Items where Subject is "W100 Fine Art"

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Article

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2). ISSN UNSPECIFIED

Bracey, Andrew (2017) Parasitical glimpses in Münster and Kassel. an Interface . ISSN .

Bracey, Andrew (2018) Parasitical paintings. Journal of Contemporary Painting, 4 (2). pp. 325-344. ISSN 2052-6695

Bracey, Andrew (2013) A centre on the periphery: Lincoln’s artist run scene. Artist Newsletter (A-n) . ISSN UNSPECIFIED

Bracey, Andrew (2014) The magic behind the projectionist's booth. Garageland, 16 . ISSN 1749-9267

Bracey, Andrew (2016) The re: are they always doing it again? Garageland: art, culture and ideas, 20 . pp. 50-55. ISSN .

Bracey, Andrew and Dutton, Steve (2018) An Obstract for Midpointness. RUUKKU, 8 . ISSN 2341-9687

Bull, John (2018) Introduction. Journal of Contemporary Drama in English, 6 (1). ISSN 2195-0164

Campbell, Lee (2017) Anticipation, action and analysis: A new methodology for practice as research. PARtake: e Journal of Performance as Research: Vol. 1 : Iss. 2 , Article 7., 1 (2). ISSN 2472-0860

Campbell, Lee (2014) Beyond Pollock: on visual art objects as non-traditional forms of performance document. International Journal of Performance Arts and Digital Media, 10 (1). pp. 35-47. ISSN 1479-4713

Campbell, Lee (2016) Cinematic interruptions. Viewfinder online . ISSN .

Campbell, Lee (2017) Collaborators and hecklers: Performative pedagogy and interruptive processes. Scenario, XI (1). pp. 33-64. ISSN 1649-8526

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Campbell, Lee (2017) Technoparticipation: the use of digital realia in arts education. Spark: UAL Creative Teaching and Learning Journal, 2 (3). pp. 179-195. ISSN 2397-6594

Campbell, Lee (2017) You don't need eyes to see, you need vision: performative pedagogy, technology and teaching art to students with vision impairment. Journal of Pedagogic Development, 7 (3). ISSN 2047-3257

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Campbell, Lee, McCall, Carali and Lee, Adrian (2017) Sight (un)specific: performance as research predicated upon deploying acts of visual negation. Body, Space, Technology, 16 . ISSN 1470-9120

Capon, Robin and Healey, Michael (2011) The essence of the subject. The Artist (174). ISSN 0004-3877

Chapman, David and Wilson, Louise K. (2011) The caress of the audible: Re-sounding Falkland. Social Semiotics, 21 (4). pp. 517-529. ISSN 1035-0330

Connelly, Heather (2018) Translation Zone(s): A Stuttering: An Experiential Approach to Linguistic Hospitality. Open Cultural Studies, 2 (1). pp. 162-174. ISSN 2451-3474

Dutton, Steve (2010) The Biennial's radical heart. a-n magazine . ISSN UNSPECIFIED

Edwards, Paul (2003) Fresh start. a-n magazine . p. 45. ISSN 0261-3425

Eisner, Cilla (2016) Collagegrids: generative metaphor and emergent composition. The interplay of inherited tradition with human agency in fine art practice. Journal of Visual Art Practice, 15 (1). pp. 50-62. ISSN 1470-2029

Fossey, Steve (2019) Bites of Passage: Thresholds, Permeability and Hand-Fed Food for Thought. Body, Space & Technology . pp. 215-234. ISSN 1470-9120

Fossey, Steve (2012) Trying to make more sense: an introduction, beginning and reflection of a dialogic performance. Activate, 2 . ISSN UNSPECIFIED

Fossey, Steve (2019) An imbricated drawing ontology: Economies of pattern, chaos and scale. Drawing (Journal) Research, Theory, Practice, 4 (1). pp. 121-131. ISSN 2057-0384

Healey, Michael (2007) Capturing the mood of the moment. The Artist . pp. 10-11. ISSN UNSPECIFIED

Hildebrandt, Antje (2015) Participation and spectatorship in Tino Sehgal’s These associations. Choreographic Practices, 6 (1). ISSN 2040-5669

Hudson, John (2010) Avatars, Frankenstein, computer games, science fiction and otherness. Digital Imaging and Photography . ISSN UNSPECIFIED

Hudson, John (2010) Cyberhistories: cyberspace, cyber art and cyberculture. Digital Imaging and Photography . ISSN UNSPECIFIED

Klee, Steve (2018) Inhumanist art and the decolonisation of nature. Antennae: The Journal of Nature in Visual Culture, 44 . pp. 4-19. ISSN 1756-9575

Klee, Steve (2013) Rancière against the Cuts: activist demands are aesthetic. Third Text, 27 (2). pp. 177-188. ISSN 0952-8822

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Lang, Martin (2017) Against life drawing. The Jackdaw (136). p. 31. ISSN 1474-3914

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Lang, Martin (2019) Occupying Space Across Time: From Les Enragés to Los Indignados. Trebuchet (6). pp. 12-22. ISSN 1753-030X

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Lang, Martin and Grimwood, Tom (2012) Militant training camp and the aesthetics of civil disobedience. Krisis Journal for Contemporary Philosophy (3). pp. 37-48. ISSN 0168-275X

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Lavery, Carl and Hassall, Lee (2015) A future for Hashima: pornography, representation and time. Performance Research: A Journal of the Performing Arts, 20 (3). pp. 112-125. ISSN 1352-8165

Lent, Michael (2012) October fire. TriQuarterly, Winter (141). ISSN UNSPECIFIED

Mather, George (2014) Artistic adjustment of image spectral slope. Art & Perception, 2 (1-2). pp. 11-22. ISSN 2213-4905

O'Hana, Sarah (2012) The power of communication through art jewellery. International Journal of the Humanities, 9 (9). pp. 259-270. ISSN 1447-9508

O'Neill, Mary (2011) Ephemeral art: telling stories to the dead. Image & Narrative, 12 (3). pp. 51-65. ISSN 1780-678X

O'Neill, Mary (2008) Here, ‘I’ am. Journal of Writing in Creative Practice, 1 (3). pp. 293-300. ISSN 1753-5190

O'Neill, Mary (2011) Speaking to the dead: images of the dead in contemporary art. Health: An Interdisciplinary Journal for the Social Study of Health, Illness and Medicine, 15 (3). pp. 299-312. ISSN 1363-4593

O'Neill, Mary (2009) Verloren. De Gids: Serenity and Anxiety (5). ISSN UNSPECIFIED

O'Neill, Mary (2013) What’s your problem? Performance art and the question of value. Miami Performance '13 . ISSN UNSPECIFIED

O'Neill, Mary (2010) The art of giving lightly. Pebbles and Avalanches . ISSN UNSPECIFIED

O'Neill, Mary (2008) A lick: the performances of Angela Bartram. The Animal Gaze: Contemporary Art & Animal/Human Studies . ISSN UNSPECIFIED

Pepper, Andrew T (2013) Holography without frames: sculptural installations incorporating 'drawn' elements. Journal of Physics: Conference Series, 415 (1). ISSN 1742-6588

Pepper, Andrew T. (2013) Light liquid: a holographic 'lake' installed on the roof of an architect's model townscape. Journal of Physics Conference Series, 415 (1). ISSN 1742-6588

Pepper, Andrew T. (2012) Spatial mark making: ‘drawn’ marks ‘off’ the surface – a series of workshops. Drawing Research Network Conference, Loughborough University, Proceedings . ISSN UNSPECIFIED

Petherbridge, Deanna (2005) On models and Mickey Mouse. International Journal of Art and Design Education, 24 (2). pp. 126-137. ISSN 1476-8070

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael and Jones, Rhiannon (2019) Treasuring detritus: Reflections on the wreckage left behind by artistic research. Performance Research, 24 (5). pp. 101-104. ISSN 1352-8165

Podoll, Klaus and Hudson, John (2006) Migraine and visual arts: John Hudson. Migraine Aura Foundation . ISSN UNSPECIFIED

Proto, Francesco (2012) Berlusconi and other hostages: politics and simulation. International Journal of Baudrillard Studies, 9 (3). n/a. ISSN 1705-6411

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

Sabraw, John, Scott, Conohar and Barker, Mandy (2017) Indefinite toxic circles: an art series curated by Nicole Shea. EuropeNow . ISSN .

Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Tischler, Victoria, Bartram, Angela, Clothier, Richard, Gupta, Vaibhav, Patel, Sonali, Ahmed, Zeba and Williams, Emma (2010) Seeing within: art and the study of anatomy. Association for Medical Humanities newsletter . ISSN UNSPECIFIED

Tullett, Barrie (2017) Bubbles black as ink. Eye Magazine Blog . ISSN 0960-779X

Tullett, Barrie (2014) Ten things you should know about typewriter art. Glorying Eclectic Typography . ISSN UNSPECIFIED

Verity, Adam (2010) Collection of Analogue Images. Field Trip Magazine, 1 . pp. 24-25. ISSN 2044-2033

Verity, Adam and Atkinson, Craig (2011) Black & white photographs, San Francisco. Field Trip Magazine #2: Unplanned, 2 . pp. 1-4. ISSN 2044-2033

Waites, Ian (2013) “Places where I forgot things”: memory, identity and the British council estate in the paintings of George Shaw. Cultural Politics, 9 (3). pp. 357-370. ISSN 1743-2197

Whittaker, Jason (2018) Blake and the new Jerusalem: a very English form of modernism. Visual Culture in Britain, 19 (3). pp. 380-392. ISSN 1471-4787

Review

Clayton, Owen (2017) How to show old photographs. Photographic Review, 91 . pp. 58-59. ISSN .

Hudson, John (2001) Easyfun-ethereal (Jeff Koons). Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) High summer (John Goto). Culture Wars . ISSN 1080-9058

Hudson, John (2001) Infraliminal (Juan delGado, Rut Lees Luxemburg, Sophie Rickett, Christopher Stewart). Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) Inside out - Esther Cawley: Quay Art, Kingston-upon-Hull. Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) "Magic, murder and the weather" Tracy Holland [and] "Now wait for last year" Penny McCarthy at Leeds Metropolitan University Gallery. Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) Open Drawing Cheltenham 2000 at the EICH Gallery, Kingston upon Hull. Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) Place (Rowan Paton Risby and Nathan Huxtable). Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) Taking positions - figurative sculpture and the Third Reich: Henry Moore Institute, Leeds. Culture Wars . ISSN 1080-9058

Hudson, John (2001) Terrain Vague - Joan Fontcuberta : Beverley Art Gallery, East Riding of Yorkshire. Culture Wars . ISSN UNSPECIFIED

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2013) Bon hiver: a journey through a winter landscape. Artists Newsletter . ISSN NK

Lang, Martin (2013) Carl Andre: Mass & Matter//Rosa Barba: Subject to Constant Change. Artists Newsletter . ISSN .

Lang, Martin (2013) Mental - The Vacuum Cleaner. Artists Newsletter . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Painting: Documents of Contemporary Art [edited by Terry R. Myers, Whitechapel Gallery Press, 2012]. a-n magazine . ISSN .

Lang, Martin (2011) Simon Burton: Nowhere Men. Artists' Newsletter (a-n) . ISSN .

Provata-Carlone, Mika and Tullett, Barrie (2019) A vision of eternity. Bookanista . ISSN UNSPECIFIED

Tullett, Barrie and Fulleylove, Rebecca (2019) Barrie Tullett’s type-based project has been 30 years in the making. Creative Review . ISSN UNSPECIFIED

Book Section

Bartram, Angela (2012) Between bodies: an artist’s account of the oral connection between human and dog. In: Intimacy across visceral and digital performance. Palgrave Macmillan, London. ISBN 9780230348868

Bartram, Angela (2011) One woman and her dogs. In: Mutual dependencies. Artwords Press, London, pp. 120-127. ISBN 9781906441258

Bartram, Angela and O'Neill, Mary (2016) ‘Here and there: two works, ten countries. In: Ne Laiku Ir Be Vietos / The body: out of time and without a place. Acta Academiae Artium Vilnensis (80-81). Acta Academiae Artium Vilnensis, Vilnius, pp. 217-220. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2016) Unsettling action and text: a collaborative experience. In: Collaborative Art in the Twenty-First Century. Routledge Advances in Art and Visual Studies . Routledge, New York, pp. 141-151. ISBN 9781138935747

Bartram, Angela and O'Neill, Mary (2011) The sacrifice made by audiences: the complicit discomfort of viewing performance art. In: Cultural and ethical turns: interdisciplinary reflections on culture, politics and ethics. Interdisciplinary Press, Oxford, UK, pp. 105-112. ISBN 9781848880542

Bracey, Andrew (2013) Break on through to the other side. In: Misdirect Movies. Cornerhouse, pp. 5-11. ISBN 9780956957153

Bracey, Andrew (2015) The Devil Is in. In: (detail). Transition Editions. ISBN 9780956881434

Bracey, Andrew (2019) Extreme Imagination. In: Extreme Imagination - Inside the Mind's Eye. The University of Exeter College of Medicine and Health. ISBN UNSPECIFIED

Bracey, Andrew (2015) Paradoxically for the first time. In: (detail). Transition Editions. ISBN 9780956881434

Bracey, Andrew (2013) Recall. In: Mistaken Presence. B. Press, pp. 3-5. ISBN 9780955362651

Bracey, Andrew (2020) Painting Aphantasia: Making the Non-visible, Visible. In: PhotographyDigitalPainting: Expanding medium interconnectivity in contemporary visual arts practice. Cambridge Scholars Publishing. ISBN UNSPECIFIED

Burge, Catherine (2009) Our name is legion: Kelly Large. In: Our Name is Legion. B. Press. ISBN 9780955362637

Campbell, Lee (2014) Heckling, performance, participation and politeness: using performance art as a tool to explore the liminal space between art and theatre and its capacity for confrontation. In: Performativity in the gallery: staging interactive encounters. Cultural Interactions: Studies in the Relationship Between the Arts . Peter Lang Ltd. ISBN 9783034309660

Charnley, Clare and Azevedo, Patricia (2010) Leave blank (2009/2010). In: Crunchtime2010 catalogue. Martins publishing, p. 38. ISBN 97809565462

Chen, Julie and Wood, Philippa (2013) 500 handmade books [volume 2]. In: 500 handmade books. Lark - imprint of Sterling publications, p. 310. ISBN 9781454707530

Cologni, Elena (2016) Dialogic approach for the artist as an interface in an intercultural society. In: The Routledge International Handbook of Intercultural Arts Research. Routledge International Handbooks . Routledge, pp. 215-226. ISBN 9781138909939

Cologni, Elena (2010) That spot in the ‘moving picture’ is you, (perception in time-based art). In: Blood, Sweat & Theory: Research through Practice in Performance. Libri Publishing, pp. 83-107. ISBN 9781907471049

Cologni, Elena, Santomauro, Anna and Vincenzo, Estremo (2012) Public space and memory: conversation between Elena Cologni and Anna Santomauro. In: Green Days. Seriprint for Green Days Project, Bologna, Italy, pp. 45-48. ISBN UNSPECIFIED

Connelly, Heather (2019) Beyond Representation: Translation Zone(s) and Intersemiotic Translation. In: Translating across Sensory and Linguistic Borders Intersemiotic Journeys between Media. Palgrave Macmillan, Cham, pp. 217-246. ISBN UNSPECIFIED

Fossey, Steve (2015) Love at first (site). In: Ways to Wander. Triarchy Press. ISBN 9781909470729

Griffin, Jeanine (2009) Failed fall: time and matter out of place. In: Measuring the universe: Roman Ondak. BAWAG foundation Edition and Christoph Keller Editions . JRP Ringier Kunstverlag AG, Zurich. ISBN 978303764024

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917

O'Neill, Mary (2011) Images of the dead: ethics and contemporary art practice. In: Cultural and ethical turns: interdisciplinary reflections on culture, Politics and Ethics. Inter-Disciplinary Press, Oxford, pp. 129-136. ISBN 9781848880542

O'Neill, Mary (2009) Telling stories: theories and criticism. In: Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Publishing, Newcastle upon Tyne,, pp. 2-5. ISBN 1443805327, 9781443805322

Petherbridge, Deanna (2007) In touch and out of mind: the psychodynamics of obsessive drawing. In: Creativity, madness and civilization. Cambridge Scholars, Newcastle, pp. 265-285. ISBN 1847180914

Plowman, John and Dunne, Chris (2005) Work of art, art of work, work as art, art as work, art as labour, labour as art, art of labour, labour of art. In: The labour of art. The Beehive Press, Lincoln, UK, pp. 69-76. ISBN 1860501990, 1860501982

Scheer, Anna (2019) Schlingensief and Breton’s Second Surrealist Manifesto. In: Christoph Schlingensief and the Avant-garde. Wilhelm Fink Verlag, Germany, pp. 77-89. ISBN UNSPECIFIED

Streffen, Isabella (2020) Beyond The Ivory Tower: Impact and the arts practitioner. In: Research Impact and the Early Career Researcher. Higher Education Studies . Routledge, London. ISBN UNSPECIFIED

Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259

Tullett, Barrie (2011) Page unlimited: innovations in layout design. In: Page Unlimited. Sandu Cultural Media, China. ISBN 9788492810246

Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781

Waites, Ian (2016) 'Spontaneous estate evolution': Research/Practice interventions on a 1960s council estate. In: Modern Futures. Uniformbooks, pp. 102-111. ISBN 9781910010112

Paper or Report

Baynton, Rachel (2012) Digital Image Management and Licensing in a Small-scale Museum and Gallery. Documentation. Live at LICA, Museum Development North West.

Stocker, John (2013) The Vitrine Project: Lincoln School of Art and Design. Documentation. LSAD, Lincoln.

Conference or Workshop contribution

Bartram, Angela (2005) Am I the art? An analysis of the relationship of the live artist to the event [in panel Discomfort women: pushing the boundaries/ changing the rules]. In: Becoming Uncomfortable: Performance Studies International Conference, 2005, 30 Mar - 3 April 2005, Brown University, Providence RI USA.

Bartram, Angela (2012) Art from the dead: the moral and ethical transformation of the animal pet into cultural artifact. In: London Conference in Critical Thought, 29-30 June 2012, Birkbeck College University of London.

Bartram, Angela (2006) Canine collaboration: objects, actions and morality. In: 4th Annual Hawaii International Conference on Arts and Humanities, 11-14 Jan 2006, Honolulu, Hawaii.

Bartram, Angela (2017) Collaborating animals: dog and human artists. In: 2017 Australasian Animal Studies Association Conference, 3 - 5 July 2017, University of Adelaide.

Bartram, Angela (2017) Collaborative animals: dogs and humans as co-working artists. In: Living with Animals 3: Co-existence/Seeing with Animals conference, 22 - 26 March 2017, Eastern Kentucky University, USA.

Bartram, Angela (2012) The performance of pain: the consequences for the performing body and its portrayal of mental health. In: Confined Spaces: Considering Performance, Madness, and Psychiatry, 17-18 September 2012, Corpus Christi College Cambridge.

Bartram, Angela and Gittens, Douglas (2011) Performing lost space. In: Fixed? Architecture, Incompleteness and Change, 7-8 April 2011, University of Plymouth.

Bartram, Angela and Gittens, Douglas (2013) Performing lost space: discussing an exercise in recording architectural detail with the performing body. In: Becoming Nomad: Hybrid Spaces, Liquid Architectures and Online Domains, 9-10 April 2013, York St. John University.

Bartram, Angela and O'Neill, Mary (2013) Concerning bodies [stream convenors and panel chairs]. In: London Conference in Critical Thought, 6-7 June 2013, Royal Holloway University of London.

Bartram, Angela and O'Neill, Mary (2016) Here and there: two works, ten countries. In: The Body: Out of Time and Without a Place, 21-22 May 2015, Contemporary Art Centre, Vilnius.

Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries (displaced). In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Bracey, Andrew (2015) Detail (detail). In: Painting/Looking, 16 April 2015, The Collection, Lincoln.

Bracey, Andrew (2018) Encountering winter in summer. In: Documents Alternatives Symposium, 20 April 2018, Bath Spa University.

Bracey, Andrew (2019) Extreme Imagination Conference 2019. In: Extreme Imagination Artist's Panel, 5-7 April 2019, University of Exeter.

Bracey, Andrew (2017) Make practice perfect: document artists. In: Make Practice Perfect, 24 March 2017, The Collection.

Bracey, Andrew (2018) The life and times of a visual artist. In: The Life and Times of a Visual Artist, 16 February 2018, New Art Exchange, Nottingham.

Bracey, Andrew (2015) The projectionist's eye. In: Attention: Detail, 3rd July 2015, Nottingham Trent University.

Bracey, Andrew and Dutton, Steve (2017) An obstract for midpointness. In: Please Specify!, 28-29 April 2017, Theatre Academy, Uni Arts, Helsinki.

Bracey, Andrew and Maier, Danica (2018) Bummock: New Artistic Responses to Unseen Parts of the Lace Archive. In: Textiles and Place, 12-13 April 2018, Manchester Metropolitan University.

Bracey, Andrew and Maier, Danica (2017) Rummage to bypass: alternative ways of accessing the archive. In: The Archive Unbound, 4 May 2017, Cardiff University.

Bracey, Andrew, Maier, Danica, Gallant, Ashley, Cosker, Phil, Williams, Gerard, Belli, Emma, Belli, Guiseppe and Cocker, Emma (2017) Analysis of process. In: Analysis of Process, 13th January 2017, The Collection, Lincoln.

Bracey, Andrew and Morrad, Annie (2017) Performing aphantasia: complementary systems to document a live event. In: Provocative Pedagogies, 14 October 2017, LPAC.

Bracey, Andrew and Wright, Elizabeth (2016) The doing of thinking is not a hands free conversation. In: Dirty Practice, 20 - 23 Sept 2016, University of Wolverhampton.

Bracey, Andrew and maier, Danica (2018) Bummock: The Lace Archive. In: Bummock: The Lace Archive, 26 January 2018, Backlit Gallery.

Bracey, Andrew (2020) ‘Approaching Affective Zero’. In: Artists’ Journey #3 Day 2: NAFAE Improfessional practices, 14/02/2020, Sheffield Institute of Arts.

Bracey, Andrew (2019) Painting Aphantasia: Making the Non-visible, Visible. In: PhotographyDigitalPainting, 23/10/2019, Quad, Derby.

Bracey, Andrew and Morrad, Annie (2019) Latent Image – Latent Sound. In: InDialogue, 19/12/2019, Deda, Derby.

Bresolin, Tom and Lang, Martin (2012) Militant Training Camp: the debriefing. In: Anarchist Studies Network Conference 2.0 ‘Making Connections’., 3 - 5 September 2012, Loughborough University.

Burge, Catherine (2006) Here's one I made earlier. In: Group show at Surface Gallery, to 6 Nov 2006, Nottingham, UK.

Charnley, Clare (2003) Ratman series. In: Below, The Floating Gallery, Arthur Street, Winnipeg, 25 Apr - 6 Jun 2003, Winnipeg, Canada.

Charnley, Clare (2003) Useless [from Untitled War Series]. In: Look To This Day curated by Castlefield Gallery from the Comme Ca Art Prize North 2003 nominees. Castlefield Gallery, Hewitt Street, Knott Mill, Manchester, 3 Oct - 23 Nov 2003, Manchester, UK.

Charnley, Clare and Yang, Shu (2005) Shuo Hua/Speech. In: Transborder Language: Performance Art/Language Art, 2nd Dashanzi International Art Festival, Beijing, 1-3 May 2005, Beijing, China.

Cheshire, Jim (2007) Tennyson transformed: Alfred Lord Tennyson and his interpreters in the visual arts (Alfred Lord Tennyson and visual culture). In: The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK.

Davenport, Philip, Beaulieu, Derek, Tullett, Barrie, Rawlings, Angela, Grenier, Bob, Thompson, Carolyn, Bjørgås Jordheim, Cecilie, Marsh, Darren, Cocker, Emma, Zboya, Eric, Baum, Erica, Blonk, Jaap, Davies, James, Dyer, Jayne, Glass, Jesse, Kokko, Karri, Weiner, Lawrence, Mueller, Kristen, Bridgewater, Leanne, Collini, Liz, Harvest Clarke, Lucy, Giovenale, Marco, Koppány, Márton, Dalby, Matt, Chavez-Dawson, Mike, Paula, Claire, Anderson, Penny, Jaeger, Peter, Davenport, Phil, Defay-Liautard, Rachel, Silliman, Ron, Kaikkonen, Satu, Sanders, Sarah, Emmerson, Steve, Giasson, Steve, Jenks, Tom, Lopez, Tony, UNSPECIFIED and UNSPECIFIED (2015) TEXTfestschrift. In: TEXTfestschrift, August 2015, Bury Art Museum.

Dipaola, Pietro (2012) 'Freedom Press and the amnesty campaign for deserters after WW2. In: Anarchist Studies Network Conference 2.0 ‘Making Connections’., 3 - 5 September 2012, Loughborough University.

Dutton, Steve (2010) Clueless: contradictions, malapropisms and tensions within a contemporary art practice. In: 1st Annual International Conference on Fine and Performing Arts, 7 - 8 June 2010, 2010 Athens, Greece.

Dutton, Steve (2012) Inhabiting the language of the Institution: how artists, teachers and students are occupying the institutional rhetoric which surrounds them. In: Elia Teachers' Academy, June 2012, Porto.

Dutton, Steve (2011) The Institute of Beasts: strategies of doubt and refusal in a contemporary art practice. In: 2nd Annual International Conference on Visual and Performing Arts, 6th-9th June 2011, Athens.

Dutton, Steve (2014) Institutional aesthetics: art takes residence. In: 9th Annual International Conference of the Arts in Society: "The Lives of ART", 25-27 June 2014, Sapienza University of Rome.

Dutton, Steve (2014) Towards an office of institutional aesthetics. In: Art and Research at the Outermost Limits of Location-Specificity, Nov 13th -14th 2014, Parsons School New York City.

Dutton, Steve (2015) The flickering institution. In: Material Culture in Action: Practices of making, collecting and re-enacting art and design, 7 - 8 September 2015, Glasgow School of Art.

Dutton, Steve (2015) The work is a score. In: Next to Nothing: Art as Performance. A meeting of art and philosophy in the age of post-dematerialisation, 26 - 27 Sept 2015, The Lock up Culture Centre, Newcastle, Australia.

Dutton, Steve and Bracey, Andrew (2017) Obstract for Midpointness. In: Paradox, European Fine Art Forum’s conference, 13-14/9/2-17, Conway Hall.

Eastwood, Phil and Dunne, Chris (2017) Post truth post haste. In: POST TRUTH POST HASTE, 8 March 2017, University of Wolverhampton.

Edwards, Paul (2004) [Paintings and drawings]. In: Ballinglen Arts Foundation, 6-27 Sep 2004, Ballycastle, Republic of Ireland.

Edwards, Paul and Burns, Carole (2013) Imagistic 2. In: Spacialising Illustration, 2013, University of Wales, Swansea.

Fossey, Steve (2018) Fossey, S 2019 Bites of Passage: Thresholds, Permeability and Hand-Fed Food for Thought at Digesting Ritual: Food, waste and the body. In: Digesting Ritual: Food, waste and the body., 6th July 2018, The Ivy Arts Centre – GSA, University of Surrey.

Fossey, Steve (2013) Intersubjective facelessness - the experience of unwitting interaction. In: , INTERACTIVITY/INTERPASSIVITY – 5th Annual Research Conference in Art and Theatre, Centre for Art, Design, Research and Experimentation,, June 2013, Wolverhampton University, Wolverhampton, UK..

Fossey, Steve (2012) A Psycho-therapeutic Travelogue. In: In Dialogue, 2012, Nottingham Contemporary, Nottingham, UK..

Gittens, Douglas and Bartram, Angela (2010) Lost gallery spaces and the performing body. In: Narrative Space Conference: Lost Space and the Performing Body, 20-22 April 2010, University of Leicester, Leicester.

Griffin, Jeanine (2008) Art Sheffield 08 symposium. In: Art Sheffield 08 Symposium, 28 & 29 February 2008, Showroom Cinema, Sheffield.

Healey, Michael (2005) Mike Healey at Ainscough Contemporary Art. In: Exhibition at Ainscough Contemporary Art, Drayton Gardens, 24 Nov - 8 Dec 2005, London.

Healey, Michael (2004) New work at New Heritage Gallery. In: New Heritage Gallery, Bermuda Hamilton, 8-23 Apr 2004, Hamilton, Bermuda.

Healey, Michael (2003) New work at Thompson's The City. In: Exhibition at Thompson's The City, London, 12 Jan - 22 Feb 2003, London.

Healey, Michael (2011) The art of reconstruction: new perception, innovation and reconstruction in the field of plastic surgery. In: Risk and Revolution, 26 � 28 October 2011, Lu Xun Academy of Art ,Dalian, China..

Klee, Steve (2016) Realist spectating: time present. In: Invisible Architectures, Lesions on the Landscape, 29 - 30 October 2016, Whitechapel Gallery, London.

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2014) An inhuman art. In: Realisms and Object Orientations: The Philosophy of Tristan Garcia at the ICA, London, 5 December 2014, ICA, London.

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Lang, Martin (2020) Green rivers and contaminated soil. In: My River, 18 January 2020, Mansions of the Future.

Lent, Michael (2011) Courting dissolution: the praxis of adumbrational space. In: Royal Geographical Society International Conference, Mobile Geographies, 31 August 2011, Imperial College London/RGS, London, UK.

Lent, Michael (2011) Praxis of potentiality: a consideration of spatial disappearance. In: Mobility and Fantasy in Visual Culture First International Symposium, 20-21 May 2011, Bahçeşehir University, Istanbul, Turkey.

Lent, Michael (2012) Spatial praxis: fragmentation and mobility towards a singular other. In: IV Cult - G. International Conference: Geographical Imaginations 2012, 27-28 September 2012, University of Minho, Braga, Portugal.

Lock, Andy (2001) Lost in transit / Nowhere so foreign. In: Quay Art Gallery, 22 May - 7 Jun 2001, Hull, UK.

Macarthur, Ian and Morrad, Annie (2016) DesignHOP. In: Beijing Design Week, 23 September - 3 October 2016, Beijing, China.

Mather, George (2017) Visual statistics of large samples of Western artworks. In: Visual Science of Art Conference, 25 - 27 August 2017, Berlin.

Maycroft, Neil (2004) Labour, work and play: defining action in fine art practice. In: Labour of Art symposium, September 2004, University of Lincoln.

McKay, Andy (2001) DV Miniatures - Phasia; DV Miniatures - Shaker. In: [Performance at ]Broadway Cinema 2, March 2001, Nottingham, UK.

Middleton, Paul (2007) Beyond the studio [curation of]. In: Beyond the Studio, International University of Cyprus, 16 Jul - 23 Aug 2007, Nicosia, Cyprus.

Middleton, Paul (2006) Drawing from the land. In: Sint Lucas, Levens School Gallery, December 2006, Netherlands.

Middleton, Paul (2004) Moving travels. In: Exhibition at Centrum Gallery, May 2004, Girona, Spain.

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Morrad, Annie (2014) The moment of perceived presence. In: Sonorities Festival 2014: Remembering and Forgetting, 3 May 2014, Queen's University, Belfast.

Morrad, Annie (2011) The penetration of sound on the still photographic digital image. In: Online Mainline, 15 September 2011, Birmingham.

Morrad, Annie (2011) The penetration of sound on the still photographic digital image. In: OnlineMainline, 15 September 2011, Birmingham City University, Birmingham School of Media.

O'Neill, Mary (2009) Death, art and mortality awareness: images of the dead in contemporary art. In: Death, Dying and Disposal Conference (DDD09), September 2009, Institute of Advanced Study, Durham University,.

O'Neill, Mary (2014) Et in Arcadia ego. In: Art in Translation, September 18-20 2014, Reykjavík.

O'Neill, Mary (2004) On the benefit of being bored. In: Conception Reception. Annual conference of the Association of Art Historians, November 2004, Bristol.

O'Neill, Mary (2010) Performing sorrow: ephemerality and mourning. In: Performance of Memory in the Arts, 2010, Radboud University, Nijmegen.

O'Neill, Mary (2008) Speaking to the dead. In: American Comparative Literature Association Annual conference, Long Beach, San Diego, April 2008, Long Beach, San Diego.

O'Neill, Mary (2006) Speaking to the dead. In: Constructions of Death, Mourning, and Memory, October 27-29, 2006, Woodcliff Lake, New Jersey.

O'Neill, Mary (2010) A year of living dangerously: collaborating with undergraduate students. In: International Conference on Learning & Teaching: Creative Pedagogies, Changing Perspectives, Crossing Boundaries, 9th June 2010, Singapore.

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

O'Neill, Mary Rose (2004) In memory 2003. In: Memory [exhibition] Salina Art Center, 15 Feb - 16 May 2004, Kansas, US.

Oliver, Jay (2006) Ice cream van. In: Royal West of England Academy Autumn exhibition 2006, 5 Nov - 16 Dec 2006, Bristol, UK.

Oliver, Jay (2004) Untitled 1. In: The Jerwood Drawing Prize 2004, 8 Sep 2004 - 26 Jun 2005, Jerwood Space, London and others, UK.

Peacock, Irvine (2004) The American premier of idiosyncratic art. In: Exhibition at Loring Gallery, Sheffield Mass., 1 Aug - 6 Nov 2004, Sheffield, Mass., USA.

Peacock, Irvine (2004) The secret life of objects: recent paintings. In: Exhibition at Portal Gallery, 43 Dover Street, London, 27 Sep - 16 Oct 2004, Piccadilly, London.

Petherbridge, Deanna (2006) Drawing inspiration. In: Drawing inspiration, Abbott Hall Art Gallery, Lakeland Arts Trust 2006, 4 Apr - 1 Jul 2006, Kendal, UK.

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Proto, Francesco (2007) The ubiquitous and the double: architecture and the ellipse of subjectivity. In: Edifici Concettuali e Architetture: i Modelli di Rappresentazione della Città Immaginaria e della Città Reale (Conceptual Buildings and the Built Environment: Models of Representation for Real and Imaginary Cities), Spring 2007, University of Roma Tre.

Rowland, Duncan, Durrant, Abigail and Clarke, Rachel (2015) Interactions gallery. In: British HCI Conference 2015, 13-17 July 2015, Lincoln, UK.

Sanjari, Pooya, Qabshoqa, Mohammad, Molinari, Carla, Soliman, Karim and Luliano, Marco (2015) Architecture and Comics Workshop: Liverpool Invasions! In: Liverpool Invasions!, 6-8 November 2015, Liverpool, United Kingdom.

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Shepley, Alec (2016) Brief encounters: delayed closure as a social art practice. In: SHARING CULTURES 2015 - 4th International Conference on Intangible Heritage, 21-23 September, 2015, Lagos, Portugal.

Shepley, Alec (2014) Camping in a mud house: ruins and fragments as tropes of reflexivity. In: 9th International Conference on the Arts in Society, 24-27 June 2014, Sapienza University, Rome.

Shepley, Alec (2008) My road to ruin: the studio without walls. In: Sensuous Knowledge 5, 23-26 September 2008, Kunsthøgskolen/National Institute for the Arts, Bergen.

Shepley, Alec (2015) Student as curator: exhibition methodologies expanded + reimagined. In: Symposium on: Embedding Partnership in Teaching & Learning, 2 June 2015, University of Lincoln.

Shepley, Alec (2015) Thinking through uncertain and paradoxical practices (#1): aesthetic disengagement and escapology. In: Paradox: alternative zones uncovering the official and unofficial in fine art practice, research and education, 9-11, September 2015, The University of the Arts in Poznan, Poland.

Shepley, Alec (2007) Un-framing: towards repeated acts of deferral and fracture in fine art practice, production & consumption. In: Repeat Repeat, 19-20 April 2007, University of Chester.

Shepley, Alec and Dutton, Steve (2013) The Artists’ Institute and the Institute of Art: a place which is not yet a 'place'. In: 8th Annual Conference of the Arts in Society, 24-26 June 2013, Eötvös Loránd University, Budapest, Hungary.

Shepley, Alec and Dutton, Steve (2013) The Institute of Ruin. In: Sensuous Knowledge 7, 23-25 January 2013, Kunsthgskolen/National Institute for the Arts, Bergen, Norway.

Shepley, Alec and Rowland, Duncan (2015) Peregrination. In: British HCI Conference 2015, 13-17 July 2015, Lincoln, UK.

Tullett, Barrie (2012) Abandon all hope ye who enter Essex. In: Abandon All Hope Ye Who Enter Essex, 7th November 2012, Leeds University.

Tullett, Barrie (2018) From Q to M. In: Lecture, 8 Jan 2018, Usher Gallery, Lincoln.

Tullett, Barrie (2014) From Q to M: three centuries of typewriter art. In: From Q to M: Three Centuries of Typewriter Art, 24th September 2014, St. Bride Foundation, London.

Tullett, Barrie (2016) Typewriter art [lecture], Single sided book [workshop]. In: Lecture and Workshop, 27 Feb 2016, Edinburgh College of Art.

Tullett, Barrie (2016) Typewriter art and The Caseroom Press. In: Lecture and Workshop, October 2016, Northumbria.

Tullett, Barrie (2017) Typewriter fonts, the typographic Dante [lecture] Book arts [workshop]. In: Broadcast Visiting Lecture Series, October 2017, Leeds Beckett University.

Tullett, Barrie (2016) The image in the machine: portraiture and the typewriter. In: Face Value – Personification and Identity in a Post-digital Age: Seventh International Conference on The Image, 1 - 2 September 2016, Liverpool.

Verity, Adam (2011) Print/screen: current and future dissemination of the self published artist's book. In: Photography and The Artist's Book Symposium, 21 October 2011, Manchester Metropolitan University Special Collections.

Book or Monograph

Bartram, Angela, El-Bizri, Nader and Gittens, Douglas (2014) Recto verso: redefining the sketchbook. Ashgate Studies in Architecture . Ashgate, Ashgate, Farnham, Surrey. ISBN 9781409468660, 1409468666

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

Bartram, Angela and O'Neill, Mary (2014) BartramONeill Actions 2009 - 2014 [iBook]. Apple iBook. ISBN UNSPECIFIED

Bean, Victoria, McCabe, Chris, Goldsmith, Kenneth, Tullett, Barrie, Abel, Jordan, Acconci, Vito, aND, mIEKAL, Auerbach, Tauba, Banner, Fiona, Barraclough, Simon, Basinski, Michael, Baum, Erica, Beaulieu, Derek, Bellingham, David, Bervin, Jen, Bergvall, Caroline, Bjørgås Jordheim, Cecilie, Blonk, Jaap, Bory, Jean-François, Bök, Christian, Bonney, Sean, Büchler, Pavel, de Campos, Augusto, Capone, Francesca, Carvalho, Antonio Claudio, Çetinkol, Baris, Chopin, Henri, Paula, Claire, Clark, Thomas A., Cobbing, Bob, Comitta, Tom, Copithorne, Judith, Cutts, Simon, Czech, Natalie, Dahlquist, Bob, Depew, Wally, Drucker, Johanna, Ferguson, Jesse Patrick, Finch, Peter, Finlay, Alec, DiPalma, Ray, Finlay, Ian Hamilton, Foster, Rachel E., Fowler, S. J., Furnival, John, Gallo, Philip, Garnier, Ilse, Garnier, Pierre, Giorno, John, Giovenale, Marco, Gomringer, Eugen, Goussey, Roel, Helmes, Scott, Herxheimer, Sophie, Hoff, James, Holmqvist, Karl, Holzer, Jenny, Howe, Susan, Huth, Geof, Işın, Serkan, Jenks, Tom, Johnstone, Julie, Katz, Leandro, Kelly, Sarah, King, Ronald, Kinsella, John, Knotek, Anatol, Knowles, Christopher, Koppány, Márton, Kostelanetz, Richard, Lehan, Daniel, Lewis, Ruark, Lewty, Simon, Lijn, Liliane, Lopez, Tony, Webb, John S., Donato, Mancini, Martinez de las Rivas, Toby, Mayer, Hansjörg, McCaffery, Steve, Mcpherson-eckhoff, Kevin, Melville, Nick-e, Miller, David, Mills, Stuart, Mon, Franz, Montgomery, Robert, Morgan, Edwin, Morin, Gustav, Myers, Rick, Padin, Clemente, Phillips, Tom, Pignatari, Décio, Piringer, Jörg, Rinne, Cia, Sackett, Colin, Saroyan, Aram, Skelton, Richard, Sutherland, W. Mark, Thomas, Greg, Thurston, Nick, Tompkins, Sue, Topel, Andrew, Touchon, Cecil, Vallias, André, Vassilakis, Nico, Waeckerlé, Emmanuelle, Winston, Sam, Evans, Cerith Wyn, Yılmaz, Ercan y and Zboya, Eric (2015) The new concrete. Hayward Gallery, London, pp. 196-197. ISBN 9781853323287

Bracey, Andrew and Maier, Danica (2019) Bummock: The Lace Archive. FTB Press. ISBN 9781999883010

Burge, Catherine (2007) This seat in front of the window: thinking age through Louise Bourgeois's works on paper. The Drawing Board, Lincoln. ISBN 1860502091

Chapman, David and Wilson, Louise K. (2010) Resounding Falkland. Falkland Centre for Stewardship. ISBN 9780956841803

Esson, Michael (2006) Michael Esson: drawings. [China], [China]. ISBN UNSPECIFIED

Griffin, Jeanine and Verwoert, Jan (2008) Transmission: host - Jeanine Griffin & Jan Verwoert. Transmission: Host . Artwords, London. ISBN 9781906441081

McCarthy, Clive (2005) Healing cities: images by Clive McCarthy. Studio View, UK. ISBN 0954995872

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Schwitters, Kurt, Zipes, Jack and Peacock, Irvine (2009) Lucky Hans and other Merz fairy tales. Princeton University Press. ISBN 9780691139678

Shepley, Alec (2015) Ibid. Sisyphean Projects, England. ISBN 9780993192807

Tullett, Barrie, Dowling, John and Simpson, Jodi (2014) Typewriter art: a modern anthology. Laurence King, London. ISBN 9781780673479

Tullett, Barrie, Wood, Philippa, Marinetti, Filippo Tommaso, Werkman, Hendrik Nicolaas, Cage, John, Ting, Walasse, Bui, Antonius, McDonough, Dylan, Hagner, Dirk, Crawford, Allen, Bunsas, Bianca, Inclusus, Herman, Antônio, Pedro, Anhorn, Gabriel, Lehrer, Warren, Picabia, Francis, Lionni, Leo, Massin, Robert, Kalman, Maira, Leach, Molly, Sharpe, Stuart, Hannah, Jonny, Hingston, Tom, Blegvad, Peter, Swainson, Andrew, King, Patrick, Scher, Paula, Soleri, Paulo, Drucker, Johanna, Eckersley, Richard, Hendrix, John, Seiffert, Isabel, Fosberg, Lora, Rosenwald, Laurie, Passafiume, John, Reeve, Nick, Cohen, Natali, Vought, Annie, Summerford, Jack, Munday, Oliver, Sewell, Carolyn, Sayer, Alida, Spanier, Ariane, Rea, Brian, Patrick, Daniel, Goodman, Timothy, Eckersley, Rogers, Zlatkov, Kiril, Winston, Sam, Sena, Damián, Mazali Pilar, Hermes, Bergez, González, Depero, Fortunato, Kent, Corita, Bantjes, Marian, Costa, Cyla, Morcos, Wael, Heath, Ebon, Butler, Angie, Diesel, Chank, Ulku, Anne, Bagdonas, Brian Scott, Clarke, Jamie, Permenter, Jason, Munari, Bruno, Cumptich, Roberto de Vicq de, MacDonald, Ross, Glaser, Milton and Glaser, Shirley (2017) Type tells tales. Thames & Hudson, London, pp. 34-37. ISBN 9780500420577

Thesis

Bush, Julie (2017) The life, work and artistic context of William Logsdail (1859-1944). PhD thesis, University of Lincoln.

Eisner, Cilla (2017) Collagegrids: thinking it through, a practice-led investigation into artistic cognition. PhD thesis, University of Lincoln.

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

Ling, Yuen Fong (2016) A body of relations: reconfiguring the life class. PhD thesis, University of Lincoln.

Scott, Conohar (2015) The photographer as environmental activist: politics, ethics and beauty in the struggle for environmental remediation. PhD thesis, Loughborough University.

Artefact

Ashman, Sinclair (2016) 'Elements'. A framed collagraph printing plate. The plate will be exhibited alongside other works in a major solo exhibition of my printmaking at The Ropewalk Gallery, Barton upon Humber in the autumn of 2016. [Artefact]

Bartram, Angela (2017) Be your dog (re-worked footage). [Artefact]

Bartram, Angela (2016) Carrion, exhibited as part of Imagistic, Hillyer Art Space, Washington DC, 9 September 2016. [Artefact]

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

Bartram, Angela (2014) Licking dogs [video artwork]. [Artefact]

Bartram, Angela (2016) No seconds out - no blow in sight. [Artefact]

Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries. [Artefact]

Bartram, Angela and O'Neill, Mary (2015) Performances by Bartram O'Neill [textual documentation]. [Artefact]

Bartram, Angela and O'Neill, Mary (2014) Performances of Bartram O'Neill [textual documentation]. [Artefact]

Bracey, Andrew (2004) Clout. [Artefact]

Bracey, Andrew (2008) Karhu karaoke. [Artefact]

Bracey, Andrew (2001) Rose. [Artefact]

Bracey, Andrew (2011) Transitory paintings. [Artefact]

Bracey, Andrew (2011) UnMasterclass. [Artefact]

Bracey, Andrew (2003) Vision incision. [Artefact]

Bracey, Andrew (2018) WV1723. [Artefact]

Bracey, Andrew (2009) The jump. [Artefact]

Brennan, Gordon, Brown, John, Docherty, Mike and Tullett, Barrie (2006) FlatPack / PlaskaPaczka. [Artefact]

Burge, Catherine, Allington, Edward and Charnley, Clare (2010) Often failed sculptures are more interesting. [Artefact]

Chapman, David and Wilson, Louise K. (2010) Re-sounding Falkland. [Artefact]

Dermody, Brenda and Tullett, Barrie (2017) Dante: the remixes. [Artefact]

Dunne, Chris (2010) AAMA055: DUN06065632. [Artefact]

Evans, Dave (2013) Patterns of force. [Artefact]

Evans, Dave (2013) That which survives... [Artefact]

Evans, Dave (2013) The ultimate computer. [Artefact]

Ewan, Ruth, Tullett, Barrie and Wood, Philippa (2015) The difference. [Artefact]

Hammad, Medina and Charnley, Clare (2010) Menagerie. [Artefact]

Maycroft, Neil and Cheang, Shu Lea (2015) Dust-off. [Artefact]

O'Neill, Mary (2008) An oral response. [Artefact]

O'Neill, Mary and Bartram, Angela (2012) ⇔ (A ⇔ B means A is true if B is true and A is false if B is false). [Artefact]

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

Oreilly, Oran (2011) Comic iconoclast. [Artefact]

Oreilly, Oran (2008) Curbside constructions. [Artefact]

Oreilly, Oran and Clarke, Pete (2013) Impressit. [Artefact]

Pantano, Daniele (2016) After-Love. [Artefact]

Pantano, Daniele (2010) Collaboration. [Artefact]

Shepley, Alec (2014) A place of impossibility. [Artefact]

Stocker, John (2010) Collage book 8. [Artefact]

Tullett, Barrie, Peacock, Brian and Zipes, Jack (2011) The MerzBox catalogue. [Artefact]

Tullett, Barrie, Zipes, Jack, Cockburn, Ken, Gauld, Tom, Mills, Russell, Pemberton, Howard, Hutcheson, James, Melin, Hanna, Ladlow, Sara, Torjanac, Tomislav, Grandfield, Geoff, Maclellan, Tamar, Jackson, Paul, Schofield, David, Donaldson, Timothy, McGowan, Alan, Mason, Robert, Davies, Simon, Dalziel, Jim, Ogg, Eileen, Homann, Melanie, Zeegen, Lawrence, Mason, Alan, Coulson, Hannah, Diss, Darren, Brown, John, Kugler, Olivier, Leishman, Donna, Peacock, Diane, Williamson, Alex, Singer, Sharon, Posti, Pietari, Sheldon, Felicity, Calder, Jill, Kirkham, Michael, Jones, Alys, Holwill, Donald, May, Betony, Ditner, Jillian, Oliver, Jamie, Toulouse, Sophie, Neill, Gary, Khan, Drew, Leuzinger, Katharina, Holwill, Naomi, Tullett, Jantze, Evans, Melvyn, Lettere, Carmelo, Gibbs, Joanna, Mitchell, Charles, Plater, Mat, Arkle, Peter, Peacock, Irvine, Moser, Barry, Gibbs, Jonathan, Collins, Brigid, Moon, Jonathan, Brennan, Gordon, Gephart, Matthias, Manning, Natalie, Ogilvie, Sara, Faithfull, David and Redford, Fiona (2016) Utopian tales. [Artefact]

Event, Show or Exhibition

Bartram, Angela (2011) 3 worlds in 1: London international. [Event, Show or Exhibition]

Bartram, Angela (2016) The Alternative Document exhibition, curated by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela (2016) The Alternative Document symposium, created and led by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela (2016) Be your dog. [Event, Show or Exhibition]

Bartram, Angela (2017) Documents, Alternatives #1. [Event, Show or Exhibition]

Bartram, Angela (2011) Dog girl: 'Cindy'. [Event, Show or Exhibition]

Bartram, Angela (2011) Dog girl: 'Cindy'. [Event, Show or Exhibition]

Bartram, Angela (2010) EAST Goes East. [Event, Show or Exhibition]

Bartram, Angela (2009) EAST International 2009. [Event, Show or Exhibition]

Bartram, Angela (2009) EAST Video 2009. [Event, Show or Exhibition]

Bartram, Angela (2003) Fur kiss. [Event, Show or Exhibition]

Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]

Bartram, Angela (2013) Licking dogs [Selected videos from the East International archive. ]. [Event, Show or Exhibition]

Bartram, Angela (2010) Mongrel. [Event, Show or Exhibition]

Bartram, Angela (2008) Perspectives 2012 - 2017. [Event, Show or Exhibition]

Bartram, Angela (2005) Speechless acts. [Event, Show or Exhibition]

Bartram, Angela (2003) Spit and lick. [Event, Show or Exhibition]

Bartram, Angela (2003) Spit and lick. [Event, Show or Exhibition]

Bartram, Angela (2006) Tonguing. [Event, Show or Exhibition]

Bartram, Angela (2006) Tonguings. [Event, Show or Exhibition]

Bartram, Angela (2011) The animal gaze. [Event, Show or Exhibition]

Bartram, Angela (2009) The future can wait [selection]. [Event, Show or Exhibition]

Bartram, Angela (2008) The future can wait. [Event, Show or Exhibition]

Bartram, Angela and Bracey, Andrew (2017) ABBA (on tour) the practice of process. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2014) Angry words. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2011) Oral / response. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2013) She Works - She Writes (performance) and Research and Collaboration (artists talk). [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2014) Unspoken. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2009) The future can wait. [Event, Show or Exhibition]

Bracey, Andrew (2009) Andrew Bracey: Animalation. [Event, Show or Exhibition]

Bracey, Andrew (2019) Art Treasures of the World. [Event, Show or Exhibition]

Bracey, Andrew (2019) Enough is Definitely Enough. [Event, Show or Exhibition]

Bracey, Andrew (2006) Freianlage. [Event, Show or Exhibition]

Bracey, Andrew (2013) Misdirect movies. [Event, Show or Exhibition]

Bracey, Andrew (2005) Post notes. [Event, Show or Exhibition]

Bracey, Andrew (2011) ReconFigure paintings. [Event, Show or Exhibition]

Bracey, Andrew (2017) TextImageText. [Event, Show or Exhibition]

Bracey, Andrew (2013) Tip of the iceberg. [Event, Show or Exhibition]

Bracey, Andrew (2014) (detail). [Event, Show or Exhibition]

Bracey, Andrew (2010) A horse walks into a bar. [Event, Show or Exhibition]

Bracey, Andrew (2012) A private affair. [Event, Show or Exhibition]

Bracey, Andrew and Altintzoglou, Euripides (2013) The ends of art. [Event, Show or Exhibition]

Bracey, Andrew and Barnes, Janet (2014) Finding the value. [Event, Show or Exhibition]

Bracey, Andrew and Buckley, Kate (2012) Crocodiles with a second skin thrash. [Event, Show or Exhibition]

Bracey, Andrew, Buckley, Kate, Ritchie, Aislinn, Oliver, Ross, Baxter, Nathan, Goodyear, Rachel, Farmer, Tessa, Dutton, Steve, Swindells, Steve, Donnelly, Samantha, Cuthbertson, Thomas, Cifre-Cerda, Joana and Dodgson, Laura (2011) Blind python with jewelled eyes. [Event, Show or Exhibition]

Bracey, Andrew, Butler, Tom, Dunbar, Tim, Eastham, Tracey, Simson, Henrietta, Tilley, Annabel and Wiener, Jenny (2014) Re-Unpacking. The Cafe Table Commissions. [Event, Show or Exhibition]

Bracey, Andrew and Dutton, Steve (2016) Midpointness. [Event, Show or Exhibition]

Bracey, Andrew, Granell, Simon and Butcher, Eric (2013) A machine aesthetic. [Event, Show or Exhibition]

Bracey, Andrew and Griffiths, Dave (2010) Unspooling: artists & cinema. [Event, Show or Exhibition]

Bracey, Andrew and Lomax, Cathy (2012) Still. [Event, Show or Exhibition]

Bracey, Andrew and Maier, Danica (2018) Bummock: The Lace Archive. [Event, Show or Exhibition]

Bracey, Andrew and Maier, Danica (2019) Bummock: The Lace Archive. [Event, Show or Exhibition]

Bracey, Andrew, Renton, Lucy and Maier, Danica (2019) Bummock: The Lace Archive. [Event, Show or Exhibition]

Bracey, Andrew and Syson, Jennie (2013) Reliquary. [Event, Show or Exhibition]

Bracey, Andrew, Vallance, Adele, Bertola, Catherine, Collis, Susan, Hunt, Kevin, Lyons, Brendan and Vallance, Adele (2011) Being lost. [Event, Show or Exhibition]

Bracey, Andrew, Wang, Yao, Liu, Chunmei, Phaily, James, Zhang, Tao, Zevgaridou, Eleni, Johnson, Laura and Fowling, David (2014) Accident's need not happen. [Event, Show or Exhibition]

Bracey, Andrew and maier, Dancia (2019) Bummock: Waddington Art Walk. [Event, Show or Exhibition]

Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]

Butler, Angie, Butler, Simon and Tullett, Barrie (2013) Typewriter: print on demand. [Event, Show or Exhibition]

Cologni, Elena (2015) A modernity which forgets. [Event, Show or Exhibition]

Cooper, Graham, Hudson, John, Terry, Mark, Walsh, Michelle and Downing, Mike (2011) Five photographers from Lincoln. [Event, Show or Exhibition]

Cooper, Johanna, Hardy, George, Richardson, Madelaine, Tooke, Gwen, Verity, Adam, Westby, Tony and Plowman, John (2009) Proem, MA Fine Art Degree Show. [Event, Show or Exhibition]

Downing, Mike (2013) Come here I need you. [Event, Show or Exhibition]

Downing, Mike (2019) Myths of The Union - Off-Centre, Nottingham. [Event, Show or Exhibition]

Downing, Mike (2016) Plastic Vanitas #3. [Event, Show or Exhibition]

Dunne, Chris and Eastwood, Phil (2013) Performance print situation no. 5. [Event, Show or Exhibition]

Dutton, Steve and Curtin, Brian (2014) Possession (2). [Event, Show or Exhibition]

Dutton, Steve, Curtin, Brian and Bracey, Andrew (2013) Possession (1). [Event, Show or Exhibition]

Dutton, Steve and Swindells, Steve (2009) The Institute of Beasts. [Event, Show or Exhibition]

Dutton, Steve and Swindells, Steve (2011) The stag and hound. [Event, Show or Exhibition]

Dutton, Steve and Webb, Neil (2012) End of ends. [Event, Show or Exhibition]

Eastwood, Phil (2015) Culture of seduction / the seduction of culture. [Event, Show or Exhibition]

Eastwood, Phil (2011) Double take. [Event, Show or Exhibition]

Eastwood, Phil and Dunne, Chris (2013) Art, politics and the pamphleteer: Radical Aesthetics Radical Art (RaRa). [Event, Show or Exhibition]

Eastwood, Phil and Dunne, Chris (2013) Performance print situation no. 4: post haste. [Event, Show or Exhibition]

Eastwood, Phil and Dunne, Chris (2009) Performance print situation: no.1. [Event, Show or Exhibition]

Eastwood, Phil and Smith, David H. (2011) Oddities: a retrospective. [Event, Show or Exhibition]

Eastwood, Phil and Twells, Chloe (2019) Citizens of Nowhere. [Event, Show or Exhibition]

Eastwood, Phil and Twells, Chloe (2017) A funny thing happened on the way to the future: an exhibition of 50 years of alumni work 1960-2010. [Event, Show or Exhibition]

Eastwood, Philip (2006) Create positive energy and convey positive thoughts. [Event, Show or Exhibition]

Eastwood, Philip (2006) New York cityscapes by Philip Eastwood. [Event, Show or Exhibition]

Eastwood, Philip (2004) Shadows and echoes. [Event, Show or Exhibition]

Edwards, Paul, Burns, Carole and Alvarez, Ivy (2012) 'Imagistic' Cardiff flash fiction. [Event, Show or Exhibition]

Esson, Michael (2009) Mixed metaphors. [Event, Show or Exhibition]

Esson, Michael (2010) Where all the butterflies go. [Event, Show or Exhibition]

Evans, Dave, Guy, Aaron, Imlach, Hannah and Osberg, Erik (2013) Land odyssey. [Event, Show or Exhibition]

Goffin, Jeremy and Ashman, Sinclair (2016) Doing stuff. [Event, Show or Exhibition]

Goffin, Jeremy, Ashman, Sinclair, Voce, Brian and Stocker, John (2018) Print!! [Event, Show or Exhibition]

Grainger, Jim, O'Hana, Sarah, Hare-duke, Barney, Rose, Noah and Gaspar, Monica (2003) In the making: an exhibition of innovative new work by artists makers from the North West of England. [Event, Show or Exhibition]

Gridneff, Rose, Haslam, Andrew, Tullett, Barrie and Wood, Philippa (2012) 6x6. [Event, Show or Exhibition]

Griffin, Jeanine (2008) Art Sheffield 08. [Event, Show or Exhibition]

Griffin, Jeanine (2010) Art Sheffield 2010 - Life: a user's manual. [Event, Show or Exhibition]

Griffin, Jeanine (2009) The Sheffield Pavilion 2009. [Event, Show or Exhibition]

Healey, Michael (2000) Mike Healey "a Scottish Colourist". [Event, Show or Exhibition]

Healey, Michael (2010) Mike Healey solo exhibition of new paintings, London 2010. [Event, Show or Exhibition]

Healey, Michael (2002) New paintings at Thompson's The City. [Event, Show or Exhibition]

Healey, Michael (2001) New works by Mike Healey. [Event, Show or Exhibition]

Healey, Michael (2007) The Scottish colourists. [Event, Show or Exhibition]

Healey, Michael (2009) The Scottish show. [Event, Show or Exhibition]

Healey, Michael, Birrell, George, Brown, Davy, Carter, Pam and Kelsey, Robert (2011) Scottish show. [Event, Show or Exhibition]

Hudson, John (2013) Migraine art. [Event, Show or Exhibition]

Kinnell, Fiona, Leak, Jeff, Eastwood, Phil, Perry, Robert and Middleton, Paul (2006) Beyond the studio. [Event, Show or Exhibition]

Lamb, Francis (2006) House taken over. [Event, Show or Exhibition]

Lamb, Francis (2005) The fantasist. [Event, Show or Exhibition]

Lang, Martin (2010) By Appointment / Propositions [curated by Close But No Cigar]. [Event, Show or Exhibition]

Lang, Martin (2016) International Festival of Projections at the University of Kent, Canterbury, Medway and Satellite Venues [curated by Liz Flynn]. [Event, Show or Exhibition]

Lang, Martin (2010) SCOPOS (The Watcher) [Curated by Duncan Brannon]. [Event, Show or Exhibition]

Lang, Martin (2014) Troca de Trabalhos [Curated by Mariana de Castro]. [Event, Show or Exhibition]

Lang, Martin (2011) ko-ax photo [Selected by Tate Curator of Photography, Simon Baker]. [Event, Show or Exhibition]

Lang, Martin, Bracey, Andrew and others, (2011) Creekside Open [selected by Dexter Dalwood]. [Event, Show or Exhibition]

Lang, Martin, Ye, Funa, Wainwright, Charlotte, Marsden, David, Rowan, Hannah, Balmforth, James, Farley, Joe, Melançon, Katherine, Zeto, Kyle, Lek, Lawrence and Davies, Tom (2011) A.R.G. [curated by Farkas, Rozsa and Clark, Tom]. [Event, Show or Exhibition]

Lent, Michael (2009) Transient spaces. [Event, Show or Exhibition]

Lock, Andy (2002) Going. [Event, Show or Exhibition]

McSherry, David (2018) Bummock: The Lace Archive [Soundtrack composition]. [Event, Show or Exhibition]

Middleton, Paul (2004) Land and sky. [Event, Show or Exhibition]

Middleton, Paul (2004) Redefining landscapes. [Event, Show or Exhibition]

Monro, Clementine (2015) Perpetual transitions: a communication between photography and absence within the spatial experience of the ruin. [Event, Show or Exhibition]

Morrad, Annie (2010) 'AND more...'. [Event, Show or Exhibition]

Morrad, Annie (2011) Another time another place. [Event, Show or Exhibition]

Morrad, Annie (2011) Come and see- two. [Event, Show or Exhibition]

Morrad, Annie (2011) Conflict. [Event, Show or Exhibition]

Morrad, Annie (2015) PH1: artists in place. [Event, Show or Exhibition]

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian (2018) Documents, alternatives #2. [Event, Show or Exhibition]

Morrad, Annie, McArthur, Ian and Oliver, Ross (2016) Itinerant mind. [Event, Show or Exhibition]

O'Neill, Mary (2012) Living / loss. [Event, Show or Exhibition]

O'Reilly, Oran (2005) Plastic fantastic. [Event, Show or Exhibition]

O'Reilly, Oran (2003) [Ten digital paintings]. [Event, Show or Exhibition]

O'Reilly, Oran (2003) [Two large-scale prints]. [Event, Show or Exhibition]

Oreilly, Oran (2009) A synthetic grammar of attrition. [Event, Show or Exhibition]

Pemberton, Howard (1983) Come back romance all is forgiven. [Event, Show or Exhibition]

Plowman, John (2003) Field of activity. [Event, Show or Exhibition]

Plowman, John (2003) Field of activity: a continuation. [Event, Show or Exhibition]

Plowman, John (2005) Twilight shift. [Event, Show or Exhibition]

Plowman, John, Kyriacou, Sotiris, Plowman, John, Barham, Anna, Black, Karen, Broodthaers, Marcel, Clout, Lucy, Crosby, Clem, Durham, Jimmie, Fairnington, Mark, Fishbone, Doug, Gamper, Martino, Hiorns, Roger, Silver, Daniel, Smykla, Harald and Strange, Jack (2010) Profusion. [Event, Show or Exhibition]

Rowland, Duncan (2014) Untitled. [Event, Show or Exhibition]

Savage, Karen and Monaghan, Garrett (2004) The Sixty Second Film and Video Festival. [Event, Show or Exhibition]

Schwitters, Kurt, Zipes, Jack, Peacock, Irvine and Tullett, Barrie (2009) Merz tales. [Event, Show or Exhibition]

Shepley, Alec (2014) IBID. [Event, Show or Exhibition]

Shepley, Alec (2013) Library. [Event, Show or Exhibition]

Shepley, Alec (2010) Site drawing: drawing site. [Event, Show or Exhibition]

Shepley, Alec (2010) '... but the steady renegotiation of small realities'. [Event, Show or Exhibition]

Shepley, Alec (2014) A place of impossibility. [Event, Show or Exhibition]

Shepley, Alec (2012) [sic]. [Event, Show or Exhibition]

Shepley, Alec, Ackroyd-Willoughby, Lily, Ainsworth, Mike, Bradshaw, Alice, Catterall, Lydia, Dennis, Spike, Drenth, Natalie, Hardaker, Emma, Hopkins, Phill, Hurst, Edward, Jones, Luc, MacGarry, Ellie, Martin, Bess, McGinn, Tom, Moody-Smith, Emma, Miorin, Julia, Mor, Shanie, Plumb, Leo, Pooler, Ned, Quaia, Stanley, Turner, Will, Welding, Philip and Wheeldon, Matt (2014) La mariée mise à nu par ses célibataires, même. [Event, Show or Exhibition]

Shepley, Alec, Bartram, Angela, Plowman, John, Bracey, Andrew, Holt, Roy, Burge, Catherine, Charnley, Clare, Watts, Lisa, Chiara, Miriam, Garcia, Lucas Delfino, Cifre-Cedre, Joana, Edwards, Paul, Cuthbertson, Tom, Hammad, Medina, Plowman, John, Healey, Michael, James, Keith, Cross, Robert, Fong Ling, Yuen, Holland, Rachel and Paz, Fabiola (2010) Pebbles and avalanches. [Event, Show or Exhibition]

Shepley, Alec, McCarthy, Clive and Shepley, Alec (2013) Entropic union. [Event, Show or Exhibition]

Shepley, Alec and McClenaghen, John (2010) Distance. [Event, Show or Exhibition]

Streffen, Isabella, Robinson, Alistair, Knight, Peter, Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]

Tullett, Barrie (2012) By leaves we live [book fair, typewriter event and lecture]. [Event, Show or Exhibition]

Tullett, Barrie (2019) The Typographic Dante at the NCCD. [Event, Show or Exhibition]

Tullett, Barrie (2012) The typographic Dante. [Event, Show or Exhibition]

Tullett, Barrie, Dermody, Brenda and Marrinan, Carla (2017) The typographic Dante. [Event, Show or Exhibition]

Twells, Chloe (2009) Big: an exhibition of large scale architectural drawings. [Event, Show or Exhibition]

Twells, Chloe (2012) Doorways: an exhibition of large drawings. [Event, Show or Exhibition]

Verity, Adam (2009) Analogue America. [Event, Show or Exhibition]

Verity, Adam (2009) Polanoid projections. [Event, Show or Exhibition]

Verity, Adam and James, Keith (2008) Pola ID. [Event, Show or Exhibition]

Wilson, Louise K., Weir, Peter and Lindsay, Joan (2012) Missing scenes: an evening at Hanging Rock. [Event, Show or Exhibition]

Wood, Philippa, Maufe, Imi and Rangsch, Rona (2014) Voyage boxed. [Event, Show or Exhibition]

eastwood, philip (2006) Positive thoughts. [Event, Show or Exhibition]

Performance

Bartram, Angela (2016) Tea boxing. [Performance]

Bartram, Angela and O'Neill, Mary (2013) I, I am, I am here, I am speaking here. [Performance]

Bartram, Angela and O'Neill, Mary (2014) Translating rage. [Performance]

Bartram, Angela and O'Neill, Mary (2014) Unspoken words. [Performance]

Collinson, Stewart, Chapman, Duncan and McInerney, Michael (2010) Breath rising. [Performance]

Fossey, Steve (2013) Hello, I Love You. [Performance]

Fossey, Steve (2014) Host(s). [Performance]

Morrad, Annie (2016) Tactics of interruption. [Performance]

Image

Downing, Mike (2017) Images from series "Process" published in Issue 05 of Unlimited Imprint Online Publication. [Image]

Downing, Mike and Wasneski, Jacyln (2017) Image "Plastic Vanitas #2". [Image]

Video

Chapman, David and Wilson, Louise K. (2010) Temple of decision. [Video]

Collinson, Stewart (2008) Hacked cyber-head. [Video]

Fossey, Steve (2013) The mechanics of becoming social. [Video]

Nesbitt, Ian, Wilczek, Emily and Simpson, Dallas (2012) Byron ghosts. [Video]

Audio

Chapman, David and Wilson, Louise K. (2008) Arcadia. [Audio]

Chapman, David and Wilson, Louise K. (2010) Cascading. [Audio]

Chapman, David and Wilson, Louise K. (2009) Falkland audiowalk. [Audio]

Learning Resource

Locker, Pam and Gittens, Douglas (2009) Pencils and pixels: a drawing learning resource for design students. [Learning Resource]

O'Neill, Mary (2008) Ethics teaching material. [Learning Resource]

Project

Bartram, Angela (2018) Be Your Dog. [Project]

Bracey, Andrew (2018) Bummock: The Lace Archive. [Project]

Other

McKay, Andy (2007) Bill Ming: stories of wood, wind and fire. Intafilms, Newark.

Morrad, Annie (2015) Summer lodge residency. soundcloud.

Peacock, Irvine (2003) Dragon girl. Meiklejohn Graphics, London.

Starszakowna, Norma (2004) Hinterland. Scottish Parliament, Holyrood, Scotland.

This list was generated on Sun May 31 20:17:43 2020 BST.