theatre (7). Rodopi, Amsterdam, pp. 11-24. ISBN 9789042036918

Symonds, Dominic and Karantonis, Pamela (2013) The legacy of opera: reading music theatre as experience and performance. Themes in Theatre: Collective Approaches to Theatre and Performance, 7 . Rodopi Press, Amsterdam. ISBN 9789042036918

Symonds, Dominic and Taylor, Millie (2013) Gestures of music theatre: the performativity of song and dance. Oxford University Press, New York. ISBN 9780199997169

T

Thompson, Marie (2013) Acoustic ecology, aesthetic moralism and the politics of silence. In: Alterity, Intersubjectivity, Ethics, September 2013, University of Cambridge.

Thompson, Marie (2017) Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury. ISBN 9781501313301, 9781501313318 (In Press)

Thompson, Marie (2016) Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter. N.Paradoxa, 37 . pp. 5-11. ISSN 1461-0434

Thompson, Marie (2016) Feminised noise and the 'dotted line' of sonic experimentalism. Contemporary Music Review, 35 (1). pp. 85-101. ISSN 0749-4467

Thompson, Marie (2013) Gossips, sirens, hi-fi wives: feminizing the threat of noise. In: Resonances: Noise and Contemporary Music. Bloomsbury, pp. 297-311. ISBN 9781441159373

Thompson, Marie (2015) Noise, affect and the poetics of transgression. In: CTM Festival, February 2015, Berlin.

Thompson, Marie (2010) Releasing the inner idiot: noise music, marginality and madness. In: Bigger than Words, Wider than Pictures: Noise, Affect, Politics, July 2010, University of Salford.

Thompson, Marie (2015) Rough Muzak: affect and the weaponised use of classical music. UnTune Magazine: CTM 2015 . pp. 54-57. ISSN n/a

Thompson, Marie (2013) Rough muzak: on the weaponised use of classical music. In: Shimmering, Shining, Vomiting, Glitter: The Poetics and Politics of Disgust, November 2013, Nottingham Contemporary.

Thompson, Marie (2011) Voicing the cyborg: the political potential of noise music. In: International Association for the Study of Popular Music Postgraduate Conference, June 2011, University of Liverpool.

Thompson, Marie (2013) What's so difficult about 'difficult music'? In: Convention, Habit, <or> Custom, May 2013, The NewBridge Project, Newcastle upon Tyne.

Thompson, Marie (2016) The noise that doesn't need me. In: Sound I'm Particular, 16 5 April 2016, The Old Fire Station, Oxford.

Tullett, Barrie (2011) A poem to Philip Glass. [Artefact]

This list was generated on Tue Sep 27 02:40:53 2016 BST.