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Braddon, Mary and Garrison, Laurie (2008) The Loves of Arcadia [By Miss Braddon]. Lord Chamberlain's Plays Project / Royal Holloway University of London.
Cheshire, Jim (2011) Publishing Tennyson in the USA: the composition of books and the decomposition of relationships. In: British Association of Victorian Studies Conference 2011: Composition and Decomposition, 01/09/2011 - 03/09/2011, University of Birmingham.
Cheshire, Jim (2012) The fall of the house of Moxon: James Bertrand Payne and the Illustrated Idylls of the King. Victorian Poetry, 50 (1). pp. 67-90. ISSN 0042-5206
Cheshire, Jim (2012) The poet and his publishers: shaping Tennyson's public image. In: From compositors to collectors: essays on book trade history. British Library, London, pp. 109-132. ISBN 0712358722
Cheshire, Jim and Lord, John and Ford, Colin and Ormond, Leonee and Stoker, Ben and Thomas, Julia (2009) Tennyson transformed: Alfred Lord Tennyson and visual culture. Lund Humphries, London. ISBN 1848220030
Cheshire, Jim (2009) Curating Tennyson for the bicentenary: some reflections on 'Tennyson Transformed'. The Tennyson Research Bulletin, 9 (4). pp. 364-375. ISSN 0082-2841
Clayton, Owen (2010) London eyes: William Dean Howells and the shift to instant photography. Nineteenth Century Literature, 65 (3). pp. 374-394. ISSN 0891-9356
Clayton, Owen and Demasure, Ruben and Mollet, Tracey and Kember, Joe (2011) Jack London, photographer [review of]. Early Popular Visual Culture, 9 (3). pp. 257-264. ISSN 1746-0654
Coley, Rob and Lockwood, Dean (2012) Worming-worlding: reading as fabulatory infection in China Miéville’s Weird. In: Weird Council: An International Conference on the Writing of China Miéville, 14-15 September 2012, Institute of English Studies, University of London. (Unpublished)
Culley, Amy (2012) Prying into the recesses of history: women writers and the court memoir. In: Women's life writing, 1700-1850: gender, genre and authorship. Palgrave Macmillan, Basingstoke, pp. 133-149. ISBN 9780230343078
Dubois, Diane and Hudson, John (2012) Northrop Frye in context. Cambridge Scholars Publishing, Newcastle, UK. ISBN 1443833568, 9781443833561
Garrison, Laurie (2008) Imperial vision in the Arctic: fleeting looks and pleasurable distractions in Barker's Panorama and Shelley's Frankenstein. Romanticism and Victorianism on the Net (52). ISSN 1916-1441
Garrison, Laurie (2009) Seductive visual studies: scientific focus and editorial control in The Woman in White and All the Year Round. In: The Lure of Illustration in the Nineteenth Century: Picture and Press. Palgrave Macmillan, Basingstoke, pp. 168-183. ISBN 0230217311, 9780230217317
Garrison, Laurie (2011) 'She read on more eagerly, almost breathlessly': Mary Elizabeth Braddon's challenge to medical depictions of female masturbation in "The doctor's wife". In: The female body in medicine and literature. Liverpool University Press, Liverpool, pp. 148-168. ISBN 9781846314728
Garrison, Laurie (2008) The seduction of seeing in M. E. Braddon's Eleanor's Victory: visual technology, sexuality and the evocative publishing context of once a week. Victorian Literature and Culture, 36 (1). pp. 111-30. ISSN 1060-1503
Keeble, Richard (2001) Orwell as war correspondent: a reassessment. Journalism Studies, 2 (3). pp. 393-408. ISSN 1469-9699
Lockwood, Dean (2012) Mongrel vibrations: H. P. Lovecraft’s weird ecology of noise. In: Reverberations: the philosophy, aesthetics and politics of noise. Continuum, London and New York. ISBN 9781441196057
Lockwood, Dean (2010) When the two sevens clash: David Peace’s crime fiction as ‘occult history’. In: What Happens Now: 21st Century Writing in English – the first decade, 9-12 July 2010, University of Lincoln. (Unpublished)
Lockwood, Dean (2011) The great Yorkshire fugue: bare life in the Red Riding Quartet. In: Analysing David Peace. Cambridge Scholars Publishing, pp. 41-60. ISBN 9781443829908
Styler, Rebecca (2010) The problem of 'evil' in Elizabeth Gaskell's Gothic tales. Gothic Studies, 12 (1). pp. 33-50. ISSN 1362-7937