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Garrison, Laurie (2008) Imperial vision in the Arctic: fleeting looks and pleasurable distractions in Barker's Panorama and Shelley's Frankenstein. Romanticism and Victorianism on the Net (52). ISSN 1916-1441
Garrison, Laurie (2009) Seductive visual studies: scientific focus and editorial control in The Woman in White and All the Year Round. In: The Lure of Illustration in the Nineteenth Century: Picture and Press. Palgrave Macmillan, Basingstoke, pp. 168-183. ISBN 0230217311, 9780230217317
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Garrison, Laurie (2009) Seductive visual studies: scientific focus and editorial control in The Woman in White and All the Year Round. In: The Lure of Illustration in the Nineteenth Century: Picture and Press. Palgrave Macmillan, Basingstoke, pp. 168-183. ISBN 0230217311, 9780230217317
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Cheshire, Jim (2009) Curating Tennyson for the bicentenary: some reflections on 'Tennyson Transformed'. The Tennyson Research Bulletin, 9 (4). pp. 364-375. ISSN 0082-2841
Lockwood, Dean (2010) When the two sevens clash: David Peace’s crime fiction as ‘occult history’. In: What Happens Now: 21st Century Writing in English – the first decade, 9-12 July 2010, University of Lincoln. (Unpublished)
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Clayton, Owen and Demasure, Ruben and Mollet, Tracey and Kember, Joe (2011) Jack London, photographer [review of]. Early Popular Visual Culture, 9 (3). pp. 257-264. ISSN 1746-0654
Garrison, Laurie (2008) The seduction of seeing in M. E. Braddon's Eleanor's Victory: visual technology, sexuality and the evocative publishing context of once a week. Victorian Literature and Culture, 36 (1). pp. 111-30. ISSN 1060-1503
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Cheshire, Jim (2009) Curating Tennyson for the bicentenary: some reflections on 'Tennyson Transformed'. The Tennyson Research Bulletin, 9 (4). pp. 364-375. ISSN 0082-2841
Keeble, Richard (2001) Orwell as war correspondent: a reassessment. Journalism Studies, 2 (3). pp. 393-408. ISSN 1469-9699
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Cheshire, Jim (2012) The fall of the house of Moxon: James Bertrand Payne and the Illustrated Idylls of the King. Victorian Poetry, 50 (1). pp. 67-90. ISSN 0042-5206
Lockwood, Dean (2012) Mongrel vibrations: H. P. Lovecraft’s weird ecology of noise. In: Reverberations: the philosophy, aesthetics and politics of noise. Continuum, London and New York. ISBN 9781441196057
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Cheshire, Jim (2012) The fall of the house of Moxon: James Bertrand Payne and the Illustrated Idylls of the King. Victorian Poetry, 50 (1). pp. 67-90. ISSN 0042-5206
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Clayton, Owen and Demasure, Ruben and Mollet, Tracey and Kember, Joe (2011) Jack London, photographer [review of]. Early Popular Visual Culture, 9 (3). pp. 257-264. ISSN 1746-0654
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Cheshire, Jim (2012) The fall of the house of Moxon: James Bertrand Payne and the Illustrated Idylls of the King. Victorian Poetry, 50 (1). pp. 67-90. ISSN 0042-5206
Keeble, Richard (2001) Orwell as war correspondent: a reassessment. Journalism Studies, 2 (3). pp. 393-408. ISSN 1469-9699
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Dubois, Diane and Hudson, John (2012) Northrop Frye in context. Cambridge Scholars Publishing, Newcastle, UK. ISBN 1443833568, 9781443833561
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Clayton, Owen and Demasure, Ruben and Mollet, Tracey and Kember, Joe (2011) Jack London, photographer [review of]. Early Popular Visual Culture, 9 (3). pp. 257-264. ISSN 1746-0654
Garrison, Laurie (2008) The seduction of seeing in M. E. Braddon's Eleanor's Victory: visual technology, sexuality and the evocative publishing context of once a week. Victorian Literature and Culture, 36 (1). pp. 111-30. ISSN 1060-1503
Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.
Garrison, Laurie (2011) 'She read on more eagerly, almost breathlessly': Mary Elizabeth Braddon's challenge to medical depictions of female masturbation in "The doctor's wife". In: The female body in medicine and literature. Liverpool University Press, Liverpool, pp. 148-168. ISBN 9781846314728
Garrison, Laurie (2008) Imperial vision in the Arctic: fleeting looks and pleasurable distractions in Barker's Panorama and Shelley's Frankenstein. Romanticism and Victorianism on the Net (52). ISSN 1916-1441
Coley, Rob and Lockwood, Dean (2012) Worming-worlding: reading as fabulatory infection in China Miéville’s Weird. In: Weird Council: An International Conference on the Writing of China Miéville, 14-15 September 2012, Institute of English Studies, University of London. (Unpublished)
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Lockwood, Dean (2010) When the two sevens clash: David Peace’s crime fiction as ‘occult history’. In: What Happens Now: 21st Century Writing in English – the first decade, 9-12 July 2010, University of Lincoln. (Unpublished)
Dubois, Diane and Hudson, John (2012) Northrop Frye in context. Cambridge Scholars Publishing, Newcastle, UK. ISBN 1443833568, 9781443833561
Garrison, Laurie (2008) The seduction of seeing in M. E. Braddon's Eleanor's Victory: visual technology, sexuality and the evocative publishing context of once a week. Victorian Literature and Culture, 36 (1). pp. 111-30. ISSN 1060-1503
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Cheshire, Jim (2012) The poet and his publishers: shaping Tennyson's public image. In: From compositors to collectors: essays on book trade history. British Library, London, pp. 109-132. ISBN 0712358722
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Cheshire, Jim (2012) The poet and his publishers: shaping Tennyson's public image. In: From compositors to collectors: essays on book trade history. British Library, London, pp. 109-132. ISBN 0712358722
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Cheshire, Jim (2012) The fall of the house of Moxon: James Bertrand Payne and the Illustrated Idylls of the King. Victorian Poetry, 50 (1). pp. 67-90. ISSN 0042-5206
Cheshire, Jim (2012) The poet and his publishers: shaping Tennyson's public image. In: From compositors to collectors: essays on book trade history. British Library, London, pp. 109-132. ISBN 0712358722
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Cheshire, Jim (2009) Curating Tennyson for the bicentenary: some reflections on 'Tennyson Transformed'. The Tennyson Research Bulletin, 9 (4). pp. 364-375. ISSN 0082-2841
Garrison, Laurie (2011) 'She read on more eagerly, almost breathlessly': Mary Elizabeth Braddon's challenge to medical depictions of female masturbation in "The doctor's wife". In: The female body in medicine and literature. Liverpool University Press, Liverpool, pp. 148-168. ISBN 9781846314728
Lockwood, Dean (2010) When the two sevens clash: David Peace’s crime fiction as ‘occult history’. In: What Happens Now: 21st Century Writing in English – the first decade, 9-12 July 2010, University of Lincoln. (Unpublished)
Garrison, Laurie (2009) Seductive visual studies: scientific focus and editorial control in The Woman in White and All the Year Round. In: The Lure of Illustration in the Nineteenth Century: Picture and Press. Palgrave Macmillan, Basingstoke, pp. 168-183. ISBN 0230217311, 9780230217317
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Garrison, Laurie (2009) Seductive visual studies: scientific focus and editorial control in The Woman in White and All the Year Round. In: The Lure of Illustration in the Nineteenth Century: Picture and Press. Palgrave Macmillan, Basingstoke, pp. 168-183. ISBN 0230217311, 9780230217317
Cheshire, Jim (2012) The poet and his publishers: shaping Tennyson's public image. In: From compositors to collectors: essays on book trade history. British Library, London, pp. 109-132. ISBN 0712358722
Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.
Keeble, Richard (2001) Orwell as war correspondent: a reassessment. Journalism Studies, 2 (3). pp. 393-408. ISSN 1469-9699
Garrison, Laurie (2009) Seductive visual studies: scientific focus and editorial control in The Woman in White and All the Year Round. In: The Lure of Illustration in the Nineteenth Century: Picture and Press. Palgrave Macmillan, Basingstoke, pp. 168-183. ISBN 0230217311, 9780230217317
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Coley, Rob and Lockwood, Dean (2012) Worming-worlding: reading as fabulatory infection in China Miéville’s Weird. In: Weird Council: An International Conference on the Writing of China Miéville, 14-15 September 2012, Institute of English Studies, University of London. (Unpublished)
Garrison, Laurie (2008) Imperial vision in the Arctic: fleeting looks and pleasurable distractions in Barker's Panorama and Shelley's Frankenstein. Romanticism and Victorianism on the Net (52). ISSN 1916-1441
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.
Cheshire, Jim (2012) The fall of the house of Moxon: James Bertrand Payne and the Illustrated Idylls of the King. Victorian Poetry, 50 (1). pp. 67-90. ISSN 0042-5206
Coley, Rob and Lockwood, Dean (2012) Worming-worlding: reading as fabulatory infection in China Miéville’s Weird. In: Weird Council: An International Conference on the Writing of China Miéville, 14-15 September 2012, Institute of English Studies, University of London. (Unpublished)
Lockwood, Dean (2012) Mongrel vibrations: H. P. Lovecraft’s weird ecology of noise. In: Reverberations: the philosophy, aesthetics and politics of noise. Continuum, London and New York. ISBN 9781441196057
Coley, Rob and Lockwood, Dean (2012) Worming-worlding: reading as fabulatory infection in China Miéville’s Weird. In: Weird Council: An International Conference on the Writing of China Miéville, 14-15 September 2012, Institute of English Studies, University of London. (Unpublished)
Garrison, Laurie (2011) 'She read on more eagerly, almost breathlessly': Mary Elizabeth Braddon's challenge to medical depictions of female masturbation in "The doctor's wife". In: The female body in medicine and literature. Liverpool University Press, Liverpool, pp. 148-168. ISBN 9781846314728
Cheshire, Jim (2012) The fall of the house of Moxon: James Bertrand Payne and the Illustrated Idylls of the King. Victorian Poetry, 50 (1). pp. 67-90. ISSN 0042-5206
Dubois, Diane and Hudson, John (2012) Northrop Frye in context. Cambridge Scholars Publishing, Newcastle, UK. ISBN 1443833568, 9781443833561
Garrison, Laurie (2011) 'She read on more eagerly, almost breathlessly': Mary Elizabeth Braddon's challenge to medical depictions of female masturbation in "The doctor's wife". In: The female body in medicine and literature. Liverpool University Press, Liverpool, pp. 148-168. ISBN 9781846314728
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Lockwood, Dean (2012) Mongrel vibrations: H. P. Lovecraft’s weird ecology of noise. In: Reverberations: the philosophy, aesthetics and politics of noise. Continuum, London and New York. ISBN 9781441196057
Lockwood, Dean (2010) When the two sevens clash: David Peace’s crime fiction as ‘occult history’. In: What Happens Now: 21st Century Writing in English – the first decade, 9-12 July 2010, University of Lincoln. (Unpublished)
Garrison, Laurie (2008) Imperial vision in the Arctic: fleeting looks and pleasurable distractions in Barker's Panorama and Shelley's Frankenstein. Romanticism and Victorianism on the Net (52). ISSN 1916-1441
Cheshire, Jim (2012) The fall of the house of Moxon: James Bertrand Payne and the Illustrated Idylls of the King. Victorian Poetry, 50 (1). pp. 67-90. ISSN 0042-5206
Lockwood, Dean (2012) Mongrel vibrations: H. P. Lovecraft’s weird ecology of noise. In: Reverberations: the philosophy, aesthetics and politics of noise. Continuum, London and New York. ISBN 9781441196057
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Coley, Rob and Lockwood, Dean (2012) Worming-worlding: reading as fabulatory infection in China Miéville’s Weird. In: Weird Council: An International Conference on the Writing of China Miéville, 14-15 September 2012, Institute of English Studies, University of London. (Unpublished)
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Lockwood, Dean (2012) Mongrel vibrations: H. P. Lovecraft’s weird ecology of noise. In: Reverberations: the philosophy, aesthetics and politics of noise. Continuum, London and New York. ISBN 9781441196057
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Lockwood, Dean (2012) Mongrel vibrations: H. P. Lovecraft’s weird ecology of noise. In: Reverberations: the philosophy, aesthetics and politics of noise. Continuum, London and New York. ISBN 9781441196057
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937
Lockwood, Dean (2010) When the two sevens clash: David Peace’s crime fiction as ‘occult history’. In: What Happens Now: 21st Century Writing in English – the first decade, 9-12 July 2010, University of Lincoln. (Unpublished)
Garrison, Laurie (2008) The seduction of seeing in M. E. Braddon's Eleanor's Victory: visual technology, sexuality and the evocative publishing context of once a week. Victorian Literature and Culture, 36 (1). pp. 111-30. ISSN 1060-1503
Lockwood, Dean (2010) When the two sevens clash: David Peace’s crime fiction as ‘occult history’. In: What Happens Now: 21st Century Writing in English – the first decade, 9-12 July 2010, University of Lincoln. (Unpublished)
Garrison, Laurie (2009) Seductive visual studies: scientific focus and editorial control in The Woman in White and All the Year Round. In: The Lure of Illustration in the Nineteenth Century: Picture and Press. Palgrave Macmillan, Basingstoke, pp. 168-183. ISBN 0230217311, 9780230217317
Garrison, Laurie (2008) The seduction of seeing in M. E. Braddon's Eleanor's Victory: visual technology, sexuality and the evocative publishing context of once a week. Victorian Literature and Culture, 36 (1). pp. 111-30. ISSN 1060-1503
Coley, Rob and Lockwood, Dean (2012) Worming-worlding: reading as fabulatory infection in China Miéville’s Weird. In: Weird Council: An International Conference on the Writing of China Miéville, 14-15 September 2012, Institute of English Studies, University of London. (Unpublished)
Lockwood, Dean (2012) Mongrel vibrations: H. P. Lovecraft’s weird ecology of noise. In: Reverberations: the philosophy, aesthetics and politics of noise. Continuum, London and New York. ISBN 9781441196057
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908