Items where Subject is "V Historical and Philosophical studies > V350 History of Art"

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1914-18 1940s 20th century 3D visualisation 9th art Abstract Expressionism Aesthetics American Revolution Anarchism Anarchist Studies Ann Veronica Janssens Apocalypse Apocalypse Theory Apocalypse and popular culture Architectural History Architectural Survey Architectural drawing Architecture Architecture and philosophy Art Art Activism Art History Art Practice Art activism Art and Activism Art and Architecture Art history Artistic Research Australia Australian identity Black Mask Book Illustration Brassier Britain Byzantine churches Byzantine mosaics Cameo Casale Monferrato Chris Burden City of Culture Civil Liberties Cold War Comics Commodification Common Land Common land Commonland Constantine Constantius Contemporary Art Contemporary art Council Estates Cultural history Cultural record Decentred subject Digital Heritage Digital Humanities Digital Re-creation of Historic Urban Environments Digitised Dominions Détournement Early Modern Art and Architecture Early Modern Festivals Early Modern History Early Modern Lisbon Ecclesiology Eighteenth Century Enclosure. Endurance In Performance Art English English Art English Painting Error Errorism Errors Eschatology and Apocalypticism Escraches Exhibitions Experimental drawing for architectural history Finance Fine Art Fine Arts First World War Fountains French Revolution Gallipoli Gender Geometry Gesture Goldfish Gordon Cheung Gothic Revival Grupo Etcétera Gustav Metzger HTBA Habsburg Portugal and Spain Hans Haacke Heathland History of Art Hull Time Based Arts Iberian Union Iberian Union (1580-1640) Identity Industrial Revolution Ireland JMW Turner John Clare John Martin Kath O'Brien King Mob Kingston Rowing Club Kingston upon Hull Krauss Landscape Landscape Painting Landscape painting Late Medieval Domestic Architecture Lisbon Literary studies Lygia Clark Maccabees Martin Lister Marxian economics Maurice Merleau-Ponty Media history Medieval Architecture Medieval Art Memory Metzinger Militancy Militant Militant Groups Monasticism Mosaics Nehemiah Grew Neo-Rationalism Neo-avant-garde Neuroscience New Hull School of Art Newspaper history Nineteenth Century Nineteenth Century Painting Northamptonshire Nostalgia NotOAChecked Pageantry Painting Palestine Parliamentar Parliamentary enclosures Participatory and Relational Arts Performance Art Performance art Perspective Peter Bürger Peter DeWint Phenomenology Philip I of Portugal Philip II of Spain Philosophy (General) Philosophy of art and aesthetics Platonism Poetry Political Art Political Violence and Terrorism Post-truth Postwar Britain 1945- Pre Raphaelite Print media Prisons Propaganda Prospect Psychoanalysis theory Psychoanalytical theory Public Art Punishment and Prisons Pythagorean number Radicalism Ray Brassier Realism Reflective Practice Refugee Crisis Renaissance history Revolution Rights of access Robert Hooke Romanesque Romanticism Rome Rosalind E Krauss Rubens Sacred space Sculpture Second Crusade Second World War Second World war Sidney Sunday Telegraph Socialist Realism Socially Engaged Art Somme Stained Glass Stained glass Stan Brakhage Sublime Technological Revolution Tennyson The Decentred Spectator The Nemocentric Subject The Sublime The Yes Men Tillemans Time Trinity Triumphal entries Up Against the Wall Motherfucker! Urban History Victorian Design Victorian religion Violence Virtual Heritage Visualisation Visual Culture Visual Heritage Visualisation Voina War on Terror Watercolour Western Front World War One architecture armed forces art art and finance art and money art schools artist-run artist-run organisations artists’ film arts organisations australian comics industry auto destructive art bmjconvert bmjdoi bmjgoldcheck bmjholiday bmjlink bmjtype byzantine cartoons chemistry citizen journalism citizens collectives comic art comic strip comics daily mirror early comic strips eschatology fashion female representation football funding history of chemistry history of science humour icons illustrative narratives jane at war journalism studies language liturgy medieval military military routines multi-panel cartoons narrative natural history personalisation philosophy of architecture pin-up place political philosophy politicians popular culture portals post-apocalyptic narratives propaganda proto comics representation satire sculpture service men service women social observation social realism soldiers the Great War the sublime things time-based media travel trench newspapers trench publications troopship newspapers visual art visual culture voice waites789 wanda the war girl war culture wartime bravery
Number of items at this level: 393.

1914-18

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

1940s

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

20th century

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

3D visualisation

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

9th art

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Abstract Expressionism

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Aesthetics

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

American Revolution

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Anarchism

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Anarchist Studies

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Ann Veronica Janssens

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Apocalypse

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Apocalypse Theory

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Apocalypse and popular culture

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Architectural History

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Architectural Survey

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Architectural drawing

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Architecture

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

Architecture and philosophy

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Art

Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Art Activism

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Art History

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781

Art Practice

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Art activism

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Art and Activism

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Art and Architecture

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Art history

Chapman, Jane and Wilson, Ross (2018) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

Artistic Research

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Australia

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Australian identity

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Black Mask

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Book Illustration

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

Brassier

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Britain

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Byzantine churches

Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: The door of the sanctuary: places of transition in late antiquity. Religions in the Graeco-Roman World . Brill, Leiden. ISBN UNSPECIFIED

Byzantine mosaics

Shilling, Brooke (2016) Fountains of paradise in early Byzantine art, homilies and hymns. In: Fountains and water culture in Byzantium. Cambridge University Press, Cambridge, pp. 208-228. ISBN 9781107105997

Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: The door of the sanctuary: places of transition in late antiquity. Religions in the Graeco-Roman World . Brill, Leiden. ISBN UNSPECIFIED

Cameo

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Casale Monferrato

Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645

Chris Burden

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

City of Culture

Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.

Civil Liberties

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Cold War

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Comics

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Commodification

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

Common Land

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.

Common land

Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

Commonland

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Constantine

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Constantius

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Contemporary Art

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Contemporary art

Lang, Martin (2012) Painting: Documents of Contemporary Art [edited by Terry R. Myers, Whitechapel Gallery Press, 2012]. a-n magazine . ISSN .

Council Estates

Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.

Cultural history

Chapman, Jane and Wilson, Ross (2018) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

Cultural record

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Decentred subject

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Digital Heritage

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Digital Humanities

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Digital Re-creation of Historic Urban Environments

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Digitised

Bennett, Carol and Morgan, Nigel and Cheshire, Jim and Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

Dominions

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Détournement

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Early Modern Art and Architecture

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Early Modern Festivals

Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Early Modern History

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Early Modern Lisbon

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Ecclesiology

Bennett, Carol and Morgan, Nigel and Cheshire, Jim and Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Eighteenth Century

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Enclosure.

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Endurance In Performance Art

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

English

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

English Art

Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619

English Painting

Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.

Error

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Errorism

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Errors

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Eschatology and Apocalypticism

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Escraches

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Exhibitions

Streffen, Isabella and Robinson, Alistair and Knight, Peter and Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]

Experimental drawing for architectural history

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Finance

Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259

Fine Art

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Fine Arts

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

First World War

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Fountains

Shilling, Brooke (2016) Fountains of paradise in early Byzantine art, homilies and hymns. In: Fountains and water culture in Byzantium. Cambridge University Press, Cambridge, pp. 208-228. ISBN 9781107105997

French Revolution

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Gallipoli

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Gender

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Geometry

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Gesture

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Goldfish

Roos, Anna Marie (2019) Goldfish. Reaktion Press. ISBN UNSPECIFIED

Gordon Cheung

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Gothic Revival

Bennett, Carol and Morgan, Nigel and Cheshire, Jim and Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Grupo Etcétera

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Gustav Metzger

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

HTBA

Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.

Habsburg Portugal and Spain

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Hans Haacke

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

Heathland

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.

History of Art

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Hull Time Based Arts

Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

Iberian Union

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Iberian Union (1580-1640)

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Identity

Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.

Industrial Revolution

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Ireland

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

JMW Turner

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

John Clare

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

John Martin

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Kath O'Brien

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

King Mob

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Kingston Rowing Club

Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.

Kingston upon Hull

Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.

Krauss

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Landscape

Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

Landscape Painting

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Landscape painting

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

Late Medieval Domestic Architecture

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Lisbon

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Literary studies

Chapman, Jane and Wilson, Ross (2018) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

Lygia Clark

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

Maccabees

Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645

Martin Lister

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

Marxian economics

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Maurice Merleau-Ponty

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Media history

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Medieval Architecture

Vescovi, Michele Luigi (2012) ‘Monferrato' medievale. Crocevia di culture e sperimentazioni. Ricerche di S/Confine, 4 . Scripta Edizioni/University of Parma, Verona. ISBN 9788896162590

Medieval Art

Vescovi, Michele Luigi (2012) ‘Monferrato' medievale. Crocevia di culture e sperimentazioni. Ricerche di S/Confine, 4 . Scripta Edizioni/University of Parma, Verona. ISBN 9788896162590

Vescovi, Michele Luigi (2012) The ‘Westernisation’ of an image: the fast of St. Nicholas and the monastic connection. In: Art history – the future is now. Studies in honor of Professor Vladimir P. Goss. Faculty of Humanities and Social Sciences, Rijeka, Croatia, pp. 300-312. ISBN 9789536104901

Memory

Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.

Metzinger

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Militancy

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Militant

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Militant Groups

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Monasticism

Vescovi, Michele Luigi (2012) The ‘Westernisation’ of an image: the fast of St. Nicholas and the monastic connection. In: Art history – the future is now. Studies in honor of Professor Vladimir P. Goss. Faculty of Humanities and Social Sciences, Rijeka, Croatia, pp. 300-312. ISBN 9789536104901

Mosaics

Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645

Nehemiah Grew

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

Neo-Rationalism

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Neo-avant-garde

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Neuroscience

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

New Hull School of Art

Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.

Newspaper history

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Nineteenth Century

Hill, Kate (2015) Britain and the narration of travel in the nineteenth century: texts, images, objects. Ashgate. ISBN 9781472458353

Nineteenth Century Painting

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Northamptonshire

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Nostalgia

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

NotOAChecked

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Pageantry

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Painting

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Lang, Martin (2012) Painting: Documents of Contemporary Art [edited by Terry R. Myers, Whitechapel Gallery Press, 2012]. a-n magazine . ISSN .

Palestine

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Parliamentar

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

Parliamentary enclosures

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

Participatory and Relational Arts

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Performance Art

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Performance art

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Perspective

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Peter Bürger

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Peter DeWint

Cheshire, Jim (2007) Peter DeWint and the Victorians: 'the most truly English of our painters'. In: Peter DeWint 1784-1849: for the common observer of life and nature. Lund Humphries, UK, pp. 60-70. ISBN 9780853319375

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

Phenomenology

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

Philip I of Portugal

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Philip II of Spain

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Philosophy (General)

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

Philosophy of art and aesthetics

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Platonism

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Poetry

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

Political Art

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Political Violence and Terrorism

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Post-truth

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Postwar Britain 1945-

Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781

Pre Raphaelite

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

Print media

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Prisons

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Propaganda

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Prospect

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Psychoanalysis theory

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

Psychoanalytical theory

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

Public Art

Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781

Punishment and Prisons

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Pythagorean number

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Radicalism

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Ray Brassier

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Realism

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Reflective Practice

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Refugee Crisis

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Renaissance history

Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]

Revolution

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Rights of access

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

Robert Hooke

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

Romanesque

Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

Romanticism

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.

Rome

Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]

Rosalind E Krauss

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Rubens

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Sacred space

Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: The door of the sanctuary: places of transition in late antiquity. Religions in the Graeco-Roman World . Brill, Leiden. ISBN UNSPECIFIED

Sculpture

Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]

Second Crusade

Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645

Second World War

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Second World war

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Sidney Sunday Telegraph

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Socialist Realism

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Socially Engaged Art

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Somme

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Stained Glass

Bennett, Carol and Morgan, Nigel and Cheshire, Jim and Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Stained glass

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Stan Brakhage

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Sublime

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.

Technological Revolution

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Tennyson

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

The Decentred Spectator

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

The Nemocentric Subject

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

The Sublime

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

The Yes Men

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Tillemans

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Time

Chapman, Jane and Wilson, Ross (2018) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

Trinity

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

Triumphal entries

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Up Against the Wall Motherfucker!

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Urban History

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Victorian Design

Bennett, Carol and Morgan, Nigel and Cheshire, Jim and Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Victorian religion

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Violence

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Virtual Heritage Visualisation

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Visual Culture

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Visual Heritage Visualisation

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Voina

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

War on Terror

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Watercolour

Cheshire, Jim (2007) Peter DeWint and the Victorians: 'the most truly English of our painters'. In: Peter DeWint 1784-1849: for the common observer of life and nature. Lund Humphries, UK, pp. 60-70. ISBN 9780853319375

Western Front

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

World War One

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

architecture

Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288

armed forces

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

art

Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540

art and finance

Streffen, Isabella and Robinson, Alistair and Knight, Peter and Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]

art and money

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259

Streffen, Isabella and Robinson, Alistair and Knight, Peter and Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]

art schools

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

artist-run

Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.

artist-run organisations

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

artists’ film

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

arts organisations

Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.

australian comics industry

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

auto destructive art

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

bmjconvert

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

bmjdoi

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

bmjgoldcheck

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

bmjholiday

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

bmjlink

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

bmjtype

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

byzantine

Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540

cartoons

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

chemistry

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

citizen journalism

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

citizens

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

collectives

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

comic art

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

comic strip

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

comics

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Chapman, Jane and Wilson, Ross (2018) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

daily mirror

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

early comic strips

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

eschatology

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

fashion

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

female representation

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

football

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

funding

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

history of chemistry

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

history of science

Roos, Anna Marie (2019) Goldfish. Reaktion Press. ISBN UNSPECIFIED

humour

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

icons

Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540

illustrative narratives

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Chapman, Jane and Wilson, Ross (2018) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

jane at war

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

journalism studies

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

language

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

liturgy

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

medieval

Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

military

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

military routines

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

multi-panel cartoons

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

narrative

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

natural history

Roos, Anna Marie (2019) Goldfish. Reaktion Press. ISBN UNSPECIFIED

personalisation

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

philosophy of architecture

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

pin-up

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

place

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

political philosophy

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

politicians

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

popular culture

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

portals

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

post-apocalyptic narratives

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

propaganda

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

proto comics

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

representation

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

satire

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

sculpture

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

service men

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

service women

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

social observation

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

social realism

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

soldiers

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

the Great War

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

the sublime

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

things

Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540

time-based media

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

travel

Hill, Kate (2015) Britain and the narration of travel in the nineteenth century: texts, images, objects. Ashgate. ISBN 9781472458353

trench newspapers

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Chapman, Jane and Wilson, Ross (2018) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

trench publications

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

troopship newspapers

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

visual art

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

visual culture

Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259

voice

Chapman, Jane and Allison, Kate and Whittaker, Jason and Kerr, Andrew and Cafferkey, John (2018) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

waites789

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

wanda the war girl

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

war culture

Chapman, Jane and Wilson, Ross (2018) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

wartime bravery

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

This list was generated on Fri May 25 04:52:55 2018 BST.