Items where Subject is "W Creative Arts and Design > W100 Fine Art"

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Number of items at this level: 455.

A

Ashman, Sinclair (2016) 'Elements'. A framed collagraph printing plate. The plate will be exhibited alongside other works in a major solo exhibition of my printmaking at The Ropewalk Gallery, Barton upon Humber in the autumn of 2016. [Artefact]

B

Bartram, Angela (2011) 3 worlds in 1: London international. [Event, Show or Exhibition]

Bartram, Angela (2016) The Alternative Document exhibition, curated by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela (2016) The Alternative Document symposium, created and led by Angela Bartram. [Event, Show or Exhibition]

Bartram, Angela (2005) Am I the art? An analysis of the relationship of the live artist to the event [in panel Discomfort women: pushing the boundaries/ changing the rules]. In: Becoming Uncomfortable: Performance Studies International Conference, 2005, 30 Mar - 3 April 2005, Brown University, Providence RI USA.

Bartram, Angela (2012) Art from the dead: the moral and ethical transformation of the animal pet into cultural artifact. In: London Conference in Critical Thought, 29-30 June 2012, Birkbeck College University of London.

Bartram, Angela (2018) Be Your Dog. [Project]

Bartram, Angela (2016) Be your dog. [Event, Show or Exhibition]

Bartram, Angela (2017) Be your dog (re-worked footage). [Artefact]

Bartram, Angela (2012) Between bodies: an artist’s account of the oral connection between human and dog. In: Intimacy across visceral and digital performance. Palgrave Macmillan, London. ISBN 9780230348868

Bartram, Angela (2006) Canine collaboration: objects, actions and morality. In: 4th Annual Hawaii International Conference on Arts and Humanities, 11-14 Jan 2006, Honolulu, Hawaii.

Bartram, Angela (2016) Carrion, exhibited as part of Imagistic, Hillyer Art Space, Washington DC, 9 September 2016. [Artefact]

Bartram, Angela (2017) Collaborating animals: dog and human artists. In: 2017 Australasian Animal Studies Association Conference, 3 - 5 July 2017, University of Adelaide.

Bartram, Angela (2017) Collaborative animals: dogs and humans as co-working artists. In: Living with Animals 3: Co-existence/Seeing with Animals conference, 22 - 26 March 2017, Eastern Kentucky University, USA.

Bartram, Angela (2017) Documents, Alternatives #1. [Event, Show or Exhibition]

Bartram, Angela (2011) Dog girl: 'Cindy'. [Event, Show or Exhibition]

Bartram, Angela (2011) Dog girl: 'Cindy'. [Event, Show or Exhibition]

Bartram, Angela (2010) EAST Goes East. [Event, Show or Exhibition]

Bartram, Angela (2009) EAST International 2009. [Event, Show or Exhibition]

Bartram, Angela (2009) EAST Video 2009. [Event, Show or Exhibition]

Bartram, Angela (2003) Fur kiss. [Event, Show or Exhibition]

Bartram, Angela (2009) Licking dogs. [Event, Show or Exhibition]

Bartram, Angela (2013) Licking dogs [Selected videos from the East International archive. ]. [Event, Show or Exhibition]

Bartram, Angela (2008) Licking dogs [single screen video projection]. [Artefact]

Bartram, Angela (2014) Licking dogs [video artwork]. [Artefact]

Bartram, Angela (2010) Mongrel. [Event, Show or Exhibition]

Bartram, Angela (2016) No seconds out - no blow in sight. [Artefact]

Bartram, Angela (2011) One woman and her dogs. In: Mutual dependencies. Artwords Press, London, pp. 120-127. ISBN 9781906441258

Bartram, Angela (2008) Perspectives 2012 - 2017. [Event, Show or Exhibition]

Bartram, Angela (2005) Speechless acts. [Event, Show or Exhibition]

Bartram, Angela (2003) Spit and lick. [Event, Show or Exhibition]

Bartram, Angela (2003) Spit and lick. [Event, Show or Exhibition]

Bartram, Angela (2016) Tea boxing. [Performance]

Bartram, Angela (2006) Tonguing. [Event, Show or Exhibition]

Bartram, Angela (2006) Tonguings. [Event, Show or Exhibition]

Bartram, Angela (2011) The animal gaze. [Event, Show or Exhibition]

Bartram, Angela (2009) The future can wait [selection]. [Event, Show or Exhibition]

Bartram, Angela (2008) The future can wait. [Event, Show or Exhibition]

Bartram, Angela (2012) The performance of pain: the consequences for the performing body and its portrayal of mental health. In: Confined Spaces: Considering Performance, Madness, and Psychiatry, 17-18 September 2012, Corpus Christi College Cambridge.

Bartram, Angela and Bracey, Andrew (2017) ABBA (on tour) the practice of process. [Event, Show or Exhibition]

Bartram, Angela and El-Bizri, Nader and Gittens, Douglas (2014) Recto verso: redefining the sketchbook. Ashgate Studies in Architecture . Ashgate, Ashgate, Farnham, Surrey. ISBN 9781409468660, 1409468666

Bartram, Angela and Gittens, Douglas (2011) Performing lost space. In: Fixed? Architecture, Incompleteness and Change, 7-8 April 2011, University of Plymouth.

Bartram, Angela and Gittens, Douglas (2013) Performing lost space: discussing an exercise in recording architectural detail with the performing body. In: Becoming Nomad: Hybrid Spaces, Liquid Architectures and Online Domains, 9-10 April 2013, York St. John University.

Bartram, Angela and Gittens, Douglas (2012) Performing lost space: recording architectural detail with the body. Lambert Academic Publishing, Saarbrucken. ISBN 9783846597835

Bartram, Angela and O'Neill, Mary (2014) Angry words. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2014) BartramONeill Actions 2009 - 2014 [iBook]. Apple iBook. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2013) Concerning bodies [stream convenors and panel chairs]. In: London Conference in Critical Thought, 6-7 June 2013, Royal Holloway University of London.

Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries. [Artefact]

Bartram, Angela and O'Neill, Mary (2016) Here and there: two works, ten countries. In: The Body: Out of Time and Without a Place, 21-22 May 2015, Contemporary Art Centre, Vilnius.

Bartram, Angela and O'Neill, Mary (2016) ‘Here and there: two works, ten countries. In: Ne Laiku Ir Be Vietos / The body: out of time and without a place. Acta Academiae Artium Vilnensis (80-81). Acta Academiae Artium Vilnensis, Vilnius, pp. 217-220. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2015) Here and there: two works, ten countries (displaced). In: TaPRA Annual Conference 2015, 8th-10th September 2015, University of Worcester.

Bartram, Angela and O'Neill, Mary (2013) I, I am, I am here, I am speaking here. [Performance]

Bartram, Angela and O'Neill, Mary (2012) O/R. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2011) Oral / response. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Oral / response. In: Emergency index 2011. Ugly Duckling Presse, New York. ISBN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2012) Oral / response. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2015) Performances by Bartram O'Neill [textual documentation]. [Artefact]

Bartram, Angela and O'Neill, Mary (2014) Performances of Bartram O'Neill [textual documentation]. [Artefact]

Bartram, Angela and O'Neill, Mary (2012) Residency and performance at Grace Exhibition Space New York. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2012) Response oral / response. Total Art Journal, 1 (2). ISSN UNSPECIFIED

Bartram, Angela and O'Neill, Mary (2013) She Works - She Writes (performance) and Research and Collaboration (artists talk). [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2014) Translating rage. [Performance]

Bartram, Angela and O'Neill, Mary (2016) Unsettling action and text: a collaborative experience. In: Collaborative Art in the Twenty-First Century. Routledge Advances in Art and Visual Studies . Routledge, New York, pp. 141-151. ISBN 9781138935747

Bartram, Angela and O'Neill, Mary (2014) Unspoken. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2014) Unspoken words. [Performance]

Bartram, Angela and O'Neill, Mary (2009) The future can wait. [Event, Show or Exhibition]

Bartram, Angela and O'Neill, Mary (2011) The sacrifice made by audiences: the complicit discomfort of viewing performance art. In: Cultural and ethical turns: interdisciplinary reflections on culture, politics and ethics. Interdisciplinary Press, Oxford, UK, pp. 105-112. ISBN 9781848880542

Baynton, Rachel (2012) Digital Image Management and Licensing in a Small-scale Museum and Gallery. Documentation. Live at LICA, Museum Development North West.

Bean, Victoria and McCabe, Chris and Goldsmith, Kenneth and Tullett, Barrie and Abel, Jordan and Acconci, Vito and aND, mIEKAL and Auerbach, Tauba and Banner, Fiona and Barraclough, Simon and Basinski, Michael and Baum, Erica and Beaulieu, Derek and Bellingham, David and Bervin, Jen and Bergvall, Caroline and Bjørgås Jordheim, Cecilie and Blonk, Jaap and Bory, Jean-François and Bök, Christian and Bonney, Sean and Büchler, Pavel and de Campos, Augusto and Capone, Francesca and Carvalho, Antonio Claudio and Çetinkol, Baris and Chopin, Henri and Paula, Claire and Clark, Thomas A. and Cobbing, Bob and Comitta, Tom and Copithorne, Judith and Cutts, Simon and Czech, Natalie and Dahlquist, Bob and Depew, Wally and Drucker, Johanna and Ferguson, Jesse Patrick and Finch, Peter and Finlay, Alec and DiPalma, Ray and Finlay, Ian Hamilton and Foster, Rachel E. and Fowler, S. J. and Furnival, John and Gallo, Philip and Garnier, Ilse and Garnier, Pierre and Giorno, John and Giovenale, Marco and Gomringer, Eugen and Goussey, Roel and Helmes, Scott and Herxheimer, Sophie and Hoff, James and Holmqvist, Karl and Holzer, Jenny and Howe, Susan and Huth, Geof and Işın, Serkan and Jenks, Tom and Johnstone, Julie and Katz, Leandro and Kelly, Sarah and King, Ronald and Kinsella, John and Knotek, Anatol and Knowles, Christopher and Koppány, Márton and Kostelanetz, Richard and Lehan, Daniel and Lewis, Ruark and Lewty, Simon and Lijn, Liliane and Lopez, Tony and Webb, John S. and Donato, Mancini and Martinez de las Rivas, Toby and Mayer, Hansjörg and McCaffery, Steve and Mcpherson-eckhoff, Kevin and Melville, Nick-e and Miller, David and Mills, Stuart and Mon, Franz and Montgomery, Robert and Morgan, Edwin and Morin, Gustav and Myers, Rick and Padin, Clemente and Phillips, Tom and Pignatari, Décio and Piringer, Jörg and Rinne, Cia and Sackett, Colin and Saroyan, Aram and Skelton, Richard and Sutherland, W. Mark and Thomas, Greg and Thurston, Nick and Tompkins, Sue and Topel, Andrew and Touchon, Cecil and Vallias, André and Vassilakis, Nico and Waeckerlé, Emmanuelle and Winston, Sam and Evans, Cerith Wyn and Yılmaz, Ercan y and Zboya, Eric (2015) The new concrete. Hayward Gallery, London, pp. 196-197. ISBN 9781853323287

Bracey, Andrew (2009) Andrew Bracey: Animalation. [Event, Show or Exhibition]

Bracey, Andrew (2013) Break on through to the other side. In: Misdirect Movies. Cornerhouse, pp. 5-11. ISBN 9780956957153

Bracey, Andrew (2018) Bummock: The Lace Archive. [Event, Show or Exhibition]

Bracey, Andrew (2004) Clout. [Artefact]

Bracey, Andrew (2015) Detail (detail). In: Painting/Looking, 16 April 2015, The Collection, Lincoln.

Bracey, Andrew (2015) The Devil Is in. In: (detail). Transition Editions. ISBN 9780956881434

Bracey, Andrew (2018) Encountering winter in summer. In: Documents Alternatives Symposium, 20 April 2018, Bath Spa University.

Bracey, Andrew (2006) Freianlage. [Event, Show or Exhibition]

Bracey, Andrew (2008) Karhu karaoke. [Artefact]

Bracey, Andrew (2017) Make practice perfect: document artists. In: Make Practice Perfect, 24 March 2017, The Collection.

Bracey, Andrew (2013) Misdirect movies. [Event, Show or Exhibition]

Bracey, Andrew (2015) Paradoxically for the first time. In: (detail). Transition Editions. ISBN 9780956881434

Bracey, Andrew (2017) Parasitical glimpses in Münster and Kassel. an Interface . ISSN .

Bracey, Andrew (2018) Parasitical paintings. Journal of Contemporary Painting, 4 (2). pp. 325-344. ISSN 2052-6695

Bracey, Andrew (2005) Post notes. [Event, Show or Exhibition]

Bracey, Andrew (2013) Recall. In: Mistaken Presence. B. Press, pp. 3-5. ISBN 9780955362651

Bracey, Andrew (2011) ReconFigure paintings. [Event, Show or Exhibition]

Bracey, Andrew (2001) Rose. [Artefact]

Bracey, Andrew (2017) TextImageText. [Event, Show or Exhibition]

Bracey, Andrew (2013) Tip of the iceberg. [Event, Show or Exhibition]

Bracey, Andrew (2011) Transitory paintings. [Artefact]

Bracey, Andrew (2011) UnMasterclass. [Artefact]

Bracey, Andrew (2003) Vision incision. [Artefact]

Bracey, Andrew (2013) A centre on the periphery: Lincoln’s artist run scene. Artist Newsletter (A-n) . ISSN UNSPECIFIED

Bracey, Andrew (2014) (detail). [Event, Show or Exhibition]

Bracey, Andrew (2010) A horse walks into a bar. [Event, Show or Exhibition]

Bracey, Andrew (2009) The jump. [Artefact]

Bracey, Andrew (2018) The life and times of a visual artist. In: The Life and Times of a Visual Artist, 16 February 2018, New Art Exchange, Nottingham.

Bracey, Andrew (2014) The magic behind the projectionist's booth. Garageland, 16 . ISSN 1749-9267

Bracey, Andrew (2012) A private affair. [Event, Show or Exhibition]

Bracey, Andrew (2015) The projectionist's eye. In: Attention: Detail, 3rd July 2015, Nottingham Trent University.

Bracey, Andrew (2016) The re: are they always doing it again? Garageland: art, culture and ideas, 20 . pp. 50-55. ISSN .

Bracey, Andrew and Altintzoglou, Euripides (2013) The ends of art. [Event, Show or Exhibition]

Bracey, Andrew and Barnes, Janet (2014) Finding the value. [Event, Show or Exhibition]

Bracey, Andrew and Buckley, Kate (2012) Crocodiles with a second skin thrash. [Event, Show or Exhibition]

Bracey, Andrew and Buckley, Kate and Ritchie, Aislinn and Oliver, Ross and Baxter, Nathan and Goodyear, Rachel and Farmer, Tessa and Dutton, Steve and Swindells, Steve and Donnelly, Samantha and Cuthbertson, Thomas and Cifre-Cerda, Joana and Dodgson, Laura (2011) Blind python with jewelled eyes. [Event, Show or Exhibition]

Bracey, Andrew and Butler, Tom and Dunbar, Tim and Eastham, Tracey and Simson, Henrietta and Tilley, Annabel and Wiener, Jenny (2014) Re-Unpacking. The Cafe Table Commissions. [Event, Show or Exhibition]

Bracey, Andrew and Dutton, Steve (2016) Midpointness. [Event, Show or Exhibition]

Bracey, Andrew and Dutton, Steve (2018) An Obstract for Midpointness. RUUKKU, 8 . ISSN 2341-9687

Bracey, Andrew and Dutton, Steve (2017) An obstract for midpointness. In: Please Specify!, 28-29 April 2017, Theatre Academy, Uni Arts, Helsinki.

Bracey, Andrew and Granell, Simon and Butcher, Eric (2013) A machine aesthetic. [Event, Show or Exhibition]

Bracey, Andrew and Griffiths, Dave (2010) Unspooling: artists & cinema. [Event, Show or Exhibition]

Bracey, Andrew and Lomax, Cathy (2012) Still. [Event, Show or Exhibition]

Bracey, Andrew and Maier, Danica (2018) Bummock: New Artistic Responses to Unseen Parts of the Lace Archive. In: Textiles and Place, 12-13 April 2018, Manchester Metropolitan University.

Bracey, Andrew and Maier, Danica (2017) Rummage to bypass: alternative ways of accessing the archive. In: The Archive Unbound, 4 May 2017, Cardiff University.

Bracey, Andrew and Maier, Danica and Gallant, Ashley and Cosker, Phil and Williams, Gerard and Belli, Emma and Belli, Guiseppe and Cocker, Emma (2017) Analysis of process. In: Analysis of Process, 13th January 2017, The Collection, Lincoln.

Bracey, Andrew and Morrad, Annie (2017) Performing aphantasia: complementary systems to document a live event. In: Provocative Pedagogies, 14 October 2017, LPAC.

Bracey, Andrew and Syson, Jennie (2013) Reliquary. [Event, Show or Exhibition]

Bracey, Andrew and Vallance, Adele and Bertola, Catherine and Collis, Susan and Hunt, Kevin and Lyons, Brendan and Vallance, Adele (2011) Being lost. [Event, Show or Exhibition]

Bracey, Andrew and Wang, Yao and Liu, Chunmei and Phaily, James and Zhang, Tao and Zevgaridou, Eleni and Johnson, Laura and Fowling, David (2014) Accident's need not happen. [Event, Show or Exhibition]

Bracey, Andrew and Wright, Elizabeth (2016) The doing of thinking is not a hands free conversation. In: Dirty Practice, 20 - 23 Sept 2016, University of Wolverhampton.

Brennan, Gordon and Brown, John and Docherty, Mike and Tullett, Barrie (2006) FlatPack / PlaskaPaczka. [Artefact]

Bresolin, Tom and Lang, Martin (2012) Militant Training Camp: the debriefing. In: Anarchist Studies Network Conference 2.0 ‘Making Connections’., 3 - 5 September 2012, Loughborough University.

Bull, John (2018) Introduction. Journal of Contemporary Drama in English, 6 (1). ISSN 2195-0164

Burge, Catherine (2006) Here's one I made earlier. In: Group show at Surface Gallery, to 6 Nov 2006, Nottingham, UK.

Burge, Catherine (2009) Our name is legion: Kelly Large. In: Our Name is Legion. B. Press. ISBN 9780955362637

Burge, Catherine (2007) This seat in front of the window: thinking age through Louise Bourgeois's works on paper. The Drawing Board, Lincoln. ISBN 1860502091

Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]

Burge, Catherine and Allington, Edward and Charnley, Clare (2010) Often failed sculptures are more interesting. [Artefact]

Bush, Julie (2017) The life, work and artistic context of William Logsdail (1859-1944). PhD thesis, University of Lincoln.

Butler, Angie and Butler, Simon and Tullett, Barrie (2013) Typewriter: print on demand. [Event, Show or Exhibition]

C

Campbell, Lee (2017) Anticipation, action and analysis: A new methodology for practice as research. PARtake: e Journal of Performance as Research: Vol. 1 : Iss. 2 , Article 7., 1 (2). ISSN 2472-0860

Campbell, Lee (2014) Beyond Pollock: on visual art objects as non-traditional forms of performance document. International Journal of Performance Arts and Digital Media, 10 (1). pp. 35-47. ISSN 1479-4713

Campbell, Lee (2016) Cinematic interruptions. Viewfinder online . ISSN .

Campbell, Lee (2017) Collaborators and hecklers: Performative pedagogy and interruptive processes. Scenario, XI (1). pp. 33-64. ISSN 1649-8526

Campbell, Lee (2014) Heckling, performance, participation and politeness: using performance art as a tool to explore the liminal space between art and theatre and its capacity for confrontation. In: Performativity in the gallery: staging interactive encounters. Cultural Interactions: Studies in the Relationship Between the Arts . Peter Lang Ltd. ISBN 9783034309660

Campbell, Lee (2016) Technoparticipation: Intermeshing performative pedagogy and interruption. Body, Space, Technology, 15 . ISSN 1470-9120

Campbell, Lee (2017) Technoparticipation: the use of digital realia in arts education. Spark: UAL Creative Teaching and Learning Journal, 2 (3). pp. 179-195. ISSN 2397-6594

Campbell, Lee (2017) You don't need eyes to see, you need vision: performative pedagogy, technology and teaching art to students with vision impairment. Journal of Pedagogic Development, 7 (3). ISSN 2047-3257

Campbell, Lee (2016) The classroom observer: unwanted interruption or welcome witness? Exploration Through Education . ISSN .

Campbell, Lee and McCall, Carali and Lee, Adrian (2017) Sight (un)specific: performance as research predicated upon deploying acts of visual negation. Body, Space, Technology . ISSN 1470-9120

Capon, Robin and Healey, Michael (2011) The essence of the subject. The Artist (174). ISSN 0004-3877

Chapman, David and Wilson, Louise K. (2008) Arcadia. [Audio]

Chapman, David and Wilson, Louise K. (2010) Cascading. [Audio]

Chapman, David and Wilson, Louise K. (2009) Falkland audiowalk. [Audio]

Chapman, David and Wilson, Louise K. (2010) Re-sounding Falkland. [Artefact]

Chapman, David and Wilson, Louise K. (2010) Resounding Falkland. Falkland Centre for Stewardship. ISBN 9780956841803

Chapman, David and Wilson, Louise K. (2010) Temple of decision. [Video]

Chapman, David and Wilson, Louise K. (2011) The caress of the audible: Re-sounding Falkland. Social Semiotics, 21 (4). pp. 517-529. ISSN 1035-0330

Charnley, Clare (2003) Ratman series. In: Below, The Floating Gallery, Arthur Street, Winnipeg, 25 Apr - 6 Jun 2003, Winnipeg, Canada.

Charnley, Clare (2003) Useless [from Untitled War Series]. In: Look To This Day curated by Castlefield Gallery from the Comme Ca Art Prize North 2003 nominees. Castlefield Gallery, Hewitt Street, Knott Mill, Manchester, 3 Oct - 23 Nov 2003, Manchester, UK.

Charnley, Clare and Azevedo, Patricia (2010) Leave blank (2009/2010). In: Crunchtime2010 catalogue. Martins publishing, p. 38. ISBN 97809565462

Charnley, Clare and Yang, Shu (2005) Shuo Hua/Speech. In: Transborder Language: Performance Art/Language Art, 2nd Dashanzi International Art Festival, Beijing, 1-3 May 2005, Beijing, China.

Chen, Julie and Wood, Philippa (2013) 500 handmade books [volume 2]. In: 500 handmade books. Lark - imprint of Sterling publications, p. 310. ISBN 9781454707530

Cheshire, Jim (2007) Tennyson transformed: Alfred Lord Tennyson and his interpreters in the visual arts (Alfred Lord Tennyson and visual culture). In: The role of the humanities in design creativity international conference, 15-16 Nov 2007, Lincoln, UK.

Clayton, Owen (2017) How to show old photographs. Photographic Review, 91 . pp. 58-59. ISSN .

Collinson, Stewart (2008) Hacked cyber-head. [Video]

Collinson, Stewart and Chapman, Duncan and McInerney, Michael (2010) Breath rising. [Performance]

Cologni, Elena (2016) Dialogic approach for the artist as an interface in an intercultural society. In: The Routledge International Handbook of Intercultural Arts Research. Routledge International Handbooks . Routledge, pp. 215-226. ISBN 9781138909939

Cologni, Elena (2010) That spot in the ‘moving picture’ is you, (perception in time-based art). In: Blood, Sweat & Theory: Research through Practice in Performance. Libri Publishing, pp. 83-107. ISBN 9781907471049

Cologni, Elena (2015) A modernity which forgets. [Event, Show or Exhibition]

Cologni, Elena and Santomauro, Anna and Vincenzo, Estremo (2012) Public space and memory: conversation between Elena Cologni and Anna Santomauro. In: Green Days. Seriprint for Green Days Project, Bologna, Italy, pp. 45-48. ISBN UNSPECIFIED

Connelly, Heather (2018) Translation Zone(s): A Stuttering: An Experiential Approach to Linguistic Hospitality. Open Cultural Studies, 2 (1). pp. 162-174. ISSN 2451-3474

Cooper, Graham and Hudson, John and Terry, Mark and Walsh, Michelle and Downing, Mike (2011) Five photographers from Lincoln. [Event, Show or Exhibition]

Cooper, Johanna and Hardy, George and Richardson, Madelaine and Tooke, Gwen and Verity, Adam and Westby, Tony and Plowman, John (2009) Proem, MA Fine Art Degree Show. [Event, Show or Exhibition]

D

Davenport, Philip and Beaulieu, Derek and Tullett, Barrie and Rawlings, Angela and Grenier, Bob and Thompson, Carolyn and Bjørgås Jordheim, Cecilie and Marsh, Darren and Cocker, Emma and Zboya, Eric and Baum, Erica and Blonk, Jaap and Davies, James and Dyer, Jayne and Glass, Jesse and Kokko, Karri and Weiner, Lawrence and Mueller, Kristen and Bridgewater, Leanne and Collini, Liz and Harvest Clarke, Lucy and Giovenale, Marco and Koppány, Márton and Dalby, Matt and Chavez-Dawson, Mike and Paula, Claire and Anderson, Penny and Jaeger, Peter and Davenport, Phil and Defay-Liautard, Rachel and Silliman, Ron and Kaikkonen, Satu and Sanders, Sarah and Emmerson, Steve and Giasson, Steve and Jenks, Tom and Lopez, Tony and UNSPECIFIED and UNSPECIFIED (2015) TEXTfestschrift. In: TEXTfestschrift, August 2015, Bury Art Museum.

Dermody, Brenda and Tullett, Barrie (2017) Dante: the remixes. [Artefact]

Dipaola, Pietro (2012) 'Freedom Press and the amnesty campaign for deserters after WW2. In: Anarchist Studies Network Conference 2.0 ‘Making Connections’., 3 - 5 September 2012, Loughborough University.

Downing, Mike (2013) Come here I need you. [Event, Show or Exhibition]

Downing, Mike (2016) Plastic Vanitas #3. [Event, Show or Exhibition]

Downing, Mike and Wasneski, Jacyln (2017) Image "Plastic Vanitas #2". [Image]

Dunne, Chris (2010) AAMA055: DUN06065632. [Artefact]

Dunne, Chris and Eastwood, Phil (2013) Performance print situation no. 5. [Event, Show or Exhibition]

Dutton, Steve (2010) The Biennial's radical heart. a-n magazine . ISSN UNSPECIFIED

Dutton, Steve (2010) Clueless: contradictions, malapropisms and tensions within a contemporary art practice. In: 1st Annual International Conference on Fine and Performing Arts, 7 - 8 June 2010, 2010 Athens, Greece.

Dutton, Steve (2012) Inhabiting the language of the Institution: how artists, teachers and students are occupying the institutional rhetoric which surrounds them. In: Elia Teachers' Academy, June 2012, Porto.

Dutton, Steve (2011) The Institute of Beasts: strategies of doubt and refusal in a contemporary art practice. In: 2nd Annual International Conference on Visual and Performing Arts, 6th-9th June 2011, Athens.

Dutton, Steve (2014) Institutional aesthetics: art takes residence. In: 9th Annual International Conference of the Arts in Society: "The Lives of ART", 25-27 June 2014, Sapienza University of Rome.

Dutton, Steve (2014) Towards an office of institutional aesthetics. In: Art and Research at the Outermost Limits of Location-Specificity, Nov 13th -14th 2014, Parsons School New York City.

Dutton, Steve (2015) The flickering institution. In: Material Culture in Action: Practices of making, collecting and re-enacting art and design, 7 - 8 September 2015, Glasgow School of Art.

Dutton, Steve (2015) The work is a score. In: Next to Nothing: Art as Performance. A meeting of art and philosophy in the age of post-dematerialisation, 26 - 27 Sept 2015, The Lock up Culture Centre, Newcastle, Australia.

Dutton, Steve and Bracey, Andrew (2017) Obstract for Midpointness. In: Paradox, European Fine Art Forum’s conference, 13-14/9/2-17, Conway Hall.

Dutton, Steve and Curtin, Brian (2014) Possession (2). [Event, Show or Exhibition]

Dutton, Steve and Curtin, Brian and Bracey, Andrew (2013) Possession (1). [Event, Show or Exhibition]

Dutton, Steve and Swindells, Steve (2009) The Institute of Beasts. [Event, Show or Exhibition]

Dutton, Steve and Swindells, Steve (2011) The stag and hound. [Event, Show or Exhibition]

Dutton, Steve and Webb, Neil (2012) End of ends. [Event, Show or Exhibition]

E

Eastwood, Phil (2015) Culture of seduction / the seduction of culture. [Event, Show or Exhibition]

Eastwood, Phil (2011) Double take. [Event, Show or Exhibition]

Eastwood, Phil and Dunne, Chris (2013) Art, politics and the pamphleteer: Radical Aesthetics Radical Art (RaRa). [Event, Show or Exhibition]

Eastwood, Phil and Dunne, Chris (2013) Performance print situation no. 4: post haste. [Event, Show or Exhibition]

Eastwood, Phil and Dunne, Chris (2009) Performance print situation: no.1. [Event, Show or Exhibition]

Eastwood, Phil and Dunne, Chris (2017) Post truth post haste. In: POST TRUTH POST HASTE, 8 March 2017, University of Wolverhampton.

Eastwood, Phil and Smith, David H. (2011) Oddities: a retrospective. [Event, Show or Exhibition]

Eastwood, Phil and Twells, Chloe (2017) A funny thing happened on the way to the future: an exhibition of 50 years of alumni work 1960-2010. [Event, Show or Exhibition]

Eastwood, Philip (2006) Create positive energy and convey positive thoughts. [Event, Show or Exhibition]

Eastwood, Philip (2006) New York cityscapes by Philip Eastwood. [Event, Show or Exhibition]

Eastwood, Philip (2004) Shadows and echoes. [Event, Show or Exhibition]

Edwards, Paul (2003) Fresh start. a-n magazine . p. 45. ISSN 0261-3425

Edwards, Paul (2004) [Paintings and drawings]. In: Ballinglen Arts Foundation, 6-27 Sep 2004, Ballycastle, Republic of Ireland.

Edwards, Paul and Burns, Carole (2013) Imagistic 2. In: Spacialising Illustration, 2013, University of Wales, Swansea.

Edwards, Paul and Burns, Carole and Alvarez, Ivy (2012) 'Imagistic' Cardiff flash fiction. [Event, Show or Exhibition]

Eisner, Cilla (2016) Collagegrids: generative metaphor and emergent composition. The interplay of inherited tradition with human agency in fine art practice. Journal of Visual Art Practice, 15 (1). pp. 50-62. ISSN 1470-2029

Eisner, Cilla (2017) Collagegrids: thinking it through, a practice-led investigation into artistic cognition. PhD thesis, University of Lincoln.

Esson, Michael (2006) Michael Esson: drawings. [China], [China]. ISBN UNSPECIFIED

Esson, Michael (2009) Mixed metaphors. [Event, Show or Exhibition]

Esson, Michael (2010) Where all the butterflies go. [Event, Show or Exhibition]

Evans, Dave (2013) Patterns of force. [Artefact]

Evans, Dave (2013) That which survives... [Artefact]

Evans, Dave (2013) The ultimate computer. [Artefact]

Evans, Dave and Guy, Aaron and Imlach, Hannah and Osberg, Erik (2013) Land odyssey. [Event, Show or Exhibition]

Ewan, Ruth and Tullett, Barrie and Wood, Philippa (2015) The difference. [Artefact]

eastwood, philip (2006) Positive thoughts. [Event, Show or Exhibition]

F

Fossey, Steve (2015) Love at first (site). In: Ways to Wander. Triarchy Press. ISBN 9781909470729

Fossey, Steve (2012) A Psycho-therapeutic Travelogue. In: In Dialogue, 2012, Nottingham Contemporary, Nottingham, UK..

Fossey, Steve (2018) Site-specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

Fossey, Steve (2012) Trying to make more sense: an introduction, beginning and reflection of a dialogic performance. Activate, 2 . ISSN .

Fossey, Steve (2013) The mechanics of becoming social. [Video]

G

Gittens, Douglas and Bartram, Angela (2010) Lost gallery spaces and the performing body. In: Narrative Space Conference: Lost Space and the Performing Body, 20-22 April 2010, University of Leicester, Leicester.

Goffin, Jeremy and Ashman, Sinclair (2016) Doing stuff. [Event, Show or Exhibition]

Goffin, Jeremy and Ashman, Sinclair and Voce, Brian and Stocker, John (2018) Print!! [Event, Show or Exhibition]

Grainger, Jim and O'Hana, Sarah and Hare-duke, Barney and Rose, Noah and Gaspar, Monica (2003) In the making: an exhibition of innovative new work by artists makers from the North West of England. [Event, Show or Exhibition]

Gridneff, Rose and Haslam, Andrew and Tullett, Barrie and Wood, Philippa (2012) 6x6. [Event, Show or Exhibition]

Griffin, Jeanine (2008) Art Sheffield 08. [Event, Show or Exhibition]

Griffin, Jeanine (2008) Art Sheffield 08 symposium. In: Art Sheffield 08 Symposium, 28 & 29 February 2008, Showroom Cinema, Sheffield.

Griffin, Jeanine (2010) Art Sheffield 2010 - Life: a user's manual. [Event, Show or Exhibition]

Griffin, Jeanine (2009) Failed fall: time and matter out of place. In: Measuring the universe: Roman Ondak. BAWAG foundation Edition and Christoph Keller Editions . JRP Ringier Kunstverlag AG, Zurich. ISBN 978303764024

Griffin, Jeanine (2009) The Sheffield Pavilion 2009. [Event, Show or Exhibition]

Griffin, Jeanine and Verwoert, Jan (2008) Transmission: host - Jeanine Griffin & Jan Verwoert. Transmission: Host . Artwords, London. ISBN 9781906441081

H

Hammad, Medina and Charnley, Clare (2010) Menagerie. [Artefact]

Healey, Michael (2007) Capturing the mood of the moment. The Artist . pp. 10-11. ISSN UNSPECIFIED

Healey, Michael (2000) Mike Healey "a Scottish Colourist". [Event, Show or Exhibition]

Healey, Michael (2005) Mike Healey at Ainscough Contemporary Art. In: Exhibition at Ainscough Contemporary Art, Drayton Gardens, 24 Nov - 8 Dec 2005, London.

Healey, Michael (2010) Mike Healey solo exhibition of new paintings, London 2010. [Event, Show or Exhibition]

Healey, Michael (2002) New paintings at Thompson's The City. [Event, Show or Exhibition]

Healey, Michael (2004) New work at New Heritage Gallery. In: New Heritage Gallery, Bermuda Hamilton, 8-23 Apr 2004, Hamilton, Bermuda.

Healey, Michael (2003) New work at Thompson's The City. In: Exhibition at Thompson's The City, London, 12 Jan - 22 Feb 2003, London.

Healey, Michael (2001) New works by Mike Healey. [Event, Show or Exhibition]

Healey, Michael (2007) The Scottish colourists. [Event, Show or Exhibition]

Healey, Michael (2009) The Scottish show. [Event, Show or Exhibition]

Healey, Michael (2011) The art of reconstruction: new perception, innovation and reconstruction in the field of plastic surgery. In: Risk and Revolution, 26 � 28 October 2011, Lu Xun Academy of Art ,Dalian, China..

Healey, Michael and Birrell, George and Brown, Davy and Carter, Pam and Kelsey, Robert (2011) Scottish show. [Event, Show or Exhibition]

Hildebrandt, Antje (2015) Participation and spectatorship in Tino Sehgal’s These associations. Choreographic Practices, 6 (1). ISSN 2040-5669

Hudson, John (2010) Avatars, Frankenstein, computer games, science fiction and otherness. Digital Imaging and Photography . ISSN UNSPECIFIED

Hudson, John (2010) Cyberhistories: cyberspace, cyber art and cyberculture. Digital Imaging and Photography . ISSN UNSPECIFIED

Hudson, John (2001) Easyfun-ethereal (Jeff Koons). Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) High summer (John Goto). Culture Wars . ISSN 1080-9058

Hudson, John (2001) Infraliminal (Juan delGado, Rut Lees Luxemburg, Sophie Rickett, Christopher Stewart). Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) Inside out - Esther Cawley: Quay Art, Kingston-upon-Hull. Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) "Magic, murder and the weather" Tracy Holland [and] "Now wait for last year" Penny McCarthy at Leeds Metropolitan University Gallery. Culture Wars . ISSN UNSPECIFIED

Hudson, John (2013) Migraine art. [Event, Show or Exhibition]

Hudson, John (2001) Open Drawing Cheltenham 2000 at the EICH Gallery, Kingston upon Hull. Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) Place (Rowan Paton Risby and Nathan Huxtable). Culture Wars . ISSN UNSPECIFIED

Hudson, John (2001) Taking positions - figurative sculpture and the Third Reich: Henry Moore Institute, Leeds. Culture Wars . ISSN 1080-9058

Hudson, John (2001) Terrain Vague - Joan Fontcuberta : Beverley Art Gallery, East Riding of Yorkshire. Culture Wars . ISSN UNSPECIFIED

K

Kinnell, Fiona and Leak, Jeff and Eastwood, Phil and Perry, Robert and Middleton, Paul (2006) Beyond the studio. [Event, Show or Exhibition]

Klee, Steve (2018) Inhumanist art and the decolonisation of nature. Antennae: The Journal of Nature in Visual Culture, 44 . pp. 4-19. ISSN 1756-9575

Klee, Steve (2013) Rancière against the Cuts: activist demands are aesthetic. Third Text, 27 (2). pp. 177-188. ISSN 0952-8822

Klee, Steve (2016) Realist spectating: time present. In: Invisible Architectures, Lesions on the Landscape, 29 - 30 October 2016, Whitechapel Gallery, London.

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Klee, Steve (2014) An inhuman art. In: Realisms and Object Orientations: The Philosophy of Tristan Garcia at the ICA, London, 5 December 2014, ICA, London.

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Kountouriotis, Pavlos (2012) Notes on the necessity of the explicit body in performance. In: Performance Festival. State Museum of Contemporary Art, Thessaloniki, pp. 14-22. ISBN 9789609409162

L

Lamb, Francis (2006) House taken over. [Event, Show or Exhibition]

Lamb, Francis (2005) The fantasist. [Event, Show or Exhibition]

Lang, Martin (2017) Against life drawing. The Jackdaw (136). p. 31. ISSN 1474-3914

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2010) By Appointment / Propositions [curated by Close But No Cigar]. [Event, Show or Exhibition]

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Lang, Martin (2016) International Festival of Projections [curated by Liz Flynn]. [Event, Show or Exhibition]

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Painting: Documents of Contemporary Art [edited by Terry R. Myers, Whitechapel Gallery Press, 2012]. a-n magazine . ISSN .

Lang, Martin (2010) SCOPOS (The Watcher) [Curated by Duncan Brannon]. [Event, Show or Exhibition]

Lang, Martin (2011) Simon Burton: Nowhere Men. Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2014) Troca de Trabalhos [Curated by Mariana de Castro]. [Event, Show or Exhibition]

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Lang, Martin (2011) ko-ax photo [Selected by Tate Curator of Photography, Simon Baker]. [Event, Show or Exhibition]

Lang, Martin and Bracey, Andrew and others, (2011) Creekside Open [selected by Dexter Dalwood]. [Event, Show or Exhibition]

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Lang, Martin and Grimwood, Tom (2012) Militant training camp and the aesthetics of civil disobedience. Krisis Journal for Contemporary Philosophy (3). pp. 37-48. ISSN 0168-275X

Lang, Martin and Ye, Funa and Wainwright, Charlotte and Marsden, David and Rowan, Hannah and Balmforth, James and Farley, Joe and Melançon, Katherine and Zeto, Kyle and Lek, Lawrence and Davies, Tom (2011) A.R.G. [curated by Farkas, Rozsa and Clark, Tom]. [Event, Show or Exhibition]

Lavery, Carl and Hassall, Lee (2015) A future for Hashima: pornography, representation and time. Performance Research: A Journal of the Performing Arts, 20 (3). pp. 112-125. ISSN 1352-8165

Lent, Michael (2011) Courting dissolution: the praxis of adumbrational space. In: Royal Geographical Society International Conference, Mobile Geographies, 31 August 2011, Imperial College London/RGS, London, UK.

Lent, Michael (2012) October fire. TriQuarterly, Winter (141). ISSN UNSPECIFIED

Lent, Michael (2011) Praxis of potentiality: a consideration of spatial disappearance. In: Mobility and Fantasy in Visual Culture First International Symposium, 20-21 May 2011, Bahçeşehir University, Istanbul, Turkey.

Lent, Michael (2012) Spatial praxis: fragmentation and mobility towards a singular other. In: IV Cult - G. International Conference: Geographical Imaginations 2012, 27-28 September 2012, University of Minho, Braga, Portugal.

Lent, Michael (2009) Transient spaces. [Event, Show or Exhibition]

Ling, Yuen Fong (2016) A body of relations: reconfiguring the life class. PhD thesis, University of Lincoln.

Lock, Andy (2002) Going. [Event, Show or Exhibition]

Lock, Andy (2001) Lost in transit / Nowhere so foreign. In: Quay Art Gallery, 22 May - 7 Jun 2001, Hull, UK.

Locker, Pam and Gittens, Douglas (2009) Pencils and pixels: a drawing learning resource for design students. [Learning Resource]

M

Macarthur, Ian and Morrad, Annie (2016) DesignHOP. In: Beijing Design Week, 23 September - 3 October 2016, Beijing, China.

Mather, George (2014) Artistic adjustment of image spectral slope. Art & Perception, 2 (1-2). pp. 11-22. ISSN 2213-4905

Mather, George (2017) Visual statistics of large samples of Western artworks. In: Visual Science of Art Conference, 25 - 27 August 2017, Berlin.

Maycroft, Neil (2004) Labour, work and play: defining action in fine art practice. In: Labour of Art symposium, September 2004, University of Lincoln.

Maycroft, Neil and Cheang, Shu Lea (2015) Dust-off. [Artefact]

McCarthy, Clive (2005) Healing cities: images by Clive McCarthy. Studio View, UK. ISBN 0954995872

McKay, Andy (2007) Bill Ming: stories of wood, wind and fire. Intafilms, Newark.

McKay, Andy (2001) DV Miniatures - Phasia; DV Miniatures - Shaker. In: [Performance at ]Broadway Cinema 2, March 2001, Nottingham, UK.

McSherry, David (2018) Bummock: The Lace Archive [Soundtrack composition]. [Event, Show or Exhibition]

Meyer-Dinkgräfe, Daniel (2016) Consciousness, Theatre, Literature and the Arts 2015. Cambridge Scholars Publishing, Newcastle. ISBN 9781443897945, 1443897940

Meyer-Dinkgräfe, Daniel (2012) Consciousness, theatre, literature and the arts 2011. Cambridge Scholars Publishing, Newcastle. ISBN 1443834580, 9781443834582

Middleton, Paul (2007) Beyond the studio [curation of]. In: Beyond the Studio, International University of Cyprus, 16 Jul - 23 Aug 2007, Nicosia, Cyprus.

Middleton, Paul (2006) Drawing from the land. In: Sint Lucas, Levens School Gallery, December 2006, Netherlands.

Middleton, Paul (2004) Land and sky. [Event, Show or Exhibition]

Middleton, Paul (2004) Moving travels. In: Exhibition at Centrum Gallery, May 2004, Girona, Spain.

Middleton, Paul (2004) Redefining landscapes. [Event, Show or Exhibition]

Monro, Clementine (2015) Perpetual transitions: a communication between photography and absence within the spatial experience of the ruin. [Event, Show or Exhibition]

Morrad, Annie (2010) 'AND more...'. [Event, Show or Exhibition]

Morrad, Annie (2011) Another time another place. [Event, Show or Exhibition]

Morrad, Annie (2015) Carbon meets silicon. In: Carbon meets Silicon, Sept 9th 2015, Glyndwr University Wrexham Wales.

Morrad, Annie (2011) Come and see- two. [Event, Show or Exhibition]

Morrad, Annie (2011) Conflict. [Event, Show or Exhibition]

Morrad, Annie (2015) PH1: artists in place. [Event, Show or Exhibition]

Morrad, Annie (2015) Summer lodge residency. soundcloud.

Morrad, Annie (2016) Tactics of interruption. [Performance]

Morrad, Annie (2015) Technoparticipation. In: Technoparticipation, 3 September 2015, University College Cork, Cork, Ireland.

Morrad, Annie (2014) Triadic disturbances. [Event, Show or Exhibition]

Morrad, Annie (2014) The moment of perceived presence. In: Sonorities Festival 2014: Remembering and Forgetting, 3 May 2014, Queen's University, Belfast.

Morrad, Annie (2011) The penetration of sound on the still photographic digital image. In: Online Mainline, 15 September 2011, Birmingham.

Morrad, Annie (2011) The penetration of sound on the still photographic digital image. In: OnlineMainline, 15 September 2011, Birmingham City University, Birmingham School of Media.

Morrad, Annie and McArthur, Ian (2018) Documents, alternatives #2. [Event, Show or Exhibition]

Morrad, Annie and McArthur, Ian and Oliver, Ross (2016) Itinerant mind. [Event, Show or Exhibition]

N

Nesbitt, Ian and Wilczek, Emily and Simpson, Dallas (2012) Byron ghosts. [Video]

O

O'Hana, Sarah (2012) The power of communication through art jewellery. International Journal of the Humanities, 9 (9). pp. 259-270. ISSN 1447-9508

O'Neill, Mary (2009) Death, art and mortality awareness: images of the dead in contemporary art. In: Death, Dying and Disposal Conference (DDD09), September 2009, Institute of Advanced Study, Durham University,.

O'Neill, Mary (2011) Ephemeral art: telling stories to the dead. Image & Narrative, 12 (3). pp. 51-65. ISSN 1780-678X

O'Neill, Mary (2014) Et in Arcadia ego. In: Art in Translation, September 18-20 2014, Reykjavík.

O'Neill, Mary (2008) Ethics teaching material. [Learning Resource]

O'Neill, Mary (2008) Here, ‘I’ am. Journal of Writing in Creative Practice, 1 (3). pp. 293-300. ISSN 1753-5190

O'Neill, Mary (2011) Images of the dead: ethics and contemporary art practice. In: Cultural and ethical turns: interdisciplinary reflections on culture, Politics and Ethics. Inter-Disciplinary Press, Oxford, pp. 129-136. ISBN 9781848880542

O'Neill, Mary (2012) Living / loss. [Event, Show or Exhibition]

O'Neill, Mary (2004) On the benefit of being bored. In: Conception Reception. Annual conference of the Association of Art Historians, November 2004, Bristol.

O'Neill, Mary (2010) Performing sorrow: ephemerality and mourning. In: Performance of Memory in the Arts, 2010, Radboud University, Nijmegen.

O'Neill, Mary (2008) Speaking to the dead. In: American Comparative Literature Association Annual conference, Long Beach, San Diego, April 2008, Long Beach, San Diego.

O'Neill, Mary (2006) Speaking to the dead. In: Constructions of Death, Mourning, and Memory, October 27-29, 2006, Woodcliff Lake, New Jersey.

O'Neill, Mary (2011) Speaking to the dead: images of the dead in contemporary art. Health: An Interdisciplinary Journal for the Social Study of Health, Illness and Medicine, 15 (3). pp. 299-312. ISSN 1363-4593

O'Neill, Mary (2009) Telling stories: theories and criticism. In: Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Publishing, Newcastle upon Tyne,, pp. 2-5. ISBN 1443805327, 9781443805322

O'Neill, Mary (2009) Verloren. De Gids: Serenity and Anxiety (5). ISSN UNSPECIFIED

O'Neill, Mary (2013) What’s your problem? Performance art and the question of value. Miami Performance '13 . ISSN UNSPECIFIED

O'Neill, Mary (2010) The art of giving lightly. Pebbles and Avalanches . ISSN UNSPECIFIED

O'Neill, Mary (2008) A lick: the performances of Angela Bartram. The Animal Gaze: Contemporary Art & Animal/Human Studies . ISSN UNSPECIFIED

O'Neill, Mary (2008) An oral response. [Artefact]

O'Neill, Mary (2010) A year of living dangerously: collaborating with undergraduate students. In: International Conference on Learning & Teaching: Creative Pedagogies, Changing Perspectives, Crossing Boundaries, 9th June 2010, Singapore.

O'Neill, Mary and Bartram, Angela (2012) ⇔ (A ⇔ B means A is true if B is true and A is false if B is false). [Artefact]

O'Neill, Mary and Bartram, Angela (2012) Oral / response. [Artefact]

O'Neill, Mary and Bartram, Angela (2010) Performance art, audiences and ethics. In: PSi 16 Performing Publics, 9th June 2010, Toronto.

O'Neill, Mary and Bartram, Angela (2010) The art of fear: the fear of art. In: Politics of Fear; Fear of Politics: 5th International Interdisciplinary Conference, 15th September 2010, Brighton University.

O'Neill, Mary Rose (2004) In memory 2003. In: Memory [exhibition] Salina Art Center, 15 Feb - 16 May 2004, Kansas, US.

O'Reilly, Oran (2005) Plastic fantastic. [Event, Show or Exhibition]

O'Reilly, Oran (2003) [Ten digital paintings]. [Event, Show or Exhibition]

O'Reilly, Oran (2003) [Two large-scale prints]. [Event, Show or Exhibition]

Oliver, Jay (2006) Ice cream van. In: Royal West of England Academy Autumn exhibition 2006, 5 Nov - 16 Dec 2006, Bristol, UK.

Oliver, Jay (2004) Untitled 1. In: The Jerwood Drawing Prize 2004, 8 Sep 2004 - 26 Jun 2005, Jerwood Space, London and others, UK.

Oreilly, Oran (2011) Comic iconoclast. [Artefact]

Oreilly, Oran (2008) Curbside constructions. [Artefact]

Oreilly, Oran (2009) A synthetic grammar of attrition. [Event, Show or Exhibition]

Oreilly, Oran and Clarke, Pete (2013) Impressit. [Artefact]

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Pantano, Daniele (2016) After-Love. [Artefact]

Pantano, Daniele (2010) Collaboration. [Artefact]

Peacock, Irvine (2004) The American premier of idiosyncratic art. In: Exhibition at Loring Gallery, Sheffield Mass., 1 Aug - 6 Nov 2004, Sheffield, Mass., USA.

Peacock, Irvine (2003) Dragon girl. Meiklejohn Graphics, London.

Peacock, Irvine (2004) The secret life of objects: recent paintings. In: Exhibition at Portal Gallery, 43 Dover Street, London, 27 Sep - 16 Oct 2004, Piccadilly, London.

Pemberton, Howard (1983) Come back romance all is forgiven. [Event, Show or Exhibition]

Pepper, Andrew T (2013) Holography without frames: sculptural installations incorporating 'drawn' elements. Journal of Physics: Conference Series, 415 (1). ISSN 1742-6588

Pepper, Andrew T. (2013) Light liquid: a holographic 'lake' installed on the roof of an architect's model townscape. Journal of Physics Conference Series, 415 (1). ISSN 1742-6588

Pepper, Andrew T. (2012) Spatial mark making: ‘drawn’ marks ‘off’ the surface – a series of workshops. Drawing Research Network Conference, Loughborough University, Proceedings . ISSN UNSPECIFIED

Petherbridge, Deanna (2006) Drawing inspiration. In: Drawing inspiration, Abbott Hall Art Gallery, Lakeland Arts Trust 2006, 4 Apr - 1 Jul 2006, Kendal, UK.

Petherbridge, Deanna (2007) In touch and out of mind: the psychodynamics of obsessive drawing. In: Creativity, madness and civilization. Cambridge Scholars, Newcastle, pp. 265-285. ISBN 1847180914

Petherbridge, Deanna (2005) On models and Mickey Mouse. International Journal of Art and Design Education, 24 (2). pp. 126-137. ISSN 1476-8070

Pinchbeck, Michael (2018) Open your eyes: working with my children on Sit with me for a moment and remember. Performance Research, 23 (1). pp. 113-116. ISSN 1352-8165

Pinchbeck, Michael (2017) Sit with me for a moment and remember - TaPRA Gallery 2017. In: TaPRA Gallery 2017, 30 August - 1 September 2017, University of Salford.

Plowman, John (2003) Field of activity. [Event, Show or Exhibition]

Plowman, John (2003) Field of activity: a continuation. [Event, Show or Exhibition]

Plowman, John (2005) Twilight shift. [Event, Show or Exhibition]

Plowman, John and Dunne, Chris (2005) Work of art, art of work, work as art, art as work, art as labour, labour as art, art of labour, labour of art. In: The labour of art. The Beehive Press, Lincoln, UK, pp. 69-76. ISBN 1860501990, 1860501982

Plowman, John and Kyriacou, Sotiris and Plowman, John and Barham, Anna and Black, Karen and Broodthaers, Marcel and Clout, Lucy and Crosby, Clem and Durham, Jimmie and Fairnington, Mark and Fishbone, Doug and Gamper, Martino and Hiorns, Roger and Silver, Daniel and Smykla, Harald and Strange, Jack (2010) Profusion. [Event, Show or Exhibition]

Podoll, Klaus and Hudson, John (2006) Migraine and visual arts: John Hudson. Migraine Aura Foundation . ISSN UNSPECIFIED

Proto, Francesco (2012) Berlusconi and other hostages: politics and simulation. International Journal of Baudrillard Studies, 9 (3). n/a. ISSN 1705-6411

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

Proto, Francesco (2007) The ubiquitous and the double: architecture and the ellipse of subjectivity. In: Edifici Concettuali e Architetture: i Modelli di Rappresentazione della Città Immaginaria e della Città Reale (Conceptual Buildings and the Built Environment: Models of Representation for Real and Imaginary Cities), Spring 2007, University of Roma Tre.

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Rowland, Duncan (2014) Untitled. [Event, Show or Exhibition]

Rowland, Duncan and Durrant, Abigail and Clarke, Rachel (2015) Interactions gallery. In: British HCI Conference 2015, 13-17 July 2015, Lincoln, UK.

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Sabraw, John and Scott, Conohar and Barker, Mandy (2017) Indefinite toxic circles: an art series curated by Nicole Shea. EuropeNow . ISSN .

Sanjari, Pooya and Qabshoqa, Mohammad and Molinari, Carla and Soliman, Karim and Luliano, Marco (2015) Architecture and Comics Workshop: Liverpool Invasions! In: Liverpool Invasions!, 6-8 November 2015, Liverpool, United Kingdom.

Savage, Karen (2008) Black to white: the fading process of intermediality in the gallery space. Cultura, Lenguaje y Representación/Culture, Language and Representation: Revista de Estudios Culturales de la Universitat Jaume I, 6 . pp. 159-170. ISSN 1697-7750

Savage, Karen (2015) The slippery trail: the mollusc as metaphor for creative practice. Journal of Artistic Research, 9 . ISSN 2235-0225

Savage, Karen and Bucknall, Joanna (2014) KeepHouse Performance: Her hat, my shoes: Revisiting. In: The Impossible Constellation, 2 July 2014, University of Lincoln.

Savage, Karen and Monaghan, Garrett (2004) The Sixty Second Film and Video Festival. [Event, Show or Exhibition]

Schwitters, Kurt and Zipes, Jack and Peacock, Irvine (2009) Lucky Hans and other Merz fairy tales. Princeton University Press. ISBN 9780691139678

Schwitters, Kurt and Zipes, Jack and Peacock, Irvine and Tullett, Barrie (2009) Merz tales. [Event, Show or Exhibition]

Scott, Conohar (2015) The photographer as environmental activist: politics, ethics and beauty in the struggle for environmental remediation. PhD thesis, Loughborough University.

Shepley, Alec (2016) Brief encounters: delayed closure as a social art practice. In: SHARING CULTURES 2015 - 4th International Conference on Intangible Heritage, 21-23 September, 2015, Lagos, Portugal.

Shepley, Alec (2014) Camping in a mud house: ruins and fragments as tropes of reflexivity. In: 9th International Conference on the Arts in Society, 24-27 June 2014, Sapienza University, Rome.

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Shepley, Alec (2014) IBID. [Event, Show or Exhibition]

Shepley, Alec (2015) Ibid. Sisyphean Projects, England. ISBN 9780993192807

Shepley, Alec (2013) Library. [Event, Show or Exhibition]

Shepley, Alec (2008) My road to ruin: the studio without walls. In: Sensuous Knowledge 5, 23-26 September 2008, Kunsthøgskolen/National Institute for the Arts, Bergen.

Shepley, Alec (2010) Site drawing: drawing site. [Event, Show or Exhibition]

Shepley, Alec (2015) Student as curator: exhibition methodologies expanded + reimagined. In: Symposium on: Embedding Partnership in Teaching & Learning, 2 June 2015, University of Lincoln.

Shepley, Alec (2015) Thinking through uncertain and paradoxical practices (#1): aesthetic disengagement and escapology. In: Paradox: alternative zones uncovering the official and unofficial in fine art practice, research and education, 9-11, September 2015, The University of the Arts in Poznan, Poland.

Shepley, Alec (2007) Un-framing: towards repeated acts of deferral and fracture in fine art practice, production & consumption. In: Repeat Repeat, 19-20 April 2007, University of Chester.

Shepley, Alec (2010) '... but the steady renegotiation of small realities'. [Event, Show or Exhibition]

Shepley, Alec (2014) A place of impossibility. [Event, Show or Exhibition]

Shepley, Alec (2014) A place of impossibility. [Artefact]

Shepley, Alec (2012) [sic]. [Event, Show or Exhibition]

Shepley, Alec and Ackroyd-Willoughby, Lily and Ainsworth, Mike and Bradshaw, Alice and Catterall, Lydia and Dennis, Spike and Drenth, Natalie and Hardaker, Emma and Hopkins, Phill and Hurst, Edward and Jones, Luc and MacGarry, Ellie and Martin, Bess and McGinn, Tom and Moody-Smith, Emma and Miorin, Julia and Mor, Shanie and Plumb, Leo and Pooler, Ned and Quaia, Stanley and Turner, Will and Welding, Philip and Wheeldon, Matt (2014) La mariée mise à nu par ses célibataires, même. [Event, Show or Exhibition]

Shepley, Alec and Bartram, Angela and Plowman, John and Bracey, Andrew and Holt, Roy and Burge, Catherine and Charnley, Clare and Watts, Lisa and Chiara, Miriam and Garcia, Lucas Delfino and Cifre-Cedre, Joana and Edwards, Paul and Cuthbertson, Tom and Hammad, Medina and Plowman, John and Healey, Michael and James, Keith and Cross, Robert and Fong Ling, Yuen and Holland, Rachel and Paz, Fabiola (2010) Pebbles and avalanches. [Event, Show or Exhibition]

Shepley, Alec and Dutton, Steve (2013) The Artists’ Institute and the Institute of Art: a place which is not yet a 'place'. In: 8th Annual Conference of the Arts in Society, 24-26 June 2013, Eötvös Loránd University, Budapest, Hungary.

Shepley, Alec and Dutton, Steve (2013) The Institute of Ruin. In: Sensuous Knowledge 7, 23-25 January 2013, Kunsthgskolen/National Institute for the Arts, Bergen, Norway.

Shepley, Alec and McCarthy, Clive and Shepley, Alec (2013) Entropic union. [Event, Show or Exhibition]

Shepley, Alec and McClenaghen, John (2010) Distance. [Event, Show or Exhibition]

Shepley, Alec and Rowland, Duncan (2015) Peregrination. In: British HCI Conference 2015, 13-17 July 2015, Lincoln, UK.

Starszakowna, Norma (2004) Hinterland. Scottish Parliament, Holyrood, Scotland.

Stocker, John (2010) Collage book 8. [Artefact]

Stocker, John (2013) The Vitrine Project: Lincoln School of Art and Design. Documentation. LSAD, Lincoln.

Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259

Streffen, Isabella and Robinson, Alistair and Knight, Peter and Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]

T

Tischler, Victoria and Bartram, Angela and Clothier, Richard and Gupta, Vaibhav and Patel, Sonali and Ahmed, Zeba and Williams, Emma (2010) Seeing within: art and the study of anatomy. Association for Medical Humanities newsletter . ISSN UNSPECIFIED

Tullett, Barrie (2012) Abandon all hope ye who enter Essex. In: Abandon All Hope Ye Who Enter Essex, 7th November 2012, Leeds University.

Tullett, Barrie (2017) Bubbles black as ink. Eye Magazine Blog . ISSN 0960-779X

Tullett, Barrie (2012) By leaves we live [book fair, typewriter event and lecture]. [Event, Show or Exhibition]

Tullett, Barrie (2018) From Q to M. In: Lecture, 8 Jan 2018, Usher Gallery, Lincoln.

Tullett, Barrie (2014) From Q to M: three centuries of typewriter art. In: From Q to M: Three Centuries of Typewriter Art, 24th September 2014, St. Bride Foundation, London.

Tullett, Barrie (2011) Page unlimited: innovations in layout design. In: Page Unlimited. Sandu Cultural Media, China. ISBN 9788492810246

Tullett, Barrie (2014) Ten things you should know about typewriter art. Glorying Eclectic Typography . ISSN N/A

Tullett, Barrie (2016) Typewriter art [lecture], Single sided book [workshop]. In: Lecture and Workshop, 27 Feb 2016, Edinburgh College of Art.

Tullett, Barrie (2016) Typewriter art and The Caseroom Press. In: Lecture and Workshop, October 2016, Northumbria.

Tullett, Barrie (2017) Typewriter fonts, the typographic Dante [lecture] Book arts [workshop]. In: Broadcast Visiting Lecture Series, October 2017, Leeds Beckett University.

Tullett, Barrie (2016) The image in the machine: portraiture and the typewriter. In: Face Value – Personification and Identity in a Post-digital Age: Seventh International Conference on The Image, 1 - 2 September 2016, Liverpool.

Tullett, Barrie (2012) The typographic Dante. [Event, Show or Exhibition]

Tullett, Barrie and Dermody, Brenda and Marrinan, Carla (2017) The typographic Dante. [Event, Show or Exhibition]

Tullett, Barrie and Dowling, John and Simpson, Jodi (2014) Typewriter art: a modern anthology. Laurence King, London. ISBN 9781780673479

Tullett, Barrie and Peacock, Brian and Zipes, Jack (2011) The MerzBox catalogue. [Artefact]

Tullett, Barrie and Wood, Philippa and Marinetti, Filippo Tommaso and Werkman, Hendrik Nicolaas and Cage, John and Ting, Walasse and Bui, Antonius and McDonough, Dylan and Hagner, Dirk and Crawford, Allen and Bunsas, Bianca and Inclusus, Herman and Antônio, Pedro and Anhorn, Gabriel and Lehrer, Warren and Picabia, Francis and Lionni, Leo and Massin, Robert and Kalman, Maira and Leach, Molly and Sharpe, Stuart and Hannah, Jonny and Hingston, Tom and Blegvad, Peter and Swainson, Andrew and King, Patrick and Scher, Paula and Soleri, Paulo and Drucker, Johanna and Eckersley, Richard and Hendrix, John and Seiffert, Isabel and Fosberg, Lora and Rosenwald, Laurie and Passafiume, John and Reeve, Nick and Cohen, Natali and Vought, Annie and Summerford, Jack and Munday, Oliver and Sewell, Carolyn and Sayer, Alida and Spanier, Ariane and Rea, Brian and Patrick, Daniel and Goodman, Timothy and Eckersley, Rogers and Zlatkov, Kiril and Winston, Sam and Sena, Damián and Mazali Pilar, Hermes and Bergez, González and Depero, Fortunato and Kent, Corita and Bantjes, Marian and Costa, Cyla and Morcos, Wael and Heath, Ebon and Butler, Angie and Diesel, Chank and Ulku, Anne and Bagdonas, Brian Scott and Clarke, Jamie and Permenter, Jason and Munari, Bruno and Cumptich, Roberto de Vicq de and MacDonald, Ross and Glaser, Milton and Glaser, Shirley (2017) Type tells tales. Thames & Hudson, London, pp. 34-37. ISBN 9780500420577

Tullett, Barrie and Zipes, Jack and Cockburn, Ken and Gauld, Tom and Mills, Russell and Pemberton, Howard and Hutcheson, James and Melin, Hanna and Ladlow, Sara and Torjanac, Tomislav and Grandfield, Geoff and Maclellan, Tamar and Jackson, Paul and Schofield, David and Donaldson, Timothy and McGowan, Alan and Mason, Robert and Davies, Simon and Dalziel, Jim and Ogg, Eileen and Homann, Melanie and Zeegen, Lawrence and Mason, Alan and Coulson, Hannah and Diss, Darren and Brown, John and Kugler, Olivier and Leishman, Donna and Peacock, Diane and Williamson, Alex and Singer, Sharon and Posti, Pietari and Sheldon, Felicity and Calder, Jill and Kirkham, Michael and Jones, Alys and Holwill, Donald and May, Betony and Ditner, Jillian and Oliver, Jamie and Toulouse, Sophie and Neill, Gary and Khan, Drew and Leuzinger, Katharina and Holwill, Naomi and Tullett, Jantze and Evans, Melvyn and Lettere, Carmelo and Gibbs, Joanna and Mitchell, Charles and Plater, Mat and Arkle, Peter and Peacock, Irvine and Moser, Barry and Gibbs, Jonathan and Collins, Brigid and Moon, Jonathan and Brennan, Gordon and Gephart, Matthias and Manning, Natalie and Ogilvie, Sara and Faithfull, David and Redford, Fiona (2016) Utopian tales. [Artefact]

Twells, Chloe (2009) Big: an exhibition of large scale architectural drawings. [Event, Show or Exhibition]

Twells, Chloe (2012) Doorways: an exhibition of large drawings. [Event, Show or Exhibition]

V

Verity, Adam (2009) Analogue America. [Event, Show or Exhibition]

Verity, Adam (2010) Collection of Analogue Images. Field Trip Magazine, 1 . pp. 24-25. ISSN 2044-2033

Verity, Adam (2009) Polanoid projections. [Event, Show or Exhibition]

Verity, Adam (2011) Print/screen: current and future dissemination of the self published artist's book. In: Photography and The Artist's Book Symposium, 21 October 2011, Manchester Metropolitan University Special Collections.

Verity, Adam and Atkinson, Craig (2011) Black & white photographs, San Francisco. Field Trip Magazine #2: Unplanned, 2 . pp. 1-4. ISSN 2044-2033

Verity, Adam and James, Keith (2008) Pola ID. [Event, Show or Exhibition]

W

Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781

Waites, Ian (2013) “Places where I forgot things”: memory, identity and the British council estate in the paintings of George Shaw. Cultural Politics, 9 (3). pp. 357-370. ISSN 1743-2197

Waites, Ian (2016) 'Spontaneous estate evolution': Research/Practice interventions on a 1960s council estate. In: Modern Futures. Uniformbooks, pp. 102-111. ISBN 9781910010112

Whittaker, Jason (2019) Blake and the new Jerusalem: a very English form of modernism. Visual Culture in Britain . ISSN 1471-4787

Wilson, Louise K. and Weir, Peter and Lindsay, Joan (2012) Missing scenes: an evening at Hanging Rock. [Event, Show or Exhibition]

Wood, Philippa and Maufe, Imi and Rangsch, Rona (2014) Voyage boxed. [Event, Show or Exhibition]

This list was generated on Sun Nov 18 23:06:32 2018 GMT.