Items where Subject is "V350 History of Art"

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'Occupy' movement 1914-18 1940s 1968 20th century 3D modelling 3D visualisation 9th art Abstract Expressionism Aesthetics Alain Badiou American Revolution Anarchism Anarchist Studies Andre Breton Andy Warhol Ann Veronica Janssens Apocalypse Apocalypse Theory Apocalypse and popular culture Architectural Drawing Architectural History Architectural History and Theory Architectural Survey Architectural and Art History Architectural and art history Architectural drawing Architecture Architecture and philosophy Armenia Art Art & Politics Art Activism Art Dealers Art History Art Practice Art activism Art and Activism Art and Architecture Art history Artefacts Artistic Research Artists August Riots Australia Australian identity Bertrand Russell Black Mask Book Illustration Boris Groys Brassier Brexit Britain Byzantine churches Byzantine mosaics Cameo Capitalist Realism Carl Andre Casale Monferrato Childhood and memory Chinese art Chinese cinema Chinese history and society Chinese political posters Chris Burden Christabel Pankhurst City of Culture Civil Liberties Cold War Comics Commodification Common Land Common land Commonland Conservation Theory and Practice Constantine Constantius Contemporary Art Contemporary art Contemporary visual arts Council Estates Craft Cultural Appropriation Cultural History Cultural Revolution History Cultural Revolution arts Cultural history Cultural record Decentred subject Digital Heritage Digital Humanities Digital Re-creation of Historic Urban Environments Digitised Dominions Détournement Early Modern Architecture Early Modern Art and Architecture Early Modern Festivals Early Modern History Early Modern Lisbon Early Modern Spanish and Portuguese Empires Early modern; Italy; religion; spirituality; family; home; childhood; art; music; architecture; prayer; material culture Early modern; Italy; religion; spirituality; family; home; childhood; art; music; architecture; prayer; material cutlure Ecclesiology Eighteenth Century Enclosure. Endurance In Performance Art English English Art English Painting Entrepreneurship Ephemeral Architecture Error Errorism Errors Eschatology and Apocalypticism Escraches Ethics Exhibitions Experimental drawing for architectural history Festivals Filippo Tommaso Marinetti Finance Fine Art Fine Arts First World War Fountains French Revolution Gallipoli Gender Geometry George Gilbert Scott Gesture Globalisation Globalisation and the built environment Goldfish Gordon Cheung Gothic Revival Grupo Etcétera Gustav Metzger Guy Debord HTBA Habsburg Madrid Habsburg Portugal and Spain Hans Haacke Heathland History and period in modern China History of Art History of emotions Hull Time Based Arts Iberian History Iberian Union Iberian Union (1580-1640) Iberian art Identity Imperial History Indignados Industrial Revolution Inscriptions. Epigraphy. Ireland JMW Turner Jia Zhangke John Clare John Martin Kath O'Brien King Mob Kingston Rowing Club Kingston upon Hull Krauss Labour (work) Landscape Landscape Painting Landscape painting Late Medieval Domestic Architecture Les Enrages Lisbon Literary studies Lygia Clark Maccabees Mark Fisher Martin Lister Marxian economics Marxism Maurice Merleau-Ponty May 1968 Media history Medieval Architecture Medieval Art Medieval architecture Medieval art Medievalism Memory Metzinger Michael Stone Militancy Militant Militant Groups Modern Chinese history and arts Monasticism Mosaics Nehemiah Grew Neo-Rationalism Neo-avant-garde Neuroscience New Hull School of Art Newspaper history Nineteenth Century Nineteenth Century Painting Nineteenth-century culture Northamptonshire Nostalgia NotOAChecked Occupations Occupy Movement Ottoman Ottoman Empire Pageantry Painting Palestine Parliamentar Parliamentary enclosures Participatory and Relational Arts Performance Art Performance art Perspective Peter Bond Peter Bürger Peter DeWint Phenomenology Philip I of Portugal Philip II of Spain Philosophy (General) Philosophy of art and aesthetics Platonism Poetry Political Art Political Violence and Terrorism Populism Portuguese art Post-truth Postwar Britain 1945- Pre Raphaelite Print media Prisons Propaganda Prospect Psychoanalysis theory Psychoanalytical theory Public Art Pugin Punishment and Prisons Pythagorean number Qingming Scroll Race and Class Radicalism Ray Brassier Realism Reflective Practice Refugee Crisis Renaissance Lisbon Renaissance history Renaissance; Italy; early modern; Catholicism; devotion; prayer; pilgrimage; family; home; domestic; childhood; text; painting; sculpture; jewellery; furniture; household objects; music Renaissance; Italy; religion; domestic; Catholicism; devotion; family; childhood; painting; sculpture; material culture Renaissance; Milan; Leonardo da Vinci; gender; masculinity; spirituality; beauty; body; Neoplatonism; androgyny Revolution Rights of access Riots Robert Hooke Romanesque Romanticism Rome Rosa Barba Rosalind E Krauss Rubens Ruskin SUPERFLEX Sacred space Santiago Sierra Sculpture Second Crusade Second World War Second World war Sidney Sunday Telegraph Singaporean art in the 1990s Socialist Realism Socially Engaged Art Society of the Spectacle Somme Spanish Art Spectacle Stained Glass Stained glass Stan Brakhage Sublime Suffragettes Surrealism Technological Revolution Tennyson The Decentred Spectator The Nemocentric Subject The Sublime The Yes Men Tillemans Time Trinity Triumphal entries Up Against the Wall Motherfucker! Urban History Urban Streetscapes and Public Ritual Urbanism and Theatre Valerie Solanas Victoria and Albert Museum Victorian Victorian Design Victorian Literature Victorian Manchester Victorian Studies Victorian religion Violence Virtual Heritage Visualisation Virtual Heritage Visualization Visual Culture Visual Heritage Visualisation Voina War on Terror Watercolour Watts Rebellion Western Front William Burges Women on Waves World War One architecture armed forces art art and finance art and money art schools artist-run artist-run organisations artists’ film arts and society arts organisations australian comics industry auto destructive art bmjconvert bmjdoi bmjgoldcheck bmjholiday bmjlink bmjtype byzantine cartoons chemistry citizen journalism citizens code collaboration collectives comic art comic strip comics competing visions of art curation curatorial decisions and censorship daily mirror dematerialization digital digital exhibition digital publication disinformation early comic strips end of history eschatology exhibition space fashion female representation football funding history of chemistry history of science humour icons illustrative narratives interdisciplinary dialogue jane at war journalism studies language liturgy malaise medieval military military routines minimalism modernism in China multi-panel cartoons narrative natural history net art new media personalisation philosophy of architecture pin-up place poetry political philosophy politicians popular culture portals post-apocalyptic narratives post-internet post-politics posters and propaganda propaganda proto comics public art rebirth of History relics representation research practice satire sculpture service men service women situationist international social observation social realism soldiers the Great War the sublime things time-based media travel trench newspapers trench publications troopship newspapers valentines visual art visual culture voice waites789 wanda the war girl war culture wartime bravery web 2.0
Number of items at this level: 542.

'Occupy' movement

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917

1914-18

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

1940s

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

1968

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

20th century

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

3D modelling

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

3D visualisation

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

9th art

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Abstract Expressionism

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Aesthetics

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Alain Badiou

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

American Revolution

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Anarchism

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Anarchist Studies

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Andre Breton

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Andy Warhol

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Ann Veronica Janssens

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Apocalypse

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Apocalypse Theory

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Apocalypse and popular culture

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Architectural Drawing

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Architectural History

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Fernandez-Gonzalez, Laura (2020) El Monasterio de San Lorenzo de El Escorial, Carlos II y la Fama de los Austrias de España. In: Le règne de Charles II. Grandeurs et misères. Estudes Hispaniques, Paris. ISBN .

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Architectural History and Theory

Fernandez-Gonzalez, Laura (2019) Architectural Hybrids? Building, Law and Architectural Design in the Early Modern Iberian World, In Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Architectural Survey

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Architectural and Art History

Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Architectural and art history

Fernandez-Gonzalez, Laura and Trusted, Marjorie (2019) 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies. ISBN .

Architectural drawing

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Architecture

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

Architecture and philosophy

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Armenia

Wharton, Alyson (2020) Sopon Bezirdjian, Craft, Heritage and Identity in Victorian Manchester. In: Craft and Heritage. Bloomsbury Academic. ISBN UNSPECIFIED

Wharton, Alyson (2020) ‘I have the honour to inform you that I have just arrived from Constantinople’: Migration, Identity and Commodity Disavowal in the Formation of the Islamic Art Collection at the V&A. Museum and Society . ISSN 1479-8360

Art

Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Art & Politics

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Art Activism

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Art Dealers

Wharton, Alyson (2020) ‘I have the honour to inform you that I have just arrived from Constantinople’: Migration, Identity and Commodity Disavowal in the Formation of the Islamic Art Collection at the V&A. Museum and Society . ISSN 1479-8360

Art History

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781

Art Practice

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Art activism

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Art and Activism

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Art and Architecture

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Art history

Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

Artefacts

Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]

Artistic Research

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Artists

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

August Riots

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917

Australia

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Australian identity

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Bertrand Russell

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Black Mask

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Book Illustration

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

Boris Groys

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Brassier

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Brexit

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Britain

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Byzantine churches

Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: The door of the sanctuary: places of transition in late antiquity. Religions in the Graeco-Roman World . Brill, Leiden. ISBN UNSPECIFIED

Byzantine mosaics

Shilling, Brooke (2016) Fountains of paradise in early Byzantine art, homilies and hymns. In: Fountains and water culture in Byzantium. Cambridge University Press, Cambridge, pp. 208-228. ISBN 9781107105997

Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: The door of the sanctuary: places of transition in late antiquity. Religions in the Graeco-Roman World . Brill, Leiden. ISBN UNSPECIFIED

Cameo

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Capitalist Realism

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

Carl Andre

Lang, Martin (2013) Carl Andre: Mass & Matter//Rosa Barba: Subject to Constant Change. Artists Newsletter . ISSN .

Casale Monferrato

Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645

Childhood and memory

Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885

Chinese art

Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885

Chinese cinema

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Chinese history and society

Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115

Chinese political posters

Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115

Chris Burden

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Christabel Pankhurst

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

City of Culture

Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.

Civil Liberties

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Cold War

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Comics

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Commodification

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

Common Land

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.

Common land

Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

Commonland

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Conservation Theory and Practice

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Constantine

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Constantius

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Contemporary Art

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Contemporary art

Lang, Martin (2012) Painting: Documents of Contemporary Art [edited by Terry R. Myers, Whitechapel Gallery Press, 2012]. a-n magazine . ISSN .

Contemporary visual arts

Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885

Council Estates

Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.

Craft

Wharton, Alyson (2020) Sopon Bezirdjian, Craft, Heritage and Identity in Victorian Manchester. In: Craft and Heritage. Bloomsbury Academic. ISBN UNSPECIFIED

Cultural Appropriation

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917

Cultural History

Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]

Cultural Revolution History

Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885

Cultural Revolution arts

Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115

Cultural history

Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

Cultural record

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Decentred subject

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Digital Heritage

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Digital Humanities

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Digital Re-creation of Historic Urban Environments

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Digitised

Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

Dominions

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Détournement

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Early Modern Architecture

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Early Modern Art and Architecture

Fernandez-Gonzalez, Laura (2020) El Monasterio de San Lorenzo de El Escorial, Carlos II y la Fama de los Austrias de España. In: Le règne de Charles II. Grandeurs et misères. Estudes Hispaniques, Paris. ISBN .

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Early Modern Festivals

Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Early Modern History

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Early Modern Lisbon

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Early Modern Spanish and Portuguese Empires

Fernandez-Gonzalez, Laura (2019) Architectural Hybrids? Building, Law and Architectural Design in the Early Modern Iberian World, In Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Early modern; Italy; religion; spirituality; family; home; childhood; art; music; architecture; prayer; material culture

Corry, Maya, Faini, Marco and Meneghin, Alessia (2018) Domestic Devotions in Early Modern Italy. In: Domestic Devotions in Early Modern Italy. Intersections . Brill. ISBN UNSPECIFIED

Early modern; Italy; religion; spirituality; family; home; childhood; art; music; architecture; prayer; material cutlure

Corry, Maya (2018) Delight in Painted Companions: Shaping the Soul from Birth in Early Modern Italy. In: Domestic Devotions in Early Modern Italy. Brill, pp. 310-341. ISBN UNSPECIFIED

Corry, Maya, Faini, Marco and Meneghin, Alessia (2018) Domestic Devotions in Early Modern Italy. Intersections, 59 . Brill. ISBN 978-90-04-37587-1

Ecclesiology

Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Eighteenth Century

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Enclosure.

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Endurance In Performance Art

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

English

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

English Art

Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619

English Painting

Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.

Entrepreneurship

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Ephemeral Architecture

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Error

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Errorism

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Errors

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Eschatology and Apocalypticism

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Escraches

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Ethics

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Exhibitions

Streffen, Isabella, Robinson, Alistair, Knight, Peter, Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]

Experimental drawing for architectural history

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Festivals

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Filippo Tommaso Marinetti

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Finance

Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259

Fine Art

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Fine Arts

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

First World War

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Fountains

Shilling, Brooke (2016) Fountains of paradise in early Byzantine art, homilies and hymns. In: Fountains and water culture in Byzantium. Cambridge University Press, Cambridge, pp. 208-228. ISBN 9781107105997

French Revolution

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Gallipoli

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Gender

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Geometry

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

George Gilbert Scott

Cheshire, Jim (2018) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford. ISBN UNSPECIFIED

Gesture

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Globalisation

Fernandez-Gonzalez, Laura and Trusted, Marjorie (2019) 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies. ISBN .

Globalisation and the built environment

Fernandez-Gonzalez, Laura (2019) Architectural Hybrids? Building, Law and Architectural Design in the Early Modern Iberian World, In Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Goldfish

Roos, Anna Marie (2019) Goldfish. Animal . Reaktion Books, London. ISBN 978 1 78914 135 1, 978 1 78914 170 2

Gordon Cheung

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Gothic Revival

Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Cheshire, Jim (2018) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford. ISBN UNSPECIFIED

Grupo Etcétera

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Gustav Metzger

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

Guy Debord

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

HTBA

Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.

Habsburg Madrid

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Habsburg Portugal and Spain

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Hans Haacke

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

Heathland

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.

History and period in modern China

Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885

History of Art

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

History of emotions

Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]

Hull Time Based Arts

Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

Iberian History

Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Iberian Union

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Iberian Union (1580-1640)

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Iberian art

Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Identity

Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.

Imperial History

Fernandez-Gonzalez, Laura and Trusted, Marjorie (2019) 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies. ISBN .

Indignados

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Industrial Revolution

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Inscriptions. Epigraphy.

Vescovi, Michele (2019) Inscribing Presence. In: Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. Materiale Textkulturen. Schriftenreihe des Sonderforschungbereichs 933 (23). Walter de Gruyter GmbH, Berlin/Boston, pp. 137-164. ISBN 978-3-11-062913-2, 978-3-11-062915-6, 978-3-11-063347-4

Ireland

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

JMW Turner

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Jia Zhangke

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

John Clare

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

John Martin

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Kath O'Brien

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

King Mob

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Kingston Rowing Club

Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.

Kingston upon Hull

Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.

Krauss

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Labour (work)

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Landscape

Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

Landscape Painting

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Landscape painting

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

Late Medieval Domestic Architecture

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Les Enrages

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Lisbon

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Literary studies

Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

Lygia Clark

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

Maccabees

Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645

Mark Fisher

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

Martin Lister

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

Marxian economics

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Marxism

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Maurice Merleau-Ponty

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

May 1968

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917

Media history

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Medieval Architecture

Vescovi, Michele Luigi (2012) ‘Monferrato' medievale. Crocevia di culture e sperimentazioni. Ricerche di S/Confine, 4 . Scripta Edizioni/University of Parma, Verona. ISBN 9788896162590

Medieval Art

Vescovi, Michele Luigi (2012) ‘Monferrato' medievale. Crocevia di culture e sperimentazioni. Ricerche di S/Confine, 4 . Scripta Edizioni/University of Parma, Verona. ISBN 9788896162590

Vescovi, Michele Luigi (2012) The ‘Westernisation’ of an image: the fast of St. Nicholas and the monastic connection. In: Art history – the future is now. Studies in honor of Professor Vladimir P. Goss. Faculty of Humanities and Social Sciences, Rijeka, Croatia, pp. 300-312. ISBN 9789536104901

Medieval architecture

Vescovi, Michele (2019) Inscribing Presence. In: Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. Materiale Textkulturen. Schriftenreihe des Sonderforschungbereichs 933 (23). Walter de Gruyter GmbH, Berlin/Boston, pp. 137-164. ISBN 978-3-11-062913-2, 978-3-11-062915-6, 978-3-11-063347-4

Medieval art

Vescovi, Michele (2019) Inscribing Presence. In: Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. Materiale Textkulturen. Schriftenreihe des Sonderforschungbereichs 933 (23). Walter de Gruyter GmbH, Berlin/Boston, pp. 137-164. ISBN 978-3-11-062913-2, 978-3-11-062915-6, 978-3-11-063347-4

Medievalism

Cheshire, Jim (2018) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford. ISBN UNSPECIFIED

Memory

Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.

Metzinger

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Michael Stone

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Militancy

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Militant

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Militant Groups

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Modern Chinese history and arts

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Monasticism

Vescovi, Michele Luigi (2012) The ‘Westernisation’ of an image: the fast of St. Nicholas and the monastic connection. In: Art history – the future is now. Studies in honor of Professor Vladimir P. Goss. Faculty of Humanities and Social Sciences, Rijeka, Croatia, pp. 300-312. ISBN 9789536104901

Mosaics

Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645

Nehemiah Grew

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

Neo-Rationalism

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Neo-avant-garde

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Neuroscience

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

New Hull School of Art

Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.

Newspaper history

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Nineteenth Century

Hill, Kate (2015) Britain and the narration of travel in the nineteenth century: texts, images, objects. Ashgate. ISBN 9781472458353

Nineteenth Century Painting

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Nineteenth-century culture

Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]

Northamptonshire

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Nostalgia

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

NotOAChecked

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Occupations

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Occupy Movement

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Ottoman

Wharton, Alyson (2020) Sopon Bezirdjian, Craft, Heritage and Identity in Victorian Manchester. In: Craft and Heritage. Bloomsbury Academic. ISBN UNSPECIFIED

Ottoman Empire

Wharton, Alyson (2020) ‘I have the honour to inform you that I have just arrived from Constantinople’: Migration, Identity and Commodity Disavowal in the Formation of the Islamic Art Collection at the V&A. Museum and Society . ISSN 1479-8360

Pageantry

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Painting

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Lang, Martin (2012) Painting: Documents of Contemporary Art [edited by Terry R. Myers, Whitechapel Gallery Press, 2012]. a-n magazine . ISSN .

Palestine

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Parliamentar

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

Parliamentary enclosures

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

Participatory and Relational Arts

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Performance Art

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Performance art

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Perspective

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Peter Bond

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Peter Bürger

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Peter DeWint

Cheshire, Jim (2007) Peter DeWint and the Victorians: 'the most truly English of our painters'. In: Peter DeWint 1784-1849: for the common observer of life and nature. Lund Humphries, UK, pp. 60-70. ISBN 9780853319375

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

Phenomenology

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Philip I of Portugal

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Philip II of Spain

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Philosophy (General)

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

Philosophy of art and aesthetics

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Platonism

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Poetry

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

Political Art

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Political Violence and Terrorism

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Populism

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Portuguese art

Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Post-truth

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Postwar Britain 1945-

Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781

Pre Raphaelite

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

Print media

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Prisons

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Propaganda

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Prospect

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Psychoanalysis theory

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

Psychoanalytical theory

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

Public Art

Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781

Pugin

Cheshire, Jim (2018) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford. ISBN UNSPECIFIED

Punishment and Prisons

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Pythagorean number

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Qingming Scroll

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Race and Class

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917

Radicalism

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Ray Brassier

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Realism

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Reflective Practice

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Refugee Crisis

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Renaissance Lisbon

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Renaissance history

Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]

Renaissance; Italy; early modern; Catholicism; devotion; prayer; pilgrimage; family; home; domestic; childhood; text; painting; sculpture; jewellery; furniture; household objects; music

Corry, Maya (2017) Madonnas & Miracles: the Holy Home in Renaissance Italy. [Event, Show or Exhibition]

Renaissance; Italy; religion; domestic; Catholicism; devotion; family; childhood; painting; sculpture; material culture

Corry, Maya (2017) Madonnas & Miracles: the Holy Home in Renaissance Italy. Philip Wilson. ISBN 9781781300534

Renaissance; Milan; Leonardo da Vinci; gender; masculinity; spirituality; beauty; body; Neoplatonism; androgyny

Corry, Maya (2014) The Alluring Beauty of a Leonardesque Ideal: Masculinity and Spirituality in Renaissance Milan. In: Sex, Gender and the Sacred: Reconfiguring Religion in Gender History. Blackwell Publishing Ltd, pp. 170-194. ISBN 9781118833766

Revolution

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Rights of access

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

Riots

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Robert Hooke

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

Romanesque

Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

Romanticism

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.

Rome

Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]

Rosa Barba

Lang, Martin (2013) Carl Andre: Mass & Matter//Rosa Barba: Subject to Constant Change. Artists Newsletter . ISSN .

Rosalind E Krauss

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Rubens

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Ruskin

Cheshire, Jim (2018) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford. ISBN UNSPECIFIED

SUPERFLEX

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

Sacred space

Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: The door of the sanctuary: places of transition in late antiquity. Religions in the Graeco-Roman World . Brill, Leiden. ISBN UNSPECIFIED

Santiago Sierra

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Sculpture

Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]

Second Crusade

Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645

Second World War

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Second World war

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Sidney Sunday Telegraph

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Singaporean art in the 1990s

Donald, Stephanie (2001) Exchange and Display: Republics of Taste and the Vision of Elder Statesmen. Communal/Plural: Journal of Transnational & Cross-Cultural Studies, 9 (2). pp. 183-202. ISSN xxxx xxxx xx

Socialist Realism

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Socially Engaged Art

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Society of the Spectacle

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

Somme

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Spanish Art

Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Spectacle

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

Stained Glass

Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Stained glass

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Stan Brakhage

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Sublime

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.

Suffragettes

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Surrealism

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Technological Revolution

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Tennyson

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

The Decentred Spectator

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

The Nemocentric Subject

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

The Sublime

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

The Yes Men

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Tillemans

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Time

Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

Trinity

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Triumphal entries

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Up Against the Wall Motherfucker!

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Urban History

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Urban Streetscapes and Public Ritual

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Urbanism and Theatre

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Valerie Solanas

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Victoria and Albert Museum

Wharton, Alyson (2020) ‘I have the honour to inform you that I have just arrived from Constantinople’: Migration, Identity and Commodity Disavowal in the Formation of the Islamic Art Collection at the V&A. Museum and Society . ISSN 1479-8360

Victorian

Cheshire, Jim (2018) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford. ISBN UNSPECIFIED

Victorian Design

Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Victorian Literature

Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]

Victorian Manchester

Wharton, Alyson (2020) Sopon Bezirdjian, Craft, Heritage and Identity in Victorian Manchester. In: Craft and Heritage. Bloomsbury Academic. ISBN UNSPECIFIED

Victorian Studies

Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]

Victorian religion

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Violence

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Virtual Heritage Visualisation

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Virtual Heritage Visualization

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Visual Culture

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Visual Heritage Visualisation

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Voina

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

War on Terror

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Watercolour

Cheshire, Jim (2007) Peter DeWint and the Victorians: 'the most truly English of our painters'. In: Peter DeWint 1784-1849: for the common observer of life and nature. Lund Humphries, UK, pp. 60-70. ISBN 9780853319375

Watts Rebellion

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917

Western Front

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

William Burges

Cheshire, Jim (2018) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford. ISBN UNSPECIFIED

Women on Waves

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

World War One

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

architecture

Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288

armed forces

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

art

Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540

art and finance

Streffen, Isabella, Robinson, Alistair, Knight, Peter, Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]

art and money

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259

Streffen, Isabella, Robinson, Alistair, Knight, Peter, Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]

art schools

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

artist-run

Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.

artist-run organisations

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

artists’ film

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

arts and society

Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115

arts organisations

Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.

australian comics industry

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

auto destructive art

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

bmjconvert

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

bmjdoi

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

bmjgoldcheck

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

bmjholiday

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

bmjlink

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

bmjtype

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

byzantine

Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540

cartoons

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

chemistry

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

citizen journalism

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

citizens

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

code

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

collaboration

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

collectives

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

comic art

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

comic strip

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

comics

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

competing visions of art

Donald, Stephanie (2001) Exchange and Display: Republics of Taste and the Vision of Elder Statesmen. Communal/Plural: Journal of Transnational & Cross-Cultural Studies, 9 (2). pp. 183-202. ISSN xxxx xxxx xx

curation

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

curatorial decisions and censorship

Donald, Stephanie (2001) Exchange and Display: Republics of Taste and the Vision of Elder Statesmen. Communal/Plural: Journal of Transnational & Cross-Cultural Studies, 9 (2). pp. 183-202. ISSN xxxx xxxx xx

daily mirror

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

dematerialization

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

digital

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

digital exhibition

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

digital publication

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

disinformation

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

early comic strips

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

end of history

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

eschatology

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

exhibition space

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

fashion

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

female representation

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

football

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

funding

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

history of chemistry

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

history of science

Roos, Anna Marie (2019) Goldfish. Animal . Reaktion Books, London. ISBN 978 1 78914 135 1, 978 1 78914 170 2

humour

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

icons

Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540

illustrative narratives

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

interdisciplinary dialogue

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

jane at war

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

journalism studies

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

language

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

liturgy

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

malaise

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

medieval

Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

military

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

military routines

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

minimalism

Lang, Martin (2013) Carl Andre: Mass & Matter//Rosa Barba: Subject to Constant Change. Artists Newsletter . ISSN .

modernism in China

Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885

multi-panel cartoons

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

narrative

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

natural history

Roos, Anna Marie (2019) Goldfish. Animal . Reaktion Books, London. ISBN 978 1 78914 135 1, 978 1 78914 170 2

net art

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

new media

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

personalisation

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

philosophy of architecture

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

pin-up

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

place

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

poetry

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

political philosophy

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

politicians

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

popular culture

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

portals

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

post-apocalyptic narratives

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

post-internet

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

post-politics

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

posters and propaganda

Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115

propaganda

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

proto comics

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

public art

Donald, Stephanie (2001) Exchange and Display: Republics of Taste and the Vision of Elder Statesmen. Communal/Plural: Journal of Transnational & Cross-Cultural Studies, 9 (2). pp. 183-202. ISSN xxxx xxxx xx

rebirth of History

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

relics

Vescovi, Michele (2019) Inscribing Presence. In: Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. Materiale Textkulturen. Schriftenreihe des Sonderforschungbereichs 933 (23). Walter de Gruyter GmbH, Berlin/Boston, pp. 137-164. ISBN 978-3-11-062913-2, 978-3-11-062915-6, 978-3-11-063347-4

representation

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

research practice

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

satire

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

sculpture

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

service men

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

service women

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

situationist international

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917

social observation

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

social realism

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

soldiers

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

the Great War

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

the sublime

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

things

Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540

time-based media

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

travel

Hill, Kate (2015) Britain and the narration of travel in the nineteenth century: texts, images, objects. Ashgate. ISBN 9781472458353

trench newspapers

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

trench publications

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

troopship newspapers

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

valentines

Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]

visual art

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

visual culture

Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259

voice

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

waites789

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

wanda the war girl

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

war culture

Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

wartime bravery

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

web 2.0

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

This list was generated on Mon May 25 22:18:40 2020 BST.