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Burge, Catherine (2006) Untitled (Aegis). [Show/Exhibition]
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619 (In Press)
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
Waites, Ian (2009) The prospect far and wide: an eighteenth century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby. (Unpublished)
Bennett, Carol and Morgan, Nigel and Cheshire, Jim and Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619 (In Press)
Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby. (Unpublished)
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Bennett, Carol and Morgan, Nigel and Cheshire, Jim and Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby. (Unpublished)
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Waites, Ian (2009) The prospect far and wide: an eighteenth century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619 (In Press)
Waites, Ian (2009) The prospect far and wide: an eighteenth century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby. (Unpublished)
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
Waites, Ian (2009) The prospect far and wide: an eighteenth century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Cheshire, Jim (2007) Peter DeWint and the Victorians: 'the most truly English of our painters'. In: Peter DeWint 1784-1849: for the common observer of life and nature. Lund Humphries, UK, pp. 60-70. ISBN 9780853319375
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Burge, Catherine (2006) Untitled (Aegis). [Show/Exhibition]
Burge, Catherine (2006) Untitled (Aegis). [Show/Exhibition]
Bennett, Carol and Morgan, Nigel and Cheshire, Jim and Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738
Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240
Bennett, Carol and Morgan, Nigel and Cheshire, Jim and Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745
Cheshire, Jim (2007) Peter DeWint and the Victorians: 'the most truly English of our painters'. In: Peter DeWint 1784-1849: for the common observer of life and nature. Lund Humphries, UK, pp. 60-70. ISBN 9780853319375
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906
Waites, Ian (2009) The prospect far and wide: an eighteenth century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Waites, Ian (2009) The prospect far and wide: an eighteenth century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128
Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.
Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168