Items where Subject is "V350 History of Art"

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Number of items at this level: 90.

B

Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]

C

Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Chapman, Jane, Allison, Kate, Whittaker, Jason, Kerr, Andrew and Cafferkey, John (2019) Comparative reflections on cartoons as snapshot, narrative and source. In: The Edinburgh history of the British and Irish press. Edinburgh University Press, Edinburgh. ISBN UNSPECIFIED

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History . ISSN 0968-3445

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Cheshire, Jim (2007) Peter DeWint and the Victorians: 'the most truly English of our painters'. In: Peter DeWint 1784-1849: for the common observer of life and nature. Lund Humphries, UK, pp. 60-70. ISBN 9780853319375

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim (2018) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford. ISBN UNSPECIFIED

Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

Corry, Maya (2014) The Alluring Beauty of a Leonardesque Ideal: Masculinity and Spirituality in Renaissance Milan. In: Sex, Gender and the Sacred: Reconfiguring Religion in Gender History. Blackwell Publishing Ltd, pp. 170-194. ISBN 9781118833766

Corry, Maya (2018) Delight in Painted Companions: Shaping the Soul from Birth in Early Modern Italy. In: Domestic Devotions in Early Modern Italy. Brill, pp. 310-341. ISBN UNSPECIFIED

Corry, Maya (2017) Madonnas & Miracles: the Holy Home in Renaissance Italy. Philip Wilson. ISBN 9781781300534

Corry, Maya (2017) Madonnas & Miracles: the Holy Home in Renaissance Italy. [Event, Show or Exhibition]

Corry, Maya, Faini, Marco and Meneghin, Alessia (2018) Domestic Devotions in Early Modern Italy. In: Domestic Devotions in Early Modern Italy. Intersections . Brill. ISBN UNSPECIFIED

Corry, Maya, Faini, Marco and Meneghin, Alessia (2018) Domestic Devotions in Early Modern Italy. Intersections, 59 . Brill. ISBN 978-90-04-37587-1

Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]

D

Donald, Stephanie (2001) Exchange and Display: Republics of Taste and the Vision of Elder Statesmen. Communal/Plural: Journal of Transnational & Cross-Cultural Studies, 9 (2). pp. 183-202. ISSN xxxx xxxx xx

Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115

F

Fernandez-Gonzalez, Laura (2019) Architectural Hybrids? Building, Law and Architectural Design in the Early Modern Iberian World, In Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Fernandez-Gonzalez, Laura (2020) El Monasterio de San Lorenzo de El Escorial, Carlos II y la Fama de los Austrias de España. In: Le règne de Charles II. Grandeurs et misères. Estudes Hispaniques, Paris. ISBN .

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Fernandez-Gonzalez, Laura and Trusted, Marjorie (2019) 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies. ISBN .

H

Hill, Kate (2015) Britain and the narration of travel in the nineteenth century: texts, images, objects. Ashgate. ISBN 9781472458353

K

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

L

Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Lang, Martin (2013) Carl Andre: Mass & Matter//Rosa Barba: Subject to Constant Change. Artists Newsletter . ISSN .

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory (8). pp. 24-49. ISSN 2514-9229

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Art Activism and Political Violence. Routledge, London. ISBN UNSPECIFIED

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Painting: Documents of Contemporary Art [edited by Terry R. Myers, Whitechapel Gallery Press, 2012]. a-n magazine . ISSN .

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

M

Morrison, John (2018) Archibald Geikie and landscape painting. Geological Society, London, Special Publications, 480 (1). pp. 319-336. ISSN UNSPECIFIED

Morrison, John (2017) Debating Chamber: The Royal Scottish Academy and Artistic Discourse in the Nineteenth Century. In: Ages of Wonder. National Galleries of Scotland, pp. 63-75. ISBN 978-0-905783-38-3

Morrison, John (2016) Sir William Allan, Bannockburn and the Presentation of Scottish History. In: Bannockburn 1314-2014. Shaun Tyas, Lincoln. ISBN 978-1907730504

O

O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

P

Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

R

Roos, Anna Marie (2019) Goldfish. Animal . Reaktion Books, London. ISBN 978 1 78914 135 1, 978 1 78914 170 2

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

S

Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Shilling, Brooke (2016) Fountains of paradise in early Byzantine art, homilies and hymns. In: Fountains and water culture in Byzantium. Cambridge University Press, Cambridge, pp. 208-228. ISBN 9781107105997

Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: The door of the sanctuary: places of transition in late antiquity. Religions in the Graeco-Roman World . Brill, Leiden. ISBN UNSPECIFIED

Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

Streffen, Isabella, Robinson, Alistair, Knight, Peter, Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]

T

Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

V

Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645

Vescovi, Michele (2019) Inscribing Presence. In: Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. Materiale Textkulturen. Schriftenreihe des Sonderforschungbereichs 933 (23). Walter de Gruyter GmbH, Berlin/Boston, pp. 137-164. ISBN 978-3-11-062913-2, 978-3-11-062915-6, 978-3-11-063347-4

Vescovi, Michele Luigi (2012) ‘Monferrato' medievale. Crocevia di culture e sperimentazioni. Ricerche di S/Confine, 4 . Scripta Edizioni/University of Parma, Verona. ISBN 9788896162590

Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288

Vescovi, Michele Luigi (2012) The ‘Westernisation’ of an image: the fast of St. Nicholas and the monastic connection. In: Art history – the future is now. Studies in honor of Professor Vladimir P. Goss. Faculty of Humanities and Social Sciences, Rijeka, Croatia, pp. 300-312. ISBN 9789536104901

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

W

Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781

Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.

Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

Wharton, Alyson (2020) Sopon Bezirdjian, Craft, Heritage and Identity in Victorian Manchester. In: Craft and Heritage. Bloomsbury Academic. ISBN UNSPECIFIED

Wharton, Alyson (2020) ‘I have the honour to inform you that I have just arrived from Constantinople’: Migration, Identity and Commodity Disavowal in the Formation of the Islamic Art Collection at the V&A. Museum and Society . ISSN 1479-8360

Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.

This list was generated on Thu Apr 9 23:35:27 2020 BST.