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A. Portugal, Vanessa (2023) Review. Darío Velandia Onofre, Destrucción y culto: políticas de la imagen sagrada en América y España (1563-1700). Journal of Early American History, 13 (1-4). ISSN 1877-0223

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Balosso-Bardin, Cassandre (2023) Five illustrated bagpipes in “Musical instruments and their homes”: An insight into the 19th-century instrument collector’s world. Bibliolore .

Balosso-Bardin, Cassandre (2023) Hidden Bagpipes of The Met. Perspectives .

Barrett, Graham, East, Matt, Fitzgibbons, Jonathan, Vescovi, Michele and Wood, Jamie (2023) Reading through the Pandemic: Promoting Active Digital Engagement with Text-Based Resources. IMPact: e-Journal of Higher Education Research, 6 (2). pp. 1-30. ISSN 2516-7561

Bennett, Carol, Morgan, Nigel, Cheshire, Jim, Kupper, H. Tom and Plumb, Gordon (2012) The post-medieval period. In: Stained glass of Lincoln Cathedral. Scala, London, pp. 48-81. ISBN 9781857597745

Boyd, Joseph (2023) Steeped in Place: Encountering Scotland in Paintings of the Sea. PhD thesis, University of Lincoln.

Burge, Catherine (2006) Untitled (Aegis). [Event, Show or Exhibition]

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Chapman, Jane (2011) Representation of female war-time bravery in Australia’s Wanda the War Girl. Australasian Journal of Popular Culture, 1 (2). pp. 153-163. ISSN 2045-5852

Chapman, Jane (2014) Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK. In: Fashion and war in popular culture. Intellect Publishing, Bristol, pp. 21-34. ISBN 9781841507514

Chapman, Jane, Allison, Kate, Cafferkey, John and Kerr, Andrew (2020) Cartoons. In: The Edinburgh History of the British and Irish Press, Volume 3. Edinburgh University Press, Edinburgh. ISBN 9781474424929

Chapman, Jane and Ellin, Daniel (2012) Multi-panel comic narratives in Australian First World War trench publications as citizen journalism. Australian Journal of Communication, 39 (3). pp. 1-22. ISSN 0811-6202

Chapman, Jane and Wilson, Ross (2019) Illustrating war-time: cartoons and the British and Dominion soldier experience during the Great War, 1914-1918. War in History, 26 (3). pp. 342-357. ISSN 0968-3445

Cheshire, Jim (2007) Peter DeWint and the Victorians: 'the most truly English of our painters'. In: Peter DeWint 1784-1849: for the common observer of life and nature. Lund Humphries, UK, pp. 60-70. ISBN 9780853319375

Cheshire, Jim (2009) Tennyson transformed. [Event, Show or Exhibition]

Cheshire, Jim, Lord, John, Ford, Colin, Ormond, Leonee, Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030

Cheshire, Jim (2015) Fashioning church interiors: the importance of female amateur designers. In: Material religion in modern Britain. Palgrave Macmillan. ISBN 9781137540553

Cheshire, Jim (2022) King Arthur Goes Mainstream: Tennyson’s Cornish Tours and Idylls of the King. In: The Legend of King Arthur: Pilgrimage, Place and the Pre-Raphaelites. Sansom, Bristol. ISBN 978-1-911408-89-5

Cheshire, Jim (2020) Remediation, Medievalism and Empire in T. W. Camm’s ‘Jubilee of Nations’ Window at Great Malvern Priory. 19: Interdisciplinary Studies in the Long Nineteenth Century, 2020 (30). pp. 1-20. ISSN 1755-1560

Cheshire, Jim (2022) Remembering ‘Hodson’s Horse’: Commemoration and the Indian Uprising of 1857-8. Journal of Victorian Culture . ISSN 1355-5502

Cheshire, Jim (2020) Victorian Medievalism and Secular Design. In: The Oxford Handbook of Victorian Medievalism. Oxford University Press, Oxford, pp. 447-462. ISBN 9780199669509

Corry, Maya (2017) Madonnas & Miracles: the Holy Home in Renaissance Italy. [Event, Show or Exhibition]

Corry, Maya (2014) The Alluring Beauty of a Leonardesque Ideal: Masculinity and Spirituality in Renaissance Milan. In: Sex, Gender and the Sacred: Reconfiguring Religion in Gender History. Blackwell Publishing Ltd, pp. 170-194. ISBN 9781118833766

Corry, Maya (2020) Contemplating Angels: Artworks for Domestic Devotion from Renaissance Lombardy. In: The Announcement: Annunciations and Beyond. De Gruyter, pp. 113-136. ISBN 9783110359220

Corry, Maya (2018) Delight in Painted Companions: Shaping the Soul from Birth in Early Modern Italy. In: Domestic Devotions in Early Modern Italy. Brill, pp. 310-341. ISBN UNSPECIFIED

Corry, Maya (2017) Madonnas & Miracles: the Holy Home in Renaissance Italy. Philip Wilson. ISBN 9781781300534

Corry, Maya, Faini, Marco and Meneghin, Alessia (2018) Domestic Devotions in Early Modern Italy. In: Domestic Devotions in Early Modern Italy. Intersections . Brill. ISBN UNSPECIFIED

Corry, Maya, Faini, Marco and Meneghin, Alessia (2018) Domestic Devotions in Early Modern Italy. Intersections, 59 . Brill. ISBN 978-90-04-37587-1

Crossley, Alice (2023) ‘Beliefs and Cultures: The Good, The Bad and The Aged Other in the Nineteenth Century’. In: A Cultural History of Old Age in the Era of Industry and Empire (1800-1920). Bloomsbury. ISBN UNSPECIFIED

Crossley, Alice (2017) Sent with Love/Hate: Victorian Valentines: Harlaxton Gold Room Lecture 2017. [Video]

Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: An Introduction. Age, Culture, Humanities, 5 . ISSN 2375-8856

Crossley, Alice and Culley, Amy (2021) Narratives of Aging in the Long Nineteenth Century: [co-edited Journal Special Issue]. Age, Culture, Humanities (journal). ISBN UNSPECIFIED

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Donald, Stephanie (2001) Exchange and Display: Republics of Taste and the Vision of Elder Statesmen. Communal/Plural: Journal of Transnational & Cross-Cultural Studies, 9 (2). pp. 183-202. ISSN xxxx xxxx xx

Donald, Stephanie (2015) Liu Dahong: stranded objects and shame in Chinese contemporary post-socialist art. Affirmations of the Modern, 2 (2). pp. 55-80. ISSN 2202-9885

Donald, Stephanie (2014) The poetics of the Real in Jia Zhangke's 24 City. Screen, 55 (2). pp. 267-275. ISSN 0036-9543

Donald, Stephanie and Evans, Harriet (1999) Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. Rowman and Littlefield, Lanham, pp. 221-222. ISBN 0847695107, 0847695115

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Fernandez-Gonzalez, Laura (2020) Architectural Hybrids? Building, Law and Architectural Design in the Early Modern Iberian World, In Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies, 34 (4). pp. 550-571. ISSN 0269-1213

Fernandez-Gonzalez, Laura (2021) El Monasterio de San Lorenzo de El Escorial, Carlos II y la Fama de los Austrias de España. In: Le règne de Charles II. Grandeurs et misères. Estudes Hispaniques, Paris. ISBN 9782853551175

Fernandez-Gonzalez, Laura (2017) O Modelo Digital da Pintura da Rua Nova: Recreando a Arquitetura Quinhentista de Lisboa. In: A Cidade Global. Lisboa no Renascimento. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Fernandez-Gonzalez, Laura (2010) Re-creating early modern festivals. [Event, Show or Exhibition]

Fernandez-Gonzalez, Laura (2011) Re-creating early modern festivals. [Project]

Fernandez-Gonzalez, Laura (2017) The digital turn of the Rua Nova painting: re-creating the architecture of early modern Lisbon. In: The global city: Lisbon in the renaissance. Museu Nacional de Arte Antiga, Lisbon. ISBN .

Fernandez-Gonzalez, Laura and Trusted, Holly (Marjorie) (2019) Introduction of Special Issue 'Visual and Spatial Hybridity in the Early Modern Iberian World'. Renaissance Studies . ISSN 0269-1213

Fernandez-Gonzalez, Laura (2019) Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid. Bulletin of Spanish Visual Studies, 3 (2). pp. 323-338. ISSN 2474-1604

Fernandez-Gonzalez, Laura (2014) La representación de las naciones en las Entradas triunfales de Felipe II y Felipe III en Lisboa, (1581 - 1619). In: Las Corporaciones de Nación en la Monarquía Hispánica (1580-1750) (Madrid, 2014). Leo Belgicus (2). Fundación Carlos de Amberes Press, Madrid, pp. 413-450. ISBN 9788487369773

Fernandez-Gonzalez, Laura (2015) Negotiating terms: King Philip I of Portugal and the ceremonial entry of 1581 into Lisbon. In: Festival culture in the world of the Spanish Habsburgs. Ashgate, Aldershot, pp. 87-113. ISBN 9781409435617

Fernandez-Gonzalez, Laura (2021) Philip II of Spain and the Architecture of Empire. Penn State University Press. ISBN 9780271087245

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Hill, Kate (2021) Afterword. 19: Interdisciplinary Studies in the Long Nineteenth Century, 31 . ISSN 1755-1560

Hill, Kate (2015) Britain and the narration of travel in the nineteenth century: texts, images, objects. Ashgate. ISBN 9781472458353

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Kelly, Marie, O'Gorman, Siobhan and Phillips, Aine (2020) Performing Ireland: Now, then, now... Scene, 8 (1-2). pp. 7-27. ISSN 2044-3714

Klee, Steve (2016) Science-art: accelerated models of spectating. In: Radical Future and Accelerationism, 18 - 19 June 2016, Jagiellonian University, Krakow.

Klee, Steve (2017) Science-art: neuronaturalism beyond the decentred spectator. Eidos: A Journal for Philosophy of Culture, 1 (2). pp. 78-93. ISSN 1692-8857

Klee, Steve (2016) The nemocentric spectator. In: Sonic Speculations for A Convivial Discussion, 28 July 2016, ArtLacuna, London.

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Lang, Martin (2012) Apocalypse as metaphor for revolution. In: Don’t Panic! The Apocalypse in Theory and Culture, 25 - 26 May 2012, University of Kent.

Lang, Martin (2012) Сучьи войны (Bitch war). Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Militant Training Camp. Artists' Newsletter (a-n) . ISSN .

Lang, Martin (2012) Painting: Documents of Contemporary Art [edited by Terry R. Myers, Whitechapel Gallery Press, 2012]. a-n magazine . ISSN .

Lang, Martin and Grimwood, Tom (2018) The politics and aesthetics of error [conference panel]. In: Association for Art History’s Annual Conference 2018, 5-7 April 2018, Courtauld Institute of Art & King’s College London.

Lang, Martin (2012) Capitalist apocalypse in the painting of John Martin and Gordon Cheung. Ekphrasis, 7 (2). pp. 179-188. ISSN 2067-631X

Lang, Martin (2013) Carl Andre: Mass & Matter//Rosa Barba: Subject to Constant Change. Artists Newsletter . ISSN .

Lang, Martin (2017) Counter cultural production: a militant reconfiguration of Peter Bürger’s “Neo-avant-garde”. re·bus - a journal of art history and theory, 8 (1). pp. 24-49. ISSN 2514-9229

Lang, Martin (2018) Dangerous Artists of Calibre: shooting people as performance art. Trebuchet (5). pp. 94-103. ISSN 1753-030X

Lang, Martin (2018) From Enragés to Indignados: Occupations & Riots of 1968 and 2011. In: 1968 | 2018 Protest, Performance and the Public Sphere, 7-9 June 2018, The University of Warwick.

Lang, Martin (2020) From Watts to Wall Street: a Situationist analysis of political violence. In: Cultures of Violence: Visual Arts and Political Violence. Routledge, London, pp. 16-39. ISBN 9781138624917

Lang, Martin (2022) Hazlitt on aesthetic democracy and artistic genius. The Hazlitt Review, 14 . pp. 25-36. ISSN 1757-8299

Lang, Martin (2019) Spectacular malaise: art and the end of History. Art & the Public Sphere, 8 (1). pp. 63-82. ISSN 2042-793X

Lang, Martin (2020) Surrealist lessons in freedom of speech. Trebuchet (8). pp. 136-151. ISSN 1753-030X

Lang, Martin (2018) Why being an artist is not a job. Trebuchet (May). ISSN 1753-030X

Lang, Martin and Bresolin, Thomas (2012) Militant training camp: the debriefing. Sanat Dünyamiz (131). pp. 30-41. ISSN 1300-2740-130

Liuzzo Scorpo, Antonella (2023) Introduction. Simon Barton’s Scholarly Legacy: Challenging Historiographical Narratives in Medieval Mediterranean and Iberian Studies. In: A Plural Peninsula: Studies in Honour of Professor Simon Barton. The Medieval Mediterranean, 138 . Brill, Leiden, pp. 1-11. ISBN 9789004683754

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Mcdonnell, Phillipa (2020) Architectural Paint Research and the Archaeology of Buildings. The Archaeological Journal, 177 (1). pp. 140-166. ISSN 0066-5983

Morrison, John (2018) Archibald Geikie and landscape painting. Geological Society, London, Special Publications, 480 (1). pp. 319-336. ISSN 0305-8719

Morrison, John (2017) Debating Chamber: The Royal Scottish Academy and Artistic Discourse in the Nineteenth Century. In: Ages of Wonder. National Galleries of Scotland, pp. 63-75. ISBN 978-0-905783-38-3

Morrison, John (2014) Painting Labour in Scotland and Europe, 1850-1900. Ashgate. ISBN 9781472415196

Morrison, John (2016) Sir William Allan, Bannockburn and the Presentation of Scottish History. In: Bannockburn 1314-2014. Shaun Tyas, Lincoln. ISBN 978-1907730504

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O'Neill, Mary (2007) Art and money: experience destruction exposure. In: Money and Culture. Peter Lang, Frankfurt am Main, pp. 333-342. ISBN 9783631567906

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Proto, Francesco (2013) Fatal objects: Lacan in Baudrillard vol 2 (3rd simulation stage: postmodernity). International Journal of Baudrillard Studies, 10 (2). n/a. ISSN 1705-6411

Proto, Francesco (2013) The Invention of History: Baudrillard in Lacan vol 1 (1st simulation stage: the classic age). International Journal of Baudrillard Studies, 10 (1). n/a. ISSN 1705-6411

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Roos, Anna Marie (2019) Goldfish. Animal . Reaktion Books, London. ISBN 978 1 78914 135 1, 978 1 78914 170 2

Roos, Anna Marie (2022) Head in the Clouds: Unpublished correspondence between John Ruskin and Oliver Lodge. The Ruskin Review, 15 . pp. 4-29. ISSN 1745-3895

Roos, Anna Marie (2015) The Saline chymistry of color in seventeenth-century English natural history. Early Science and Medicine, 20 (4-6). pp. 559-585. ISSN 1383-7427

Rosenfeld, Jason and Dowling, John (2012) John Everett Millais. Phaidon Press, London. ISBN 9780714839776

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Shepley, Alec (2016) Camping in a mudhouse: ruins and fragments as tropes of reflexivity. The International Journal of Arts Theory and History, 11 (2). pp. 13-22. ISSN 2326-9952

Shilling, Brooke (2016) Fountains of paradise in early Byzantine art, homilies and hymns. In: Fountains and water culture in Byzantium. Cambridge University Press, Cambridge, pp. 208-228. ISBN 9781107105997

Shilling, Brooke (2018) The other door of the sanctuary: the apse and divine entry in the early Byzantine church. In: Sacred Thresholds: The Door to the Sanctuary in Late Antiquity. Religions in the Graeco-Roman World (185). Brill, Leiden, pp. 341-370. ISBN 9789004368590

Stephenson, Paul (2016) Byzantine icons and things. Oxford Art Journal . ISSN 0142-6540

Stephenson, Paul (2015) A note on the Constantinian cameo, now in Leiden. BABESCH: Annual papers in Medieval Archaeology, 90 . pp. 237-240. ISSN 0165-9367

Streffen, Isabella (2014) The money shot: burning, falling, vanishing. In: Show me the money: the image of finance, 1700 to the present. Manchester University Press, Manchester, UK, pp. 103-125. ISBN 9780719096259

Streffen, Isabella, Archino, Sarah and McSherry, Síofra (2019) A Third Place: The &/ Project. In: Academics, Artists and Museums 21st Century Partnerships. Research in Museum Studies . Routledge, New York/London, pp. 176-190. ISBN 978-1-138-30078-1

Streffen, Isabella, Robinson, Alistair, Knight, Peter, Crosthwaite, Paul and Marsh, Nicky (2014) Show me the money: the image of finance 1700 to the present. [Event, Show or Exhibition]

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Temple, Nicholas (2010) Gesture and perspective in Raphael's School of Athens. In: Renaissance Theories of Vision (Visual Culture in Early Modernity). Ashgate, Farnham, Surrey, United Kingdom, pp. 135-148. ISBN 1409400247, 9781409400240

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Vescovi, Michele (2016) Framing the civitas: Sant'Evasio at Casale Monferrato. In: Dalla Res Publica al Comune: uomini, istituzioni, pietre dal XII al XIII secolo. Centro Studi Leon Battista Alberti, Verona, pp. 111-128. ISBN 9788898877645

Vescovi, Michele (2019) Inscribing Presence. In: Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. Materiale Textkulturen. Schriftenreihe des Sonderforschungbereichs 933 (23). Walter de Gruyter GmbH, Berlin/Boston, pp. 137-164. ISBN 978-3-11-062913-2, 978-3-11-062915-6, 978-3-11-063347-4

Vescovi, Michele Luigi (2012) ‘Monferrato' medievale. Crocevia di culture e sperimentazioni. Ricerche di S/Confine, 4 . Scripta Edizioni/University of Parma, Verona. ISBN 9788896162590

Vescovi, Michele Luigi (2017) Romanesque architecture: the first style of the European age [E. Fernie]. Journal of the British Archaeological Association, 170 . pp. 207-210. ISSN 0068-1288

Vescovi, Michele Luigi (2012) The ‘Westernisation’ of an image: the fast of St. Nicholas and the monastic connection. In: Art history – the future is now. Studies in honor of Professor Vladimir P. Goss. Faculty of Humanities and Social Sciences, Rijeka, Croatia, pp. 300-312. ISBN 9789536104901

Vescovi, Michele (2020) Stone, Image, Body. Constructing the Memory of saint Dionysius in Regensburg. In: Romanesque Saints, Shrines and Pilgrimage. The British Archaeological Association Romanesque Transactions . British Archaeological Association/Routledge, London, pp. 157-171. ISBN 9780367202071

Vescovi, Michele (2021) ‘Transregional Dynamics, Monastic Networks: Santa Fede in Cavagnolo, Conques, and the Geography of Romanesque Art’. In: The Regional and Transregional in Romanesque Europe. British Archaeological Association / Routledge, London and New York, pp. 103-118. ISBN 9780367752552, 9781003162827

Vescovi, Michele Luigi (2017) An eschatological mirror: the Romanesque portal of Beaulieu-sur-Dordogne. Gesta, 56 (1). pp. 53-80. ISSN 0016-920X

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Waites, Ian (2012) Common land in English painting 1700-1850. Garden and Landscape series . The Boydell Press. ISBN 9781843837619

Waites, Ian (2011) 'Extensive fields of our forefathers': some prospect drawings of common fields in Northamptonshire by Peter Tillemans, c. 1719-21. Midland History, 36 (1). pp. 42-68. ISSN 0027-7738

Waites, Ian (2012) ‘Places in which I forgot things’: memory, identity and the English council estate in the paintings of George Shaw. In: Affective Landscapes, 25-26 May 2012, University of Derby.

Waites, Ian (2005) Where they seek for freedom still: space and freedom in the English common field landscape 1810-1830. In: Land Questions: Social, Cultural and Political Perspectives on the Land in the United Kingdom 1750-2000, 2-3 July 2005, University of Hertfordshire.

Waites, Ian (2006) Darkness terrible in its own nature; Turner's Sublime in the common heathlands of South East London c.1796-7. In: Romantic Spectacle Conference. Centre for Research in Romanticism, 7-9 Jul 2006, Roehampton University, London.

Waites, Ian (2016) Extramural: public art in Britain 1951-2016. In: The Russell Chantry: Lothar Götz / Duncan Grant. The Collection, Lincoln. ISBN 9780956237781

Waites, Ian (2010) The common field landscape: cultural commemoration and the impact of enclosure, c.1770-1850. In: The Land Question in Britain 1750-1950. Palgrave Macmillan, pp. 19-36. ISBN 9780230203402

Waites, Ian (2020) The postwar British power station as rural Picturesque ornament. In: New Lives, New Landscapes: Rural Modernism in Twentieth-Century Britain, 1-2 August 2019, Northumbria University.

Waites, Ian (2009) The prospect far and wide: an eighteenth-century drawing of Langley Bush and Helpston’s unenclosed countryside. John Clare Society Journal, 28 . pp. 5-22. ISSN 1356-7128

Waites, Ian (2004) 'A spacious horizon is an image of liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830. Capital & Class (84). pp. 83-102. ISSN 0309-8168

Wharton, Alyson (2020) ‘I have the honour to inform you that I have just arrived from Constantinople’: Migration, Identity and Commodity Disavowal in the Formation of the Islamic Art Collection at the V&A. Museum and Society, 18 (2). pp. 258-279. ISSN 1479-8360

Wharton, Alyson (2020) Sopon Bezirdjian, Craft, Heritage and Identity in Victorian Manchester. In: Craft and Heritage. Bloomsbury Academic. ISBN UNSPECIFIED

Wharton, Alyson (2022) Wharton, Alyson (2022), The Missing Pages: The Modern Life of a Medieval Manuscript from Genocide to Justice, Heghnar Zeitlian Watenpaugh (2019). International Journal of Islamic Architecture, 11 (1). pp. 191-193. ISSN 2045-5895

Whittaker, Jason (2021) Divine Images: The Life and Work of William Blake. Reaktion Books, London. ISBN 9781789142877

Wilczek, Emily (2014) Art in fin-de-siècle Hull: a study of artist-run initiatives in a marginal city. In: Live Art Space Event, 1st November 2014, Live Art Space, Ferens Art Gallery, Hull HU1 3RA.

Wilczek, Emily (2017) Spotlight on Hull: time-based art on the margin. The Moving Image Review & Art Journal (MIRAJ), 6 (1-2). pp. 118-131. ISSN 2045-6298

Wilczek, Emily (2007) The ‘problem’ of language in the films of artist Stan Brakhage. In: Screen Aesthetics, 22-23 June 2007, University of Wolverhampton.

Wilczek, Emily (2010) The role of contemporary artist-run spaces in the UK. In: Nottingham Institute for Research in Visual Culture, 17 Feb 2010, University of Nottingham.

Wiltshire, Imogen (2020) Representations of Pain in the Artwork of Magdalena Abakanowicz. Kwartalnik Rzeźby Oronsko (4). ISSN 1230-6703

Wiltshire, Imogen (2019) ‘(Un)healthy Minds’ and Visual and Tactile Arts, c.1900–1950. In: Healthy Minds in the Twentieth Century. Palgrave Macmillan, pp. 211-238. ISBN 978-3-030-27274-6, 978-3-030-27275-3